IV.

The following day was Friday, the busiest in the Judengasse. Zorn had

made all arrangements with Rindskopf, but owing to the Sabbath he was

obliged to remain here until Sunday. And this was the Sabbath of

Sabbaths. It was the Saturday before the Passover—Shabbos H’godol—the

Great Sabbath. Albert welcomed his father’s suggestion to accompany him

to the synagogue that evening. Everything about him seemed so strange

and quaint.

It was beginning to grow dusk when father and son started for the house

of worship. The air was cool and refreshing, and the sinking sun was

behind the high walls of the quarter. All men, and some women, were on

their way to the courtyard which enclosed the House of God. The

erstwhile grimacing faces, on which was written abject misery, were now

serene, carefree, spiritual—

“In der Dämmerungstunde, plötzlich,

Weicht der Zauber und der Hund

Wird aufs neu ein menschlich Wesen—”

Some walked hurriedly, as if belated, others strolled in pairs,

leisurely, exchanging a few words of week day interest, but peace,

almost unearthly peace, everywhere. The long Judengasse was quiet, with

an air of restful melancholy about it, the melancholy and rest of a

plaintive song sung in a minor key. Not a horse stirred, not the creak

of a wheel; the voice of traffic was hushed. Nothing but footsteps of

those wending their way to prayers. Here and there one caught a glimpse

of a table in a courtyard, its legs upward like a horse on its back, and

other articles of household furniture, cleansed and scoured and left to

dry and air until the morning before the holiday, when everything must

be clean and free from every crumb of leavened bread.

Albert had never seen such a large house of prayer. It was hundreds of

years old, and within its lofty walls many a tear had been shed—nay,

rivulets had flowed from Israel’s eyes—and sometimes not unmixed with

blood. For this synagogue had housed those who fled from massacres, from

flames, from swords. Barricaded behind the tall doors, maidens sought

shelter from ravishers, children from untimely death, old women from

slaughter. Thrice this House of God had been defiled by Preachers of

Brotherly Love; thrice the torch of fanaticism had scorched its portals.

Like a man bent in sorrow, this edifice betrayed the scars of

persecution. The Old Synagogue of Frankfort looked solemn, sad,

awe-inspiring.

Albert felt the solemnity and the sadness of the old house of worship.

It was vast and lofty. Many brass chandeliers with scores of wax candles

were suspended from the high arched ceiling, snapping and flickering

every time the great door swung open. Rows of high desks, made specially

for repose of the prayer books, filled the front part, while the rear

was devoid of all obstruction and reserved as standing room for the poor

who held no pews. The nearer the row to the wall facing East the higher

the rank of its occupants. For the Judengasse was never democratic. Its

spirit was aristocratic. All had their ranks, and one could classify

them according to the rows of the pews. In the very rear were the

humblest—the water-carriers, the cobblers, the blacksmiths, the

tailors—then came the small traders, and gradually the guilds rose

higher and higher until they reached the row against the Wall facing

East, where the dignitaries sat, the learned and the rich.

Zorn and his son were the guests of the dignitary whose pew was next to

that of the Rabbi, a zealot, the descendant of a long line of rabbis.

Albert looked around with unconcealed bewilderment. For although he had

scoffed at, and mimicked, the gestures of the zealots and mocked at

their dogma and forms, he was now conscious of reverence. Even the

Rabbi’s curly locks, dangling over his ears, his untrimmed beard, his

long silk gabardine, his knickerbockers and white stockings, the

mitre-like black fur cap on his head, his broad white linen collar—none

of these provoked mockery in the youth. The figure before him conjured a

Velasquez he had once seen in Prince Joachim’s gallery in his native

town. He only saw in the visage before him the pure white skin shining

through the scanty youthful beard, spirituality in the large pupils of

his grayish blue eyes. While the prayers had not yet begun, the Rabbi,

his face turned to the wall, was lost in devotion, swaying his body

rapturously—sighing and praying and snapping his fingers in divine

forgetfulness.

A resounding blow upon the altar was a signal for silence. All murmurs

hushed. An irrepressible cough here and there accentuated the sudden

stillness.

“_Lecho Daudi likras Kallo_,” the cantor in his lyric tenor trolled the

first verse of a symbolic hymn composed by Salomo Alkabiz many centuries

ago. After the manner of the Song of Songs, the Sabbath is compared to a

Princess, with whom Israel is enamoured and whom he is wooing.

The rabbi, his face still turned to the wall, breathed every syllable as

if he were in a trance, rolled his eyes heavenward in sublime ecstasy,

spread his arms as if opening them for his beloved, a new light shining

upon his countenance, glowing with the ardor of a lover, as he softly

murmured,

“_Lecho daudi likras Kallo,_

_Pnei Shabbos Nekablo._”

Friday evening is the hour of betrothal of the Princess Sabbath to her

lover Israel, but the Judengasse sighed even as it chanted this ditty.

Now the whole assemblage swayed like a forest in a storm—one could hear

the soughing of the trees—responding with renewed ecstasy—

“_Lecho daudi likras Kallo,_

_Pnei Shabbos Nekablo;_”

and the sweet tenor picked up the refrain in the next quatrain and

melted with song.

Albert did not join in the services, though his father held the prayer

book before him. His eyes wandered. The flickering cathedral candles in

front of the singing cantor cast a strange glamor over his bearded face

and over his blue-black and white-striped robe; the dazzling gold and

silver threads in the brocade curtain over the ark shimmered in the

scintillating light of the _Ner-Tomid_.

Albert soon found himself in the midst of the great stream leaving the

synagogue. The stream moved exceedingly slow. When one leaves the House

of God one must not make God feel that he runs away from Him, just as

one must hurry on the way to the synagogue in order to show anxiety to

get to His presence. The ancient worshippers of Jehovah knew every whim

and caprice of their Lord. They knew His appetite for the fat of lamb

and veal and His relish for oil and frankincense—the rising smoke of

all offerings was perfume to His nostrils. So, eager to please their

Maker, they sauntered through the Judengasse with deliberate ease—there

was pronounced luxurious relaxation in their movements—in pairs, in

threes, in small groups, preceded by their children, moving shadows on

the moon-lit ground. Albert walked along musing. There was mockery and

reverence in his heart; the reverence and mockery were blended, as he

caught snatches of conversation from the throng.

The Sublime Jester · 第 23 / 101 题