CHAPTER VI.

THE PRINCIPAL DIFFICULTY DOES NOT CONSIST IN THE READING OF MUSIC, BUT

IN THE WEAKNESS OF THE FINGERS.

In the opinion of many, the chief difficulty to be overcome in studying

music consists in learning to _read it_. But this is by no means the

case. The reading of music is learned in the same manner as a child

learns to read letters. The first difficulties having been mastered,

the task is easy; as with a printed book, so with music.

Consequently the paramount difficulty is not in the _notes_, but

in the weakness and _awkwardness of the fingers_ and wrists. From

this, again, it may be plainly seen how necessary it is to train the

_fingers_ before commencing the work of the _head_. In short, what is

wanted is a regular gymnastic training for the muscles of the fingers,

the joints, and the wrists; and it will be found that the following

exercises, being as desirable as they are applicable for every age,

will strengthen and render them flexible in a most surprising manner,

will materially shorten the time of study, and save much labour;

nevertheless, on that account _the ordinary finger-practice, scales,

and studies should of course_ NOT _be omitted_.

Suppose a boy from 10 to 14 years old, who is strong and healthy by

means of gymnastics and other exercises, set to learn the piano or

violin. His body is strong with gymnastic exercises, but his wrists and

fingers are weak and awkward. How is he, with the method now in use, to

succeed in playing an instrument well, without very long and wearying

work? No wonder that the painful exertion almost makes him despair, and

that finally he gives up the thing altogether. But if, on the contrary,

his fingers and joints have been gymnastically trained and exercised

beforehand, he will get on easily and quickly, and continue his

studies with pleasure.

Many presidents and teachers of the most celebrated gymnastic

institutions have, therefore, come to the determination to introduce

into their establishments these exercises in addition to the other

branches of gymnastic training. Their practical utility for all those

who work with their fingers, for anatomists, surgeons, sculptors,

watchmakers, and many others, is as evident as their salutary

effect;—from a medical point of view, in curvature and paralysis of

the hand and forearm, in weakness of the muscles and nerves, writers’

cramp, and similar complaints,—is undeniable.

Jackson's Gymnastics for the Fingers and Wrist being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams · 第 6 / 19 章