CHAPTER XXIX

Produced by Anonymous Volunteers, John Greenman and David Widger

A TRAMP ABROAD, Part 5.

By Mark Twain

(Samuel L. Clemens)

First published in 1880

Illustrations taken from an 1880 First Edition

* * * * * *

ILLUSTRATIONS:

1.    PORTRAIT OF THE AUTHOR

2.    TITIAN'S MOSES

3.    THE AUTHOR'S MEMORIES

178.  EXCEEDINGLY COMFORTABLE

179.  THE SUNRISE

180.  THE RIGI-KULM

181.  AN OPTICAL ILLUSION

182.  TAIL PIECE

183.  RAILWAY DOWN THE MOUNTAIN

184.  SOURCE OF THE RHONE

185.  A GLACIER TABLE

186.  GLACIER OF GRINDELWALD

187.  DAWN ON THE MOUNTAINS

188.  TAIL PIECE

189.  NEW AND OLD STYLE

190.  ST NICHOLAS, AS A HERMIT

191.  A LANDSLIDE

192.  GOLDAU VALLEY BEFORE AND AFTER THE LANDSLIDE

193.  THE WAY THEY DO IT

194.  OUR GALLANT DRIVER

195.  A MOUNTAIN PASS

196.  "I'M OFUL DRY"

197.  IT'S THE FASHION

198.  WHAT WE EXPECTED

199.  WE MISSED THE SCENERY

200.  THE TOURISTS

201.  THE YOUNG BRIDE

202.  "IT WAS A FAMOUS VICTORY

203.  PROMENADE IN INTERLAKEN

204.  THE JUNGFRAU BY M.T.

205.  STREET IN INTERLAKEN

206.  WITHOUT A COURIER

207.  TRAVELING WITH A COURIER

208.  TAIL PIECE

209.  GRAPE AND WHEY PATIENTS

210.  SOCIABLE DRIVERS

211.  A MOUNTAIN CASCADE

212.  THE GASTERNTHAL

213.  EXHILARATING SPORT

214.  FALLS

215.  WHAT MIGHT BE

216.  AN ALPINE BOUQUET

217.  THE END OF THE WORLD

218.  THE FORGET-ME-NOT

219.  A NEEDLE OF ICE

220.  CLIMBING THE MOUNTAIN

221.  SNOW CREVASSES

222.  CUTTING STEPS

223.  THE GUIDE

224.  VIEW FROM THE CLIFF

225.  GEMMI PASS AND LAKE DAUBENSEE

226.  ALMOST A TRAGEDY

227.  THE ALPINE LITTER

228.  SOCIAL BATHERS

229.  DEATH OF COUNTESS HERLINCOURT

230.  THEY'VE GOT IT ALL

231.  MODEL FOR AN EMPRESS

232.  BATH HOUSES AT LEUKE

233.  THE BATHERS AT LEUKE

234.  RATTIER MIXED UP

235.  TAIL PIECE

CONTENTS:

CHAPTER XXIX Everything Convenient--Looking for a Western

Sunrise--Mutual Recrimination--View from the Summit--Down the

Mountain--Railroading--Confidence Wanted and Acquired

CHAPTER XXX A Trip by Proxy--A Visit to the Furka Regions--Deadman's

Lake--Source of the Rhone--Glacier Tables--Storm in the Mountains--At

Grindelwald--Dawn on the Mountains--An Explanation Required--Dead

Language--Criticism of Harris's Report

CHAPTER XXXI Preparations for a Tramp--From Lucerne to Interlaken--The

Brunig Pass--Modern and Ancient Chalets--Death of Pontius Pilate--Hermit

Home of St Nicholas--Landslides--Children Selling Refreshments--How they

Harness a Horse--A Great Man--Honors to a Hero--A Thirsty Bride--For

Better or Worse--German Fashions--Anticipations--Solid Comfort--An

Unsatisfactory Awakening--What we had Lost--Our Surroundings

CHAPTER XXXII The Jungfrau Hotel--A Whiskered Waitress--An Arkansas

Bride--Perfection in Discord--A Famous Victory--A Look from a

Window--About the Jungfrau

CHAPTER XXXIII The Giesbach Falls--The Spirit of the Alps--Why People

Visit Them--Whey and Grapes as Medicines--The Kursaal--A Formidable

Undertaking--From Interlaken to Zermatt on Foot--We Concluded to take

a Buggy--A Pair of Jolly Drivers--We meet with Companions--A Cheerful

Ride--Kandersteg Valley--An Alpine Parlor--Exercise and Amusement--A

Race with a Log

CHAPTER XXXIV An Old Guide--Possible Accidents--Dangerous

Habitation--Mountain Flowers--Embryo Lions--Mountain Pigs--The End

of The World--Ghastly Desolation--Proposed Adventure--Reading-up

Adventures--Ascent of Monte Rosa--Precipices and Crevasses--Among

the Snows--Exciting Experiences--lee Ridges--The Summit--Adventures

Postponed

CHAPTER XXXV A New Interest--Magnificent Views--A Mule's

Prefereoces--Turning Mountain Corners--Terror of a Horse--Lady

Tourists--Death of a young Countess--A Search for a Hat--What We Did

Find--Harris's Opinion of Chamois--A Disappointed Man--A Giantess--Model

for an Empress--Baths at Leuk--Sport in the Water--The Gemmi

Precipices--A Palace for an Emperor--The Famous Ladders--Considerably

Mixed Up--Sad Plight of a Minister

CHAPTER XXIX

[Looking West for Sunrise]

He kept his word. We heard his horn and instantly got up. It was dark

and cold and wretched. As I fumbled around for the matches, knocking

things down with my quaking hands, I wished the sun would rise in the

middle of the day, when it was warm and bright and cheerful, and one

wasn't sleepy. We proceeded to dress by the gloom of a couple sickly

candles, but we could hardly button anything, our hands shook so.

I thought of how many happy people there were in Europe, Asia, and

America, and everywhere, who were sleeping peacefully in their beds,

and did not have to get up and see the Rigi sunrise--people who did

not appreciate their advantage, as like as not, but would get up in the

morning wanting more boons of Providence. While thinking these thoughts

I yawned, in a rather ample way, and my upper teeth got hitched on a

nail over the door, and while I was mounting a chair to free myself,

Harris drew the window-curtain, and said:

"Oh, this is luck! We shan't have to go out at all--yonder are the

mountains, in full view."

That was glad news, indeed. It made us cheerful right away. One could

see the grand Alpine masses dimly outlined against the black firmament,

and one or two faint stars blinking through rifts in the night. Fully

clothed, and wrapped in blankets, and huddled ourselves up, by the

window, with lighted pipes, and fell into chat, while we waited in

exceeding comfort to see how an Alpine sunrise was going to look by

candlelight. By and by a delicate, spiritual sort of effulgence spread

itself by imperceptible degrees over the loftiest altitudes of the snowy

wastes--but there the effort seemed to stop. I said, presently:

"There is a hitch about this sunrise somewhere. It doesn't seem to go.

What do you reckon is the matter with it?"

"I don't know. It appears to hang fire somewhere. I never saw a sunrise

act like that before. Can it be that the hotel is playing anything on

us?"

"Of course not. The hotel merely has a property interest in the sun, it

has nothing to do with the management of it. It is a precarious kind of

property, too; a succession of total eclipses would probably ruin this

tavern. Now what can be the matter with this sunrise?"

Harris jumped up and said:

"I've got it! I know what's the matter with it! We've been looking at

the place where the sun SET last night!"

"It is perfectly true! Why couldn't you have thought of that sooner? Now

we've lost another one! And all through your blundering. It was exactly

like you to light a pipe and sit down to wait for the sun to rise in the

west."

"It was exactly like me to find out the mistake, too. You never would

have found it out. I find out all the mistakes."

"You make them all, too, else your most valuable faculty would be wasted

on you. But don't stop to quarrel, now--maybe we are not too late yet."

But we were. The sun was well up when we got to the exhibition-ground.

On our way up we met the crowd returning--men and women dressed in

all sorts of queer costumes, and exhibiting all degrees of cold and

wretchedness in their gaits and countenances. A dozen still remained on

the ground when we reached there, huddled together about the scaffold

with their backs to the bitter wind. They had their red guide-books open

at the diagram of the view, and were painfully picking out the several

mountains and trying to impress their names and positions on their

memories. It was one of the saddest sights I ever saw.

Two sides of this place were guarded by railings, to keep people from

being blown over the precipices. The view, looking sheer down into

the broad valley, eastward, from this great elevation--almost a

perpendicular mile--was very quaint and curious. Counties, towns, hilly

ribs and ridges, wide stretches of green meadow, great forest tracts,

winding streams, a dozen blue lakes, a block of busy steamboats--we saw

all this little world in unique circumstantiality of detail--saw it just

as the birds see it--and all reduced to the smallest of scales and as

sharply worked out and finished as a steel engraving. The numerous toy

villages, with tiny spires projecting out of them, were just as the

children might have left them when done with play the day before; the

forest tracts were diminished to cushions of moss; one or two big lakes

were dwarfed to ponds, the smaller ones to puddles--though they did not

look like puddles, but like blue teardrops which had fallen and lodged

in slight depressions, conformable to their shapes, among the moss-beds

and the smooth levels of dainty green farm-land; the microscopic

steamboats glided along, as in a city reservoir, taking a mighty time to

cover the distance between ports which seemed only a yard apart; and the

isthmus which separated two lakes looked as if one might stretch out on

it and lie with both elbows in the water, yet we knew invisible wagons

were toiling across it and finding the distance a tedious one. This

beautiful miniature world had exactly the appearance of those "relief

maps" which reproduce nature precisely, with the heights and depressions

and other details graduated to a reduced scale, and with the rocks,

trees, lakes, etc., colored after nature.

I believed we could walk down to Waeggis or Vitznau in a day, but I knew

we could go down by rail in about an hour, so I chose the latter method.

I wanted to see what it was like, anyway. The train came along about the

middle of the afternoon, and an odd thing it was. The locomotive-boiler

stood on end, and it and the whole locomotive were tilted sharply

backward. There were two passenger-cars, roofed, but wide open all

around. These cars were not tilted back, but the seats were; this

enables the passenger to sit level while going down a steep incline.

There are three railway-tracks; the central one is cogged; the "lantern

wheel" of the engine grips its way along these cogs, and pulls the

train up the hill or retards its motion on the down trip. About the same

speed--three miles an hour--is maintained both ways. Whether going up or

down, the locomotive is always at the lower end of the train. It pushes

in the one case, braces back in the other. The passenger rides backward

going up, and faces forward going down.

We got front seats, and while the train moved along about fifty yards

on level ground, I was not the least frightened; but now it started

abruptly downstairs, and I caught my breath. And I, like my neighbors,

unconsciously held back all I could, and threw my weight to the rear,

but, of course, that did no particular good. I had slidden down the

balusters when I was a boy, and thought nothing of it, but to slide down

the balusters in a railway-train is a thing to make one's flesh creep.

Sometimes we had as much as ten yards of almost level ground, and this

gave us a few full breaths in comfort; but straightway we would turn a

corner and see a long steep line of rails stretching down below us, and

the comfort was at an end. One expected to see the locomotive pause,

or slack up a little, and approach this plunge cautiously, but it

did nothing of the kind; it went calmly on, and went it reached the

jumping-off place it made a sudden bow, and went gliding smoothly

downstairs, untroubled by the circumstances.

It was wildly exhilarating to slide along the edge of the precipices,

after this grisly fashion, and look straight down upon that far-off

valley which I was describing a while ago.

There was no level ground at the Kaltbad station; the railbed was as

steep as a roof; I was curious to see how the stop was going to be

managed. But it was very simple; the train came sliding down, and when

it reached the right spot it just stopped--that was all there was "to

it"--stopped on the steep incline, and when the exchange of passengers

and baggage had been made, it moved off and went sliding down again. The

train can be stopped anywhere, at a moment's notice.

There was one curious effect, which I need not take the trouble to

describe--because I can scissor a description of it out of the railway

company's advertising pamphlet, and save my ink:

"On the whole tour, particularly at the Descent, we undergo an optical

illusion which often seems to be incredible. All the shrubs, fir trees,

stables, houses, etc., seem to be bent in a slanting direction, as by an

immense pressure of air. They are all standing awry, so much awry that

the chalets and cottages of the peasants seem to be tumbling down. It

is the consequence of the steep inclination of the line. Those who

are seated in the carriage do not observe that they are going down a

declivity of twenty to twenty-five degrees (their seats being adapted

to this course of proceeding and being bent down at their backs). They

mistake their carriage and its horizontal lines for a proper measure of

the normal plain, and therefore all the objects outside which really

are in a horizontal position must show a disproportion of twenty to

twenty-five degrees declivity, in regard to the mountain."

By the time one reaches Kaltbad, he has acquired confidence in the

railway, and he now ceases to try to ease the locomotive by holding

back. Thenceforth he smokes his pipe in serenity, and gazes out upon the

magnificent picture below and about him with unfettered enjoyment. There

is nothing to interrupt the view or the breeze; it is like inspecting

the world on the wing. However--to be exact--there is one place where

the serenity lapses for a while; this is while one is crossing the

Schnurrtobel Bridge, a frail structure which swings its gossamer frame

down through the dizzy air, over a gorge, like a vagrant spider-strand.

One has no difficulty in remembering his sins while the train is

creeping down this bridge; and he repents of them, too; though he sees,

when he gets to Vitznau, that he need not have done it, the bridge was

perfectly safe.

So ends the eventual trip which we made to the Rigi-Kulm to see an

Alpine sunrise.

A Tramp Abroad — Volume 05 · 第 1 / 7 章