CHAPTER VIII.

ARTISTS AND TEACHERS OF MUSIC.

If any one should say that he has diligently studied the piano and

violin after the method used at present, and in course of time has

learned and taught it with the greatest success, without having found

it necessary to trouble himself about any other system, my reply is,

that music is one of the most beautiful, and with respect to muscular

work, the most difficult of arts, and that all the arts and sciences,

music not excepted, have made enormous strides in advance during the

present century. But exactly because music has become a universal boon

for all classes of the civilized world, one ought to be so much the

less disposed to shut out new ideas respecting it, from whatever side

they may come. The representatives of this art, professional musicians

and teachers of music, are generally the most active and often the most

educated men, who devote their lives to the art, and promote it in a

way which is hardly acknowledged sufficiently by the musical world. The

most highly honoured, however, are those who have made the greatest

progress in theory and in practice, or who have readily and generously

acknowledged such progress, from whatever direction it might come.

It is, therefore, the duty of all to assist teachers of music and

proficients, as much as possible, in promoting this beautiful

accomplishment; for this reason, encouraged by persons of the highest

distinction, and moved by the love of the art and of mankind, I venture

to make known my “_Gymnastics of the Fingers and Wrist_,” and to offer

to all who work with their fingers in general, and to musicians in

particular, a means which, based on physiological principles, leads

most surely to the attainment of artistic execution, and which is in

itself so simple, that any child may use it; a means, too, which will

effect a great saving of time and facilitate the work of both teachers

and students.

I have only to add that, as a matter of course, these exercises, in

order to have the desired effect, should be performed _gymnastically

and regularly_, according to _the directions_ given, and not otherwise;

whilst, on the other hand, they ought _not to be carried to excess, nor

are they intended to supersede the usual finger-exercises, scales, and

studies_.

Jackson's Gymnastics for the Fingers and Wrist being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams · 第 8 / 19 章