CHAPTER XI.

THE MUSIC OF SILENCE AND OF DRUM.

There was a depth in Freda’s nature which she was sure no one would ever

discover. A delicate fear occasionally separated her from people for an

hour of tranquil meditation, in which she reached back through time and

down through obstructions to regain touch with it herself. Sometimes she

would paddle slowly along the shore near her home, or, beaching the canoe

on the meagre shelf by the cliff’s feet, sit in passive enjoyment of the

simple natural objects about her. She never took a book on these solitary

excursions, because of a characteristic impulse toward actuality. The

flat, round stones and pebbles, rendered smooth by years of the river’s

polishing, may have been very uninteresting and inanimate things, indeed,

but she loved the amazing variation in their color, all dim, composite

shades of purples, greens and nameless greys. There was a silence, not

encroached upon by the monotonous murmur of the persistent shore waters,

and a solitude unaffected by distant freighters moving slowly in the

midstream. She would stretch supinely to gaze at the nervous phantoms

of reflected light that pendulated upon the cavernous, stratified face

of the cliffs, or to watch a fisher-bird perched attentively on a bare,

protruding root, far up at the grassy edge above.

Her ears, attuned to disregard the soft sounds that formed about her an

atmospheric velvet, began at length to hear that wondrous roaring silence

that ever widened and thrilled with the very mystery of all mysteries.

And she knew, but could never have explained, what else she found then.

It was strength and rare forgetfulness of self, and belief in a vast

Something that could never henceforth be doubted.

This, however, constituted for Freda merely that ultimate spiritual

experience, painfully unapproachable by friends, which it is the strange

lot of all mortals to know less or more. Men and women cling to it,

hunger for it, recover it or lose it, but for ever treasure it. The

gratifications of a hundred vaunted pursuits dissipate into shadow-play

before it. And yet it is what? So elusive, so stupendous, so readily

forgotten. The trammelling events of a world constantly with us, march

upon us, swoop us into their caravanserie, and we are no longer the

living strength of that incomparable hour. We are but the dutiful

perpetuators of age-old customs and follies.

Back to life, as it was, and with an impetuous relish, went Freda, on the

night of the dance.

It was no disloyalty to Mauney. Her nature surged energetically on

both sides of the line of average experience. If there were moments

of spiritual joy, there were also moments of blinder joy, when music

inspired the sinews and the blood warmed. Life was so large that it

could not remember from hour to hour its past occupations. Eyes that

loved soft, verdant light at the river’s edge, must love, too, the

carnival display of garish crimsons and yellows; ears that had listened

into the silence heard now the barbaric tune of drum and trumpet

with enhanced sensation. This gaiety was not disloyalty to Mauney. It

was merely life—her life—that craved the thrills. She thought, as she

pirouetted with Courtney, that the delectable exercise was indeed a

necessary training. It made her love Mauney more. Taught by its care-free

spirit, she would be better able to cheer that dependable man, who

lived a life curbed constantly to the line of average emotions. With a

fresher attraction she would decoy him from the inevitable, but wearing,

sombreness of his lonely existence.

And then, too, as she half-meditated, the while her feet were gliding in

accurate rhythm with her partner, Mauney could not really blame her. He

had stubbornly withheld the final declarations and demands that would

have made her his fiancée. And he had left her alone for a whole week.

Reason, noble reason he had, no doubt. But she would value love that

broke past all reasons; and now, if he learned that she had gone dancing

with Courtney, the discovery might rouse him, by jealousy or caution,

to that pitch of emotion where she longed to behold him. And, if he

disapproved, he had only to discipline, to satisfy her.

Many of Lockwood’s elite thought that Freda and Courtney made a striking

pair, and said so. He was well known to have many attractions, some of

them popular, some not. As a matrimonial prize he had been variously

encouraged by several ambitious mothers; then given up, but never

scorned. He enjoyed that kind of popularity which is inspired by wealth

and ease, enhanced by a pleasant enough personality, but which is

restrained by an envious bitterness seldom expressed. The wealthy are

aware of such bitterness, but have learned to disregard it.

As for Freda, she was now practically a visitor in Lockwood society.

A few years before she had been a beautiful and popular debutante,

with an influential father. She was now a university woman, and her

people, though not so influential as before, were still definitely

well considered. To-night she was merely an admittedly beautiful and

acceptable young lady. Society was not keenly interested in her.

“I think,” said Mrs. Turnbull to Mrs. Squires, as they watched the

dancing from the verandah, “that Miss MacDowell looks so graceful with

Ted.”

“He knows a good dancer,” replied Mrs. Squires with a supercilious

expression. “But you know, of course, that his mother, who is in New

York, would scarcely approve if she were here.”

“Why not?” enquired Mrs. Turnbull, with the seriousness due to a most

important issue.

“No reason, except that the MacDowell’s are scarcely—ah—what they were

once, you know. And besides, I presume that Ted is expected to aim

higher.”

“Is he serious about Freda MacDowell?” Mrs. Turnbull asked in surprise.

“He was once, my dear, and Mrs. Courtney is known to have cut Freda

rather cruelly on several occasions.”

Freda, had she heard such remarks, would have been quite indifferent.

The dance was the thing. It was the glory of movement and sound and

color that charmed her. Courtney was but a means to an end—an impersonal

partner who lived up to the character with his customary gentility. But

Courtney was not quite impregnable. The intoxication of Freda’s proximity

had been making inroads on his polite reserve, and gradually culminated

in a little outburst as they stood alone on a deserted part of the

verandah during a number.

“Girl, I love you!” he whispered passionately and tried to embrace her.

But she pushed him back steadily.

“Ted, you do not,” she replied angrily. “You just imagine it, and I don’t

like your arms on me, either! You may take me home, please!”

He bowed and went so directly for his car that Freda half forgave him.

He told her on the way home that his only regret over the incident was

her displeasure. He hoped that she might soon give him some slight reason

to be less unhappy than he was just then. If she could not in any case

entertain his serious bid for love, he would gladly content himself with

the consolation of her friendship. Would she not, at least, forgive him

for to-night?

“I don’t know, Ted,” she replied, as he was about to leave her. “I didn’t

like it one little bit.”

Nor did she.

In her room she engaged in an intense mood of self-despising, and anger

and regret. Ah! She wanted Mauney’s arms just then. Her sense of guilt

melted into one of weakness and dependence. In his strong, clean arms

she would be at last peaceful and safe. She ought not to have gone with

Courtney. That was plain. But she had promised. Now she would confess to

Mauney and accept his chastisement with delicious satisfaction.

Lantern Marsh · 第 11 / 16 章