CHAPTER XXVI.

A SURPRISE.

"Preciosa. Is this a dream? O, if it be a dream,

Let me sleep on, and do not wake me yet!

Repeat thy story! say I'm not deceived!

Say that I do not dream! I am awake;

This is the gipsy camp; and this Victorian."

_The Spanish Student._

To address or to consult his old and deaf companion would have been

worse than useless, so Quentin angrily sat down to reflect, and,

unfortunately, in sitting down, did so on a prickly pear. Now, there

are more pleasant sensations in the world than to sit upon such an

esculent, or a Scots thistle (when one is inclined to ponder and to

"chew the cud of sweet and bitter fancy"), with their bristling

stamens, especially if one wears the stockingweb regimental

pantaloons then worn; so Quentin sprang up, and issuing from the

thicket, perceived with great satisfaction, that though the rain was

then falling, the clouds were rising and the wind abating; in fact

that the storm, which had most probably concealed their flight from

the French, was gradually passing away; but whether or not, one fact

was evident--that the donna and he must pass the night in the thicket.

It was fortunate that he had rendered the flight of their cattle of

less consequence, by previously securing the bota of wine and the bag

of provisions, and also that he had ridden with his pistols at his

girdle, and not in holsters.

As the light increased a little when the clouds dispersed, he

perceived a ruined arch, the use or origin of which it would be

difficult to determine. It seemed to be a portion of a small

aqueduct or vault, Roman, Gothic, or Moorish perhaps--anything but

Spanish. It stood amid the great old trees of the chestnut grove,

and was half hidden by the luxuriant grass, the gorgeous wild

flowers, and odoriferous creepers. It was about six feet in height,

but several more in depth, and heaps of fallen masonry, covered with

moss and lavender-flowers, enclosed it on one side.

Quentin examined the ruin, and finding it strewed with dry and

withered leaves, blown thither by the wind, he led in his trembling

companion, who seated herself near him, and with muttered thanks

drank a mouthful of wine from the bota, while he drew forth the

contents of the alforja, to wit, a huge loaf of fine white bread, a

boiled fowl, and a red sausage, that, of course, smelt villanously of

garlic. It was in vain, however, that he pressed Donna Ximena to

partake of the guerillas' good cheer. The old lady had evidently no

objection to a comforting drop of the generous Valdepenas, but when

he offered her food she only buried her head in her veil and rocked

herself to-and-fro, as if overcome by weariness or alarm.

Placing his mouth near her ear, Quentin endeavoured, by roaring as if

he were in a gale of wind at sea, to discover if she knew whereabouts

they were--whether near Valencia de Alcantara or Albuquerque; whether

near Marvao or San Vincente; whether on the Spanish or Portuguese

side of the frontier; but she only shook her head, and made signs of

the cross, as the twilight deepened.

Quentin thought that Don Baltasar had certainly selected his guide,

as the Dean of St. Patrick counselled all housemaids should be, for

their years and lack of personal charms.

"By Jove--the plot thickens!" said he, as he tugged away at a

drumstick of the boiled galina and consoled himself with a hearty

pull at the bota, while his companion laid her old muffled head on a

heap of leaves, and appeared to fall sound asleep; at least Quentin

never cared to enquire whether she was so or not.

There were moments when he seriously considered whether he was not

justified in marching off quietly without beat of drum, and leaving

this venerable bore to shift for herself, while he made the best of

his way to Portalegre, as he had left it, a-foot; but there seemed to

be something so ungallant and ungenerous in leaving an elderly female

(not that the fact of her being the maternal parent of Padre Trevino

enhanced her value) alone, in such a place and at night too, that he

resolved to wait till morning dawned, and then he would see what a

night might bring forth; and this resolution he formed all the more

readily that the rain was still pouring in a ceaseless torrent.

Hour after hour passed in silence, no sound coming to his ear save

the monotonous patter of the rain falling on the brown autumnal

leaves; to Quentin it proved alike a weary and dreary time, until the

shower began to abate, and for the first time in his life he heard a

nightingale pouring its plaintive and varying notes upon the air.

Quentin placed their provender and his pistols in a dry place,

gathered a heap of leaves for a pillow, and coiling himself up at the

other end of the ruin, _i.e._, as far away as possible from old Donna

Ximena, he followed her example and courted sleep.

With the first blink of the day he started from his nest of leaves.

Grey dawn was stealing between the great rough stems of the chestnut

wood. The rain and the wind were over; the vapours of the night had

dispersed, and no trace remained of the past storm save the scathed

and thunder-riven tree, the ruins of which were scattered around its

root.

The green slopes of the distant hills were visible, dotted by the

drenched merino sheep, thousands of which are annually driven into

Estremadura, to fatten on the rich wild grass of its pastures. In

the distance, and darkly defined against the increasing pink and

violet tints of the sky, were two windmills, quaint and old, like

those which the Knight of La Mancha assailed; their wheels were

broken, and the fans hung motionless and in tatters.

A herd of wild swine rushed through the grove, snorting and grunting

in their headlong career, but the Donna Trevino still slept soundly,

if Quentin might judge by her breathing, which was low and regular.

After stepping forth to reconnoitre, and finding the whole vicinity

of the thicket silent, and no appearance of either friend or foe on

the roads in any direction, he deemed this the wisest and safest time

to set forth, and returned to wake his companion, whom he really

began to wish--we shall not say where, or with whom--but safe at

least with her son, the Padre Trevino.

On approaching he perceived that the loose and ample garment of

alternate white and purple stripes in which she was enveloped, was

partly deranged, and the thick black lace veil which covered her head

was open in front, for now one half of it floated over her right

shoulder. Then, on drawing nearer, how great was his astonishment to

behold in the sleeper, not the wrinkled and withered visage of the

deaf old woman, whom all yesterday and all last night he supposed to

be his bore and companion, whom he had left to shift for herself when

the French appeared, and from whom he had crept as far away as

possible in the singular den they tenanted--not the faded visage, we

say, of Donna Ximena, but the pale and delicately cut features, the

wondrously long black eyelashes, and the lovely little face of Donna

Isidora!

The red pouting lips were parted, and the pearly teeth below were

visible, imparting to her expression a charming air of child-like

innocence and repose. Ungloved now, one white and slender hand,

grasping her gathered veil, was pressed upon her bosom; her left

cheek reposed upon her outstretched arm, and the partial

disarrangement of her picturesque costume, as she had turned in her

sleep, left visible rather more than her short Spanish skirts usually

revealed of two remarkably pretty ankles, cased in their tight

scarlet stockings.

The hardships to which her brother's recent guerilla life had

subjected her, evidently enabled the adventurous girl to "rough it,"

as soldiers say; thus she still slept soundly, while Quentin, half

kneeling down, surveyed with wonder, perplexity, and pleasure, the

beauties thus suddenly revealed by the open veil.

Touching her hand, he awoke her.

She started up with an exclamation of alarm, and her hand seemed

instinctively to feel for the bodkin which confined her hair. Aware

that she was discovered now, she assumed a sitting posture, threw

back her thick veil, and a singular expression, half angry and half

droll, came into her dark eyes, as she said--

"You have been looking at me as I slept! Was it proper to penetrate

my disguise, senor?"

"Pardon me, senora; I did not, indeed; I came but to wake you, and

found your veil open; could I refrain from looking--from admiring?"

"And you have discovered me----"

"To be young and beautiful----"

"When you thought me old and hideous--is it not so?" she asked,

laughing.

"I confess it, and with pleasure, senora. This is very

enchanting--but what romance is it--what absurd comedy is this you

are acting?"

"Absurd?"

"Pardon me again; but though it is a game or drama that charms me

very much, it is not without peril.'"

"To whom?"

"To both--perhaps most of all to you, senora."

She replied only by a haughty smile, so Quentin continued--

"Now we shall make our way together delightfully to Portalegre, and

there can be no more deafness; or can it be that you and Donna Ximena

changed places here in the night? Oh, tell me what does all this

mean?"

"I shall tell you, senor," said the now blushing girl; "it means

simply that my brother was most anxious that I, and not Donna Ximena,

should reach the St. Engracia convent, as a place of permanent safety

till these wars and tumults are over. He also wished to supply you

with a guide to Portalegre, where, but for the loss of our horses, we

should have been last night. Thus my brother----"

"Deemed that as old Donna Ximena you would be safer with me than in

your own character?"

"Exactly," she replied, laughing; "we thought there would be little

chance of your attentions annoying her."

"Do you imagine that when the French appeared I would have turned my

horse's head and left you without thought or ceremony, as I left

her--she whom I considered an old, deaf bore and encumbrance? You

have acted well your part, senora. How you made me roar and shout,

as if I was commanding a whole brigade!"

"And now, senor, that you know I am not Donna Ximena, will you

respect me the less?"

"On the contrary, I shall respect you a great deal more," said

Quentin with enthusiasm, as he took her hand in his; but she withdrew

it as if to adjust her veil.

"Then, am I to understand that in your country, youth is more

honourable than age?"

"Nay, it is not, but youth is more pleasing, certainly."

"You have been most kind to me, senor."

"Kind, senora?" Quentin thought she was quizzing him.

"Yes; I cannot forget how, even as old Ximena, you lifted me from my

mule, conveyed me in here, made a couch and pillow for me, and so

forth. _Beso usted la mano, caballero_ (I kiss your hand, sir)," she

added, taking his hand in hers.

"Oh, Donna Isidora, I cannot permit you to do this--unless----"

"Do you not know the customs of Castile? Well, unless what?"

"You permit me to kiss yours."

"How simple! there, senor," she added, presenting a very lovely

little hand, which he pressed to his lips.

"Your cheek now--ah, you will permit me?" urged Quentin, becoming a

little bewildered by the whole situation, and by the clear dark eyes

that looked so softly into his.

"Do so, senor."

Quentin was promptly pressing forward, when the point of a very

unpleasant looking little stiletto met his cheek!

"Senora," he exclaimed, "what do you mean?"

"That I shall stab you to the heart if you molest me--that is all!"

said she, as a gleam came into her dark eyes that vividly reminded

Quentin of Baltasar.

"So, so, senora," said Quentin, with an air of pique, "you are

certainly able to take care of yourself."

"I live in times when it is necessary I should be so," was the dry

retort.

Quentin surveyed her with growing interest, for her beauty was very

remarkable in its delicacy and darkness. She had a short crimson

upper lip, that seemed to quiver with every passing thought, for she

was an impressionable, enthusiastic, and high-spirited girl. After a

pause,

"Now that you have done admiring me, I suppose," said she, "you will

kindly say what we are to do?"

"How?"

"We cannot remain here among the leaves, like a couple of gitanos, or

two rooks in search of a nest."

"We shall continue our journey to Portalegre, with your permission,

senora; and now that you have recovered your hearing, and that I am

not obliged to bellow like a madman, you will perhaps, if in your

power, tell me where we are?"

Donna Isidora laughed and presented her hand; Quentin assisted her to

rise, and on issuing from the ruined arch, she looked about her for

some time.

"By those two windmills," said she, "I know that we are not far from

Salorino."

"A town, senora?"

"Yes; it lies at the base of yonder lofty mountain, on the left bank

of the river Salor."

"Is it large?"

"A considerable place for manufactures. This purple and white

striped woollen stuff is made there; but the town must be avoided, as

it is occupied by a troop of Polish Lancers."

"Then did we ride the wrong way in the rain last night?"

"Yes; we are still fully thirty miles from Portalegre."

"Thirty miles yet, senora!"

"Yes, and Valencia de Alcantara, where the French Light Cavalry are,

lies exactly midway, on the main road, between us and it."

Quentin's heart sunk at this information.

"You are certain of all this, senora?" said he, laying his hand

lightly on her arm.

"Quite, senor."

"We cannot--you, at least, cannot--proceed thirty miles on foot; so

what in heaven's name shall we do?" said Quentin in great perplexity.

"The Conde de Maciera, who serves in my brother's band of guerillas

as captain of a hundred lancers, has a villa at the foot of yonder

hill near the Salor; I remember that the wildest bull we ever had in

the arena at Salamanca came from thence. The place is scarcely two

miles distant from this, and could we but reach it, doubtless some of

his domestics might assist us."

"The idea is excellent; let us set out at once!"

"Be advised by me, senor, and take some breakfast first," said the

Spanish girl, laughing; "it is a custom we guerillas have, always to

eat when provisions can be had, lest we halt where there are none."

Quentin at once assented, and opening the alforja produced the fowl

and other edibles, on which they made a slight repast before setting

forth.

Seating herself within the ruined arch, her head reclined upon her

left hand, Isidora displayed to perfection a lovely rounded arm, and

a pair of taper ankles and little feet, towards which Quentin's eyes

wandered from time to time.

"You look at me very earnestly, senora," said he, while his cheek

reddened and his heart fluttered on finding the dark searching eyes

of the young donna fixed on him more than once.

"There is, I can see, a sad expression in your eyes, senor."

"Do you think so?" asked Quentin, smiling.

"Yes."

"But how, or why do you suppose so?"

"I don't know; I perceive that you are a mere boy (muchacho), and

yet--and yet----"

"What, senora?"

"Ave Maria purissima! I can't say--there is something that speaks to

me of thought, reflection, care beyond your years."

"It may well be so, dear senora; I have never known a relative in the

world; I have been an orphan from infancy, and----"

"And now," said she, presenting him with her hand, "you are a soldier

who comes to fight for Spain!"

"And for _you_, too, senora," he added, as he touched her fingers

with his lips, and with a devotion that somewhat surprised himself.

"But are you afraid of me, as old Donna Ximena was?"

"No--why do you think I am?"

"You sign the cross so often."

"Because, senor--excuse me, but the morning air is excessively chilly

here, and I yawn frequently."

"And you do so?----"

"For fear Satanas should dart down my throat unseen and unfelt. It

is a belief--superstition you may deem it--that we have in Castile;

though you, perhaps, who have, unfortunately, been educated among

heretics, may know neither the dread nor the holy sign. I know that

it is not used in your country, senor--because I can read."

"I should think so," said Quentin, amused by her simplicity; "is not

every lady educated?"

"No--not in Spain."

"Why?"

"Lest, if handsome, they should write to their lovers."

"And yet, senora, they had the rashness to teach you."

"Do you mean that I am handsome, or that I must have lovers?"

"I mean both--that being the first of necessity leads to your

possessing the last."

"My poor father, the good old professor, who was so barbarously slain

by the French, was careful to teach me many things, though our female

literary accomplishments are usually confined to our prayers and

rehearsing legends of the saints, songs of the Cid Rodrigo, or by

Lope de la Vega. In England I believe you have women who could lead

the Junta or shine in the Cortes itself; but what matters their

education, when it only serves to confirm their heresies? And now,

senor, place the bota in the alforja, and sling that over your

shoulder; let us go, and I shall be your guide to Villa de Maciera."

The King's Own Borderers: A Military Romance, Volume 2 (of 3) · 第 26 / 28 章