CHAPTER VIII

While Joseph and Madame Bridau were journeying from Orleans to Issoudun,

the Knights of Idleness perpetrated one of their best tricks. An old

Spaniard, a former prisoner of war, who after the peace had remained in

the neighborhood, where he did a small business in grain, came early one

morning to market, leaving his empty cart at the foot of the tower of

Issoudun. Maxence, who arrived at a rendezvous of the Knights, appointed

on that occasion at the foot of the tower, was soon assailed with the

whispered question, “What are we to do to-night?”

“Here’s Pere Fario’s cart,” he answered. “I nearly cracked my shins over

it. Let us get it up on the embankment of the tower in the first place,

and we’ll make up our minds afterwards.”

When Richard Coeur-de-Lion built the tower of Issoudun he raised it, as

we have said, on the ruins of the basilica, which itself stood above the

Roman temple and the Celtic Dun. These ruins, each of which represents

a period of several centuries, form a mound big with the monuments of

three distinct ages. The tower is, therefore, the apex of a cone, from

which the descent is equally steep on all sides, and which is only

approached by a series of steps. To give in a few words an idea of the

height of this tower, we may compare it to the obelisk of Luxor on its

pedestal. The pedestal of the tower of Issoudun, which hid within its

breast such archaeological treasures, was eighty feet high on the side

towards the town. In an hour the cart was taken off its wheels and

hoisted, piece by piece, to the top of the embankment at the foot of the

tower itself,--a work that was somewhat like that of the soldiers who

carried the artillery over the pass of the Grand Saint-Bernard. The cart

was then remounted on its wheels, and the Knights, by this time hungry

and thirsty, returned to Mere Cognette’s, where they were soon seated

round the table in the low room, laughing at the grimaces Fario would

make when he came after his barrow in the morning.

The Knights, naturally, did not play such capers every night. The genius

of Sganarelle, Mascarille, and Scapin combined would not have sufficed

to invent three hundred and sixty-five pieces of mischief a year. In

the first place, circumstances were not always propitious: sometimes the

moon shone clear, or the last prank had greatly irritated their betters;

then one or another of their number refused to share in some proposed

outrage because a relation was involved. But if the scamps were not at

Mere Cognette’s every night, they always met during the day, enjoying

together the legitimate pleasures of hunting, or the autumn vintages and

the winter skating. Among this assemblage of twenty youths, all of them

at war with the social somnolence of the place, there are some who were

more closely allied than others to Max, and who made him their idol. A

character like his often fascinates other youths. The two grandsons of

Madame Hochon--Francois Hochon and Baruch Borniche--were his henchmen.

These young fellows, accepting the general opinion of the left-handed

parentage of Lousteau, looked upon Max as their cousin. Max, moreover,

was liberal in lending them money for their pleasures, which their

grandfather Hochon refused; he took them hunting, let them see life, and

exercised a much greater influence over them than their own family.

They were both orphans, and were kept, although each had attained his

majority, under the guardianship of Monsieur Hochon, for reasons which

will be explained when Monsieur Hochon himself comes upon the scene.

At this particular moment Francois and Baruch (we will call them by

their Christian names for the sake of clearness) were sitting, one on

each side of Max, at the middle of a table that was rather ill lighted

by the fuliginous gleams of four tallow candles of eight to the pound. A

dozen to fifteen bottles of various wines had just been drunk, for only

eleven of the Knights were present. Baruch--whose name indicates pretty

clearly that Calvinism still kept some hold on Issoudun--said to Max, as

the wine was beginning to unloose all tongues,--

“You are threatened in your stronghold.”

“What do you mean by that?” asked Max.

“Why, my grandmother has had a letter from Madame Bridau, who is her

goddaughter, saying that she and her son are coming here. My grandmother

has been getting two rooms ready for them.”

“What’s that to me?” said Max, taking up his glass and swallowing the

contents at a gulp with a comic gesture.

Max was then thirty-four years old. A candle standing near him threw

a gleam upon his soldierly face, lit up his brow, and brought out

admirably his clear skin, his ardent eyes, his black and slightly

curling hair, which had the brilliancy of jet. The hair grew vigorously

upward from the forehead and temples, sharply defining those five

black tongues which our ancestors used to call the “five points.”

Notwithstanding this abrupt contrast of black and white, Max’s face was

very sweet, owing its charm to an outline like that which Raphael gave

to the faces of his Madonnas, and to a well-cut mouth whose lips smiled

graciously, giving an expression of countenance which Max had made

distinctively his own. The rich coloring which blooms on a Berrichon

cheek added still further to his look of kindly good-humor. When he

laughed heartily, he showed thirty-two teeth worthy of the mouth of a

pretty woman. In height about five feet six inches, the young man was

admirably well-proportioned,--neither too stout nor yet too thin. His

hands, carefully kept, were white and rather handsome; but his feet

recalled the suburb and the foot-soldier of the Empire. Max would

certainly have made a good general of division; he had shoulders that

were worth a fortune to a marshal of France, and a breast broad enough

to wear all the orders of Europe. Every movement betrayed intelligence;

born with grace and charm, like nearly all the children of love, the

noble blood of his real father came out in him.

“Don’t you know, Max,” cried the son of a former surgeon-major named

Goddet--now the best doctor in the town--from the other end of the

table, “that Madame Hochon’s goddaughter is the sister of Rouget? If she

is coming here with her son, no doubt she means to make sure of getting

the property when he dies, and then--good-by to your harvest!”

Max frowned. Then, with a look which ran from one face to another all

round the table, he watched the effect of this announcement on the minds

of those present, and again replied,--

“What’s that to me?”

“But,” said Francois, “I should think that if old Rouget revoked his

will,--in case he has made one in favor of the Rabouilleuse--”

Here Max cut short his henchman’s speech. “I’ve stopped the mouths of

people who have dared to meddle with you, my dear Francois,” he said;

“and this is the way you pay your debts? You use a contemptuous nickname

in speaking of a woman to whom I am known to be attached.”

Max had never before said as much as this about his relations with the

person to whom Francois had just applied a name under which she was

known at Issoudun. The late prisoner at Cabrera--the major of the

grenadiers of the Guard--knew enough of what honor was to judge rightly

as to the causes of the disesteem in which society held him. He had

therefore never allowed any one, no matter who, to speak to him on

the subject of Mademoiselle Flore Brazier, the servant-mistress of

Jean-Jacques Rouget, so energetically termed a “slut” by the respectable

Madame Hochon. Everybody knew it was too ticklish a subject with Max,

ever to speak of it unless he began it; and hitherto he had never begun

it. To risk his anger or irritate him was altogether too dangerous; so

that even his best friends had never joked him about the Rabouilleuse.

When they talked of his liaison with the girl before Major Potel and

Captain Renard, with whom he lived on intimate terms, Potel would

reply,--

“If he is the natural brother of Jean-Jacques Rouget where else would

you have him live?”

“Besides, after all,” added Captain Renard, “the girl is a worthless

piece, and if Max does live with her where’s the harm?”

After this merited snub, Francois could not at once catch up the thread

of his ideas; but he was still less able to do so when Max said to him,

gently,--

“Go on.”

“Faith, no!” cried Francois.

“You needn’t get angry, Max,” said young Goddet; “didn’t we agree to

talk freely to each other at Mere Cognette’s? Shouldn’t we all be mortal

enemies if we remembered outside what is said, or thought, or done here?

All the town calls Flore Brazier the Rabouilleuse; and if Francois did

happen to let the nickname slip out, is that a crime against the Order

of Idleness?”

“No,” said Max, “but against our personal friendship. However, I thought

better of it; I recollected we were in session, and that was why I said,

‘Go on.’”

A deep silence followed. The pause became so embarrassing for the whole

company that Max broke it by exclaiming:--

“I’ll go on for him,” (sensation) “--for all of you,” (amazement) “--and

tell you what you are thinking” (profound sensation). “You think

that Flore, the Rabouilleuse, La Brazier, the housekeeper of Pere

Rouget,--for they call him so, that old bachelor, who can never have any

children!--you think, I say, that that woman supplies all my wants

ever since I came back to Issoudun. If I am able to throw three

hundred francs a month to the dogs, and treat you to suppers,--as I do

to-night,--and lend money to all of you, you think I get the gold out

of Mademoiselle Flore Brazier’s purse? Well, yes” (profound sensation).

“Yes, ten thousand times yes! Yes, Mademoiselle Brazier is aiming

straight for the old man’s property.”

“She gets it from father to son,” observed Goddet, in his corner.

“You think,” continued Max, smiling at Goddet’s speech, “that I intend

to marry Flore when Pere Rouget dies, and so this sister and her son, of

whom I hear to-night for the first time, will endanger my future?”

“That’s just it,” cried Francois.

“That is what every one thinks who is sitting round this table,” said

Baruch.

“Well, don’t be uneasy, friends,” answered Max. “Forewarned is

forearmed! Now then, I address the Knights of Idleness. If, to get rid

of these Parisians I need the help of the Order, will you lend me a

hand? Oh! within the limits we have marked out for our fooleries,” he

added hastily, perceiving a general hesitation. “Do you suppose I want

to kill them,--poison them? Thank God I’m not an idiot. Besides, if the

Bridaus succeed, and Flore has nothing but what she stands in, I should

be satisfied; do you understand that? I love her enough to prefer her to

Mademoiselle Fichet,--if Mademoiselle Fichet would have me.”

Mademoiselle Fichet was the richest heiress in Issoudun, and the hand

of the daughter counted for much in the reported passion of the younger

Goddet for the mother. Frankness of speech is a pearl of such price that

all the Knights rose to their feet as one man.

“You are a fine fellow, Max!”

“Well said, Max; we’ll stand by you!”

“A fig for the Bridaus!”

“We’ll bridle them!”

“After all, it is only three swains to a shepherdess.”

“The deuce! Pere Lousteau loved Madame Rouget; isn’t it better to love a

housekeeper who is not yoked?”

“If the defunct Rouget was Max’s father, the affair is in the family.”

“Liberty of opinion now-a-days!”

“Hurrah for Max!”

“Down with all hypocrites!”

“Here’s a health to the beautiful Flore!”

Such were the eleven responses, acclamations, and toasts shouted forth

by the Knights of Idleness, and characteristic, we may remark, of their

excessively relaxed morality. It is now easy to see what interest Max

had in becoming their grand master. By leading the young men of the best

families in their follies and amusements, and by doing them services,

he meant to create a support for himself when the day for recovering his

position came. He rose gracefully and waved his glass of claret, while

all the others waited eagerly for the coming allocution.

“As a mark of the ill-will I bear you, I wish you all a mistress who is

equal to the beautiful Flore! As to this irruption of relations, I

don’t feel any present uneasiness; and as to the future, we’ll see what

comes--”

“Don’t let us forget Fario’s cart!”

“Hang it! that’s safe enough!” said Goddet.

“Oh! I’ll engage to settle that business,” cried Max. “Be in the

market-place early, all of you, and let me know when the old fellow goes

for his cart.”

It was striking half-past three in the morning as the Knights slipped

out in silence to go to their homes; gliding close to the walls of the

houses without making the least noise, shod as they were in list shoes.

Max slowly returned to the place Saint-Jean, situated in the upper

part of the town, between the port Saint-Jean and the port Vilatte, the

quarter of the rich bourgeoisie. Maxence Gilet had concealed his fears,

but the news had struck home. His experience on the hulks at Cabrera

had taught him a dissimulation as deep and thorough as his corruption.

First, and above all else, the forty thousand francs a year from landed

property which old Rouget owned was, let it be clearly understood, the

constituent element of Max’s passion for Flore Brazier. By his present

bearing it is easy to see how much confidence the woman had given him in

the financial future she expected to obtain through the infatuation

of the old bachelor. Nevertheless, the news of the arrival of the

legitimate heirs was of a nature to shake Max’s faith in Flore’s

influence. Rouget’s savings, accumulating during the last seventeen

years, still stood in his own name; and even if the will, which Flore

declared had long been made in her favor, were revoked, these savings

at least might be secured by putting them in the name of Mademoiselle

Brazier.

“That fool of a girl never told me, in all these seven years, a word

about the sister and nephews!” cried Max, turning from the rue de la

Marmouse into the rue l’Avenier. “Seven hundred and fifty thousand

francs placed with different notaries at Bourges, and Vierzon, and

Chateauroux, can’t be turned into money and put into the Funds in a

week, without everybody knowing it in this gossiping place! The most

important thing is to get rid of these relations; as soon as they are

driven away we ought to make haste to secure the property. I must think

it over.”

Max was tired. By the help of a pass-key, he let himself into Pere

Rouget’s house, and went to bed without making any noise, saying to

himself,--

“To-morrow, my thoughts will be clear.”

It is now necessary to relate where the sultana of the place Saint-Jean

picked up the nickname of “Rabouilleuse,” and how she came to be the

quasi-mistress of Jean-Jacques Rouget’s home.

As old Doctor Rouget, the father of Jean-Jacques and Madame Bridau,

advanced in years, he began to perceive the nonentity of his son; he

then treated him harshly, trying to break him into a routine that might

serve in place of intelligence. He thus, though unconsciously, prepared

him to submit to the yoke of the first tyranny that threw its halter

over his head.

Coming home one day from his professional round, the malignant and

vicious old man came across a bewitching little girl at the edge of some

fields that lay along the avenue de Tivoli. Hearing the horse, the child

sprang up from the bottom of one of the many brooks which are to be

seen from the heights of Issoudun, threading the meadows like ribbons

of silver on a green robe. Naiad-like, she rose suddenly on the doctor’s

vision, showing the loveliest virgin head that painters ever dreamed of.

Old Rouget, who knew the whole country-side, did not know this miracle

of beauty. The child, who was half naked, wore a forlorn little

petticoat of coarse woollen stuff, woven in alternate strips of brown

and white, full of holes and very ragged. A sheet of rough writing

paper, tied on by a shred of osier, served her for a hat. Beneath this

paper--covered with pot-hooks and round O’s, from which it derived the

name of “schoolpaper”--the loveliest mass of blonde hair that ever a

daughter of Eve could have desired, was twisted up, and held in place

by a species of comb made to comb out the tails of horses. Her pretty

tanned bosom, and her neck, scarcely covered by a ragged fichu which

was once a Madres handkerchief, showed edges of the white skin below the

exposed and sun-burned parts. One end of her petticoat was drawn between

the legs and fastened with a huge pin in front, giving that garment the

look of a pair of bathing drawers. The feet and the legs, which could be

seen through the clear water in which she stood, attracted the eye by a

delicacy which was worthy of a sculptor of the middle ages. The charming

limbs exposed to the sun had a ruddy tone that was not without beauty

of its own. The neck and bosom were worthy of being wrapped in silks and

cashmeres; and the nymph had blue eyes fringed with long lashes, whose

glance might have made a painter or a poet fall upon his knees. The

doctor, enough of an anatomist to trace the exquisite figure, recognized

the loss it would be to art if the lines of such a model were destroyed

by the hard toil of the fields.

“Where do you come from, little girl? I have never seen you before,”

said the old doctor, then sixty-two years of age. This scene took place

in the month of September, 1799.

“I belong in Vatan,” she answered.

Hearing Rouget’s voice, an ill-looking man, standing at some distance

in the deeper waters of the brook, raised his head. “What are you

about, Flore?” he said, “While you are talking instead of catching, the

creatures will get away.”

“Why have you come here from Vatan?” continued the doctor, paying no

heed to the interruption.

“I am catching crabs for my uncle Brazier here.”

“Rabouiller” is a Berrichon word which admirably describes the thing it

is intended to express; namely, the action of troubling the water of a

brook, making it boil and bubble with a branch whose end-shoots spread

out like a racket. The crabs, frightened by this operation, which they

do not understand, come hastily to the surface, and in their flurry rush

into the net the fisher has laid for them at a little distance. Flore

Brazier held her “rabouilloir” in her hand with the natural grace of

childlike innocence.

“Has your uncle got permission to hunt crabs?”

“Hey! are not we all under a Republic that is one and indivisible?”

cried the uncle from his station.

“We are under a Directory,” said the doctor, “and I know of no law which

allows a man to come from Vatan and fish in the territory of Issoudun”;

then he said to Flore, “Have you got a mother, little one!”

“No, monsieur; and my father is in the asylum at Bourges. He went mad

from a sun-stroke he got in the fields.”

“How much do you earn?”

“Five sous a day while the season lasts; I catch ‘em as far as the

Braisne. In harvest time, I glean; in winter, I spin.”

“You are about twelve years old?”

“Yes, monsieur.”

“Do you want to come with me? You shall be well fed and well dressed,

and have some pretty shoes.”

“No, my niece will stay with me; I am responsible to God and man for

her,” said Uncle Brazier who had come up to them. “I am her guardian,

d’ye see?”

The doctor kept his countenance and checked a smile which might have

escaped most people at the aspect of the man. The guardian wore a

peasant’s hat, rotted by sun and rain, eaten like the leaves of a

cabbage that has harbored several caterpillars, and mended, here and

there, with white thread. Beneath the hat was a dark and sunken face,

in which the mouth, nose, and eyes, seemed four black spots. His forlorn

jacket was a bit of patchwork, and his trousers were of crash towelling.

“I am Doctor Rouget,” said that individual; “and as you are the guardian

of the child, bring her to my house, in the place Saint-Jean. It will

not be a bad day’s work for you; nor for her, either.”

Without waiting for an answer, and sure that Uncle Brazier would soon

appear with his pretty “rabouilleuse,” Doctor Rouget set spurs to his

horse and returned to Issoudun. He had hardly sat down to dinner, before

his cook announced the arrival of the citoyen and citoyenne Brazier.

“Sit down,” said the doctor to the uncle and niece.

Flore and her guardian, still barefooted, looked round the doctor’s

dining-room with wondering eyes; never having seen its like before.

The house, which Rouget inherited from the Descoings estate, stands in

the middle of the place Saint-Jean, a so-called square, very long and

very narrow, planted with a few sickly lindens. The houses in this part

of town are better built than elsewhere, and that of the Descoings’s was

one of the finest. It stands opposite to the house of Monsieur Hochon,

and has three windows in front on the first storey, and a porte-cochere

on the ground-floor which gives entrance to a courtyard, beyond which

lies the garden. Under the archway of the porte-cochere is the door of

a large hall lighted by two windows on the street. The kitchen is behind

this hall, part of the space being used for a staircase which leads to

the upper floor and to the attic above that. Beyond the kitchen is a

wood-shed and wash-house, a stable for two horses and a coach-house,

over which are some little lofts for the storage of oats, hay, and

straw, where, at that time, the doctor’s servant slept.

The hall which the little peasant and her uncle admired with such wonder

is decorated with wooden carvings of the time of Louis XV., painted

gray, and a handsome marble chimney-piece, over which Flore beheld

herself in a large mirror without any upper division and with a carved

and gilded frame. On the panelled walls of the room, from space to

space, hung several pictures, the spoil of various religious houses,

such as the abbeys of Deols, Issoudun, Saint-Gildas, La Pree,

Chezal-Beniot, Saint-Sulpice, and the convents of Bourges and Issoudun,

which the liberality of our kings had enriched with the precious

gifts of the glorious works called forth by the Renaissance. Among the

pictures obtained by the Descoings and inherited by Rouget, was a Holy

Family by Albano, a Saint-Jerome of Demenichino, a Head of Christ by

Gian Bellini, a Virgin of Leonardo, a Bearing of the Cross by Titian,

which formerly belonged to the Marquis de Belabre (the one who sustained

a siege and had his head cut off under Louis XIII.); a Lazarus of Paul

Veronese, a Marriage of the Virgin by the priest Genois, two church

paintings by Rubens, and a replica of a picture by Perugino, done either

by Perugino himself or by Raphael; and finally, two Correggios and one

Andrea del Sarto.

The Descoings had culled these treasures from three hundred church

pictures, without knowing their value, and selecting them only for their

good preservation. Many were not only in magnificent frames, but some

were still under glass. Perhaps it was the beauty of the frames and the

value of the glass that led the Descoings to retain the pictures. The

furniture of the room was not wanting in the sort of luxury we prize in

these days, though at that time it had no value in Issoudun. The clock,

standing on the mantle-shelf between two superb silver candlesticks with

six branches, had an ecclesiastical splendor which revealed the hand of

Boulle. The armchairs of carved oak, covered with tapestry-work due to

the devoted industry of women of high rank, would be treasured in these

days, for each was surmounted with a crown and coat-of-arms. Between the

windows stood a rich console, brought from some castle, on whose marble

slab stood an immense China jar, in which the doctor kept his tobacco.

But neither Rouget, nor his son, nor the cook, took the slightest care

of all these treasures. They spat upon a hearth of exquisite delicacy,

whose gilded mouldings were now green with verdigris. A handsome

chandelier, partly of semi-transparent porcelain, was peppered, like the

ceiling from which it hung, with black speckles, bearing witness to the

immunity enjoyed by the flies. The Descoings had draped the windows with

brocatelle curtains torn from the bed of some monastic prior. To the

left of the entrance-door, stood a chest or coffer, worth many thousand

francs, which the doctor now used for a sideboard.

“Here, Fanchette,” cried Rouget to his cook, “bring two glasses; and

give us some of the old wine.”

Fanchette, a big Berrichon countrywoman, who was considered a better

cook than even La Cognette, ran in to receive the order with a celerity

which said much for the doctor’s despotism, and something also for her

own curiosity.

“What is an acre of vineyard worth in your parts?” asked the doctor,

pouring out a glass of wine for Brazier.

“Three hundred francs in silver.”

“Well, then! leave your niece here as my servant; she shall have three

hundred francs in wages, and, as you are her guardian, you can take

them.”

“Every year?” exclaimed Brazier, with his eyes as wide as saucers.

“I leave that to your conscience,” said the doctor. “She is an orphan;

up to eighteen, she has no right to what she earns.”

“Twelve to eighteen--that’s six acres of vineyard!” said the uncle. “Ay,

she’s a pretty one, gentle as a lamb, well made and active, and obedient

as a kitten. She were the light o’ my poor brother’s eyes--”

“I will pay a year in advance,” observed the doctor.

“Bless me! say two years, and I’ll leave her with you, for she’ll be

better off with you than with us; my wife beats her, she can’t abide

her. There’s none but I to stand up for her, and the little saint of a

creature is as innocent as a new-born babe.”

When he heard the last part of this speech, the doctor, struck by the

word “innocent,” made a sign to the uncle and took him out into the

courtyard and from thence to the garden; leaving the Rabouilleuse at the

table with Fanchette and Jean-Jacques, who immediately questioned her,

and to whom she naively related her meeting with the doctor.

“There now, my little darling, good-by,” said Uncle Brazier, coming

back and kissing Flore on the forehead; “you can well say I’ve made your

happiness by leaving you with this kind and worthy father of the poor;

you must obey him as you would me. Be a good girl, and behave nicely,

and do everything he tells you.”

“Get the room over mine ready,” said the doctor to Fanchette. “Little

Flore--I am sure she is worthy of the name--will sleep there in future.

To-morrow, we’ll send for a shoemaker and a dressmaker. Put another

plate on the table; she shall keep us company.”

That evening, all Issoudun could talk of nothing else than the sudden

appearance of the little “rabouilleuse” in Doctor Rouget’s house. In

that region of satire the nickname stuck to Mademoiselle Brazier before,

during, and after the period of her good fortune.

The doctor no doubt intended to do with Flore Brazier, in a small way,

what Louis XV. did in a large one with Mademoiselle de Romans; but he

was too late about it; Louis XV. was still young, whereas the doctor was

in the flower of old age. From twelve to fourteen, the charming little

Rabouilleuse lived a life of unmixed happiness. Always well-dressed, and

often much better tricked out than the richest girls in Issoudun, she

sported a gold watch and jewels, given by the doctor to encourage her

studies, and she had a master who taught her to read, write, and cipher.

But the almost animal life of the true peasant had instilled into Flore

such deep repugnance to the bitter cup of knowledge, that the doctor

stopped her education at that point. His intentions with regard to the

child, whom he cleansed and clothed, and taught, and formed with a care

which was all the more remarkable because he was thought to be utterly

devoid of tenderness, were interpreted in a variety of ways by the

cackling society of the town, whose gossip often gave rise to fatal

blunders, like those relating to the birth of Agathe and that of Max. It

is not easy for the community of a country town to disentangle the truth

from the mass of conjecture and contradictory reports to which a single

fact gives rise. The provinces insist--as in former days the politicians

of the little Provence at the Tuileries insisted--on full explanations,

and they usually end by knowing everything. But each person clings to

the version of the event which he, or she, likes best; proclaims it,

argues it, and considers it the only true one. In spite of the strong

light cast upon people’s lives by the constant spying of a little

town, truth is thus often obscured; and to be recognized, it needs the

impartiality which historians or superior minds acquire by looking at

the subject from a higher point of view.

“What do you suppose that old gorilla wants at his age with a little

girl only fifteen years old?” society was still saying two years after

the arrival of the Rabouilleuse.

“Ah! that’s true,” they answered, “his days of merry-making are long

past.”

“My dear fellow, the doctor is disgusted at the stupidity of his son,

and he persists in hating his daughter Agathe; it may be that he has

been living a decent life for the last two years, intending to marry

little Flore; suppose she were to give him a fine, active, strapping

boy, full of life like Max?” said one of the wise heads of the town.

“Bah! don’t talk nonsense! After such a life as Rouget and Lousteau led

from 1770 to 1787, is it likely that either of them would have children

at sixty-five years of age? The old villain has read the Scriptures, if

only as a doctor, and he is doing as David did in his old age; that’s

all.”

“They say that Brazier, when he is drunk, boasts in Vatan that he

cheated him,” cried one of those who always believed the worst of

people.

“Good heavens! neighbor; what won’t they say at Issoudun?”

From 1800 to 1805, that is, for five years, the doctor enjoyed all the

pleasures of educating Flore without the annoyances which the ambitions

and pretensions of Mademoiselle de Romans inflicted, it is said, on

Louis le Bien-Aime. The little Rabouilleuse was so satisfied when she

compared the life she led at the doctor’s with that she would have led

at her uncle Brazier’s, that she yielded no doubt to the exactions of

her master as if she had been an Eastern slave. With due deference to

the makers of idylls and to philanthropists, the inhabitants of the

provinces have very little idea of certain virtues; and their scruples

are of a kind that is roused by self-interest, and not by any sentiment

of the right or the becoming. Raised from infancy with no prospect

before them but poverty and ceaseless labor, they are led to consider

anything that saves them from the hell of hunger and eternal toil as

permissible, particularly if it is not contrary to any law. Exceptions

to this rule are rare. Virtue, socially speaking, is the companion of a

comfortable life, and comes only with education.

Thus the Rabouilleuse was an object of envy to all the young

peasant-girls within a circuit of ten miles, although her conduct, from

a religious point of view, was supremely reprehensible. Flore, born in

1787, grew up in the midst of the saturnalias of 1793 and 1798, whose

lurid gleams penetrated these country regions, then deprived of priests

and faith and altars and religious ceremonies; where marriage was

nothing more than legal coupling, and revolutionary maxims left a deep

impression. This was markedly the case at Issoudun, a land where, as we

have seen, revolt of all kinds is traditional. In 1802, Catholic worship

was scarcely re-established. The Emperor found it a difficult matter

to obtain priests. In 1806, many parishes all over France were still

widowed; so slowly were the clergy, decimated by the scaffold, gathered

together again after their violent dispersion.

In 1802, therefore, nothing was likely to reproach Flore Brazier, unless

it might be her conscience; and conscience was sure to be weaker than

self-interest in the ward of Uncle Brazier. If, as everybody chose to

suppose, the cynical doctor was compelled by his age to respect a child

of fifteen, the Rabouilleuse was none the less considered very “wide

awake,” a term much used in that region. Still, some persons thought

she could claim a certificate of innocence from the cessation of the

doctor’s cares and attentions in the last two years of his life, during

which time he showed her something more than coldness.

Old Rouget had killed too many people not to know when his own end was

nigh; and his notary, finding him on his death-bed, draped as it

were, in the mantle of encyclopaedic philosophy, pressed him to make a

provision in favor of the young girl, then seventeen years old.

“So I do,” he said, cynically; “my death sets her at liberty.”

This speech paints the nature of the old man. Covering his evil doings

with witty sayings, he obtained indulgence for them, in a land where

wit is always applauded,--especially when addressed to obvious

self-interest. In those words the notary read the concentrated hatred

of a man whose calculations had been balked by Nature herself, and who

revenged himself upon the innocent object of an impotent love. This

opinion was confirmed to some extent by the obstinate resolution of the

doctor to leave nothing to the Rabouilleuse, saying with a bitter smile,

when the notary again urged the subject upon him,--

“Her beauty will make her rich enough!”

The Two Brothers · 第 8 / 17 章