CHAPTER XIII.

Pani Emilia, with Litka and Marynia, and with them Plavitski, were

going to the Bigiels to dine at their country house, which stood in a

forest at the distance of one hour and a half from the city. It was a

fine day in September; there were myriads of glittering spider-webs

in the air and on the stubbles. Leaves still fresh and green adhered

to the trees yet; here and there, through leafy openings, were

visible as it were fountains and bouquets of red and yellow. That

pale and faded autumn brought to Marynia's mind her occupations in

the country, the odor of grain in the barns, the fields with stacks,

and the clear extent of the meadows, bounded way off somewhere on the

horizon by stretches of alder. She felt a yearning for that life and

that composure, in comparison with which the city, notwithstanding

the labor which seethed in its every-day existence, but which Marynia

was unable to appreciate, seemed to her idle and empty. She felt now

that that life in which she had found her own worth and merit was lost

beyond return to her, and on the other hand there was not outlined

before her anything that could take its place and redeem it. She

might, it is true, return by becoming Pani Mashko; but her heart was

filled with bitterness at that thought alone, and Mashko, with his

Warsaw self-confidence, with his freckles and his side whiskers, with

his aping an English lord, seemed to her simply repulsive. Never had

she felt withal a deeper feeling against Pan Stanislav, who had taken

Kremen from her, and put Mashko in place of it. She was disgusted

with Mashko at that moment, and it seemed to her that she hated Pan

Stanislav. She saw before her life with her father on the pavement of

Warsaw, without an object, without occupation, without an ideal, with

regret for the past and in view of the past, and with emptiness in

the future. For this reason that calm autumn day, instead of quieting

her, filled her with bitterness and sorrow. On the whole, the journey

was not joyous. Litka sat in gloom because "Pan Stas" was not with

them. Pani Emilia gave all attention to her, fearing lest that gloomy

feeling might be connected with her health. Plavitski alone was in

genuine good-humor, especially at the beginning of the journey. In

his buttoned frock-coat, with a red flower in the buttonhole, with

a light-colored overcoat, and with mustaches as pointed as needles,

he thought himself beautiful, and was sprightly, since rheumatism,

which he felt at times, was not troubling him, by reason of the good

weather; secondly, before him sat one of the most presentable women in

Warsaw, who, as he supposed, would not remain indifferent to so many

charms, or in any case would esteem them in so far as she would be able

to note them. Let her say at least to herself, "Oh, what a charming

man that must have been!" In the worst event, Plavitski would have

been satisfied with such a retrospective recognition. In this hope he

was really enchanting; for at one time he was lofty and fatherly, at

another sportive, setting out with the theory that young men of the

present do not know how to act politely with ladies. In politeness, as

he told Pani Emilia, he went as far as mythology, which was true under

a certain aspect, for he looked at her as would a satyr.

But all this was received with a faint smile and with too little

attention, hence he grew offended at last and began to speak of

something else; namely, that, thanks to the relations of his daughter,

he would become acquainted with the bourgeoisie, of which he was glad,

however, for hitherto he had seen that society only on the stage, but

it is necessary in life to meet the most varied kinds of people, for

it is possible to learn something from each of them. He added finally,

that it is the duty of certain circles not to estrange the commonalty,

but on the contrary to gather them in, and thus plant in them sound

principles; therefore he who had striven always to fulfil his social

duties did not halt before that mission. Here the noble expression of

his face took on a certain style of pensiveness, and in that state of

feeling they drove up to the villa of the Bigiels.

It stood in a forest of unmixed pines, in the neighborhood of other

villas, among old trees, which in places were felled, in places

standing in groups of a few, or of a few tens. They seemed to wonder

a little what such a new house was doing among them in the old forest

stillness; but they hospitably shielded it from the wind; on fine days

they surrounded it with balsamic air, permeated with the odor of gum

and resin.

The Bigiels, with a row of children, came out to meet the guests. Pani

Bigiel, who liked Marynia much, greeted her very cordially, desiring,

besides, to prepossess her thereby for Pan Stanislav; she considered

that the better Marynia understood how pleasant it might be for her

among them, the less difficulty would she make.

Plavitski, who, during his previous stay with Marynia in Warsaw,

had made the acquaintance of the Bigiels at Pani Emilia's, but had

limited himself to leaving cards with them simply, showed himself now

such a gracious prince as was possible only to the most refined man,

who at the same time was fulfilling his mission of gathering in the

"bourgeoisie."

"At the present day it is agreeable for any man to find himself under

the roof of a person like you; but all the more for me, since my

cousin, Polanyetski, has entered the career of commerce and is your

partner."

"Polanyetski is a strong man," answered Bigiel, with directness,

pressing the gloved hand of Plavitski.

The ladies retired for a moment to remove their hats; then, the air

being quite warm, they returned to the veranda.

"Is Pan Stanislav not here yet?" inquired Pani Emilia.

"He has been here since morning," answered Bigiel; "but now he is

visiting Pani Kraslavski. The place is near by," added he, turning to

Marynia; "not even half a verst distant. There are summer residences

everywhere about, and those ladies are our nearest neighbors."

"I remember Panna Terka Kraslavski since the time of the carnival,"

said Marynia. "She was always very pale."

"Oh, she is very pale yet. The past winter she spent in Pau."

Meanwhile the little Bigiels, who loved Litka wonderfully, drew her

out to play in front of the house. The little girls showed her their

gardens, made in the sand among the pines, in which gardens, to tell

the truth, nothing would grow. These surveys were interrupted every

little while by the girls, who stood on their toes and kissed Litka's

cheeks; she, bending her beautiful flaxen head, returned these kisses

with tenderness.

But the boys wanted their share as well. First, they stripped to the

stalk the georgina at the house, gathering for Litka the most beautiful

blossoms; then they disputed about this,--what play does Litka like;

and they went to Pani Emilia for information. Edzio, who had the habit

of speaking in a very loud voice, and closing his eyes at the same

time, called out,--

"Please, Pani, I say that she likes ball better, only I don't know that

you will let her play ball."

"Yes; if she will not run, for that hurts her."

"Oh, she will not, Pani; we will throw the ball so that it will go

straight to her every time, then she will not run any. And if Yozio

doesn't know how to throw that way, let her throw the ball."

"I want to play with her," said Yozio, pitifully. And at the very

thought that he might be deprived of that pleasure, his mouth took the

form of a horseshoe and began to quiver; but Litka anticipated his

outburst of sorrow, saying,--

"I will throw to thee, Yozio; I'll throw to thee very often."

Yozio's eyes, already moist, began to smile at once.

"They will not hurt her," said Bigiel to Pani Emilia. "This is

remarkable: the boys are what is called regular tearers; but with her

they are wonderfully careful. It is Pan Stanislav who has trained them

in this devotion to her."

"Such lovely children! there are few in the world like them," remarked

Pani Emilia.

In a moment the children gathered in a group to arrange the play. In

the middle of the group stood Litka, the oldest and the tallest; and

though the little Bigiels were well-behaved children, she, with her

sweet, poetic face and features, almost over-refined, seemed, among

those ruddy, round faces, like a being from another planet. Pani Bigiel

turned attention to that first of all.

"Is she not a real queen?" asked she. "I say truly that never can I

look at her sufficiently."

"She is so noble in appearance," added Bigiel.

And Pani Emilia looked at her only one with a glance in which there was

a sea of love. The children ran apart now, and stood in a great circle

forming, on the gray background of fallen pine needles, parti-colored

spots, which seemed as small under the immense pines as colored

mushrooms.

Marynia went from the veranda and stood near Litka, to assist her in

catching the ball, for which it was necessary to run, and in that way

save her from exertion.

On the broad forest road leading to the villa, Pan Stanislav appeared

at that moment. The children did not notice him at once; but he took

in with a glance the veranda, as well as the space in front; and,

seeing the bright robe of Marynia under a pine, he hastened his steps.

Litka, knowing her mamma's alarm at every more animated movement which

she made, and, not wishing to disquiet her for anything, stood almost

without stirring from her place, and caught on her club only those

balls which came directly toward her. Marynia ran after all that went

farther. By reason of that running, her hair was loosened so that she

had to arrange it; and, at the moment when Pan Stanislav was coming in

at the gate, she stood bent backward somewhat and with arms raised to

her head.

He did not take his eyes from her, and saw no one save her. She

seemed to him on that broad space younger and smaller than usual, and

therewith so maidenlike, so unapproachably attractive, so created

for this, that a man should put his arms around her and press her

to his boson; she was so feminine, so much the dearest creature on

earth,--that never till that moment had he felt with such force how he

loved her.

At sight of him, the children threw down their balls and clubs, and

ran with a cry to meet him. The amusement was stopped. Litka at the

first instant sprang also toward Pan Stas, but restrained herself on

a sudden, and looked with her great eyes, now toward him, now toward

Marynia.

"But thou art not rushing to meet Pan Polanyetski," said Marynia.

"No."

"Why, Litus?"

"Because--"

And her cheeks flushed somewhat, though the child did not know and did

not dare to express her thought, which might be expressed in the words:

"Because he does not love me any more; he loves only thee, and looks

only at thee."

But he approached, freeing himself from the children, and repeating,--

"Do not hang on, little rogues, or I'll throw you."

And he extended his hand to Marynia, looking at her in the eyes, with

an entreaty for a pleasant smile and a greeting even a whit less

indifferent than usual; then he turned to Litka,--

"But is the dearest kitten well?"

At sight of him, and under the influence of his voice, she, forgetting

all the suffering of her little heart, gave him both hands, saying,--

"Oh, yes, well; but yesterday Pan Stas did not come to us, and it was

sad. To-day I'll take Pan Stas to mamma to give account."

After a while all were on the veranda.

"How are Pani Kraslavski and her daughter?" asked Pani Emilia.

"They are well, and are coming here after dinner," answered Pan

Stanislav.

Just before dinner Professor Vaskovski came, bringing Bukatski, who had

returned to Warsaw the evening before. His intimacy with the Bigiels

permitted him to come without being invited; and the presence of Pani

Emilia was too great a temptation to be resisted. He met her, however,

without a trace of sentiment, in his usual jesting fashion; she was

glad to see him, for he amused her with his strange and original way of

uttering ideas.

"Were you not going to Monachium and Italy?" asked she, when they had

sat down to dinner.

"Yes; but I forgot a card-knife in Warsaw, and came back to get it."

"Oh, that was a weighty reason."

"It always makes me impatient that people do everything from weighty

reasons. What privilege have weighty reasons, that every man must

accommodate himself to them? Besides, I gave, without wishing it,

the last services to a friend, for yesterday I was at the funeral of

Lisovich."

"What! that thin little sportsman?" inquired Bigiel.

"The same. And imagine that to this moment I cannot escape astonishment

that a man who played the jester all his life could bring himself to

such a serious thing as death. Simply I cannot recognize my Lisovich.

At every step a man meets disappointment."

"But," said Pan Stanislav, "Pani Kraslavski told me that Ploshovski, he

with whom all the women of Warsaw were in love, shot himself in Rome."

"He was a relative of mine," said Plavitski.

This news affected Pani Emilia mainly. She scarcely knew Ploshovski

himself, but she had often seen his aunt, for whom her husband's elder

brother was agent. She knew also how blindly this aunt loved her

sister's son.

"My God, what a misfortune!" said she. "But is it true? A young man so

capable, so wealthy--poor Panna Ploshovski!"

"And such a great estate will be without an heir," added Bigiel. "I

know their property, for it is near Warsaw. Old Panna Ploshovski

had two relatives: Pani Krovitski, though she was distant, and Leo

Ploshovski, who was nearer. Neither are living now."

These words moved Plavitski again. He was indeed some sort of a distant

relative of Panna Ploshovski, and even had seen her two or three times

in his life; but there remained to him merely the remembrance of fear,

for she had told him the bitter truth each time without circumlocution,

or rather, speaking simply, had scolded him as much as he could hold.

For this reason, in the further course of his life he avoided her most

carefully, and all communication between them was stopped, though on

occasions he liked to say a word in society of his relationship with

a family so well known and important. He belonged to that category

of people, numerous in our country, who are convinced that the Lord

God created for their special use an easy road to fortune through

inheritance, and who consider every hope of that kind as certain. He

cast a solemn glance, therefore, on the assembly, and said,--

"Perhaps, too, Providence decided that those properties should pass to

other hands, which are able to make better use of them."

"I met Ploshovski abroad once," said Pan Stanislav; "and on me he made

the impression of a man altogether uncommon. I remember him perfectly."

"He was so brilliant and sympathetic," added Pani Bigiel.

"May God show him mercy!" said Professor Vaskovski. "I too knew him; he

was a genuine Aryan."

"Azoryan," said Plavitski.

"Aryan," repeated the professor.

"Azoryan," corrected Plavitski, with emphasis and dignity.

And the two old men looked at each other with astonishment, neither

knowing what the other wanted, and this to the great delight of

Bukatski, who, raising his monocle, said,--

"How is that, Aryan or Azoryan?"

Pan Stanislav put an end to the misunderstanding by explaining that

Azorya was the name of the family escutcheon of the Ploshovskis, that

therefore it was possible to be at once an Aryan and an Azoryan; to

which Plavitski agreed unwillingly, making the parenthetical remark

that whoso bears a decent name, need not be ashamed of it, nor modify

it.

Bukatski, turning to Pani Emilia, began to converse in his usual frigid

tone,--

"One kind of suicide alone do I consider justifiable, suicide for love;

therefore I am persuading myself for a number of years to it, but

always in vain."

"They say that suicide is cowardice," put in Marynia.

"This is a reason too why I do not take my life: I am excessively

brave."

"Let us not speak of death, but of life," said Bigiel, "and of that

which is best in it, health. To the health of Pani Emilia!"

"And Litka," added Pan Stanislav.

Then he turned to Marynia and said, "To the health of our mutual

friends!"

"Most willingly," answered Marynia.

Then he lowered his voice and continued, "For see, I consider them

not only as friends of mine, but also--how is it to be expressed?--as

advocates. Litka is a child yet, but Pani Emilia knows to whom

friendship may be offered. Therefore if a certain person had a

prejudice against me, even justly; if I had acted with that person not

precisely as I should, or simply ill, and if that person knew me to be

suffering from my act,--that person ought to think that I am not the

worst of men, since Pani Emilia has sincere good-will for me."

Marynia was confused at once; she was sorry for him. He finished in a

still lower voice,--

"But in truth I am suffering. This is a great question for me."

Before she had answered, Plavitski raised a health to Pani Bigiel,

and made a whole speech, the substance of which was that the Queen of

Creation is no other than woman; therefore all heads should incline

before woman, as the queen, and, for this reason, he had bowed down all

his life before woman in general, and at present he bowed before Pani

Bigiel in particular.

Pan Stanislav from his soul wished him to choke, for he felt that he

might have received some kind word from Marynia, and he felt that the

moment had passed. In fact, Marynia went to embrace Pani Bigiel; on her

return she did not resume the interrupted conversation, and he dared

not ask her directly for an answer.

Immediately after dinner came Pani and Panna Kraslavski: the mother,

a woman about fifty years old, animated, self-confident, talkative;

the daughter, the complete opposite of her mother, formal, dry, cold,

pronouncing "tek," instead of "tak," but for the rest with a full,

though pale face, reminding one somewhat of the faces of Holbein's

Madonnas.

Pan Stanislav began out of malice to entertain her; but, looking from

time to time at the fresh face and blue eyes of Marynia, he said

to himself, "If thou hadst given even one kind word! thou,--thou,

the pitiless." And he grew more and more angry, so that when Panna

Kraslavski said "memme" instead of "mamma," he inquired harshly,--

"Who is that?"

"Memme," however, displayed her whole supply of facts, or rather

suppositions, concerning the suicide of Ploshovski.

"Imagine," said she, with warmth, "it came to my head at once that he

shot himself because of the death of Pani Krovitski. Lord light her

soul! she was a coquette, and I never liked her. She coquetted with

him so that I was afraid to take Terka to any place where they were

together, because her conduct was simply a bad example for such a young

girl. What is true, is true! Lord light her soul! Terka, too, had no

sympathy for her."

"Ah, Pani," said Pani Emilia, "I have always heard that she was an

angel."

And Bukatski, who had never seen Pani Krovitski in his life, turned to

Pani Kraslavski and said phlegmatically,--

"Madame, _je vous donne ma parole d'honneur_ that she was an archangel."

Pani Kraslavski was silent a moment, not knowing what to answer; then,

flushing up, she would have answered something sharp, were it not that

Bukatski, as a man of wealth, might in a given event be a good match

for Terka. Pan Stanislav enjoyed the same consideration in her eyes;

and for these two exclusively she kept up summer relations with the

Bigiels, whom she did not recognize when they met her by chance on the

street.

"With gentlemen," said she, "every presentable woman is an angel or an

archangel. I do not like this, even when they say it to me about Terka.

Pani Krovitski might be a good person, but she had no tact; that is the

whole question."

In this way conversation about Ploshovski dropped, the more since the

attention of Pani Kraslavski was turned exclusively to Pan Stanislav,

who was entertaining Panna Terka. He was entertaining her a little out

of anger at himself, a little out of anger at Marynia, and he tried to

convince himself that it was pleasant for him near her; he tried even

to find in her a charm, and discovered that her neck was too slender

and her eyes as it were quenched eyes, which grew lively and turned

inquiringly at him when there was no place for a question. He observed,

too, that she might be a quiet despot, for when the mother began to

talk too loudly, Panna Terka put her glasses to her eyes and looked

at her attentively; and under the influence of that look the mother

lowered her voice, or grew silent altogether. In general, Panna Terka

annoyed him immensely; and if he occupied himself more with her than he

ever had before, he did so from sheer desperation, to rouse at least a

shade of jealousy in Marynia. Even people of sound sense grasp at such

vain methods when the misery of their feelings presses them too keenly.

These methods produce usually results opposite to those intended, for

they increase the difficulty of subsequent approach and explanations;

besides, they merely strengthen the feeling cherished in the heart of

the person using them. Toward the end Pan Stanislav longed so much for

Marynia that he would have agreed to listen even to an unpleasant word

from her, if he could only approach her and speak; and still it seemed

to him more difficult now than an hour before. He drew a deep breath

when the visit was over, and the guests were preparing to go. Before

that, however, Litka approached her mother, and, putting her arms

around her neck, whispered. Pani Emilia nodded, and then approached Pan

Stanislav,--

"Pan Stanislav," said she, "if you do not think of spending the night

here, ride with us. Marynia and I will take Litka between us, and there

will be room enough."

"Very well. I cannot pass the night here; and I am very thankful,"

answered he; and, divining easily who the author of this plan was, he

turned to Litka and said,--

"Thou, my best little kitten, thou."

She, holding to her mother's dress, raised to him her eyes, half sad,

half delighted, asking quietly,--

"Is that good, Pan Stas?"

A few minutes later they started. After a fine day there came a night

still finer, a little cool, but all bright and silvery from the moon.

Pan Stanislav, for whom the day had passed grievously and in vain,

breathed now with full breast, and felt almost happy, having before

him two beings whom he loved very deeply, and one whom he loved beyond

everything on earth. By the light of the moon he saw her face, and it

seemed to him mild and peaceful. He thought that Marynia's feelings

must be like her face in that moment; that perhaps her dislike of him

was softening amid that general quiet.

Litka dropped into the depth of the seat, and appeared to be sleeping.

Pan Stanislav threw a shawl, taken from Pani Emilia, over her feet, and

they rode on a while in silence.

Pani Emilia began to speak of Ploshovski, the news of whose death had

impressed her deeply.

"There is hidden in all that some unusually sad drama," said Pan

Stanislav; "and Pani Kraslavski may be right in some small degree when

she insists that these two deaths are connected."

"There is in suicide," said Marynia, "this ghastly thing, that one

feels bound to condemn it; and while condemning there is an impression

that there should be no sympathy for the misfortune."

"Sympathy," answered Pan Stanislav, "should be had for those who have

feeling yet,--hence for the living."

The conversation ceased, and they went on again for some time in

silence. After a while Pan Stanislav pointed to the lights in the

windows of a house standing in the depth of a forest park, and said,--

"That is Pani Kraslavski's villa."

"I cannot forgive her for what she said of that unfortunate Pani

Krovitski," said Pani Emilia.

"That is simply a cruel woman," added Pan Stanislav; "but do you know

why? It is because of her daughter. She looks on the whole world as a

background which she would like to make as black as possible, so that

Panna Terka might be reflected on it the more brightly. Perhaps the

mother had designs sometime on Ploshovski; perhaps she considered Pani

Krovitski a hindrance,--hence her hatred."

"That is a nice young lady," said Marynia.

"There are persons for whom behind the world of social forms begins

another and far wider world; for her nothing begins there, or rather

everything ends. She is simply an automaton, in whom the heart beats

only when her mother winds it with a key. For that matter, there

are in society very many such young ladies; and even those who give

themselves out for something different are in reality just like her.

It is the eternal history of Galatea. Would you believe, ladies, that

a couple of years since an acquaintance of mine, a young doctor, fell

in love to distraction with that puppet, that quenched candle. Twice he

proposed, and twice he was rejected; for those ladies looked higher. He

joined the Holland service afterwards, and died there somewhere, with

the fever doubtless; for at first he wrote to me inquiring about his

automaton, and later on those letters ceased to come."

"Does she know of this?"

"She does; for as often as I see her, I speak of him. And what is

characteristic is this,--that the memory of him does not ruffle her

composure for an instant. She speaks of him as of any one else. If he

expected from her even a posthumous sorrow, he was deceived in that

also. I must show you, ladies, sometime, one of his letters. I strove

to explain to him her feeling; he answered me, 'I estimate her coolly,

but I cannot tear my soul from her.' He was a sceptic, a positive

man, a child of the age; but it seems that feeling makes sport of all

philosophies and tendencies. Everything passes; but feeling was, is,

and will be. Besides, he said to me once, 'I would rather be unhappy

with her than happy with another.' What is to be said in this case? The

man looked at things soundly, but could not tear his soul away,--and

that was the end of it."

This conversation ended also. They came out now on to a road planted

with chestnut-trees, the trunks of which seemed rosy in the light of

the carriage lamps.

"But if any one has misfortune, he must endure it," said Pan Stanislav,

following evidently the course of his own thoughts.

Meanwhile Pani Emilia bent over Litka,--

"Art sleeping, child?" inquired she.

"No, mamma," answered Litka.

Children of the Soil · 第 13 / 70 章