a circular white disk, about halfway between the center and
circumference, fix a small, black, oblong disk, and rapidly rotate it
by means of a rotating wheel. There appears a ring of gray on the
black, showing that the impression on the retina lasts a certain time.
Illustration: Fig. 146.—Optic Disks.
The disk A, having black and white sectors, when rotated rapidly gives
an even gray tint as in B.
Experiment 181. Mark off a round piece of cardboard into black and
white sectors as in A (Fig. 146). Attach it so as to rotate it rapidly,
as on a sewing machine. An even gray tint will be produced as in B.
Experiment 182._To illustrate imperfect visual judgments_. Make three
round black dots, A, B, C, of the same size, in the same line, and let
A and C be equidistant from B. Between A and B make several more dots
of the same size. A and B will then appear to be farther apart than B
and C.
Illustration:
For the same reason, of two squares absolutely identical in size, one
marked with alternately clear and dark cross-bands, and the other with
alternately clear and dark upright markings, the former will appear
broader and the latter higher than the other.
Experiment 183. Make on a white card two squares of equal size. Across
the one draw _horizontal_ lines at equal distances, and in the other
make similar _vertical_ lines. Hold them at some distance. The one with
horizontal lines appears higher than it really is, while the one with
vertical lines appears broader, _i.e._, both appear oblong.
Experiment 184. Look at the row of letters (S) and figures (8). To some
the upper halves of the letters and figures may appear to be of the
same size as the lower halves, to others the lower halves may appear
larger. Hold the figure upside down, and observe that there is a
considerable difference between the two, the lower halves being
considerably larger.
S S S S S S S S 8 8 8 8 8 8 8 8
Experiment 185. _To illustrate imperfect visual judgment_. The length
of a line appears to vary according to the angle and direction of
certain other lines in relation to it (Fig. 147). The length of the two
vertical lines is the same, yet B appears much longer than A.
Illustration: Fig. 147.—To show False Estimate of Size.
Experiment 186. In indirect vision the appreciation of direction is
still more imperfect. While leaning on a large table, fix a point on
the table, and then try to arrange three small pieces of colored paper
in a straight line. Invariably, the papers, being at a distance from
the fixation-point, and being seen by indirect vision, are arranged,
not in a straight line, but in the arc of a circle with a long radius.
Chapter XII.
The Throat and the Voice.
349. The Throat. The throat is a double highway, as it were, through
which the air we breathe traverses the larynx on its way to the lungs,
and through which the food we swallow reaches the œsophagus on its
passage to the stomach. It is, therefore, a very important region of
the body, being concerned in the great acts of respiration and
digestion.
The throat is enclosed and protected by various muscles and bony
structures, along which run the great blood-vessels that supply the
head, and the great nerve trunks that pass from the brain to the parts
below.
We have already described the food passages (Chapter VI.) and the air
passages (Chapter VIII.).
To get a correct idea of the throat we should look into the wide-open
mouth of some friend. Depressing the tongue we can readily see the back
wall of the pharynx, which is common to the two main avenues leading to
the lungs and the stomach. Above, we notice the air passages, which
lead to the posterior cavities of the nose. We have already described
the hard palate, the soft palate, the uvula, and the tonsils (Fig. 46).
On looking directly beyond these organs, we see the beginning of the
downward passage,—the pharynx. If now the tongue be forcibly drawn
forward, a curved ridge may be seen behind it. This is the epiglottis,
which, as we have already learned shuts down, like the lid of a box,
over the top of the larynx (secs. 137 and 203).
The throat is lined with mucous membrane covered with ciliated
epithelium, which secretes a lubricating fluid which keeps the parts
moist and pliable. An excess of this secretion forms a thick, tenacious
mass of mucus, which irritates the passages and gives rise to efforts
of hawking and coughing to get rid of it.
350. The Larynx. The larynx, the essential organ of voice, forms the
box-like top of the windpipe. It is built of variously shaped
cartilages, connected by ligaments. It is clothed on the outside with
muscles; on the inside it is lined with mucous membrane, continuous
with that of the other air passages.
Illustration: Fig. 148.—View of the Cartilages in front project and
form the lages and Ligaments of the “Adam’s apple,” plainly seen and
Larynx. (Anterior view.)
A, hyoid bone;
B, thyro-hyoid membrane;
C, thyroid cartilage;
D, erico-thyroid membrane;
E, cricoid cartilage, lateral ligaments seen on each side;
F, upper ring of the trachea.
(“Adam’s apple” is in the V-shaped groove on a line with B and C.)
The larynx has for a framework two cartilages, the thyroid and the
cricoid, one above the other. The larger of these, called the thyroid,
from a supposed resemblance to a shield, consists of two extended wings
which join in front, but are separated by a wide interval behind. The
united edges in front project and form the “Adam’s apple” plainly seen
and easily felt on most people, especially on very lean men.
Above and from the sides rise two horns connected by bands to the hyoid
bone from which the larynx is suspended. This bone is attached by
muscles and ligaments to the skull. It lies at the base of the tongue,
and can be readily felt by the finger behind the chin at the angle of
the jaw and the neck (sec. 41 and Fig. 46). From the under side of the
thyroid two horns project downwards to become jointed to the cricoid.
The thyroid thus rests upon, and is movable on, the cricoid cartilage.
The cricoid cartilage, so called from its fancied resemblance to a
signet-ring, is smaller but thicker and stronger than the thyroid, and
forms the lower and back part of the cavity of the larynx. This
cartilage is quite sensitive to pressure from the fingers, and is the
cause of the sharp pain felt when we try to swallow a large and hard
piece of food not properly chewed.
Illustration: Fig. 149.—Diagram of a Sectional of Nasal and Throat
Passages.
C, nasal cavities;
T, tongue;
L, lower jaw;
M, mouth;
U, uvula;
E, epiglottis;
G, larynx;
O, œsophagus.
On the upper edge of the cricoid cartilage are perched a pair of very
singular cartilages, pyramidal in shape, called the arytenoid, which
are of great importance in the production of the voice. These
cartilages are capped with little horn-like projections, and give
attachment at their anterior angles to the true vocal cords, and at
their posterior angles to the muscles which open and close the glottis,
or upper opening of the windpipe. When in their natural position the
arytenoid cartilages resemble somewhat the mouth of a pitcher, hence
their name.
351. The Vocal Cords. The mucous membrane which lines the various
cartilages of the larynx is thrown into several folds. Thus, one fold,
the free edge of which is formed of a band of elastic fibers, passes
horizontally outwards from each side towards the middle line, at the
level of the base of the arytenoid cartilages. These folds are called
the true vocal cords, by the movements of which the voice is produced.
Above them are other folds of mucous membrane called the false vocal
cords, which take no part in the production of the voice. The
arrangement of the true vocal cords, projecting as they do towards the
middle line, reduces to a mere chink the space between the part of the
larynx above them and the part below them. This constriction of the
larynx is called the glottis.
Illustration: Fig. 150.—View of the Cartilages and Ligaments of Larynx.
(Posterior view.)
A, epiglottis;
B, thyroid cartilage;
C, arytenoid cartilage;
D, ligament connecting lower cornu of the thyroid with the back of
the cricoid cartilage;
E, cricoid cartilage;
F, upper ring of the trachea.
352. The Mechanism of the Voice. The mechanism of the voice may be more
easily understood by a study of Fig. 150. We have here the larynx,
viewed from behind, with all the soft parts in connection with it. On
looking down, the folds forming the true vocal cords are seen enclosing
a V-shaped aperture (the glottis), the narrow part being in front.
The form of this aperture may be changed by the delicately coordinate
activities of the muscles of the larynx. For instance, the vocal cords
may be brought so closely together that the space becomes a mere slit.
Air forced through the slit will throw the edges of the folds into
vibration and a sound will be produced.
The Variations in the form of the opening will determine the variations
in the sound. Now, if the various muscles of the larynx be relaxed, the
opening of the glottis is wider. Thus the air enters and leaves the
larynx during breathing, without throwing the cords into vibration
enough to produce any sound.
We may say that the production of the voice is effected by an
arrangement like that of some musical instruments, the sounds produced
by the vibrations of the vocal cords being modified by the tubes above
and below. All musical sounds are due to movements or vibrations
occurring with a certain regularity, and they differ in loudness,
pitch, and quality. Loudness of the sound depends upon the extent of
the vibrations, pitch on the rapidity of the vibrations, and quality on
the admixture of tones produced by vibrations of varying rates of
rapidity, related to one another.
Illustration: Fig. 151.—Longitudinal Section of the Larynx. (Showing
the vocal cords.)
A, epiglottis;
B, section of hyoid bone;
C, superior vocal cord;
D, ventricle of the larynx;
E, inferior vocal cord;
F, section of the thyroid cartilage;
H, section of anterior portion of the cricoid cartilage;
K, trachea;
L, section of the posterior portion of the cricoid cartilage;
M, arytenoid cartilage;
N, section of the arytenoid muscle.
353. Factors in the Production of the Voice. Muscles which pass from
the cricoid cartilage to the outer angle of the arytenoids act to bring
the vocal cords close together, and parallel to one another, so that
the space between them is narrowed to a slit. A strong expiration now
drives the air from the lungs through the slit, between the cords, and
throws them into vibration. The vibration is small in amount, but very
rapid. Other muscles are connected with the arytenoid cartilages which
serve to seperate the vocal cords and to widely open the glottis. The
force of the outgoing current of air determines the extent of the
movement of the cords, and thus the loudness of the sound will increase
with greater force of expiration.
We have just learned that the pitch of sound depends on the rapidity of
the vibrations. This depends on the length of cords and their tightness
for the shorter and tighter a string is, the higher is the note which
its vibration produces. The vocal cords of women are about one-third
shorter than those of men, hence the higher pitch of the notes they
produce. In children the vocal cords are shorter than in adults.[50]
The cords of tenor singers are also shorter than those of basses and
baritones. The muscles within the larynx, of course, play a very
important part in altering the tension of the vocal cords. Those
qualities of the voice which we speak of as sweet, harsh, and
sympathetic depend to a great extent upon the peculiar structure of the
vocal cords of the individual.
Besides the physical condition of the vocal cords, as their degree of
smoothness, elasticity, thickness, and so on, other factors determine
the quality of an individual’s voice. Thus, the general shape and
structure of the trachea, the larynx, the throat, and mouth all
influence the quality of voice. In fact, the air passages, both below
and above the vibrating cords, act as resonators, or resounding
chambers, and intensify and modify the sounds produced by the cords. It
is this fact that prompts skillful teachers of music and elocution to
urge upon their pupils the necessity of the mouth being properly opened
during speech, and especially during singing.
Experiment 187. _To show the anatomy of the throat_. Study the general
construction of the throat by the help of a hand mirror. Repeat the
same on the throat of some friend.
Experiment 188. _To show the construction of the vocal organs_. Get a
butcher to furnish two windpipes from a sheep or a calf. They differ
somewhat from the vocal organs of the human body, but will enable us to
recognize the different parts which have been described, and thus to
get a good idea of the gross anatomy.
One specimen should be cut open lengthwise in the middle line in
front, and the other cut in the same way from behind.
354. Speech. Speech is to be distinguished from voice. It may exist
without voice, as in a whisper. Speech consists of articulated sounds,
produced by the action of various parts of the mouth, throat, and nose.
Voice is common to most animals, but speech is the peculiar privilege
of man.
Illustration: Fig. 152.—Diagramatic Horizontal Section of Larynx to
show the Direction of Pull of the Posterior Crico-Arytenoid Muscles,
which abduct the Vocal Cords. (Dotted lines show position in
abduction.)]
The organ of speech is perhaps the most delicate and perfect _motor_
apparatus in the whole body. It has been calculated that upwards of 900
movements per minute can be made by the movable organs of speech during
reading, speaking, and singing. It is said that no less than a hundred
different muscles are called into action in talking. Each part of this
delicate apparatus is so admirably adjusted to every other that all
parts of this most complex machinery act in perfect harmony.
There are certain articulate sounds called vowel or vocal, from the
fact that they are produced by the vocal cords, and are but slightly
modified as they pass out of the mouth. The true vowels, _a, e, i, o,
u_, can all be sounded alone, and may be prolonged in expiration. These
are the sounds chiefly used in singing. The differences in their
characters are produced by changes in the position of the tongue,
mouth, and lips.
Consonants are sounds produced by interruptions of the outgoing current
of air, but in some cases have no sound in themselves, and serve merely
to modify vowel sounds. Thus, when the interruption to the outgoing
current takes place by movements of the lips, we have the _labial_
consonants, _p_, _b_, _f_, and _v_. When the tongue, in relation with
the teeth or hard palate, obstructs the air, the _dental_ consonants,
_d_, _t_, _l_, and _s_ are produced. _Gutturals_, such as _k_, _g_,
_ch_, _gh_, and _r_, are due to the movements of the root of the tongue
in connection with the soft palate or pharynx.
To secure an easy and proper production of articulate sounds, the
mouth, teeth, lips, tongue, and palate should be in perfect order. The
modifications in articulation occasioned by a defect in the palate, or
in the uvula, by the loss of teeth, from disease, and from congenital
defects, are sufficiently familiar. We have seen that speech consists
essentially in a modification of the vocal sounds by the accessory
organs, or by parts above the larynx, the latter being the essential
vocal instrument.
Many animals have the power of making articulated sounds; a few have
risen, like man, to the dignity of sentences, but these are only by
imitation of the human voice. Both vowels and consonants can be
distinguished in the notes of birds, the vocal powers of which are
generally higher than those of mammals. The latter, as a rule, produce
only vowels, though some are also able to form consonants.
Persons idiotic from birth are incapable of producing any other vocal
sounds than inarticulate cries, although supplied with all the internal
means of articulation. Persons deaf and dumb are in the same situation,
though from a different cause; the one being incapable of imitating,
and the other being deprived of hearing the sounds to be imitated.
Illustration: Fig. 153.—Direction of Pull of the Lateral
Crico-Arytenoids, which adduct the Vocal Cords. (Dotted lines show
position in adduction.)
In _whispering_, the larynx takes scarcely any part in the production
of the sounds; the vocal cords remain apart and comparatively slack,
and the expiratory blast rushes through without setting them in
vibration.
In _stammering_, spasmodic contraction of the diaphragm interrupts the
effort of expiration. The stammerer has full control of the mechanism
of articulation, but not of the expiratory blast. His larynx and his
lips are at his command, but not his diaphragm. To conquer this defect
he must train his muscles of respiration to calm and steady action
during speech. The _stutterer_, on the other hand, has full control of
the muscles of expiration. His diaphragm is well drilled, but his lips
and tongue are insubordinate.
355. The Care of the Throat and Voice. The throat, exposed as it is to
unwholesome and overheated air, irritating dust of the street,
factories, and workshops, is often inflamed, resulting in that common
ailment, _sore throat_. The parts are red, swollen, and quite painful
on swallowing. Speech is often indistinct, but there is no hoarseness
or cough unless the uvula is lengthened and tickles the back part of
the tongue. Slight sore throat rarely requires any special treatment,
aside from simple nursing.
The most frequent cause of throat trouble is the action of cold upon
the heated body, especially during active perspiration. For this reason
a cold bath should not be taken while a person is perspiring freely.
The muscles of the throat are frequently overstrained by loud talking,
screaming, shouting, or by reading aloud too much. People who strain or
misuse the voice often suffer from what is called “clergyman’s sore
throat.” Attacks of sore throat due to improper methods of breathing
and of using the voice should be treated by judicious elocutionary
exercises and a system of vocal gymnastics, under the direction of
proper teachers.
Persons subject to throat disease should take special care to wear
suitable underclothing, adapted to the changes of the seasons. Frequent
baths are excellent tonics to the skin, and serve indirectly to protect
one liable to throat ailments from changes in the weather. It is not
prudent to muffle the neck in scarfs, furs, and wraps, unless perhaps
during an unusual exposure to cold. Such a dress for the neck only
makes the parts tender, and increases the liability to a sore throat.
Every teacher of elocution or of vocal music, entrusted with the
training of a voice of some value to its possessor, should have a good,
practical knowledge of the mechanism of the voice. Good voices are
often injured by injudicious management on the part of some incompetent
instructor. It is always prudent to cease speaking or singing in public
the moment there is any hoarseness or sore throat.
The voice should not be exercised just after a full meal, for a full
stomach interferes with the free play of the diaphragm. A sip of water
taken at convenient intervals, and held in the mouth for a moment or
two, will relieve the dryness of the throat during the use of the
voice.
356. Effect of Alcohol upon the Throat and Voice. Alcoholic beverages
seriously injure the throat, and consequently the voice, by causing a
chronic inflammation of the membrane lining the larynx and the vocal
cords. The color is changed from the healthful pink to red, and the
natural smooth surface becomes roughened and swollen, and secretes a
tough phlegm.
The vocal cords usually suffer from this condition. They are thickened,
roughened, and enfeebled, the delicate vibration of the cords is
impaired, the clearness and purity of the vocal tones are gone, and
instead the voice has become rough and husky. So well known is this
result that vocalists, whose fortune is the purity and compass of their
tones, are scrupulously careful not to impair these fine qualities by
convivial indulgences.
357. Effect of Tobacco upon the Throat and Voice. The effect of tobacco
is often specially serious upon the throat, producing a disease well
known to physicians as “the smoker’s sore throat.” Still further, it
produces inflammation of the larynx, and thus entails disorders of the
vocal cords, involving rough voice and harsh tones. For this reason
vocalists rarely allow themselves to come under the narcotic influence
of tobacco smoke. It is stated that habitual smokers rarely have a
normal condition of the throat.
Additional Experiments.
Experiment 189. _To illustrate the importance of the resonating cavity
of the nose in articulation_. Pinch the nostrils, and try to pronounce
slowly the words “Lincoln,” “something,” or any other words which
require the sound of _m_, _ln_, or _ng_.
Illustration: Fig. 154.
Experiment 190. _To illustrate the passage of air through the glottis._
Take two strips of India rubber, and stretch them over the open end of
a boy’s “bean-blower,” or any kind of a tube. Tie them tightly with
thread, so that a chink will be left between them, as shown in Fig.
154. Force the air through such a tube by blowing hard, and if the
strips are not too far apart a sound will be produced. The sound will
vary in character, just as the bands are made tight or loose.
Experiment 191. “A very good illustration of the action of the vocal
bands in the production of the voice may be given by means of a piece
of bamboo or any hollow wooden tube, and a strip of rubber, about an
inch or an inch and a half wide, cut from the pure sheet rubber used by
dentists.
“One end of the tube is to be cut sloping in two directions, and
the strip of sheet rubber is then to be wrapped round the tube, so
as to leave a narrow slit terminating at the upper corners of the
tube.
“By blowing into the other end of the tube the edges of the rubber
bands will be set in vibration, and by touching the vibrating
membrane at different points so as to check its movements it may be
shown that the pitch of the note emitted depends upon the length
and breadth of the vibrating portion of the vocal bands.”[51]—Dr.
H. P. Bowditch.
Note. The limitations of a text-book on physiology for schools do not
permit so full a description of the voice as the subject deserves. For
additional details, the student is referred to Cohen’s _The Throat and
the Voice_, a volume in the “American Health Primer Series.” Price 40
cents.
Chapter XIII.
Accidents and Emergencies.
358. Prompt Aid to the Injured. A large proportion of the accidents,
emergencies, and sudden sicknesses that happen do not call for medical
or surgical attention. For those that do require the services of a
physician or surgeon, much can be often done before the arrival of
professional help. Many a life has been saved and much suffering and
anxiety prevented by the prompt and efficient help of some person with
a cool head, a steady hand, and a practical knowledge of what to do
first. Many of us can recall with mingled admiration and gratitude the
prompt services rendered our families by some neighbor or friend in the
presence of an emergency or sudden illness.
In fact, what we have studied in the preceding chapters becomes tenfold
more interesting, instructive, and of value to us, if we are able to
supplement such study with its practical application to the treatment
of the more common and less serious accidents and emergencies.
While no book can teach one to have presence of mind, a cool head, or
to restrain a more or less excitable temperament in the midst of sudden
danger, yet assuredly with proper knowledge for a foundation, a certain
self-confidence may be acquired which will do much to prevent hasty
action, and to maintain a useful amount of self-control.
Space allows us to describe briefly in this chapter only a few of the
simplest helps in the more common accidents and emergencies which are
met with in everyday life.[52]
359. Hints as to what to Do First. Retain so far as possible your
presence of mind, or, in other words, keep cool. This is an
all-important direction. Act promptly and quietly, but not with haste.
Whatever you do, do in earnest; and never act in a half-hearted manner
in the presence of danger. Of course, a knowledge of what to-do and
how to do it will contribute much towards that self-control and
confidence that command success. Be sure and send for a doctor at once
if the emergency calls for skilled service. All that is expected of
you under such circumstances is to tide over matters until the doctor
comes.
Illustration: Fig. 155.—Showing how Digital Compression should be
applied to the Brachial Artery.
Do not presume upon any smattering of knowledge you have, to assume any
risk that might lead to serious results. Make the sufferer comfortable
by giving him an abundance of fresh air and placing him in a restful
position. Do all that is possible to keep back the crowd of curious
lookers-on, whom a morbid curiosity has gathered about the injured
person. Loosen all tight articles of clothing, as belts, collars,
corsets, and elastics. Avoid the use of alcoholic liquors. They are
rarely of any real service, and in many instances, as in bleeding, may
do much harm.
360. Incised and Lacerated Wounds. An incised or cut wound is one made
by a sharp instrument, as when the finger is cut with a knife. Such a
wound bleeds freely because the clean-cut edges do not favor the
clotting of blood. In slight cuts the bleeding readily ceases, and the
wound heals by primary union, or by “first intention,” as surgeons call
it.
Lacerated and contused wounds are made by a tearing or bruising
instrument, for example, catching the finger on a nail. Such wounds
bleed but little, and the edges and surfaces are rough and ragged.
If the incised wound is deep or extensive, a physician is necessary to
bring the cut edges together by stitches in order to get primary union.
Oftentimes, in severe cuts, and generally in lacerations, there is a
loss of tissue, so that the wound heals by “second intention”; that is,
the wound heals from the bottom by a deposit of new cells called
_granulations_, which gradually fill it up. The skin begins to grow
from the edges to the center, covering the new tissue and leaving a
cicatrix or scar with which every one is familiar.
361. Contusion and Bruises. An injury to the soft tissues, caused by a
blow from some blunt instrument, or a fall, is a contusion, or bruise.
It is more or less painful, followed by discoloration due to the escape
of blood under the skin, which often may not be torn through. A black
eye, a knee injured by a fall from a bicycle, and a finger hurt by a
baseball, are familiar examples of this sort of injury. Such injuries
ordinarily require very simple treatment.
The blood which has escaped from the capillaries is slowly absorbed,
changing color in the process, from blue black to green, and fading
into a light yellow. Wring out old towels or pieces of flannel in hot
water, and apply to the parts, changing as they become cool. For cold
applications, cloths wet with equal parts of water and alcohol,
vinegar, and witch-hazel may be used. Even if the injury is apparently
slight it is always safe to rest the parts for a few days.
When wounds are made with ragged edges, such as those made by broken
glass and splinters, more skill is called for. Remove every bit of
foreign substance. Wash the parts clean with one of the many antiseptic
solutions, bring the torn edges together, and hold them in place with
strips of plaster. Do not cover such an injury all over with plaster,
but leave room for the escape of the wound discharges. For an outside
dressing, use compresses made of clean cheese-cloth or strips of any
clean linen cloth. The antiseptic _corrosive-sublimate gauze_ on sale
at any drug store should be used if it can be had.
Wounds made by toy pistols, percussion-caps, and rusty nails and tools,
if neglected, often lead to serious results from blood-poisoning. A hot
flaxseed poultice may be needed for several days. Keep such wounds
clean by washing or syringing them twice a day with hot _antiseptics_,
which are poisons to _bacteria_ and kill them or prevent their growth.
Bacteria are widely distributed, and hence the utmost care should be
taken to have everything which is to come in contact with a wounded
surface free from the germs of inflammation. In brief, such injuries
must be kept _scrupulously neat_ and _surgically clean_.
Illustration: Fig. 156.—Dotted Line showing the Course of the Brachial
Artery.
The injured parts should be kept at rest. Movement and disturbance
hinder the healing process.
362. Bites of Mad Dogs. Remove the clothing at once, if only from the
bitten part, and apply a temporary ligature _above_ the wound. This
interrupts the activity of the circulation of the part, and to that
extent delays the absorption of the poisonous saliva by the
blood-vessels of the wound. A dog bite is really a lacerated and
contused wound, and lying in the little roughnesses, and between the
shreds, is the poisonous saliva. If by any means these projections and
depressions affording the lodgment can be removed, the poison cannot do
much harm. If done with a knife, the wound would be converted,
practically, into an incised wound, and would require treatment for
such.
If a surgeon is at hand he would probably cut out the injured portion,
or cauterize it thoroughly. Professional aid is not always at our
command, and in such a case it would be well to take a poker, or other
suitable piece of iron, heat it _red_ hot in the fire, wipe off and
destroy the entire surface of the wound. As fast as destroyed, the
tissue becomes white. An iron, even at a white heat, gives less pain
and at once destroys the vitality of the part with which it comes in
contact.
If the wound is at once well wiped out, and a stick of solid nitrate of
silver (lunar caustic) rapidly applied to the entire surface of the
wound, little danger is to be apprehended. Poultices and warm
fomentations should be applied to the injury to hasten the sloughing
away of the part whose vitality has been intentionally destroyed.
Any dog, after having bitten a person, is apt, under a mistaken belief,
to be at once killed. This should not be done. There is no more danger
from a dog-bite, unless the dog is suffering from the disease called
_rabies_ or is “mad,” than from any other lacerated wound. The
suspected animal should be at once placed in confinement and watched,
under proper safeguards, for the appearance of any symptoms that
indicate rabies.
Should no pronounced symptoms indicate this disease in the dog, a great
deal of unnecessary mental distress and worry can be saved both on the
part of the person bitten and his friends.
363. Injuries to the Blood-vessels. It is very important to know the
difference between the bleeding from an artery and that from a vein.
If an artery bleeds, the blood leaps in spurts, and is of a bright
scarlet color.
If a vein bleeds, the blood flows in a steady stream, and is of a dark
purple color.
If the capillaries are injured the blood merely oozes.
Bleeding from an artery is a dangerous matter in proportion to the size
of the vessel, and life itself may be speedily lost. Hemorrhage from a
vein or from the capillaries is rarely troublesome, and is ordinarily
easily checked, aided, if need be, by hot water, deep pressure, the
application of some form of iron styptic, or even powdered alum. When
an artery is bleeding, always remember to make deep pressure between
the wound and the heart. In all such cases send at once for the doctor.
Illustration: Fig. 157.—Showing how Digital Compression should be
applied to the Femoral Artery.
Do not be afraid to act at once. A resolute grip in the right place
with firm fingers will do well enough, until a twisted handkerchief,
stout cord, shoestring, suspender, or an improvised tourniquet[53] is
ready to take its place. If the flow of blood does not stop, change the
pressure until the right spot is found.
Sometimes it will do to seize a handful of dry earth and crowd it down
into the bleeding wound, with a firm pressure. Strips of an old
handkerchief, underclothing, or cotton wadding may also be used as a
compress, provided pressure is not neglected.
In the after-treatment it is of great importance that the wound and the
dressing should be kept free from bacteria by keeping everything
surgically clean.
364. Where and how to Apply Pressure. The principal places in which to
apply pressure when arteries are injured and bleeding should always be
kept in mind.
Experiment 192. _How to tie a square knot_. If the student would render
efficient help in accidents and emergencies, to say nothing of service
on scores of other occasions, he must learn how to tie a square or
“reef” knot. This knot is secure and does not slip as does the “granny”
knot. The square knot is the one used by surgeons in ligating vessels
and securing bandages. Unless one knew the difference, the insecure
“granny” knot might be substituted.
A square knot is tied by holding an end of a bandage or cord in
each hand, and then passing the end in the _right_ hand over the
one in the left and tying; the end now in the _left_ hand is passed
over the one in the right and again tied.
Illustration: Fig. 158.—Showing how a Square Knot may be tied with a
Cord and a Handkerchief.
If in the finger, grasp it with the thumb and forefinger, and pinch it
firmly on each side; if in the hand, press on the bleeding spot, or
press with the thumb just above and in front of the wrist.
For injuries below the elbow, grasp the upper part of the arm with the
hands, and squeeze hard. The main artery runs in the middle line of the
bend of the elbow. Tie the knotted cord here, and bend the forearm so
as to press hard against the knot.
For the upper arm, press with the fingers against the bone on the inner
side, and just on the edge of the swell of the biceps muscle. Now we
are ready for the knotted cord. Take a stout stick of wood, about a
foot long, and twist the cord hard with it, bringing the knot firmly
over the artery.
For the foot or leg, pressure as before, in the hollow behind the knee,
just above the calf of the leg. Bend the thigh towards the abdomen and
bring the leg up against the thigh, with the knot in the bend of the
knee.
365. Bleeding from the Stomach and Lungs. Blood that comes from the
lungs is bright red, frothy, or “soapy.” There is rarely much; it
usually follows coughing, feels warm, and has a salty taste. This is a
grave symptom. Perfect rest on the back in bed and quiet must be
insisted upon. Bits of ice should be eaten freely. Loosen the clothing,
keep the shoulders well raised, and the body in a reclining position
and absolutely at rest. Do not give alcoholic drinks.
Blood from the stomach is not frothy, has a sour taste, and is usually
dark colored, looking somewhat like coffee grounds. It is more in
quantity than from the lungs, and is apt to be mixed with food. Employ
the same treatment, except that the person should be kept flat on the
back.
366. Bleeding from the Nose. This is the most frequent and the least
dangerous of the various forms of bleeding. Let the patient sit
upright; leaning forward with the head low only increases the
hemorrhage. Raise the arm on the bleeding side; do not blow the nose.
Wring two towels out of cold water; wrap one around the neck and the
other properly folded over the forehead and upper part of the nose.
Add a teaspoonful of powdered _alum_ to a cup of water, and snuff it up
from the hand. If necessary, soak in alum water a piece of absorbent
cotton, which has been wound around the pointed end of a pencil or
penholder; plug the nostril by pushing it up with a twisting motion
until firmly lodged.
367. Burns or Scalds. Burns or scalds are dangerous in proportion to
their extent and depth. A child may have one of his fingers burned off
with less danger to life than an extensive scald of his back and legs.
A deep or extensive burn or scald should always have prompt medical
attendance.
In burns by acids, bathe the parts with an alkaline fluid, as diluted
ammonia, or strong soda in solution, and afterwards dress the burn.
In burns caused by lime, caustic potash, and other alkalies, soak the
parts with vinegar diluted with water; lemon juice, or any other
diluted acid.
Remove the clothing with the greatest care. Do not pull, but carefully
cut and coax the clothes away from the burned places. Save the skin
unbroken if possible, taking care not to break the blisters. The secret
of treatment is to prevent friction, and to keep out the air. If the
burn is slight, put on strips of soft linen soaked in a strong solution
of baking-soda and water, one heaping table spoonful to a cupful of
water. This is especially good for scalds.
Illustration: Fig. 159.—Dotted Line showing the Course of the Femoral
Artery.
_Carron oil_ is one of the best applications. It is simply half
linseed-oil and half lime-water shaken together. A few tablespoonfuls
of carbolic acid solution to one pint may be added to this mixture to
help deaden the pain. Soak strips of old linen or absorbent cotton in
this time-honored remedy, and gently apply.
If carbolized or even plain _vaseline_ is at hand, spread it freely on
strips of old linen, and cover well the burnt parts, keeping out the
air with other strips carefully laid on. Simple cold water is better
than flour, starch, toilet powder, cotton batting, and other things
which are apt to stick, and make an after-examination very painful.
Illustration: Fig. 160.—Showing how Hemorrhage from the Femoral Artery
may be arrested by the Use of an Improvised Apparatus (technically
called a _Tourniquet_).
368. Frost Bites. The ears, toes, nose, and fingers are occasionally
frozen, or frost-bitten. No warm air, warm water, or fire should be
allowed near the frozen parts until the natural temperature is nearly
restored. Rub the frozen part vigorously with snow or snow-water in a
cold room. Continue this until a burning, tingling pain is felt, when
all active treatment should cease.
Pain shows that warmth and circulation are beginning to return. The
after effects of a frost bite are precisely like those of a burn, and
require similar treatment. Poultices made from scraped raw potatoes
afford much comfort for an after treatment.
369. Catching the Clothing on Fire. When the clothing catches fire,
throw the person down on the ground or floor, as the flames will tend
less to rise toward the mouth and nostrils. Then without a moment’s
delay, roll the person in a carpet or hearth-rug, so as to stifle the
flames, leaving only the head out for breathing.
If no carpet or rug can be had, then take off your coat, shawl, or
cloak and use it instead. Keep the flame as much as possible from the
face, so as to prevent the entrance of the hot air into the lungs. This
can be done by beginning at the neck and shoulders with the wrapping.
370. Foreign Bodies in the Throat. Bits of food or other small objects
sometimes get lodged in the throat, and are easily extracted by the
forefinger, by sharp slaps on the back, or expelled by vomiting. If it
is a sliver from a toothpick, match, or fishbone, it is no easy matter
to remove it; for it generally sticks into the lining of the passage.
If the object has actually passed into the windpipe, and is followed by
sudden fits of spasmodic coughing, with a dusky hue to the face and
fingers, surgical help must be called without delay.
If a foreign body, like coins, pencils, keys, fruit-stones, etc., is
swallowed, it is not wise to give a physic. Give plenty of hard-boiled
eggs, cheese, and crackers, so that the intruding substance maybe
enfolded in a mass of solid food and allowed to pass off in the natural
way.
371. Foreign Bodies in the Nose. Children are apt to push beans, peas,
fruit-stones, buttons, and other small objects, into the nose.
Sometimes we can get the child to help by blowing the nose hard. At
other times, a sharp blow between the shoulders will cause the
substance to fall out. If it is a pea or bean, which is apt to swell
with the warmth and moisture, call in medical help at once.
372. Foreign Bodies in the Ear. It is a much more difficult matter to
get foreign bodies out of the ear than from the nose. Syringe in a
little warm water, which will often wash out the substance. If live
insects get into the ear, drop in a little sweet oil, melted vaseline,
salt and water, or even warm molasses.
If the tip of the ear is pulled up gently, the liquid will flow in more
readily. If a light is held close to the outside ear, the insect may be
coaxed to crawl out towards the outer opening of the ear, being
attracted by the bright flame.
373. Foreign Bodies in the Eye. Cinders, particles of dust, and other
small substances, often get into the eye, and cause much pain. It will
only make bad matters worse to rub the eye. Often the copious flow of
tears will wash the substance away. It is sometimes seen, and removed
simply by the twisted corner of a handkerchief carefully used. If it is
not removed, or even found, in this way, the upper lid must be turned
back.
Illustration: Fig. 161.—Showing how the Upper Eyelid may be everted
with a Pencil or Penholder.
This is done usually as follows: Seize the lashes between the thumb and
forefinger, and draw the edge of the lid away from the eyeball. Now,
telling the patient to look down, press a slender lead-pencil or
penholder against the lid, parallel to and above the edge, and then
pull the edge up, and turn it over the pencil by means of the lashes.
The eye is now readily examined, and usually the foreign body is easily
seen and removed. Do not increase the trouble by rubbing the eye after
you fail, but get at once skilled help. After the substance has been
removed, bathe the eye for a time with hot water.
If lime gets into the eye, it may do a great amount of mischief, and
generally requires medical advice, or permanent injury will result.
Until such advice can be had, bathe the injured parts freely with a
weak solution of vinegar and hot water.
374. Broken Bones. Loss of power, pain, and swelling are symptoms of a
broken bone that may be easily recognized. Broken limbs should always
be handled with great care and tenderness. If the accident happens in
the woods, the limb should be bound with handkerchiefs, suspenders, or
strips of clothing, to a piece of board, pasteboard, or bark, padded
with moss or grass, which will do well enough for a temporary splint.
Always put a broken arm into a sling after the splints are on.
Illustration: Fig. 162.—Showing how an Umbrella may be used as a
Temporary Splint in Fracture of the Leg.
Never move the injured person until the limb is made safe from further
injuries by putting on temporary splints. If you do not need to move
the person, keep the limb in a natural, easy position, until the doctor
comes.
Remember that this treatment for broken bones is only to enable the
patient to be moved without further injury. A surgeon is needed at once
to set the broken bone.
Illustration: Fig. 163.—Showing how a Pillow may be used as a Temporary
Splint in Fracture of the Leg.
375. Fainting. A fainting person should be laid flat at once. Give
plenty of fresh air, and dash cold water, if necessary, on the head and
neck. Loosen all tight clothing. Smelling-salts may be held to the
nose, to excite the nerves of sensation.
376. Epileptic and Hysterical Fits, Convulsions of Children. Sufferers
from “fits” are more or less common. In _epilepsy_, the sufferer falls
with a peculiar cry; a loss of consciousness, a moment of rigidity, and
violent convulsions follow. There is foaming at the mouth, the eyes are
rolled up, and the tongue or lips are often bitten. When the fit is
over the patient remains in a dazed, stupid state for some time. It is
a mistake to struggle with such patients, or to hold them down and keep
them quiet. It does more harm than good.
See that the person does not injure himself; crowd a pad made from a
folded handkerchief or towel between the teeth, to prevent biting of
the lips or tongue. Do not try to make the sufferer swallow any drink.
Unfasten the clothes, especially about the neck and chest. Persons who
are subject to such fits should rarely go out alone, and never into
crowded or excited gatherings of any kind.
_Hysterical fits_ almost always occur in young women. Such patients
never bite their tongue nor hurt themselves. Placing a towel wrung out
in cold water across the face, or dashing a little cold water on the
face or neck, will usually cut short the fit, speaking firmly to the
patient at the same time. Never sympathize too much with such patients;
it will only make them a great deal worse.
377. Asphyxia. Asphyxia is from the Greek, and means an “absence of
pulse.” This states a fact, but not the cause. The word is now commonly
used to mean _suspended animation_. When for any reason the proper
supply of oxygen is cut off, the tissues rapidly load up with carbon
dioxid. The blood turns dark, and does not circulate. The healthy red
or pink look of the lips and finger-nails becomes a dusky purple. The
person is suffering from a lack of oxygen; that is, from asphyxia, or
suffocation. It is evident there can be several varieties of asphyxia,
as in apparent drowning, strangulation and hanging, inhalation of
gases, etc.
The first and essential thing to do is to give fresh air. Remove the
person to the open air and place him on his back. Remove tight clothing
about the throat and waist, dash on cold water, give a few drops of
ammonia in hot water or hot ginger tea. Friction applied to the limbs
should be kept up. If necessary, use artificial respiration by the
Sylvester method (sec. 380).
The chief dangers from poisoning by noxious gases come from the fumes
of burning coal in the furnace, stove, or range; from “blowing out”
gas, turning it down, and having it blown out by a draught; from the
foul air often found in old wells; from the fumes of charcoal and the
foul air of mines.
378. Apparent Drowning. Remove all tight clothing from the neck, chest,
and waist. Sweep the forefinger, covered with a handkerchief or towel,
round the mouth, to free it from froth and mucus. Turn the body on the
face, raising it a little, with the hands under the hips, to allow any
water to run out from the air passages. Take only a moment for this.
Lay the person flat upon the back, with a folded coat, or pad of any
kind, to keep the shoulders raised a little. Remove all the wet,
clinging clothing that is convenient. If in a room or sheltered place,
strip the body, and wrap it in blankets, overcoats, etc. If at hand,
use bottles of hot water, hot flats, or bags of hot sand round the
limbs and feet. Watch the tongue: it generally tends to slip back, and
to shut off the air from the glottis. Wrap a coarse towel round the tip
of the tongue, and keep it well pulled forward.
The main thing to do is to keep up artificial respiration until the
natural breathing comes, or all hope is lost. This is the simplest way
to do it: The person lies on the back; let some one kneel behind the
head. Grasp both arms near the elbows, and sweep them upward above the
head until they nearly touch. Make a firm pull for a moment. This tends
to fill the lungs with air by drawing the ribs up, and making the chest
cavity larger. Now return the arms to the sides of the body until they
press hard against the ribs. This tends to force out the air. This
makes artificially a complete act of respiration. Repeat this act about
fifteen times every minute.
Illustration: Fig. 164.—The Sylvester Method. (First
movement—inspiration.)
All this may be kept up for several hours. The first sign of recovery
is often seen in the slight pinkish tinge of the lips or finger-nails.
That the pulse cannot be felt at the wrist is of little value in itself
as a sign of death. Life may be present when only the most experienced
ear can detect the faintest heart-beat.
When a person can breathe, even a little, he can swallow. Hold
smelling-salts or hartshorn to the nose. Put one teaspoonful of the
aromatic spirits of ammonia, or even of ammonia water, into a
half-glass of hot water, and give a few teaspoonfuls of this mixture
every few minutes. Meanwhile do not fail to keep up artificial warmth
in the most vigorous manner.
379. Methods of Artificial Respiration. There are several
well-established methods of artificial respiration. The two known as
the Sylvester and the Marshall Hall methods are generally accepted as
efficient and practical.
Illustration: Fig. 165.—The Sylvester Method. (Second
movement—expiration.)
380. The Sylvester Method. The water and mucus are supposed to have
been removed from the interior of the body by the means above described
(sec. 378).
The patient is to be placed on his back, with a roll made of a coat or
a shawl under the shoulders; the tongue should then be drawn forward
and retained by a handkerchief which is placed across the extended
organ and carried under the chin, then crossed and tied at the back of
the neck. An elastic band or small rubber tube or a suspender may be
used for the same purpose.
The attendant should kneel at the head and grasp the elbows of the
patient and draw them upward until the hands are carried above the head
and kept in this position until one, two, three, can be slowly counted.
This movement elevates the ribs, expands the chest, and creates a
vacuum in the lungs into which the air rushes, or in other words, the
movement produces _inspiration_. The elbows are then slowly carried
downward, placed by the side, and pressed inward against the chest,
thereby diminishing the size of the latter and producing _expiration_.
These movements should be repeated about fifteen times each minute for
at least two hours, provided no signs of animation show themselves.
381. The Marshall Hall Method. The patient should be placed face
downwards, the head resting on the forearm with a roll or pillow placed
under the chest; he should then be turned on his side, an assistant
supporting the head and keeping the mouth open; after an interval of
two or three seconds, the patient should again be placed face downward
and allowed to remain in this position the same length of time. This
operation should be repeated fifteen or sixteen times each minute, and
continued (unless the patient recovers) for at least two hours.
Illustration: Fig. 166.—The Marshall Hall Method. (First position.)
If, after using one of the above methods, evidence of recovery appears,
such as an occasional gasp or muscular movement, the efforts to produce
artificial respiration must not be discontinued, but kept up until
respiration is fully established. All wet clothing should then be
removed, the patient rubbed dry, and if possible placed in bed, where
warmth and warm drinks can be properly administered. A small amount of
nourishment, in the form of hot milk or beef tea, should be given, and
the patient kept quiet for two or three days.
Illustration: Fig. 167.—The Marshall Hall Method. (Second position.)
382. Sunstroke or Heatstroke. This serious accident, so far-reaching
oftentimes in its result, is due to an unnatural elevation of the
bodily temperature by exposure to the direct rays of the sun, or from
the extreme heat of close and confined rooms, as in the cook-rooms and
laundries of hotel basements, from overheated workshops, etc.
There is sudden loss of consciousness, with deep, labored breathing, an
intense burning heat of the skin, and a marked absence of sweat. The
main thing is to lower the temperature. Strip off the clothing; apply
chopped ice, wrapped in flannel to the head. Rub ice over the chest,
and place pieces under the armpits and at the sides. If there is no
ice, use sheets or cloths wet with cold water. The body may be
stripped, and sprinkled with ice-water from a common watering-pot.
If the skin is cold, moist, or clammy, the trouble is due to heat
exhaustion. Give plenty of fresh air, but apply no cold to the body.
Apply heat, and give hot drinks, like hot ginger tea. Sunstroke or
heatstroke is a dangerous affliction. It is often followed by serious
and permanent results. Persons who have once suffered in this way
should carefully avoid any risk in the future.
Chapter XIV.
In Sickness and in Health.
383. Arrangement of the Sick-room. This room, if possible, should be on
the quiet and sunny side of the house. Pure, fresh air, sunshine, and
freedom from noise and odor are almost indispensable. A fireplace as a
means of ventilation is invaluable. The bed should be so placed that
the air may get to it on all sides and the nurse move easily around it.
Screens should be placed, if necessary, so as to exclude superfluous
light and draughts.
The sick-room should be kept free from all odors which affect the sick
unpleasantly, as perfumery, highly scented soaps, and certain flowers.
Remove all useless ornaments and articles likely to collect dust, as
unnecessary pieces of furniture and heavy draperies. A clean floor,
with a few rugs to deaden the footsteps, is much better than a woolen
carpet. Rocking-chairs should be banished from the sick-room, as they
are almost sure to disturb the sick.
A daily supply of fresh flowers tends to brighten the room. Keep the
medicines close at hand, but all poisonous drugs should be kept
carefully by themselves and ordinarily under lock and key. A small
table should be placed at the bedside, and on it the bell, food tray,
flowers and other small things which promote the comfort of the
patient.
The nurse should not sleep with the patient. Sofas and couches are not
commonly comfortable enough to secure needed rest. A cot bed is at once
convenient and inexpensive, and can be readily folded and put out of
sight in the daytime. It can also be used by the patient occasionally,
especially during convalescence.
384. Ventilation of the Sick-room. Proper ventilation is most essential
to the sick-room, but little provision is ordinarily made for so
important a matter. It is seldom that one of the windows cannot be let
down an inch or more at the top, a screen being arranged to avoid any
draught on the patient. Remove all odors by ventilation and not by
spraying perfumery, or burning pastilles, which merely conceal
offensive odors without purifying the air. During cold weather and in
certain diseases, the patient may be covered entirely with blankets and
the windows opened wide for a few minutes.
Avoid ventilation by means of doors, for the stale air of the house,
kitchen smells, and noises made by the occupants of the house, are apt
to reach the sick-room. The entire air of the room should be changed at
least two or three times a day, in addition to the introduction of a
constant supply of fresh air in small quantities.
385. Hints for the Sick-room. Always strive to look cheerful and
pleasant before the patient. Whatever may happen, do not appear to be
annoyed, discouraged, or despondent. Do your best to keep up the
courage of sick persons under all circumstances. In all things keep in
constant mind the comfort and ease of the patient.
Do not worry the sick with unnecessary questions, idle talk, or silly
gossip. It is cruel to whisper in the sick-room, for patients are
always annoyed by it. They are usually suspicious that something is
wrong and generally imagine that their condition has changed for the
worse.
Symptoms of the disease should never be discussed before the patient,
especially if he is thought to be asleep. He may be only dozing, and
any such talk would then be gross cruelty. Loud talking must, of
course, be avoided. The directions of the physician must be rigidly
carried out in regard to visitors in the sick-room. This is always a
matter of foremost importance, for an hour or even a night of needed
sleep and rest may be lost from the untimely call of some thoughtless
visitor. A competent nurse, who has good sense and tact, should be able
to relieve the family of any embarrassment under such circumstances.
Do not ever allow a kerosene light with the flame turned down to remain
in the sick-room. Use the lamp with the flame carefully shaded, or in
an adjoining room, or better still, use a sperm candle for a night
light.
Keep, so far as possible, the various bottles of medicine, spoons,
glasses, and so on in an adjoining room, rather than to make a
formidable array of them on a bureau or table near the sick-bed. A few
simple things, as an orange, a tiny bouquet, one or two playthings, or
even a pretty book, may well take their place.
The ideal bed is single, made of iron or brass, and provided with woven
wire springs and a hair mattress. Feather-beds are always objectionable
in the sick-room for many and obvious reasons. The proper making of a
sick-bed, with the forethought and skill demanded in certain diseases,
is of great importance and an art learned only after long experience.
The same principle obtains in all that concerns the lifting and the
moving of the sick.
Sick people take great comfort in the use of fresh linen and fresh
pillows. Two sets should be used, letting one be aired while the other
is in use. In making changes the fresh linen should be thoroughly aired
and warmed and everything in readiness before the patient is disturbed.
386. Rules for Sick-room. Do not deceive sick people. Tell what is
proper or safe to be told, promptly and plainly. If a physician is
employed, carry out his orders to the very letter, as long as he visits
you. Make on a slip of paper a note of his directions. Make a brief
record of exactly what to do, the precise time of giving medicines,
etc. This should always be done in serious cases, and by night
watchers. Then there is no guesswork. You have the record before you
for easy reference. All such things are valuable helps to the doctor.
Whatever must be said in the sick-room, say it openly and aloud. How
often a sudden turn in bed, or a quick glance of inquiry, shows that
whispering is doing harm! If the patient is in his right mind, answer
his questions plainly and squarely. It may not be best to tell all the
truth, but nothing is gained in trying to avoid a straightforward
reply.
Noises that are liable to disturb the patient, in other parts of the
house than the sick-room, should be avoided. Sounds of a startling
character, especially those not easily explained, as the rattling or
slamming of distant blinds and doors, are always irritating to the
sick.
Always attract the attention of a patient before addressing him,
otherwise he may be startled and a nervous spell be induced. The same
hint applies equally to leaning or sitting upon the sick-bed, or
running against furniture in moving about the sick-room.
387. Rest of Mind and Body. The great importance of rest for the sick
is not so generally recognized as its value warrants. If it is worry
and not work that breaks down the mental and physical health of the
well, how much more important is it that the minds and bodies of the
sick should be kept at rest, free from worry and excitement! Hence the
skilled nurse does her best to aid in restoring the sick to a condition
of health by securing for her patient complete rest both of mind and
body. To this end, she skillfully removes all minor causes of alarm,
irritation, or worry. There are numberless ways in which this may be
done of which space does not allow even mention. Details apparently
trifling, as noiseless shoes, quietness, wearing garments that do not
rustle, use of small pillows of different sizes, and countless other
small things that make up the refinement of modern nursing, play an
important part in building up the impaired tissues of the sick.
388. Care of Infectious and Contagious Diseases. There are certain
diseases which are known to be infectious and can be communicated from
one person to another, either by direct contact, through the medium of
the atmosphere, or otherwise.
Of the more prevalent infectious and contagious diseases are _scarlet
fever, diphtheria, erysipelas, measles_, and _typhoid fever_.
Considerations of health demand that a person suffering from any one of
these diseases should be thoroughly isolated from all other members of
the family. All that has been stated in regard to general nursing in
previous sections of this chapter, applies, of course, to nursing
infectious and contagious diseases. In addition to these certain
special directions must be always kept in mind.
Upon the nurse, or the person having the immediate charge of the
patient, rests the responsibility of preventing the spread of
infectious diseases. The importance must be fully understood of
carrying out in every detail the measures calculated to check the
spread or compass the destruction of the germs of disease.
389. Hints on Nursing Infectious and Contagious Diseases. Strip the
room of superfluous rugs, carpets, furniture, etc. Isolate two rooms,
if possible, and have these, if convenient, at the top of the house.
Tack sheets, wet in some proper disinfectant, to the outer frame of the
sick-room door. Boil these sheets every third day. In case of diseases
to which young folks are very susceptible, send the children away, if
possible, to other houses where there are no children.
Most scrupulous care should be taken in regard to cleanliness and
neatness in every detail. Old pieces of linen, cheese-cloth, paper
napkins, should be used wherever convenient or necessary and then at
once burnt. All soiled clothing that cannot well be burnt should be put
to soak at once in disinfectants, and afterward boiled apart from the
family wash. Dishes and all utensils should be kept scrupulously clean
by frequent boiling. For the bed and person old and worn articles of
clothing that can be destroyed should be worn so far as possible.
During convalescence, or when ready to leave isolation, the patient
should be thoroughly bathed in water properly disinfected, the hair and
nails especially being carefully treated.
Many details of the after treatment depend upon the special disease, as
the rubbing of the body with carbolized vaseline after scarlet fever,
the care of the eyes after measles, and other particulars of which
space does not admit mention here.
Poisons and Their Antidotes.
390. Poisons. A poison is a substance which, if taken into the system
in sufficient amounts, will cause serious trouble or death. For
convenience poisons may be divided into two classes, irritants and
narcotics.
The effects of irritant poisons are evident immediately after being
taken. They burn and corrode the skin or membrane or other parts with
which they come in contact. There are burning pains in the mouth,
throat, stomach, and abdomen, with nausea and vomiting. A certain
amount of faintness and shock is also present.
With narcotic poisoning, the symptoms come on more slowly. After a time
there is drowsiness, which gradually increases until there is a
profound sleep or stupor, from which the patient can be aroused only
with great difficulty. There are some substances which possess both the
irritant and narcotic properties and in which the symptoms are of a
mixed character.
391. Treatment of Poisoning. An antidote is a substance which will
either combine with a poison to render it harmless, or which will have
a directly opposite effect upon the body, thus neutralizing the effect
of the poison. Hence in treatment of poisoning the first thing to do,
if you know the special poison, is to give its antidote at once.
If the poison is unknown, and there is any delay in obtaining the
antidote, the first thing to do is to remove the poison from the
stomach. Therefore cause vomiting as quickly as possible. This may be
done by an emetic given as follows: Stir a tablespoonful of mustard or
of common salt in a glass of warm water and make the patient swallow
the whole. It will usually be vomited in a few moments. If mustard or
salt is not at hand, compel the patient to drink lukewarm water very
freely until vomiting occurs.
Vomiting may be hastened by thrusting the forefinger down the throat.
Two teaspoonfuls of the syrup of ipecac, or a heaping teaspoonful of
powdered ipecac taken in a cup of warm water, make an efficient emetic,
especially if followed with large amounts of warm water.
It is to be remembered that in some poisons, as certain acids and
alkalies, no emetic should be given. Again, for certain poisons (except
in case of arsenic) causing local irritation, but which also affect the
system at large, no emetic should be given.
392. Reference Table of Common Poisons; Prominent Symptoms; Antidotes
and Treatment. The common poisons with their leading symptoms,
treatment, and antidotes, may be conveniently arranged for easy
reference in the form of a table.
It is to be remembered, of course, that a complete mastery of the table
of poisons, as set forth on the two following pages, is really a
physician’s business. At the same time, no one of fair education should
neglect to learn a few of the essential things to do in accidental or
intentional poisoning.
A Table of the More Common Poisons,
With their prominent symptoms, antidotes, and treatment.
Poison Prominent Symptoms Antidotes and Treatment _Strong
Acids:_
Muriatic,
Nitric,
Sulphuric (vitriol),
Oxalic.
Burning sensation in mouth, throat, and stomach; blisters about mouth;
vomiting; great weakness _No emetic_ Saleratus; chalk; soap; plaster
from the wall; lime; magnesia; baking soda (3 or 4 teaspoonfuls in a
glass of water). _Alkalies_:
Caustic potash and soda,
Ammonia,
Lye,
Pearlash,
Saltpeter.
Burning sensation in the parts; severe pain in stomach; vomiting;
difficulty in swallowing; cold skin; weak pulse. _No emetic_ Olive
oil freely; lemon juice, vinegar; melted butter and vaseline; thick
cream. _Arsenic:_
Paris green,
Rough on rats,
White arsenic,
Fowler’s solution,
Scheele’s green. Intense pains in stomach and bowels; thirst; vomiting,
perhaps with blood; cold and clammy skin. Vomit patient repeatedly,
give hydrated oxide of iron with magnesia, usually kept by druggists
for emergencies; follow with strong solution of common salt and water.
_Other Metallic Poisons_:
Blue vitriol,
Copperas,
Green vitriol,
Sugar of lead,
Corrosive sublimate,
Bedbug poison. Symptoms in general, same as in arsenical poisoning.
With lead and mercury there may be a metallic taste in the
mouth. Emetic with lead; none with copper and iron; white of eggs in
abundance with copper; with iron and lead give epsom salts freely;
afterwards, oils, flour, and water. _No emetic with mercury;_ raw eggs;
milk, or flour, and water. _Phosphorus from_
Matches, rat poisons, etc. Pain in the stomach; vomiting; purging;
general collapse. _Cause vomiting_. Strong soapsuds; magnesia in
water. Never give oils. _Opium:_
Morphine,
Laudanum,
Paregoric,
Dover’s powder,
Soothing syrups,
Cholera and diarrhœa mixtures Sleepiness; dullness; stupor; “pin-hole”
pupils; slow breathing; profuse sweat. _Cause vomiting_. Keep
patient awake by any means, especially by vigorous walking; give strong
coffee freely; dash cold water on face and chest. _Carbolic Acid:_
Creasote. Severe pain in abdomen; odor of carbolic acid, mucous
membrane in around mouth white and benumbed; cold and clammy
skin. _No emetic._ Milk or flour and water; white of eggs.
_Aconite:_
Wolfsbane Monkshood Numbness everywhere, great weakness; cold
sweat. _Vomit patient freely._ Stimulating drinks. _Belladonna_
Deadly Nightshade Atropia Eyes bright, with pupil enlarged; dry mouth
and throat. _Vomit patient freely._ _Various Vegetable Poisons_
Wild parsley,
Indian tobacco,
Toadstools,
Tobacco plant,
Hemlock,
Berries of the Mountain Ash,
Bitter sweet, etc. Stupor, nausea, great weakness and other symptoms
according to the poison. _Cause brisk vomiting_. Stimulating drinks.
393. Practical Points about Poisons. Poisons should never be kept in
the same place with medicines or other preparations used in the
household. They should always be put in some secure place under lock
and key. Never use internally or externally any part of the contents of
any package or bottle unless its exact nature is known. If there is the
least doubt about the substance, do not assume the least risk, but
destroy it at once. Many times the unknown contents of some bottle or
package has been carelessly taken and found to be poison.
Careless and stupid people often take, by mistake, with serious, and
often fatal, results, poisonous doses of carbolic acid, bed-bug poison,
horse-liniment, oxalic acid, and other poisons. A safe rule is to keep
all bottles and boxes containing poisonous substances securely bottled
or packed, and carefully labeled with the word POISON plainly written
in large letters across the label. Fasten the cork of a bottle
containing poison to the bottle itself with copper or iron wire twisted
into a knot at the top. This is an effective means of preventing any
mistakes, especially in the night.
This subject of poisons assumes nowadays great importance, as it is a
common custom to keep about stables, workshops, bathrooms, and living
rooms generally a more or less formidable array of germicides,
disinfectants, horse-liniments, insect-poisons, and other preparations
of a similar character. For the most part they contain poisonous
ingredients.
Bacteria.
394. Nature Of Bacteria. The word bacteria is the name applied to very
low forms of plant life of microscopic size. Thus, if hay be soaked in
water for some time, and a few drops of the liquid are examined under a
high power of the microscope, the water is found to be swarming with
various forms of living vegetable organisms, or bacteria. These
microscopic plants belong to the great fungus division, and consist of
many varieties, which may be roughly divided into groups, according as
they are spherical, rod-like, spiral, or otherwise in shape.
Each plant consists of a mass of protoplasm surrounded by an
ill-defined cell wall. The bacteria vary considerably in size. Some of
the rod-shaped varieties are from 1/12,000 to 1/8,000 of an inch in
length, and average about 1/50,000 of an inch in diameter. It has been
calculated that a space of one cubic millimeter would contain
250,000,000 of these minute organisms, and that they would not weigh
more than a milligram.
Illustration: Fig. 168.—Examples of Micro-Organisms called Bacteria.
(Drawn from photographs.)
A, spheroidal bacteria (called _cocci_) in pairs;
B, same kind of bacteria in chains;
C, bacteria found in pus (grouped in masses like a bunch of grapes).
[Bacteria in A, B, and C magnified about 1000 diameters].
D, bacteria found in pus (tendency to grow in the form of chains).
[Magnified about 500 diameters.]
Bacteria are propagated in a very simple manner. The parent cell
divides into two; these two into two others, and so on. The rapidity
with which these organisms multiply under favorable conditions, makes
them, in some cases, most dangerous enemies. It has been calculated
that if all of the organisms survived, one bacterium would lead to the
production of several billions of others in twenty-four hours.
395. The Struggle of Bacteria for Existence. Like all kinds of living
things, many species of bacteria are destroyed if exposed to boiling
water or steam, but seem able to endure prolonged cold, far below the
freezing-point. Thus ice from ponds and rivers may contain numerous
germs which resume their activity when the ice is melted. Typhoid fever
germs have been known to take an active and vigorous growth after they
have been kept for weeks exposed in ice to a temperature below zero.
The bacteria of consumption (bacillus tuberculosis) may retain their
vitality for months, and then the dried expectoration of the invalids
may become a source of danger to those who inhale air laden with such
impurities (sec. 220 and Fig. 94).
Like other living organisms, bacteria need warmth, moisture, and some
chemical compound which answers for food, in order to maintain the
phenomena of life. Some species grow only in contact with air, others
need no more oxygen than they can obtain in the fluid or semi-fluid
which they inhabit.
396. Importance of Bacteria in Nature. We might well ask why the
myriads of bacteria do not devastate the earth with their marvelous
rapidity of propagation. So indeed they might, were it not for the
winds, rains, melting snow and ice which scatter them far and wide, and
destroy them.
Again, as in countless other species of living organisms, bacteria are
subject to the relentless law which allows only the fittest to survive.
The bacteria of higher and more complex types devour those of a lower
type. Myriads perish in the digestive tract of man and other animals.
The excreta of some species of bacteria act as poison to destroy other
species.
It is true from the strictest scientific point of view that all living
things literally return to the dust whence they came. While living they
borrow a few elementary substances and arrange them in new
combinations, by aid of the energy given them by the sun, and after a
time die and leave behind all they had borrowed both of energy and
matter.
Countless myriads of bacteria are silently at work changing dead animal
and vegetable matter into useful substances. In brief, bacteria prepare
food for all the rest of the world. Were they all destroyed, life upon
the earth would be impossible, for the elements necessary to maintain
it would be embalmed in the bodies of the dead.
397. Action of Bacteria. In certain well-known processes bacteria have
the power of bringing about decomposition of various kinds. Thus a
highly organized fungus, like the yeast plant, growing in the presence
of sugar, has the power of breaking down this complex body into simpler
ones, _viz._, alcohol and carbon dioxid.
In the same way, various forms of bacteria have the power of breaking
down complex bodies in their immediate neighborhood, the products
depending upon the substance, the kind of bacteria, and the conditions
under which they act. Thus the _bacteria lactis_ act upon the milk
sugar present in milk, and convert it into lactic acid, thus bringing
about the souring of milk.
Illustration: Fig. 169.—Examples of Pathogenic Bacteria. (Drawn from
photographs.)
A, spiral form of bacteria found in cholera (Magnified about 1000
diameters)
B, rod-shaped bacteria (called _bacilli_) from a culture obtained in
_anthrax_ or malignant fustule of the face. Diseased hides carry this
micro-organism, and thus may occasion disease among those who handle
hides and wool. (Magnified about 1000 diameters)
Now, while most species of bacteria are harmless, some are the cause of
sickness and death when they gain admittance to the body under certain
conditions. These disease-producing bacteria (known as _pathogenic_),
when established in the blood and tissues of the body, bring about
important chemical changes, depending upon the species of bacteria, and
also produce a particular form of disease. The production of certain
diseases by the agency of bacteria has now been proved beyond all
doubt. In yellow fever, erysipelas, diphtheria, typhoid fever,
consumption and other diseases, the connection has been definitely
established.
The evil results these germs of disease produce vary greatly in kind
and severity. Thus the bacteria of Asiatic cholera and diphtheria may
destroy life in a few hours, while those of consumption may take years
to produce a fatal result. Again, the bacteria may attack some
particular organ, or group of organs, and produce mostly local
symptoms. Thus in a boil there is painful swelling due to the local
effect of the bacteria, with slight general disturbance.
398. The Battle against Bacteria. When we reflect upon the terrible
ravages made by infectious diseases, and all their attendant evils for
these many years, we can the better appreciate the work done of late
years by tireless scientists in their efforts to modify the activity of
disease-producing bacteria. It is now possible to cultivate certain
pathogenic bacteria, and by modifying the conditions under which they
are grown, to destroy their violence.
In brief, science has taught us, within certain limitations, how to
change the virulent germs of a few diseases into harmless microbes.
399. Alcoholic Fermentation and Bacteria. Men of the lowest, as well as
of the highest, type of civilization have always known that when the
sugary juice of any fruit is left to itself for a time, at a moderately
warm temperature, a change takes place under certain conditions, and
the result is a liquid which, when drank, produces a pronounced effect
upon the body. In brief, man has long known how to make for himself
alcoholic beverages, by means of which he may become intoxicated with
their poisonous ingredients.
Whether it is a degraded South Sea Islander making a crude intoxicant
from a sugary plant, a Japanese preparing his favorite alcoholic
beverage from the fermentation of rice by means of a fungus plant grown
for the purpose, a farmer of this country making cider from fermenting
apple juice, or a French expert manufacturing costly champagne by a
complicated process, the outcome and the intent are one and the same.
The essential thing is to produce an alcoholic beverage which will have
a marked physiological effect. This effect is poisonous, and is due
solely to the alcoholic ingredient, without which man would have little
or no use for the otherwise harmless liquid.
While the practical process of making some form of alcoholic beverage
has been understood for these many centuries, the real reason of this
remarkable change in a wholesome fruit juice was not known until
revealed by recent progress in chemistry, and by the use of the
microscope. We know now that the change is due to fermentation, brought
about from the influence, and by the action, of bacteria (sec. 125).
In other words, fermentation is the result of the growth of low form of
vegetable life known as an organised ferment. The ferment, whether it
be the commonly used brewer’s yeast, or any other species of alcoholic
ferment, has the power to decompose or break down a large part of the
sugar present in the liquid into alcohol, which remains as a poison,
and _carbon dioxid_, which escapes more or less completely.
Thus man, ever prone to do evil, was once obliged, in his ignorance, to
make his alcoholic drinks in the crudest manner; but now he has forced
into his service the latest discoveries in science, more especially in
bacteriology, that he may manufacture more scientifically and more
economically alcoholic beverages of all sorts and kinds, and distribute
them broadcast all over God’s earth for the physical and moral ruin of
the people.
Disinfectants.
400. Disinfectants, Antiseptics, and Deodorants. The word disinfectant
is synonymous with the term _bactericide_ or _germicide_. A
disinfectant is a substance which destroys infectious material. An
antiseptic is an agent which may hinder the growth, but does not
destroy the vitality, of bacteria. A deodorant is not necessarily a
disinfectant, or even an antiseptic, but refers to a substance that
destroys or masks offensive odors.
401. Air and Water as Disinfectants. Nature has provided for our
protection two most efficient means of disinfection,—pure air (sec.
218) and pure water (sec. 119). The air of crowded rooms contains large
quantities of bacteria, whereas in pure air there are comparatively
few, especially after rain, which carries them to the earth. Living
micro-organisms have never been detected in breezes coming from the
sea, but in those blowing out from the shore large numbers may be
found.
In water tainted with organic matter putrefactive bacteria will
flourish, whereas pure water is fatal to their existence. Surface
water, because it comes from that part of the soil where bacteria are
most active, and where there is most organic matter, generally contains
great quantities of these organisms. In the deeper strata of the soil
there is practically no decomposition of organic matter going on,
hence, water taken from deep sources is comparatively free from
bacteria. For this reason, deep well water is greatly to be preferred
for drinking purposes to that from surface wells.
402. Disinfectants. It is evident that air and water are not always
sufficient to secure disinfection, and this must be accomplished by
other means. The destruction of infected material by fire is, of
course, a sure but costly means of disinfection. Dry heat, steam, and
boiling water are valuable disinfectants and do not injure most
fabrics. These agents are generally used in combination with various
chemical disinfectants.
Certain chemical agents that are capable of destroying micro-organisms
and their spores have come, of late years, into general use. A form of
mercury, called _corrosive sublimate_, is a most efficacious and
powerful germicide, but is exceedingly poisonous and can be bought only
under restrictions.[54] _Carbolic acid, chloride of lime, permanganate
of potash_, and various other preparations made from zinc, iron, and
petroleum, are the chemical disinfectants most commonly and
successfully used at the present time. There are also numerous
varieties of commercial disinfectants now in popular use, such as
Platt’s chlorides, bromo-chloral, sanitas, etc., which have proved
efficient germicides.
Instructions for the Management of Contagious Diseases.
The following instructions for the management of contagious diseases
were prepared for the National Board of Health by an able corps of
scientists and experienced physicians.
403. Instructions for Disinfection. Disinfection is the destruction of
the poisons of infectious and contagious diseases. Deodorizers, or
substances which destroy smells, are not necessarily disinfectants, and
disinfectants do not necessarily have an odor. Disinfection cannot
compensate for want of cleanliness nor of ventilation.
404. Disinfectants to be Employed. 1. Roll sulphur (brimstone); for
fumigation.
2. Sulphate of iron (copperas) dissolved in water in the proportion of
one and a half pounds to the gallon; for soil, sewers, etc.
Note. A most useful little manual to consult in connection with this
chapter is the _Hand-Book of Sanitary Information_, written by Roger S.
Tracy, Sanitary Inspector of the New York City Health Department.
Price, 50 cents.]
3. Sulphate of zinc and common salt, dissolved together in water in the
proportion of four ounces sulphate and two ounces salt to the gallon;
for clothing, bed-linen, etc.
405. How to Use Disinfectants. 1. _In the sick-room._ The most
available agents are fresh air and cleanliness. The clothing, towels,
bed-linen, etc., should, on removal from the patient, and before they
are taken from the room, be placed in a pail or tub of the zinc
solution, boiling-hot, if possible.
All discharges should either be received in vessels containing copperas
solution, or, when this is impracticable, should be immediately covered
with copperas solution. All vessels used about the patient should be
cleansed with the same solution.
Unnecessary furniture, especially that which is stuffed, carpets, and
hangings, should, when possible, be removed from the room at the
outset; otherwise they should remain for subsequent fumigation and
treatment.
2. _Fumigation_. Fumigation with sulphur is the only practicable method
for disinfecting the house. For this purpose, the rooms to be
disinfected must be vacated. Heavy clothing, blankets, bedding, and
other articles which cannot be treated with zinc solution, should be
opened and exposed during fumigation, as directed below. Close the
rooms as tightly as possible, place the sulphur in iron pans supported
upon bricks placed in washtubs containing a little water, set it on
fire by hot coals or with the aid of a spoonful of alcohol, and allow
the room to remain closed for twenty-four hours. For a room about ten
feet square, at least two pounds of sulphur should be used; for larger
rooms, proportionally increased quantities.[55]
3. _Premises_. Cellars, yards, stables, gutters, privies, cesspools,
water-closets, drains, sewers, etc., should be frequently and liberally
treated with copperas solution. The copperas solution is easily
prepared by hanging a basket containing about sixty pounds of copperas
in a barrel of water.[56]
4. _Body and bed clothing, etc_. It is best to burn all articles which
have been in contact with persons sick with contagious or infectious
diseases. Articles too valuable to be destroyed should be treated as
follows:
_(a)_ Cotton, linen, flannels, blankets, etc., should be treated with
the boiling-hot zinc solution; introduce piece by piece, secure
thorough wetting, and boil for at least half an hour.
_(b)_ Heavy woolen clothing, silks, furs, stuffed bed-covers, beds, and
other articles which cannot be treated with the zinc solution, should
be hung in the room during fumigation, their surfaces thoroughly
exposed and pockets turned inside out. Afterward they should be hung in
the open air, beaten, and shaken. Pillows, beds, stuffed mattresses,
upholstered furniture, etc., should be cut open, the contents spread
out and thoroughly fumigated. Carpets are best fumigated on the floor,
but should afterward be removed to the open air and thoroughly beaten.
Books for Collateral Study. Among the many works which may be consulted
with profit, the following are recommended as among those most useful:
Parkes _Elements of Health_; Canfield’s _Hygiene of the Sick-Room;_
Coplin & Bevan’s _Practical Hygiene;_ Lincoln’s _School Hygiene_;
Edward Smith’s _Health_; McSherrys _Health; American Health Primers_
(12 little volumes, edited by Dr. Keen of Philadelphia); Reynold’s
_Primer of Health_; Corfield’s _Health_; Appleton’s _Health Primers;_
Clara S. Weeks’ _Nursing_; Church’s _Food_; Yeo’s _Food in Health and
Disease;_ Hampton’s _Nursing, its Principles and Practice_; Price’s
_Nurses and Nursing;_ Cullinworth’s _Manual of Nursing_; Wise’s
_Text-Book of Nursing_ (2 vols.); and Humphrey’s _Manual of Nursing_.
Chapter XV.
Experimental Work in Physiology.
406. The Limitations of Experimental Work in Physiology in Schools.
Unlike other branches of science taught in the schools from the
experimental point of view, the study of physiology has its
limitations. The scope and range of such experiments is necessarily
extremely limited compared with what may be done with the costly and
elaborate apparatus of the medical laboratory. Again, the foundation of
physiology rests upon systematic and painstaking dissection of the dead
human body and the lower animals, which mode of study very properly is
not permitted in ordinary school work. Experiments upon the living
human body and the lower animals, now so generally depended upon in our
medical and more advanced scientific schools, for obvious reasons can
be performed only in a crude and quite superficial manner in secondary
schools.
Hence in the study of physiology in schools many things must be taken
for granted. The observation and experience of medical men, and the
experiments of the physiologist in his laboratory must be depended upon
for data which cannot be well obtained at first hand by young students.
407. Value of Experiments in Physiology in Secondary Schools. While
circumstances and regard for certain proprieties of social life forbid
the use of a range of experiments, in anatomy and physiology, such as
are permitted in other branches of science in secondary schools, it by
no means follows that we are shut out altogether from this most
important and interesting part of the study. However simple and crude
the apparatus, the skillful and enthusiastic teacher has at his command
a wide series of materials which can be profitably utilized for
experimental instruction. As every experienced teacher knows, pupils
gain a far better knowledge, and keep up a livelier interest in any
branch of science, if they see with their own eyes and do with their
own hands that which serves to illuminate and illustrate the
subject-matter.
Note. For additional suggestions and practical helps on the subject of
experimental work in physiology the reader is referred to Blaisdell’s
_How to Teach Physiology_, a handbook for teachers. A copy of this
pamphlet will be sent postpaid to any address by the publishers of this
book on receipt of ten cents.
The experimental method of instruction rivets the attention and arouses
and keeps alive the interest of the young student; in fact, it is the
only true method of cultivating a scientific habit of study[57]. The
subject-matter as set forth on the printed pages of this book should be
mastered, of course, but at the same time the topics discussed should
be illuminated and made more interesting and practical by a
well-arranged series of experiments, a goodly show of specimens, and a
certain amount of microscopical work.
408. The Question of Apparatus. The author well understands from
personal experience the many practical difficulties in the way of
providing a suitable amount of apparatus for classroom use. If there
are ample funds for this purpose, there need be no excuse or delay in
providing all that is necessary from dealers in apparatus in the larger
towns, from the drug store, markets, and elsewhere. In schools where
both the funds and the time for such purposes are limited, the zeal and
ingenuity of teachers and students are often put to a severe test.
Fortunately a very little money and a great deal of ingenuity and
patience will do apparent wonders towards providing a working supply of
apparatus.
It will be noticed that many of the experiments in the preceding
chapters of this book can be performed with very simple, and often a
crude and home-made sort of apparatus. This plan has been rigidly
followed by the author, first, because he fully realizes the
limitations and restrictions of the subject; and secondly, because he
wishes to emphasize the fact that expensive and complicated apparatus
is by no means necessary to illustrate the great principles of anatomy
and physiology.
409. Use of the Microscope. To do thorough and satisfactory work in
physiology in our higher schools a compound microscope is almost
indispensable. Inasmuch as many of our best secondary schools are
equipped with one or more microscopes for use in other studies, notably
botany, it is much less difficult than it was a few years ago to obtain
this important help for the classes in physiology.
Illustration: Fig. 170.—A Compound Microscope
For elementary class work a moderate-priced, but well-made and strong,
instrument should be provided. If the school does not own a microscope,
the loan of an instrument should be obtained for at least a few weeks
from some person in the neighborhood.
The appearance of the various structures and tissues of the human body
as revealed by the microscope possesses a curious fascination for every
observer, especially for young people. No one ever forgets the first
look at a drop of blood, or the circulation of blood in a frog’s foot
as shown by the microscope.
Note. For detailed suggestions in regard to the manipulation and use of
the microscope the student is referred to any of the standard works on
the subject. The catalogues of scientific-instrument makers of our
larger cities generally furnish a list of the requisite materials or
handbooks which describe the use of the various microscopes of standard
make.
The author is indebted to Bergen’s _Elements of Botany_ for the
following information concerning the different firms which deal in
microscopes. “Several of the German makers furnish excellent
instruments for use in such a course as that here outlined. The
author is most familar with the Leitz microscopes, which are
furnished by Wm. Krafft, 411 West 59th St., New York city, or by
the Franklin Educational Co., 15 and 17 Harcourt St., Boston. The
Leitz Stand, No. IV., can be furnished duty free (for schools
only), with objectives 1, 3, and 5, eye-pieces I. and III., for
$24.50. If several instruments are being provided, it would be well
to have part of them equipped with objectives 3 and 7, and
eye-pieces I. and III.
“The American manufacturers, Bausch & Lomb Optical Company,
Rochester, N.Y., and No. 130 Fulton St., New York city, have this
year produced a microscope of the Continental type which is
especially designed to meet the requirements of the secondary
schools for an instrument with rack and pinion coarse adjustment
and serviceable fine adjustment, at a low price. They furnish this
new stand, ‘AAB,’ to schools and teachers at ‘duty-free’ rates, the
prices being for the stand with two eye-pieces (any desired power),
⅔-inch and ¼-inch objectives, $25.60, or with 2-inch, ⅔-inch, and
¼-inch objectives, and two eye-pieces, $29.20. Stand ‘A,’ the same
stand as the ‘AAB,’ without joint and with sliding tube coarse
adjustment (as in the Leitz Stand IV.), and with three eye-pieces
and ⅔-inch and ¼-inch objectives, is furnished for $20.40. Stand
‘A,’ with two eye-pieces, ⅔-inch and ⅙-inch objectives, $20.40.”
410. The Use of the Skeleton and Manikin. The study of the bones by the
help of a skeleton is almost a necessity. To this intent, schools of a
higher grade should be provided both with a skeleton and a manikin. If
the former is not owned by the school, oftentimes a loan of one can be
secured of some medical man in the vicinity. Separate bones will also
prove useful. In fact, there is no other way to study properly the
structure and use of the bones and joints than by the bones themselves.
A good manikin is also equally serviceable, although not so commonly
provided for schools on account of its cost.
411. The Question of Vivisection and Dissection. There should be no
question at all concerning vivisection. _In no shape or form should it
be allowed in any grade of our schools._ Nor is there any need of much
dissection in the grammar-school grades. A few simple dissections to be
performed with fresh beef-joints, tendons of turkey legs, and so on,
will never engender cruel or brutal feelings toward living things. In
the lower grades a discreet teacher will rarely advise his pupils to
dissect a dead cat, dog, frog, or any other animal. Instead of actual
dissection, the pupils should examine specimens or certain parts
previously dissected by the teacher,—as the muscles and tendons of a
sheep, the heart of an ox, the eye of a codfish, and so on. Even under
these restrictions the teacher should not use the knife or scissors
before the class to open up any part of the specimen. In brief, avoid
everything that can possibly arouse any cruel or brutal feeling on the
part of young students.
In the higher schools, in normal and other training schools, different
conditions prevail. Never allow vivisection in any form whatever,
either in school or at home. Under the most exact restrictions students
in these schools may be taught to make a few simple dissections.
Most teachers will find, however, even in schools of a higher grade,
that the whole subject is fraught with many difficulties. It will not
require much oftentimes to provoke in a community a deal of unjust
criticism. A teacher’s good sense and discretion are often put to a
severe test.
Additional Experiments.
To the somewhat extended list of experiments as described in the
preceding chapters a few more are herewith presented which may be used
as opportunity allows to supplement those already given.
Experiment 193. _To examine white fibrous tissue._ Snip off a very
minute portion from the muscle of a rabbit, or any small animal
recently dead. Tease the specimen with needles, mount in salt solution
and examine under a high power. Note the course and characters of the
fibers.
Experiment 194. _To examine elastic tissue._ Tease out a small piece of
ligament from a rabbit’s leg in salt solution; mount in the same, and
examine as before. Note the curled elastic fibers.
Experiment 195. _To examine areolar tissue._ Gently tease apart some
muscular fibers, noting that they are attached to each other by
connective tissue. Remove a little of this tissue to a slide and
examine as before. Examine the matrix with curled elastic fiber mixed
with straight white fibers.
Experiment 196. _To examine adipose tissue._ Take a bit of fat from the
mesentery of a rabbit. Tease the specimen in salt solution and mount in
the same. Note the fat cells lying in a vascular meshwork.
Experiment 197. _To examine connective tissues._ Take a very small
portion from one of the tendons of a rabbit, or any animal recently
dead; place upon a glass slide with a drop of salt solution; tease it
apart with needles, cover with thin glass and examine with microscope.
The fine wavy filaments will be seen. Allow a drop of dilute acetic
acid to run under the cover glass; the filaments will swell and become
transparent.
Experiment 198. Tease out a small piece of ligament from the rabbit’s
leg in salt solution; mount in the same, and examine under a high
power. Note the curled elastic fibers.
Experiment 199. _A crude experiment to represent the way in which a
person’s neck is broken._ Bring the ends of the left thumb and the left
second finger together in the form of a ring. Place a piece of a wooden
toothpick across it from the middle of the finger to the middle of the
thumb. Put the right forefinger of the other hand up through the front
part to represent the odontoid process of the axis, and place some
absorbent cotton through the other part to represent the spinal cord.
Push backwards with the forefinger with just enough force to break the
toothpick and drive its fragments on to the cotton.
Experiment 200. _To illustrate how the pulse-wave is transmitted along
an artery._ Use the same apparatus as in Experiment 106, p. 201. Take
several thin, narrow strips of pine wood. Make little flags by
fastening a small piece of tissue paper on one end of a wooden
toothpick. Wedge the other end of the toothpick into one end of the
strips of pine wood. Use these strips like levers by placing them
across the long rubber tube at different points. Let each lever
compress the tube a little by weighting one end of it with a blackboard
eraser or book of convenient size.
As the pulse-wave passes along under the levers they will be
successively raised, causing a slight movement of the tissue-paper
flags.
Experiment 201. _The dissection of a sheep’s heart._ Get a sheep’s
heart with the lungs attached, as the position of the heart will be
better understood. Let the lungs be laid upon a dish so that the heart
is uppermost, with its apex turned toward the observer.
The line of fat which extends from the upper and left side of the
heart downwards and across towards the right side, indicates the
division between the right and left ventricles.
Examine the large vessels, and, by reference to the text and
illustrations, make quite certain which are the _aorta_, the
_pulmonary artery_, the _superior_ and _inferior venæ cavæ_, and
the _pulmonary veins_.
Tie variously colored yarns to the vessels, so that they may be
distinguished when separated from the surrounding parts.
Having separated the heart from the lungs, cut out a portion of the
wall of the _right ventricle_ towards its lower part, so as to lay
the cavity open. Gradually enlarge the opening until the _chordæ
tendineæ_ and the flaps of the _tricuspid valve_ are seen. Continue
to lay open the ventricle towards the pulmonary artery until the
_semilunar valves_ come into view.
The pulmonary artery may now be opened from above so as to display
the upper surfaces of the semilunar valves. Remove part of the wall
of the right auricle, and examine the right auriculo-ventricular
opening.
The heart may now be turned over, and the _left ventricle_ laid
open in a similar manner. Notice that the mitral valve has only two
flaps. The form of the valves is better seen if they are placed
under water, and allowed to float out. Observe that the walls of
the _left_ ventricle are much thicker than those of the _right_.
Open the left auricle, and notice the entrance of the _pulmonary
veins_, and the passage into the ventricle.
The ventricular cavity should now be opened up as far as the aorta,
and the semilunar valves examined. Cut open the aorta, and notice
the form of the _semilunar valves_.
Experiment 202. _To show the circulation in a frog’s foot_ (see Fig.
78, p. 192). In order to see the blood circulating in the membrane of a
frog’s foot it is necessary to firmly hold the frog. For this purpose
obtain a piece of soft wood, about six inches long and three wide, and
half an inch thick. At about two inches from one end of this, cut a
hole three-quarters of an inch in diameter and cover it with a piece of
glass, which should be let into the wood, so as to be level with the
surface. Then tie up the frog in a wet cloth, leaving one of the hind
legs outside. Next, fasten a piece of cotton to each of the two longest
toes, but not too tightly, or the circulation will be stopped and you
may hurt the frog.
Tie the frog upon the board in such a way that the foot will just
come over the glass in the aperture. Pull carefully the pieces of
cotton tied to the toes, so as to spread out the membrane between
them over the glass. Fasten the threads by drawing them into
notches cut in the sides of the board. The board should now be
fixed by elastic bands, or by any other convenient means, upon the
stage of the microscope, so as to bring the membrane of the foot
under the object glass.
The flow of blood thus shown is indeed a wonderful sight, and never
to be forgotten. The membrane should be occasionally moistened with
water.
Care should be taken not to occasion any pain to the frog.
Experiment 203. _To illustrate the mechanics of respiration_[58] (see
Experiment 122, p. 234). “In a large lamp-chimney, the top of which is
closed by a tightly fitting perforated cork (A), is arranged a pair of
rubber bags (C) which are attached to a Y connecting tube (B), to be
had of any dealer in chemical apparatus or which can be made by a
teacher having a bunsen burner and a little practice in the
manipulation of glass (Fig. 171). From the center of the cork is
attached a rubber band by means of a staple driven through the cork,
the other end of which (D) is attached to the center of a disk of
rubber (E) such as dentists use. This disk is held to the edge of the
chimney by a wide elastic band (F). There is a string (G) also attached
to the center of the rubber disk by means of which the diaphragm may be
lowered. Such is a description of the essentials of the model. The
difficulties encountered in its construction are few and easily
overcome. In the first place, the cork must be air-tight, and it is
best made so by pouring a little melted paraffin over it, care being
taken not to close the tube. The rubber bags were taken from toy
balloon-whistles. In the construction of the diaphragm, it is to be
remembered that it also must be air-tight, and in order to resemble the
human diaphragm, it must have a conical appearance when at rest. In
order to avoid making any holes in the rubber, the two attachments (one
of the rubber band, and the other of the string) were made in this
wise: the rubber was stretched over a button having an eye, then under
the button was placed a smaller ring from an old umbrella; to this ring
was attached the rubber band, and to the eye of the button was fastened
the operating string. When not in use the diaphragm should be taken off
to relieve the strain on the rubber band.”
Illustration: Fig. 171.
Experiment 204. _To illustrate the action of the intercostal muscles_
(see sec. 210). The action of the intercostal muscles is not at first
easy to understand; but it will be readily comprehended by reference to
a model such as that represented in Fig. 172. This maybe easily made by
the student himself with four laths of wood, fastened together at the
corners, A, B, C, D, with pins or small screws, so as to be movable. At
the points E, F, G, H, pins are placed, to which elastic bands may be
attached (A). B D represents the vertebral column; A C, the sternum;
and A B and C D, the ribs. The elastic band F G represents the
_external_ intercostal muscles, and E H, the _internal_ intercostals.
If now the elastic band E H be removed, the remaining band, F G,
will tend to bring the two points to which it is attached, nearer
together, and the result will be that the bars A B and C D will be
drawn upwards (B), that is, in the same direction as the ribs in
the act of _inspiration_. When the elastic band E H is allowed to
exert its force, the opposite effect will be produced (C); in this
case representing the position of the ribs in an act of
_expiration_.
Illustration: Fig. 172.
Experiment 205. Pin a round piece of bright red paper (large as a
dinner-plate) to a white wall, with a single pin. Fasten a long piece
of thread to it, so it can be pulled down in a moment. Gaze steadily at
the red paper. Have it removed while looking at it intently, and a
greenish spot takes its place.
Experiment 206. Lay on different parts of the skin a small, square
piece of paper with a small central hole in it. Let the person close
his eyes, while another person gently touches the uncovered piece of
skin with cotton wool, or brings near it a hot body. In each case ask
the observed person to distinguish between them. He will always succeed
on the volar side of the hand, but occasionally fail on the dorsal
surface of the hand, the extensor surface of the arm, and very
frequently on the skin of the back.
Experiment 207. _Wheatstone’s fluttering hearts_. Make a drawing of a
red heart on a bright blue ground. In a dark room lighted by a candle
hold the picture below the level of the eyes and give it a gentle
to-and-fro motion. On continuing to look at the heart it will appear to
move or flutter over the blue background.
Experiment 208. At a distance of six inches from the eyes hold a veil
or thin gauze in front of some printed matter placed at a distance of
about two feet. Close one eye, and with the other we soon see either
the letters distinctly or the fine threads of the veil, but we cannot
see both equally distinct at the same time. The eye, therefore, can
form a distinct image of a near or distant object, but not of both at
the same time; hence the necessity for accommodation.
Experiment 209. Place a person in front of a bright light opposite a
window, and let him look at the light; or place one’s self opposite a
well-illuminated mirror. Close one eye with the hand and observe the
diameter of the other pupil. Then suddenly remove the hand from the
closed eye: light falls upon it; at the same time the pupil of the
other eye contracts.
Experiment 210. _To illustrate the blind spot. Marriott’s experiment_.
On a white card make a cross and a large dot, either black or colored.
Hold the card vertically about ten inches from the right eye, the left
being closed. Look steadily at the cross with the right eye, when both
the cross and the circle will be seen. Gradually approach the card
toward the eye, keeping the axis of vision fixed on the cross. At a
certain distance the circle will disappear, _i.e._, when its image
falls on the entrance of the optic nerve. On bringing the card nearer,
the circle reappears, the cross, of course, being visible all the time
(see Experiment 180, p. 355).
Experiment 211. _To map out the field of vision_. A crude method is to
place the person with his back to a window, ask him to close one eye,
stand in front of him about two feet distant, hold up the forefingers
of both hands in front of and in the plane of your own face. Ask the
person to look steadily at your nose, and as he does so observe to what
extent the fingers can be separated horizontally, vertically, and in
oblique directions before they disappear from his field of vision.
Experiment 212. _To illustrate imperfect judgment of distance_. Close
one eye and hold the left forefinger vertically in front of the other
eye, at arm’s length, and try to strike it with the right forefinger.
On the first trial one will probably fall short of the mark, and
fail to touch it. Close one eye, and rapidly try to dip a pen into
an inkstand, or put a finger into the mouth of a bottle placed at a
convenient distance. In both cases one will not succeed at first.
In these cases one loses the impressions produced by the
convergence of the optic axes, which are important factors in
judging of distance.
Experiment 213. Hold a pencil vertically about twelve inches from the
nose, fix it with both eyes, close the left eye, and then hold the
right index finger vertically, so as to cover the lower part of the
pencil. With a sudden move, try to strike the pencil with the finger.
In every case one misses the pencil and sweeps to the right of it.
Experiment 214. _To illustrate imperfect judgment of direction_. As the
retina is spherical, a line beyond a certain length when looked at
always shows an appreciable curvature.
Hold a straight edge just below the level of the eyes. Its upper
margin shows a slight concavity.
Surface Anatomy and Landmarks.
In all of our leading medical colleges the students are carefully and
thoroughly drilled on a study of certain persons selected as models.
The object is to master by observation and manipulation the details of
what is known as surface anatomy and landmarks. Now while detailed work
of this kind is not necessary in secondary schools, yet a limited
amount of study along these lines is deeply interesting and profitable.
The habit of looking at the living body with anatomical eyes and with
eyes at our fingers’ ends, during the course in physiology, cannot be
too highly estimated.
In elementary work it is only fair to state that many points of surface
anatomy and many of the landmarks cannot always be defined or located
with precision. A great deal in this direction can, however, be done in
higher schools with ingenuity, patience, and a due regard for the
feelings of all concerned. Students should be taught to examine their
own bodies for this purpose. Two friends may thus work together, each
serving as a “model” to the other.
To the following syllabus may be added such other similar exercises as
ingenuity may suggest or time permit.
Syllabus.
I. Bony Landmarks.
1. The _occipital protuberance_ can be distinctly felt at the back of
the head. This is always the thickest part (often three-quarters of an
inch or more) of the skull-cap, and is more prominent in some than in
others. The thinnest part is over the temples, where it may be almost
as thin as parchment.
2. The working of the _condyle of the lower jaw_ vertically and from
side to side can be distinctly felt and seen in front of the ear. When
the mouth is opened wide, the condyle advances out of the glenoid
cavity, and returns to its socket when the mouth is shut. In front of
the ear, lies the zygoma, one of the most marked and important
landmarks to the touch, and in lean persons to the eye.
3. The sliding movement of the _scapula_ on the chest can be properly
understood only on the living subject. It can move not only upwards and
downwards, as in shrugging the shoulders, backwards and forwards, as in
throwing back the shoulders, but it has a rotary movement round a
movable center. This rotation is seen while the arm is being raised
from the horizontal to the vertical position, and is effected by the
cooperation of the trapezius with the serratus magnus muscles.
4. The _patella_, or knee-pan, the _two condyles of the tibia_, the
_tubercle on the tibia_ for the attachment of the ligament of the
patella, and the _head of the fibula_ are the chief bony landmarks of
the knee. The head of the fibula lies at the outer and back part of the
tibia. In extension of the knee, the patella is nearly all above the
condyles. The inner border of the patella is thicker and more prominent
than the outer, which slopes down toward its condyle.
5. The short, front edge of the _tibia_, called the “shin,” and the
broad, flat, subcutaneous surface of the bone can be felt all the way
down. The inner edge can be felt, but not so plainly.
6. The head of the _fibula_ is a good landmark on the outer side of the
leg, about one inch below the top of the tibia. Note that it is placed
well back, and that it forms no part of the knee joint, and takes no
share in supporting the weight. The shaft of the fibula arches
backwards and is buried deep among the muscles, except at the lower
fourth, which can be distinctly felt.
7. The _malleoli_ form the great landmarks of the ankle. The outer
malleolus descends lower than the inner. The inner malleolus advances
more to the front and does not descend so low as the outer.
8. The line of the _clavicle_, or collar bone, and the projection of
the joint at either end of it can always be felt. Its direction is not
perfectly horizontal, but slightly inclined downwards. We can
distinctly feel the _spine_ of the scapula and its highest point, the
_acromion_.
9. Projecting beyond the acromion (the arm hanging by the side), we can
feel, through the fibers of the _deltoid_, the upper part of the
humerus. It distinctly moves under the hand when the arm is rotated. It
is not the head of the bone which is felt, but its prominences (the
tuberosities). The greater, externally; the lesser in front.
10. The _tuberosities of the humerus_ form the convexity of the
shoulder. When the arm is raised, the convexity disappears,—there is a
slight depression in its place. The head of the bone can be felt by
pressing the fingers high up in the axilla.
11. The _humerus_ ends at the elbow in two bony prominences (internal
and external condyles). The internal is more prominent. We can always
feel the _olecranon_. Between this bony projection of the ulna and the
internal condyle is a deep depression along which runs the ulna nerve
(commonly called the “funny” or “crazy” bone).
12. Turn the hand over with the palm upwards, and the edge of the
_ulna_ can be felt from the olecranon to the prominent knob (styloid
process) at the wrist. Turn the forearm over with the palm down, and
the head of the ulna can be plainly felt and seen projecting at the
back of the wrist.
13. The upper half of the _radius_ cannot be felt because it is so
covered by muscles; the lower half is more accessible to the touch.
14. The three rows of projections called the “knuckles” are formed by
the proximal bones of the several joints. Thus the first row is formed
by the ends of the metacarpals, the second by the ends of the first
phalanges, and the third by the ends of the second phalanges. That is,
in all cases the line of the joints is a little in advance of the
knuckles and nearer the ends of the fingers.
II. Muscular Landmarks.
1. The position of the _sterno-mastoid_ muscle as an important and
interesting landmark of the neck has already been described (p. 70).
2. If the left arm be raised to a vertical position and dropped to a
horizontal, somewhat vigorously, the tapering ends of the _pectoralis
major_ and the tendons of the _biceps_ and _deltoid_ may be felt by
pressing the parts in the axilla between the fingers and thumb of the
right hand.
3. The appearance of the _biceps_ as a landmark of the arm has already
been described (p. 70). The action of its antagonist, the _triceps_,
may be studied in the same manner.
4. The _sartorius_ is one of the fleshy landmarks of the thigh, as the
biceps is of the arm, and the sterno-cleido-mastoid of the neck. Its
direction and borders may be easily traced by raising the leg,—a
movement which puts the muscle in action.
5. If the model be directed to stand on tiptoe, both of the large
muscles of the calf, the _gastrocnemius_ and _soleus_, can be
distinguished.
6. Direct the model, while sitting upright, to cross one leg over the
other, using his utmost strength. The great muscles of the inner thigh
are fully contracted. Note the force required to pull the legs to the
ordinary position.
7. With the model lying in a horizontal position with both legs firmly
held together, note the force required to pull the feet apart while the
great muscles of the thigh are fully contracted.
8. In forcible and resisted flexion of the wrist two tendons come up in
relief. On the outer side of one we feel the pulse at the wrist, the
radial artery here lying close to the radius.
9. On the outer side of the wrist we can distinctly see and feel when
in action, the three extensor tendons of the thumbs. Between two of
them is a deep depression at the base of the thumb, which the French
call the “anatomical tobacco box.”
10. The relative position of the several extensor tendons on the back
of the wrist and fingers as they play in their grooves over the back of
the radius and ulna can be distinctly traced when the several muscles
are put in action.
11. There are several strong tendons to be seen and felt about the
ankle. Behind is the _tendo Achillis_. It forms a high relief with a
shallow depression on each side of it. Behind both the inner and outer
ankle several tendons can be felt. Over the front of the ankle, when
the muscles are in action, we can see and feel several tendons. They
start up like cords when the action is resisted. They are kept in their
proper relative position by strong pulleys formed by the annular
ligament. Most of these tendons can be best seen by stand a model on
one foot, _i.e._ in unstable equilibrium.
III. Landmarks of the Heart.
To have a general idea of the form and position of the _heart_, map its
outline with colored pencils or crayon on the chest wall itself, or on
some piece of clean, white cloth, tightly pinned over the clothing. A
pattern of the heart may be cut out of pasteboard, painted red, or
papered with red paper, and pinned in position outside the clothing.
The apex of the heart is at a point about two inches below the left
nipple and one inch to its sternal side. This point will be between the
fifth and sixth ribs, and can generally be determined by feeling the
apex beat.
IV. Landmarks of a Few Arteries.
The pulsation of the _temporal_ artery can be felt in front of the ear,
between the zygoma and the ear. The _facial_ artery can be distinctly
felt as it passes over the upper jaw at the front edge of the masseter
muscle. The pulse of a sleeping child can often be counted at the
anterior fontanelle by the eye alone.
About one inch above the clavicle, near the outer border of the
sterno-mastoid, we can feel the pulsation of the great _subclavian_
artery. At the back of the knee the _popliteal_ artery can be felt
beating. The _dorsal_ artery of the foot can be felt beating on a line
from the middle of the ankle to the interval between the first and
second metatarsal bones.
When the arm is raised to a right angle with the body, the _axillary_
artery can be plainly felt beating in the axilla. Extend the arm with
palm upwards and the _brachial_ artery can be felt close to the inner
side of the biceps. The position of the _radial_ artery is described in
Experiment 102.
Glossary.
Abdomen (Lat. _abdo_, _abdere_, to conceal). The largest cavity of the
body, containing the liver, stomach, intestines, and other organs.
Abductor (Lat. _abduco_, to draw from). A muscle which draws a limb
from the middle line of the body, or a finger or toe from the middle
line of the foot or hand.
Absorbents (Lat. _absorbere_, to suck up). The vessels which take part
in the process of absorption.
Absorption. The process of sucking up nutritive or waste matters by the
blood-vessels or lymphatics.
Accommodation of the Eye. The alteration in the shape of the
crystalline lens, which accommodates, or adjusts, the eye for near or
remote vision.