I’d found out from Fred that his father’s bridge game broke up after

eleven; so at ten that night, to make my plan sure, I took my roadster

up through Lincoln Park and then up Sheridan Road to the big, new home

of Win Scofield.

He’s had a new one for each new wife, each farther north by a mile or

so than the one just before; and as I went by them (the houses not the

wives, unless they happened to be in them) I checked up my count; four

before Shirley Fendon’s.

She’d worked old Win for a wide, low, long shack of stone with plenty

of plate glass and colored decoration; stunning probably was the word

for it. The expense was patent. I didn’t know then that title to land

and building was in Fred and Ken; they were simply letting Win live in

the house on an allowance which certainly must have been liberal.

The house had one front on the lake and another on the boulevard; and

at one end was a two-car garage. I parked my car below the house, went

by on foot and, looking into the garage, saw both cars within.

It was easy to see, under the half-raised shades and between the

curtains of the house, that the mistress of the mansion was at home.

VI

AND I FAIL TO PREVENT A BUMP-OFF.

Shirley was at her piano near a window facing the boulevard walk. As

the night was cool and therefore the window was down, I could not hear

what she played but her fingers moved over the keys and her red lips

parted and closed and her red head tossed with animation as she sang

her song.

She sang to no one; at least, no one but she was visible from the walk.

Surely it was a light, happy song which she sang as she tossed her head

and smiled. Her hair was bobbed and it flung like fine spun bronze

about her pretty ears. I thought that if I could paint, I’d take a try

at her just now with the soft pink light of her piano lamp upon her.

I’d paint her as Youth--Youth and something else. Youth Enchained!

No; that wouldn’t do. There should be something submissive, or at

least something pathetic about a young person enchained; and there

was nothing submissive about Shirley Fendon Scofield; and not the

slightest touch of pathos. Not at this moment, at least. Quite the

contrary.

I am not a fanciful or figurative man; I can watch symbolic dancing

from Pavlova and Ukrainsky up and down and, unless I hold my programme

in a good light, the performance never brings to me any pervading sense

of “Dawn” or “Death,” of “The Swan” or “Wild Pansies.” But that dance

of Shirley Scofield’s gave me a thrill.

It was a dance, almost, as she tossed and flung herself to the lilt of

the song I could not hear. Perhaps you say I took my thrill from the

programme which Jerry had furnished to me. Let it go at that; anyway, I

got it. Youth was set on snapping her chains to-night; and it was not

to be nice snapping. Not at all! Youth was wild, orgiastic, reckless

and bent on being free.

I thought her over while I stood out there after her dance was done

and she had disappeared. Beyond any doubt, she was Christina. For her

appearance to me in that room beside the river, she’d assumed yellow

hair and a different dress and changed several other things; yet I was

sure of her. I wondered what was her place in the plot afoot to-night.

I was looking in on a last act, I knew; the first had started long ago

when Win Scofield met her in some cabaret and she decided to marry him.

She might have been Keeban’s woman then, I thought; and he, hearing her

plan, had told her to go ahead. Or perhaps he had made the plan for

her, marking up Win Scofield on his board then; and to-night old Win’s

number had come to the top.

I went down the street to my car and started the engine and kept it

going to be ready while I watched. Ten minutes past eleven, I saw a

light in Win Scofield’s garage; a black car came out and a girl got

into it. I waited until it was in the street and then, stepping on my

gas, I charged up the road and gave that black car all I had.

It went into the curb and smashed a wheel and bent the axle too. I

wrecked my front, naturally. Shirley Scofield’s driver was out yelling

at me; he turned and opened the door of his car and switched on the

light and I saw Christina sitting in a corner. Youth snapping her

chains wasn’t there. A scared girl was, you’d think; but she wasn’t

scared. Not she! She was merely pretending to be frightened, while she

sat there mighty quiet and trying to size me up.

She was wondering whether I recognized her from that room by the river,

I thought; she must have been wondering several other things. For one,

how did I happen to run into her just at this moment? For another, how

much did I know?

One thing about me, I’m slow but I’m not expressive. I may be gradual

about getting a fact from somebody else but not many learn much from

me. In bridge, when I bid my hand, nobody’s sure whether I have the

cards or whether I’m just trying to force the other fellow up. To-night

I stepped up to the car as though I’d no idea who might be in it.

“I hope you’re not hurt?” I started; and then, “Why, isn’t it Mrs.

Scofield?”

She spoke my name; I said the obvious regrets and all that. She made

the ordinary replies.

“I was going down after Mr. Scofield,” she mentioned and she spoke to

the chauffeur who had come about beside me. “Thurston, if you’ll get

out the other car now.”

For a moment that stumped me; for if she was going to use another car,

I had to use another plan and I hadn’t another. My own machine, as I’ve

commented, was in no shape to respond to an encore on the act I’d just

finished. At this crisis, Thurston saved me.

“You’re all shook up, Mrs. Scofield,” he told her; and then I was sure,

as I’d suspected before, that he was in on her game. He knew that I

hadn’t just accidentally run him down; and he had different ideas about

the advisability of trying their old plan with the other car.

He was a thin, Cassius-looking driver of about thirty and of the sort

that smoke and dope, as well as think, too much. He was a smooth-shaven

chap and would be good looking if the bones of his cheeks were less

sharp.

“I’m all right, Thurston,” she assured him; but I saw she was thinking

things over and sparring for time.

“You’d better go back into the house and rest, Mrs. Scofield,” Thurston

suggested respectfully enough but strengthened the suggestion with a

jerk of his head which he supposed I didn’t see.

Cars were stopping all about us and people piling out and asking

questions and offering help and so on. Shirley took Thurston’s tip and

let him and me assist her across the street into her house.

She thanked me beautifully and tried at once to be rid of me; but

I said I’d stay awhile to make sure she suffered no bad effect from

my carelessness. So she gave up in a few minutes and telephoned her

husband, at his club, that she wasn’t coming down to-night and he’d

better take a taxi home. I waited till I was sure he’d started in that

taxi and then I left.

I’d done fairly well, I thought; I didn’t fool myself into feeling that

I’d seen old Win out of danger absolutely but I did feel sure that I’d

pried his demise out of the present into the future. What’s the phrase

that surgeons use? I’d considerably prolonged his life, I thought; and,

so thinking and fairly much pleased with my plan after all, I went to

bed and to sleep.

It was half-past four, as I learned after I got fully awake, when I was

roused by some one shaking me. It was father.

“Wake up, Stephen!” he was saying to me. “Wake up! The police are

here. They want to talk to you. Jerry has just shot and killed Winton

Scofield.”

I stumbled up, as you may imagine, with father’s words painting the

picture in my mind. Jerry was in that picture. Then I shook myself and

cast him out of the image and put Keeban, Harry Vine, in his place.

“When was it, father?” I asked.

“Less than an hour ago. The police roused your mother who woke me.”

He was in pajamas and dressing gown, was father, with bedroom slippers

on. He was tall and gray and gaunt-looking in the glow of my reading

lamp which he’d lit. He shook a little and bent a little more; he

believed that Jerry did it.

“Where was it?”

“Jerry killed him at home.”

“How?”

“He shot him, I said; he shot him down in cold blood.”

I began at this time to feel it; and what I felt was not that Jerry had

shot Win Scofield; no, not Jerry who’d grown up beside me as my brother

in this house. That duplicate of Jerry, whom I myself had mistaken

for Jerry when I found him in that basement room, that man and his

Christina, who then was with him, had “got” Win Scofield; and my rage

rose against her. She was his wife and, if she had not fired the shot,

she’d been in the plot. I thought how I had seen her last night singing

and exultant. I clenched my hands and shook.

My father was going on. “He was seen and recognized by three persons.

There’s no doubt about it at all.”

“Who saw him?” I said.

“Mrs. Scofield.”

I laughed at that and it must have seemed mad to father. “Who else?” I

asked him.

“The chauffeur.”

I laughed again.

“And the butler,” father finished.

I didn’t laugh at that. I hadn’t seen the butler but there was no

reason for believing he was not in the game.

“They got him,” I thought to myself. “They got old Win Scofield.”

His life was not an invaluable one, as perhaps you have gathered; but

that wasn’t the point with me. They--his wife and other people close

about him and upon whom he had a right to depend--had got him, and

certainly in some low, treacherous way. No wonder Jerry had warned me

to try and stop this; he’d told me he’d pick and choose, so when he

took the risk of warning, he’d warn against a more than ordinary crime.

“Jerry killed Winton Scofield,” my father repeated just then; and I

came back at him now, “He didn’t.”

I couldn’t tell him that Jerry had sent me to try to stop this murder.

I remembered in time that Jerry forbade me a word. There was no use

talking to father, anyway.

“Get some clothes on,” was all he said to me.

“Keeban did that!” I proclaimed; and father pulled up and faced me.

“There’s no Keeban; don’t let me hear you say that again. This family

faces the fact; Jerry’s gone to crime. We face it and we do not shirk

our responsibility. Come to yourself, Stephen. Jerry’s picture is in

police headquarters in every city east or west; New York, Philadelphia,

San Francisco, Minneapolis, Baltimore, every headquarters has reported

the same; they have no criminal in their galleries who would be taken

for Jerry. There’s never been a Keeban in crime; it’s Jerry.”

“Keeban, he goes by the name of Harry Vine,” I returned; “he’s not in

their galleries because he’s kept out of their hands. They’ve got to

catch a man before they can photograph him.”

My father gave me up. “Come talk to the police,” he said and stalked

from my room.

Downstairs I met Mullaney and a plain clothes man from the central

detective bureau who wanted to know how I happened to run into Mrs.

Scofield’s car at eleven in the evening.

I wanted to know something before I answered this; I wanted to know

that the witnesses, Shirley and Thurston and the butler, were being

held by the police.

All three were; so there could be no harm in keeping what I knew. You

can always tell what you’ve kept to yourself but never call back what

you’ve chattered. I thought, “When Jerry warned me of this murder, he

said ‘not a word to any one.’ If I say he warned me against Shirley,

and the news gets out, not only the police’ll be after him; the crowd

he trains with now will go for him and get him, surely.” So I said to

Mullaney about my collision with Shirley’s car, “You have the report on

that accident.”

“So you stick to it that ’twas an accident?”

I nodded.

“Then tell us, please, what was you doing up that way alone at that

time so that you had the little accident?”

I didn’t like his tone; I didn’t like it at all.

There was no possibility of my convincing him of the existence of

Keeban; and the impossibility of it only made me surer of Keeban,

just as it always did when I argued with father. You see at that time,

it was a matter of faith with me; and nothing feeds up faith like

antagonism. I was slow but also stubborn, as perhaps you’ve perceived.

These men were here because they were sure Jerry had shot down Winton

Scofield; Jerry’d been seen doing it. I wouldn’t believe that;

therefore I had to believe in Keeban.

“What are you getting at?” I asked Mullaney.

He changed his tone. “Our cards are face up on your table, Mr.

Fanneal,” he said, respectfully enough. “We’re not accusin’ you of any

doin’s; but we think you know more about him who was Jerry Fanneal than

you are telling us.”

“What do you think I know?”

“We figure that you thought he was up by Mr. Scofield’s big house last

night and that’s why you was there; we think you was lookin’ for him

when you bumped into Mrs. Scofield comin’ out.”

I could deny that directly and I did. “That’s wrong.”

“You didn’t know he was there or you didn’t expect him there?”

“No: that’s flat.”

“Where may he be now? Do you know that?”

“I do not.”

“That’s flat too, sir?”

“Absolutely.”

They gave me up after a while; and the reporters arrived, bringing

details not mentioned to me by Mullaney or his companion. The reporters

had to see all the Fanneal household and learn what we thought of Jerry

now; they wanted fresh pictures, previously unpublished, of Jerry and

of the rest of us; they had no doubt at all that Jerry had committed

the murder.

“Why would he?” I asked them.

“Why?” was exactly what they wished most to know. They asked, “When

Jerry was one of your family and before he ‘reverted,’ had he ever

quarrelled with or taken a particular dislike to Winton Scofield?”

They were all full of that “reversion” idea which they played up in

their papers.

I went to my office that morning, not with an intention of doing any

business but to wait by my private wire on which yesterday Jerry had

called me. Likely enough it was being watched this morning, I thought;

surely I was being watched as a natural consequence of the police

knowledge that I was loyal to Jerry. Every few minutes, on the office

wire, a newspaper or some friend or some crank was calling me; once

mother called me on the private line; but otherwise it was silent.

By midforenoon the newspapers were strewing all over the streets the

news that Jerry Fanneal, who had vanished since his attack upon Dorothy

Crewe, had reappeared in the rôle of murderer and shot down old Winton

Scofield, the recently rejuvenated. It gave them full flood tide for

all their sensation stuff with the sun of the new murder and the moon

of old scandals pulling the same way. Naturally they raked over the

robbery of Dorothy Crewe and the fate of old Win with his former wives.

You know those pages of pictures which every news sheet seems to have

these days,--three-quarters photographs of the people who stopped their

car on the railroad crossing, the lady who ate the poison and the lady

who sent it, the new back-stroke swimming champion and the tenor who

sang at the Auditorium. Well, the Fanneals and the Scofields, with

Win’s wives, pushed them all off the page that day; we had it solid.

When I looked at the picture of Win’s last wife, Shirley of the yellow

hair, knowing she was also Christina, you may imagine I had some

arguments with myself about staying silent.

A buyer was bothering me all through this time. I’d told the doorkeeper

and the telephone girl, “Turn off everybody you can.” But weak words

had taken no effect upon this gentleman who, by his own account, was

one Klangenberg, a keeper of a delicatessen on a fourth-rate street

off Larrabee. He demanded to see me personally about a claim over a

shipment of Hawaiian pineapple.

“He will see you, sir,” my office manager reported. “He says you

promised to see him.”

I shook my head.

“He says to say to you, sir, if you don’t remember,” my manager

continued, “that when you promised, he asked you about Smetsheen of

Minneapolis.”

I sat up at that; for Jerry was the one who had last asked me about

Smetsheen of Minneapolis. I went out to see Klangenberg, who was a

tall, phlegmatic Swede entirely positive on the subject of pineapple

and quite fluent about it until he had drawn me off alone with him.

Then he said, “‘Kidnapped’ and ‘Westward Ho’ says to Steve, ‘They

crossed us last night; but stick. Not a word; you can help and we’ll

get them. Stick, Steve.’”

That was all he would say; when I asked him anything more, he went back

to pineapple; he was a buyer again, seeking satisfaction on a claim.

This word, which surely was from Jerry, of course helped me to stick.

It meant to me that he’d tried to prevent the murder and, having been

“crossed” somewhere, had failed; but he counted on me to stick while he

kept after Keeban.

A few minutes later, Fred Scofield ’phoned me and asked me to come up

to his father’s place.

VII

I KEEP MY OWN COUNSEL.

When I arrived at the big gaudy house, where I had watched Shirley

singing last evening, the coroner’s men were filing out; they’d

completed their examination. Police were all about the doors, keeping

back a crowd; the officers passed me and Fred came down almost

immediately and took me into the long, gay room where Shirley had

played and sung.

The shades were drawn to-day but as they were white they let in plenty

of light; the glass doors to the hall were closed and so, though we

could talk without being heard, we could be seen from the hall and we

could see most of the lower part of the house and also the stairs.

Fred pointed first to a French window, which opened on the lawn upon

the lake side; it had been forced open and now was braced shut, with

the catch torn out, the screws hanging.

“Here’s where he came in,” Fred told me.

“Who?” I said.

“Jerry.”

“He was alone?”

“Nobody else was seen. Apparently he went first to the sideboard in the

dining room.” Fred gazed across the hall. “He made a noise there.”

When Fred stopped, I commented, “The papers say he made it

intentionally.”

Fred nodded. “He wasn’t after silver. That was simply a bluff. He

brought a bag with him and emptied two drawers into it. There it is.”

A canvas sack, like a mail pouch, lay in the corner and bulged half

full. I didn’t bother to examine it. I was trying to figure out Fred’s

attitude towards me: he wasn’t expressing much but keeping hold of

himself pretty firm.

“Jerry made the rattle with the silver,” Fred went on, “to draw father

downstairs. He did it.

“As father appeared on the landing, Jerry fired from here--from beside

this silk hanging. He fired twice; and neither before the shots nor

between them nor afterwards did Jerry make any attempt to hide, in

spite of the portière right there; and the light was on. He hit father

both times; and father’s pistol went off in his hand as he was falling;

father fired wild, undoubtedly, but in Jerry’s general direction.” Fred

showed the bullet hole near the door. “Jerry wasn’t hit; but he did a

complete job with his gun. He hit father first----”

I stopped Fred. “I know from the papers,” I said.

“Well, they had that right. Father lived about five minutes. He fell on

the landing and was dead before they carried him up.”

Fred’s voice cracked; and I put my hand on his arm without saying

anything. Old Win, if he had played the fool towards the end of his

life, at least had showed good nerve at the finish; and when everything

else was said, he was Fred’s father. When Fred was a boy, Winton

Scofield had been a good father; no one called him a fool then. Every

one knows the thousand touches of memories of fondness from a father;

and Fred was thinking of them.

He went on telling: “Shirley ran down to him as soon as he fell; she

must have been nearly behind him when he got the second bullet. She

wasn’t hurt but she certainly took a big chance to help father. Rowan

reached him maybe a minute later.”

“Rowan, the butler?” I said.

“That’s right.”

“How long has he been in your family?”

“I can’t remember when he hasn’t been.”

“He saw the actual shooting, as the papers say?”

“Not the firing of the shots. Father was down when Rowan arrived at the

top of the stairs; but Jerry wasn’t gone. Rowan saw him plainly. That’s

one of the surest things.”

“What is?”

“That Jerry showed himself; he made no effort either to hide when

father came down or to get away immediately afterwards.”

“Where was Thurston when he saw Jerry?”

“He’d just come in from the wing through that door.”

“He shot at Jerry, they say.”

“Yes; and missed. Jerry fired once at him and grazed him. Then Jerry

got out.”

Fred and I looked each other over. I was thinking, “Jerry didn’t do

that but it is no use telling you so.”

Fred said to me, “You ran into Shirley last night.”

I admitted it.

He went on. “After you’d had me to lunch to talk over father’s

affairs, Steve. I’ve not mentioned that to the reporters or even to the

police yet; but of course I’ve been thinking about it.”

“Mentioning it?” I said.

“I wanted this talk with you first, Steve. Why did you call me

yesterday and afterwards smash Shirley’s car? What did you know?”

I stared at him and shook my head.

“Yesterday at lunch,” Fred kept at me, “you asked me particularly about

father’s engagements for last night; you asked whether Shirley would

drive down to meet him. I told you she would.”

I had nothing to do but to nod at this.

Fred asked directly, “You smashed into her car to stop her?”

I stared at him and kept thinking of Jerry’s “Not a word to any one”

and the message Klangenberg brought me from “Kidnapped” and “Westward

Ho” which begged me “to stick.” Yet I had to say something here or I

might as well, since my actions already had spoken for me.

“Yes, Fred; I smashed into her to stop her from meeting your father.”

“I was sure of it. You had reason to think, yesterday, that something

was going to happen to him?”

There was nothing for it but another nod at this.

“Where did you get your reason?”

I might as well have told him; he told me that he knew I got it from

Jerry. He held the police theory with this variation; I had been having

some sort of communication with Jerry through which I had stumbled upon

the idea that something was going to happen to Winton Scofield. I had

got the notion that it was going to happen through his wife, and so, in

my stupid way, I’d driven up to the house deliberately to smash into

her car and scare her out of whatever plan she had in her mind.

Fred was emotionally worked up, of course, he believed that I meant

well by what I tried to do; he didn’t doubt I meant well now. He didn’t

blame me for having supposed when I found something was planned against

his father that Shirley was in it.

“That’s what I thought,” he told me, “when Rowan ’phoned me this

morning and got me out of bed to tell me, ‘Mr. Fred, your father’s

shot.’

“The family--Kenyon and I--always figured, naturally, that money was

what Shirley was after. That’s why we fixed his affairs so she could

never get much, even if father had wanted to give it to her. He didn’t

have it to give; we had him on an allowance. The only big sum she could

get in a lump was his life insurance, which he made over to her. He

carried it from the old days, nearly half a million.”

Here was some of the stuff I’d come for. All morning my mind had been

reaching for a motive, you see,--why old Win Scofield had found a place

on Keeban’s board and why his number had come to the top just now. Fred

talked on and made it perfectly plain to me.

While he talked, I put myself in Keeban’s place for a while and

tried to take things from his point of view. I went back a bit to do

this--back a few months to the time when old Win, divorced once more

and rejuvenated, had arrived again at the cabarets and resumed beau-ing

about with the girls. I thought that when Shirley--or Christina--had

met him, she talked him over with Keeban and they’d marked him down

between them for easy meat. She married him to get away with the big

money old Win was supposed to have but hadn’t; for Fred and Kenyon had

seen to that, as I’ve mentioned. Win took her to Paris and brought her

back to live with him on an allowance.

Maybe from the first she had had her eyes on the old man’s insurance;

but I didn’t think so. I thought, “She got into this marriage with an

idea of an easy get-away with a pile; and when Ken and Fred fooled her,

she decided to fool them; she saw Keeban again and they decided to get

that insurance money. But they had a big difficulty with that; they had

to do more than merely ‘croak’ old Win; they had to do it so Shirley

would not possibly be connected and so the insurance money would be

paid over to her and she could get away with it.”

There, surely, was a job for them when the family and friends thought

what they did of Shirley.

Keeban · 第 3 / 12 段