9. _The Same to the Same_

15A, WHITTINGTON TERRACE, BAYSWATER

15th October, 1928

I knew it, Bungie—I knew it, I knew it! I knew we should be asked

downstairs to tea. And we’ve been! Down among the Liberty curtains and

the brass Benares ware! Three young women, two bright youths, the local

parson and the family. Crockery from Heal’s and everything too

conscientiously bright. Mrs. Harrison all radiance and very much the

centre of attraction.

No sooner had I got there than I was swept into a discussion about “this

wonderful man Einstein.” Extraordinarily interesting, wasn’t it, and

what did I make of it? Displaying all my social charm, I said I thought

it was a delightful idea. I liked thinking that all the straight lines

were really curly, and only wished I’d known all about it at school,

because it would have annoyed the geometry master so much.

“But you do think there’s something in it, don’t you? My husband says it

is all nonsense, but what do _you_ say?”

There was a little stir of triumph about this, and I somehow gathered

that the Einstein topic had been deliberately chosen for a purpose. I

said guardedly that I believed the theory was now generally accepted by

mathematicians, though with very many reserves.

“It really is, is it? Really true that nothing actually exists as we see

it? I do hope so, because I have always felt so strongly that

materialism is all wrong. There is something so deadening about

materialism, isn’t there? I do so wish I knew what life means and what

we really are. But I can’t understand these things, and, you know, I

should so like to, if only I had someone to explain them to me.”

“As far as I can make out,” I replied, “you are _really_ only made up of

large lumps of space, loosely tied together with electricity. It doesn’t

sound flattering, but there it is.”

She frowned attractively.

“But I can’t believe that.”

“Why do you want to believe it?” said Harrison. “It’s all words. When it

comes to doing anything practical you have to come back to common sense.

My friend Professor Alcock——”

“Yes, yes, I know.” She waved the interruption aside impatiently. “But

the idea is the real thing, isn’t it? Haven’t they come round to

thinking that poetry and imagination and the beautiful things of the

mind are the only true realities after all?”

“Of course beauty is the only true reality,” said Lathom eagerly. “But

it isn’t always what ordinary people think of as beauty. I mean, it’s

not pretty-pretty. When you think a thing, then you create it and it

exists. What’s the use of arguing what you make it _of_? That doesn’t

matter to the thing itself, any more than the stuff paints are made of

matter to the picture.”

“It matters a good deal in practice,” said Harrison. “Now the

Pre-Raphaelites understood that—though, mind you, I don’t think much of

the Pre-Raphaelite school myself. Some of their pictures are so

remarkably ugly, and so exaggerated in colour. Take that thing of Holman

Hunt’s, now——”

“Darling,” said Mrs. Harrison, with emphasis, “you’re sidetracking.”

“No, I’m not. I’m coming back to that. What I mean is that the

Pre-Raphaelites, especially William Morris, knew a great deal about the

material of their paints. They used to get the right stuff and grind it

themselves, so as to be sure it wasn’t adulterated. Now I’m all of their

opinion. I say they were quite right. I get my colours from a man up in

town, a wholesale dealer——”

“My husband is always so literal,” said Mrs. Harrison, taking the whole

company into a confederacy to condemn the unfortunate man. “But I didn’t

mean that at all. Mr. Lathom understands what I mean—don’t you, Mr.

Lathom?”

“Yes,” said Lathom, “and, of course, it’s true in a way. But you mustn’t

think that the form of the thing doesn’t matter, too. Whatever the world

is made of, there it is, and it’s ours to make something of.”

“It must be marvellous to paint great pictures!” said one of the young

women.

Lathom scowled frightfully, and, ostentatiously ignoring her, continued

his remarks to Mrs. Harrison in an undertone.

What a conversation, my God! Harrison faded out and I don’t blame him,

and I took the opportunity to tackle the parson, a fellow by the name of

Perry. He turned out to be an earnest and cultivated middle-aged spike

from Keble, and I took the opportunity to mention the _Life_ and the

difficulties about Victorian materialism.

“Yes,” he said, “we’ve rather got past that stage now, haven’t we? I’ve

got one or two books that I think might be useful to you, as giving the

point of view and all that. Shall I send them over?”

I said it was very good of him (not expecting much from it), and, by way

of a leg-pull, asked him what _he_ thought of relativity.

“Why, I’m rather grateful to it,” said he, “it makes my job much easier.

We’ll have a chat some day and go into it. I must be going now.”

He oozed competently away, and the party rambled on till I could stand

it no longer and rambled out into the passage, where I met Harrison.

“Hullo!” said he, “come and have a pipe in the studio. And a

whiskey-and-soda or something. Better than tea.”

I went in, expecting him to talk Art, but he didn’t. He just sat smoking

in silence and I did likewise. I had an idea I ought to say something to

him, but nothing presented itself. If I had said what I felt like

saying, he would have been angry with me.

So much for social life in Suburbia. I had a letter from Jim on

Wednesday. He is thoroughly enjoying himself in Germany, and begs to be

remembered to you. He is reading hard—or so he says—and he’d jolly

well better, the young cub, since if he fails in his tripos there’s no

money to give him another year there and he’ll have to go as an

apothecary’s apprentice or something. I haven’t looked up Cynthia or the

Brierleys yet, but I will pull myself together and do it before long.

Love to everybody. Wish I was up north with you among the burrns and

birrds. Give the Guv’nor my love. Has he had good sport? I suppose the

hills are beginning to look a bit grim again now, bless their granite

hearts. Remember me to all the artist fraternity.

Ever and ever yours, funny-face, old dear. I’d like to see your cheery

grin now and again. I must be damned fond of you—sometimes it

positively puts me off my stroke. Damned inconvenient. I shall really

have to see about this marriage business. I cannot have my work

interrupted in this way.

Yours deeply injured

JACK

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