CHAPTER XX

The struggle for admission to college was ended, and I could now enter

Radcliffe whenever I pleased. Before I entered college, however, it was

thought best that I should study another year under Mr. Keith. It was

not, therefore, until the fall of 1900 that my dream of going to college

was realized.

I remember my first day at Radcliffe. It was a day full of interest

for me. I had looked forward to it for years. A potent force within

me, stronger than the persuasion of my friends, stronger even than

the pleadings of my heart, had impelled me to try my strength by the

standards of those who see and hear. I knew that there were obstacles

in the way; but I was eager to overcome them. I had taken to heart the

words of the wise Roman who said, "To be banished from Rome is but to

live outside of Rome." Debarred from the great highways of knowledge,

I was compelled to make the journey across country by unfrequented

roads--that was all; and I knew that in college there were many bypaths

where I could touch hands with girls who were thinking, loving and

struggling like me.

I began my studies with eagerness. Before me I saw a new world opening

in beauty and light, and I felt within me the capacity to know all

things. In the wonderland of Mind I should be as free as another. Its

people, scenery, manners, joys, tragedies should be living, tangible

interpreters of the real world. The lecture-halls seemed filled with the

spirit of the great and the wise, and I thought the professors were

the embodiment of wisdom. If I have since learned differently, I am not

going to tell anybody.

But I soon discovered that college was not quite the romantic lyceum

I had imagined. Many of the dreams that had delighted my young

inexperience became beautifully less and "faded into the light of common

day." Gradually I began to find that there were disadvantages in going

to college.

The one I felt and still feel most is lack of time. I used to have time

to think, to reflect, my mind and I. We would sit together of an evening

and listen to the inner melodies of the spirit, which one hears only in

leisure moments when the words of some loved poet touch a deep, sweet

chord in the soul that until then had been silent. But in college there

is no time to commune with one's thoughts. One goes to college to learn,

it seems, not to think. When one enters the portals of learning, one

leaves the dearest pleasures--solitude, books and imagination--outside

with the whispering pines. I suppose I ought to find some comfort in

the thought that I am laying up treasures for future enjoyment, but I

am improvident enough to prefer present joy to hoarding riches against a

rainy day.

My studies the first year were French, German, history, English

composition and English literature. In the French course I read some

of the works of Corneille, Moliere, Racine, Alfred de Musset and

Sainte-Beuve, and in the German those of Goethe and Schiller. I reviewed

rapidly the whole period of history from the fall of the Roman Empire

to the eighteenth century, and in English literature studied critically

Milton's poems and "Areopagitica."

I am frequently asked how I overcome the peculiar conditions under which

I work in college. In the classroom I am of course practically alone.

The professor is as remote as if he were speaking through a telephone.

The lectures are spelled into my hand as rapidly as possible, and much

of the individuality of the lecturer is lost to me in the effort to keep

in the race. The words rush through my hand like hounds in pursuit of a

hare which they often miss. But in this respect I do not think I am much

worse off than the girls who take notes. If the mind is occupied

with the mechanical process of hearing and putting words on paper at

pell-mell speed, I should not think one could pay much attention to the

subject under consideration or the manner in which it is presented.

I cannot make notes during the lectures, because my hands are busy

listening. Usually I jot down what I can remember of them when I get

home. I write the exercises, daily themes, criticisms and hour-tests,

the mid-year and final examinations, on my typewriter, so that the

professors have no difficulty in finding out how little I know. When

I began the study of Latin prosody, I devised and explained to my

professor a system of signs indicating the different meters and

quantities.

I use the Hammond typewriter. I have tried many machines, and I find the

Hammond is the best adapted to the peculiar needs of my work. With this

machine movable type shuttles can be used, and one can have several

shuttles, each with a different set of characters--Greek, French, or

mathematical, according to the kind of writing one wishes to do on the

typewriter. Without it, I doubt if I could go to college.

Very few of the books required in the various courses are printed

for the blind, and I am obliged to have them spelled into my hand.

Consequently I need more time to prepare my lessons than other girls.

The manual part takes longer, and I have perplexities which they have

not. There are days when the close attention I must give to details

chafes my spirit, and the thought that I must spend hours reading a

few chapters, while in the world without other girls are laughing and

singing and dancing, makes me rebellious; but I soon recover my buoyancy

and laugh the discontent out of my heart. For, after all, every one who

wishes to gain true knowledge must climb the Hill Difficulty alone, and

since there is no royal road to the summit, I must zigzag it in my own

way. I slip back many times, I fall, I stand still, I run against the

edge of hidden obstacles, I lose my temper and find it again and keep

it better, I trudge on, I gain a little, I feel encouraged, I get more

eager and climb higher and begin to see the widening horizon. Every

struggle is a victory. One more effort and I reach the luminous cloud,

the blue depths of the sky, the uplands of my desire. I am not always

alone, however, in these struggles. Mr. William Wade and Mr. E. E.

Allen, Principal of the Pennsylvania Institution for the Instruction of

the Blind, get for me many of the books I need in raised print. Their

thoughtfulness has been more of a help and encouragement to me than they

can ever know.

Last year, my second year at Radcliffe, I studied English composition,

the Bible as English composition, the governments of America and Europe,

the Odes of Horace, and Latin comedy. The class in composition was the

pleasantest. It was very lively. The lectures were always interesting,

vivacious, witty; for the instructor, Mr. Charles Townsend Copeland,

more than any one else I have had until this year, brings before you

literature in all its original freshness and power. For one short hour

you are permitted to drink in the eternal beauty of the old masters

without needless interpretation or exposition. You revel in their fine

thoughts. You enjoy with all your soul the sweet thunder of the Old

Testament, forgetting the existence of Jahweh and Elohim; and you go

home feeling that you have had "a glimpse of that perfection in which

spirit and form dwell in immortal harmony; truth and beauty bearing a

new growth on the ancient stem of time."

This year is the happiest because I am studying subjects that especially

interest me, economics, Elizabethan literature, Shakespeare under

Professor George L. Kittredge, and the History of Philosophy under

Professor Josiah Royce. Through philosophy one enters with sympathy

of comprehension into the traditions of remote ages and other modes of

thought, which erewhile seemed alien and without reason.

But college is not the universal Athens I thought it was. There one does

not meet the great and the wise face to face; one does not even feel

their living touch. They are there, it is true; but they seem mummified.

We must extract them from the crannied wall of learning and dissect and

analyze them before we can be sure that we have a Milton or an Isaiah,

and not merely a clever imitation. Many scholars forget, it seems to me,

that our enjoyment of the great works of literature depends more upon

the depth of our sympathy than upon our understanding. The trouble is

that very few of their laborious explanations stick in the memory. The

mind drops them as a branch drops its overripe fruit. It is possible to

know a flower, root and stem and all, and all the processes of growth,

and yet to have no appreciation of the flower fresh bathed in heaven's

dew. Again and again I ask impatiently, "Why concern myself with these

explanations and hypotheses?" They fly hither and thither in my thought

like blind birds beating the air with ineffectual wings. I do not mean

to object to a thorough knowledge of the famous works we read. I object

only to the interminable comments and bewildering criticisms that teach

but one thing: there are as many opinions as there are men. But when a

great scholar like Professor Kittredge interprets what the master

said, it is "as if new sight were given the blind." He brings back

Shakespeare, the poet.

There are, however, times when I long to sweep away half the things I am

expected to learn; for the overtaxed mind cannot enjoy the treasure it

has secured at the greatest cost. It is impossible, I think, to read in

one day four or five different books in different languages and treating

of widely different subjects, and not lose sight of the very ends for

which one reads. When one reads hurriedly and nervously, having in mind

written tests and examinations, one's brain becomes encumbered with a

lot of choice bric-a-brac for which there seems to be little use. At the

present time my mind is so full of heterogeneous matter that I almost

despair of ever being able to put it in order. Whenever I enter the

region that was the kingdom of my mind I feel like the proverbial bull

in the china shop. A thousand odds and ends of knowledge come

crashing about my head like hailstones, and when I try to escape

them, theme-goblins and college nixies of all sorts pursue me, until

I wish--oh, may I be forgiven the wicked wish!--that I might smash the

idols I came to worship.

But the examinations are the chief bugbears of my college life. Although

I have faced them many times and cast them down and made them bite the

dust, yet they rise again and menace me with pale looks, until like Bob

Acres I feel my courage oozing out at my finger ends. The days before

these ordeals take place are spent in cramming your mind with mystic

formula and indigestible dates--unpalatable diets, until you wish that

books and science and you were buried in the depths of the sea.

At last the dreaded hour arrives, and you are a favoured being indeed

if you feel prepared, and are able at the right time to call to your

standard thoughts that will aid you in that supreme effort. It happens

too often that your trumpet call is unheeded. It is most perplexing and

exasperating that just at the moment when you need your memory and a

nice sense of discrimination, these faculties take to themselves wings

and fly away. The facts you have garnered with such infinite trouble

invariably fail you at a pinch.

"Give a brief account of Huss and his work." Huss? Who was he and what

did he do? The name looks strangely familiar. You ransack your budget

of historic facts much as you would hunt for a bit of silk in a rag-bag.

You are sure it is somewhere in your mind near the top--you saw it

there the other day when you were looking up the beginnings of the

Reformation. But where is it now? You fish out all manner of odds

and ends of knowledge--revolutions, schisms, massacres, systems of

government; but Huss--where is he? You are amazed at all the things you

know which are not on the examination paper. In desperation you seize

the budget and dump everything out, and there in a corner is your

man, serenely brooding on his own private thought, unconscious of the

catastrophe which he has brought upon you.

Just then the proctor informs you that the time is up. With a feeling of

intense disgust you kick the mass of rubbish into a corner and go home,

your head full of revolutionary schemes to abolish the divine right of

professors to ask questions without the consent of the questioned.

It comes over me that in the last two or three pages of this chapter I

have used figures which will turn the laugh against me. Ah, here they

are--the mixed metaphors mocking and strutting about before me, pointing

to the bull in the china shop assailed by hailstones and the bugbears

with pale looks, an unanalyzed species! Let them mock on. The words

describe so exactly the atmosphere of jostling, tumbling ideas I live

in that I will wink at them for once, and put on a deliberate air to say

that my ideas of college have changed.

While my days at Radcliffe were still in the future, they were encircled

with a halo of romance, which they have lost; but in the transition from

romantic to actual I have learned many things I should never have known

had I not tried the experiment. One of them is the precious science of

patience, which teaches us that we should take our education as we would

take a walk in the country, leisurely, our minds hospitably open to

impressions of every sort. Such knowledge floods the soul unseen with a

soundless tidal wave of deepening thought. "Knowledge is power."

Rather, knowledge is happiness, because to have knowledge--broad, deep

knowledge--is to know true ends from false, and lofty things from low.

To know the thoughts and deeds that have marked man's progress is to

feel the great heart-throbs of humanity through the centuries; and if

one does not feel in these pulsations a heavenward striving, one must

indeed be deaf to the harmonies of life.

The Story of My Life With her letters (1887-1901) and a supplementary account of her education, including passages from the reports and letters of her teacher, Anne Mansfield Sullivan, by John Albert Macy · 第 20 / 27 章