CHAPTER IV

THE RE-ESTABLISHMENT OF RELATIONS BETWEEN SCHOOL AND REALITY

§ 1

In the previous chapter I have told how Sanderson was taught by his

laboratories and library the possibility of a new type of school with

a new spirit, and how he grew to realise that an organisation of such

new schools, a multiplication of Oundles, must necessarily produce a

new spirit in social and industrial life. Concurrently with that, the

obvious implications of applied science were also directing his mind to

the close reaction between schools and the organisation of the economic

life of the community.

It is amusing to reflect that Sanderson probably owed his appointment

at Oundle to the simple desire of various members of the Grocers'

Company for a good school of technical science. They did not want any

change in themselves, they did not want any change in the world nor in

the methods of trading and employment, but they did want to see their

sons and directors and managers equipped with the sharper, more modern

edge of a technical scientific training. Germany had frightened them.

If this new training could be technical without science and modern

without liberality, so much the better. So the business man brought his

ideas to bear upon Oundle, to produce quite beyond his expectation a

counteroffensive of the school upon business organisation and methods.

Oundle built its engines, organised itself as an efficient munitions

factory during the war, made useful chemical inquiries, extended its

work into agriculture, analysed soils and manures for the farmers of

its district, ran a farm and did much able competent technical work,

but it also set itself to find out what were the aims and processes

of business and what were the reactions of these processes upon the

life of the community. From the laboratory a boy would go to a careful

examination of labour conditions under the light of Ruskin's _Unto This

Last_; he was brought to a balanced and discriminating attitude towards

strikes and lock-outs; he was constantly reminded that the end of

industry is not profits but life--a more abundant life for men.

As one reads through the sermons and addresses that are given in

_Sanderson of Oundle_ one finds a steadily growing consciousness of the

fact that there was a considerable and increasing proportion of Oundle

boys destined to become masters, managers, and leaders in industrial

and business life, and with that growing consciousness there is a

growing determination that the school work they do shall be something

very far beyond the acquisition of money-getting dodges and devices and

commercialised views of science. More and more does he see the school

not as a training ground of smart men for the world that is, but as a

preliminary working model of the world that is to be.

Two quotations from two of Sanderson's sermons will serve to mark how

vigorously he is tugging back the English schools from the gentlemanly

aloofness of scholarship and school-games to a real relationship to

the current disorder of life, and how high he meant to carry them to

dominance over that disorder.

The first extract is from a sermon on Faraday. Under Sanderson, it has

been remarked, Faraday ousted St. Anthony from being the patron saint

of Oundle School. 'With what abundant prodigality,' Sanderson exclaims,

'has Nature given up of her secrets since his day!'

'A hundred years ago Man and Nature as we think of them to-day were

unexplored by science; to-day a new world, a new creation. Industrial

life has developed, machinery, discoveries, inventions--steam engine,

gas engine, dynamo--electrical machinery, telegraphy, radioactive

bodies, tremendous openings out of chemistry, biology, economics,

ethics. All new. These are Thy works, O God, and tell of Thee. Not now

only may we search for Thy Presence in the places where Thou wert wont

in days of old to come to man. Not there only. Not only now in the

stars of heaven; or by the seashore, or in the waters of the river,

or of the springs; among the trees, the flowers, the corn and wine,

on the mountain or in the plain; not now only dost Thou come to man

in Thy works of art, in music, in literature; but Thou, O God, dost

reveal Thyself in all the multitude of Thy works; in the workshop, the

factory, the mine, the laboratory, in industrial life. No symbolism

here, but the Divine God. A new Muse is here--

'Mightier than Egypt's tombs,

Fairer than Grecia's, Roma's temples.

Prouder than Milan's statued, spired cathedral,

More picturesque than Rhenish castle-keeps,

We plan even now to raise, beyond them all,

Thy great cathedral, sacred industry, no tomb--

A keep for Life.'

And the builders, a mighty host of men: Homeric heroes, fighting

against a foe, and yet not a foe, but an invisible, impalpable thing

wherein the combatant is the shadow of the assailant.

'Mighty men of science and mighty deeds. A Newton who binds the

universe together in uniform law; Lagrange, Laplace, Leibnitz

with their wondrous mathematical harmonies; Coulomb measuring out

electricity; Oversted with the brilliant flash of insight "that the

electric conflict acts in a revolving manner"; Faraday, Ohm, Ampère,

Joule, Maxwell, Hertz, Röntgen; and in another branch of science,

Cavendish, Davy, Dalton, Dewar; and in another, Darwin, Mendel,

Pasteur, Lister, Sir Ronald Ross. All these and many others, and some

whose names have no memorial, form a great host of heroes, an army of

soldiers--fit companions of those of whom the poets have sung; all, we

may be sure, living daily in the presence of God, bending like the reed

before His will; fit companions of the knights of old of whom the poets

sing, fit companions of the men whose names are renowned in history,

fit companions of the great statesmen and warriors whose names resound

through the world.

'There is the great Newton at the head of this list comparing himself

to a child playing on the seashore gathering pebbles, whilst he could

see with prophetic vision the immense ocean of truth yet unexplored

before him. At the end is the discoverer Sir Ronald Ross, who had gone

out to India in the medical service of the Army, and employed his

leisure in investigating the ravishing diseases which had laid India

low and stemmed its development. In twenty years of labour he discovers

how malaria is transmitted and brings the disease within the hold of

man.'

The second is from a sermon called 'The Garden of Life.'

'As Canon Driver says, "Man is not made simply to enjoy life; his

end is not pleasure; nor are the things he has to do necessarily to

give pleasure or lead to what men call happiness." This is not the

biological purpose of man. His purpose or instinctive end is to develop

the capacities of the garden in the wilderness of nature; to adapt it

to his own ends, _i.e._ to the ends of the races of men. Or, as we

would now say, his aim is to take his part in the making of his kind;

and he is to "keep it," or guard it--_i.e._ he is to conquer the jungle

in it, to prevent it from roving wild again, from reverting to the

jungle, from losing law and order, from becoming unruly and disorderly,

from breaking loose and running amok. He is to bring and maintain order

out of the tangle of things, he is to diagnose diseases; he is to

co-ordinate the forces of nature; he is above all things to reveal the

spirit of God in all the works of God.

'And in all this we read the duty and service of schools. The business

of schools is through and by the use of a common service to get at the

true spiritual nature of the ordinary things we have to deal with. The

spirit of the true active life does not come to us _only_ in those

experiences we have been so accustomed to think of as beautiful and

revealing. The active spirit of life is not revealed simply by the

arts--the beautiful arts as they may be thought--of music or painting,

or literature. These indeed may be only and abundantly _material_,

and the eye and ear may be blind and deaf to the active, creative,

discovering, revealing spirit. "Painting, or art generally, as such,"

says Ruskin in his _Modern Painters_, "with all its technicalities,

difficulties, executive skills, pleasant and agreeable sensations, and

its particular ends, is nothing but an expressive language, invaluable

if we know it as we might know it as the vehicle of thought, but by

itself nothing." He who has learnt what is commonly considered as the

whole art of painting, that is the art of representing any natural

object faithfully, has as yet only learnt the language by which his

thoughts are to be expressed. One language or mode of expression may be

more difficult than another; but it is not by the mode of representing

and saying, but by the greatness, the awakening, the transmuting and

transfiguring conception and knowledge of the thought presented, that

the gift cometh, that man is created. Awkward, discordant, stammering

attempts may be the burning message of a new hope. But this "voice" of

art is too often drowned. It is drowned by executive skill--as is the

history of all art--when this skill stretches itself to present things

that are static, motionless, dead....

'It is especially our duty to reveal the spirit of God in the things

of science and of the practical life. Herein lies a new revelation, a

new language, a direct symbolism. Science, just like art and music, can

be materialistic--science can aim only at mechanical advancement and

worldly wealth, which is not wealth at all--just as art can aim only at

pleasure, desire, and drawing-room appreciation. But this need not be

so. Certainly no one in a responsible position can teach science for

long without the coming of the revelation of a new voice, a new method

of expression, a new art--revealing quite changed standards of value,

quite new significances of what we speak of as culture, beauty, love,

justice. A new voice speaks to the souls of men and women calling for a

new age with all its altered relationships and adventures of life.

'With eyes opened to this new art you can wander through the science

block and find in it all a new Bible, a new book of Genesis. So we

believe. This is our duty and our faith. Into this Paradise have you

been placed to dress it and to keep it.'

Let me turn from these two passages of talk to his boys--they are

rescued from a mass of pencil notes in his study--to a passage from an

address delivered in the Great Hall in Leeds in 1920. It shows very

plainly the quality of his conception of what I have called the return

of schools to reality.

'Schools should be miniature copies of the world. We often find that

methods adopted in school are just the methods we should like applied

in the state. We should, in fact, direct school life so that the

spirit of it may be the spirit which will tend to alleviate social and

industrial conditions. I will give an example of the kind of influence

the ideals and methods of a school can exert upon the working life. I

will take a condition of labour which is now recognised as probably the

greatest of tragedies. It is the slow decay of the faculties of crowds

of men and women, caused by the nature of their employment--the tragedy

of the unstretched faculties. So common is it, and ordinary, that

we pass it by on one side; but no one can go into a factory without

seeing workers engaged in work which is far below their capacities.

Decay sets in, and the death of talent and enthusiasm, the inspirer of

creative work. A little thought will convince us that the process of

decay of such a delicate and vital organism as the brain is bound to

set up violent, destructive, anarchic forces which go on for several

years. A recent writer in the _Times Educational Supplement_ (and

this paper cannot be called revolutionary) says that the tragedy of

undeveloped talent is being seen more and more to be a gigantic waste

of potentiality and an unpardonable cruelty. It is a tragic disease and

produces in early life startling intellectual and moral disturbances,

which are the natural sources of unrest. As years go on a mental stupor

sets in, and there is peace, but peace on a low plane of life. The loss

to the community by this waste is colossal, and it is not too much to

say that the output of man could be multiplied beyond conception.

'Schools should send boys out into the industrial world whose aim

should be to study these tragedies, and by experiments, by new

inventions, by organisation, try, we may hope, by some of their own

school experience, to alleviate the disease. To my mind this is the

supreme aim of schools in the new era.'

The Story of a Great Schoolmaster · 第 4 / 8 章