IV

Morning sunlight brightened the colors of the wax flowers under glass

on the high bureau that always seemed to emit the faint odor of old

hair combings. Jack pulled back the diamond-patterned quilt and blinked

the sleep from his eyes. He expected his mind to be busy wondering

about Kesserich and his wife--things said and half said last night--but

found instead that his thoughts swung instantly to Mary Alice Pope, as

if to a farthest island in a world of people.

Downstairs, the house was empty. After a long look at the cabinet--he

felt behind it, but the key was gone--he hurried down to the

waterfront. He stopped only for a bowl of chowder and, as an

afterthought, to buy half a dozen newspapers.

The sea was bright, the brisk wind just right for the _Annie O._ There

was eagerness in the way it smacked the sail and in the creak of the

mast. And when he reached the cove, it was no longer still, but nervous

with faint ripples, as if time had finally begun to stir.

After the same struggle with the underbrush, he came out on the rocky

spine and passed the cove of the sea urchins. The spiny creatures

struck an uncomfortable chord in his memory.

This time he climbed the second island cautiously, scraping the

innocent-seeming ground ahead of him intently with a boathook he'd

brought along for the purpose. He was only a few yards from the fence

when he saw Mary Alice Pope standing behind it.

He hadn't realized that his heart would begin to pound or that, at the

same time, a shiver of almost supernatural dread would go through him.

The girl eyed him with an uneasy hostility and immediately began to

speak in a hushed, hurried voice. "You must go away at once and never

come back. You're a wicked man, but I don't want you to be hurt. I've

been watching for you all morning."

He tossed the newspapers over the fence. "You don't have to read

them now," he told her. "Just look at the datelines and a few of the

headlines."

When she finally lifted her eyes to his again, she was trembling. She

tried unsuccessfully to speak.

"Listen to me," he said. "You've been the victim of a scheme to make

you believe you were born around 1916 instead of 1933, and that it's

1933 now instead of 1951. I'm not sure why it's been done, though I

think I know who you really are."

"But," the girl faltered, "my aunts tell me it's 1933."

"They would."

"And there are the papers ... the magazines ... the radio."

"The papers are old ones. The radio's faked--some sort of recording. I

could show you if I could get at it."

"_These_ papers might be faked," she said, pointing to where she'd let

them drop on the ground.

"They're new," he said. "Only old papers get yellow."

"But why would they do it to me? _Why?_"

"Come with me to the mainland, Mary. That'll set you straight quicker

than anything."

"I couldn't," she said, drawing back. "He's coming tonight."

"He?"

"The man who sends me the boxes ... and my life."

Jack shivered. When he spoke, his voice was rough and quick. "A life

that's completely a lie, that's cut you off from the world. Come with

me, Mary."

* * * * *

She looked up at him wonderingly. For perhaps ten seconds the silence

held and the spell of her eerie sweetness deepened.

"I love you, Mary," Jack said softly.

She took a step back.

"Really, Mary, I do."

Yesterday House · 第 13 / 22 题