ALBERTO. No. (_His sobs become convulsive_.)

LUCREZIA. Poor boy.

ALBERTO (_lifting up a blubbered face to the moonlight_). I am so

unhappy.

LUCREZIA. You can't be more unhappy than I am.

ALBERTO. Oh yes, I am. It's impossible to be unhappier than me.

LUCREZIA. But I _am_ more unhappy.

ALBERTO. You re not. Oh, how can you be so cruel Lucrezia? (_He covers

his face once more_.)

LUCREZIA. But I only said I was unhappy Alberto.

ALBERTO. Yes, I know. That showed you weren't thinking of me. Nobody

loves me. I shall hang myself to-night with the cord of my

dressing-gown.

LUCREZIA. NO, no, Alberto. You mustn't do anything rash.

ALBERTO. I shall. Your cruelty has been the last straw.

LUCREZIA. I'm sorry, Bertino mio. But if you only knew how miserable I

was feeling. I didn't mean to be unsympathetic. Poor boy. I'm so sorry.

There, don't cry, poor darling.

ALBERTO. Oh, I knew you wouldn't desert me, Lucrezia. You've always been

a mother to me. (_He stretches out his hand and seizes hers, which has

gone half-way to meet him; but the balconies are too far apart to allow

him to kiss it. He makes an effort and fails. He is too short in the

body_,) Will you let me come onto your balcony, Lucrezia? I want to tell

you how grateful I am.

LUCREZIA. But you can do that from your own balcony.

ALBERTO. Please, please, Lucrezia. You mustn't be cruel to me again. I

can't bear it.

LUCREZIA. Well, then.... Just for a moment, but for no more, (BERTINO

_climbs from one balcony to the other. One is a little reminded of the

trousered monkeys on the barrel organs. Arrived, he kneels down and

kisses_ LUCREZIA'S _hand_.)

ALBERTO. You've saved me. You've given given me a fresh desire to live

and a fresh faith in life. How can I thank you enough, Lucrezia,

darling?

LUCREZIA (_patting his head_). There, there. _We_ are just two unhappy

creatures. We must try and comfort one another.

ALBERTO. What a brute I am! I never thought of your unhappiness. I am so

selfish. What is it, Lucrezia?

LUCREZIA. I can't tell you, Bertino; but it's very painful.

ALBERTO. Poor child, poor child. (_His kisses, which started at the

hand, have mounted, by this time, some way up the arm, changing

perceptibly in character as they rise. At the shoulder they have a

warmth which could not have been inferred from the respectful salutes

which barely touched the fingers_.) Poor darling! You've given me

consolation. Now you must let me comfort your unhappiness.

LUCREZIA (_with an effort_). I think you ought to go back now, Bertino.

ALBERTO. In a minute, my darling. There, there, poor Lucrezia. (_He puts

an arm round her, kisses her hair and neck._ LUCREZIA _leans her bowed

head against his chest. The sound of footsteps is heard. They both look

up with scared, wide-open eyes_.)

LUCREZIA. We mustn't be seen here, Bertino. What would people think?

ALBERTO. I'll go back.

LUCREZIA. There's no time. You must come into my room. Quickly.

(_They slip through the French window, but not quickly enough to have

escaped the notice of_ PAUL, _returning from his midnight stroll. The_

VICOMTE _stands for a moment looking up at the empty balcony. He laughs

softly to himself, and, throwing his cigarette away, passes through the

glass door into the house. All is now silent, save for the nightingales

and the distant bells. The curtain comes down for a moment to indicate

the passage of several hours. It rises again with the sun_. LUCREZIA's

_window opens and she appears on the balcony. She stands a moment with

one foot over the threshold of the long window in a listening pose. Then

her eyes fall on the better half of a pair of pink pyjamas lying

crumpled on the floor, like a body bereft of its soul; with her bare

foot she turns it over. A little shudder plucks at her nerves, and she

shakes her head as though, by this symbolic act, to shake off something

clinging and contaminating. Then she steps out into the full glory of

the early sun, stretching out her arms to the radiance. She bows her

face into her hands, crying out loud to herself_.) LUCREZIA. Oh, why,

why, why? (_The last of these Why's is caught by the_ WAITER, _who has

crept forth in shirt-sleeves and list-slippers, duster in hand, to clean

the tables. He looks up at her admiringly, passes his tongue over his

lips. Then, with a sigh, turns to dust the tables_.)

Mortal Coils · 第 23 / 32 题