BOOKBINDING AND REPAIRING
=329. General.=--Public library binding is an art by itself, and is
quite distinct from ordinary commercial bookbinding on the one hand, and
artistic binding on the other. A binding which is strong enough to
withstand the handling of its owner and his friends, and beautiful
enough to please the taste of the fastidious amateur, may be practically
useless in a position where it may have to endure the handling of
hundreds, or even thousands, of different persons, all of whom are not
equally educated in the proper use of books. A public library book
requires to be bound neatly and strongly, with particular regard to the
integrity of the stitching rather than to its mere covering, although
this has to be considered in the case of much-used reference books.
=330.= For public library work only good binders who are experienced in
this particular class of bookbinding should be employed. In many cases,
especially in small towns, the work turned out by local binders is about
as bad as it can well be, and just as likely to lead to the rapid
destruction of books as to their preservation. Cheapness does not in
this matter necessarily mean economy, nor is good workmanship often an
accompaniment of low prices. It may be said generally that library
binding is one of the items of maintenance which no library can _afford_
to have done cheaply and badly. It is much better, in the long run, for
a library in a small provincial town to send its work to a recognized
bookbinder in a large town, and even to pay carriage both ways, than to
depend upon the local bookseller or stationer, who only knows about the
casing of magazines. A good binder will bind a book in a manner which
will enable the boards to outlive the leaves, while a poor workman will
require to have his work done over again very soon, if, meanwhile, his
rough and unscientific methods have not tended to shorten the existence
of the book.
=331.= The question of binding books from the sheets, or rebinding
cloth- and paper-board books in leather, before putting them in
circulation, has been much debated, though it is really not a very
formidable or difficult matter after all. As no one can foretell with
certainty whether or not any given book is going to be popular and much
used, it is manifestly a mistake to have any book re-bound, or specially
bound from the sheets, until this very important point has been
ascertained. Time alone can determine whether a book is going to be
popular, and for this reason there seems little economy or gain in
specially binding new books at the outset. Books in publishers’ cloth
bindings, when printed on paper of fair quality, will often circulate
from twenty to forty times before attaining a condition which requires
re-binding, and when strongly and properly rebound in leather or other
boards will outlast the book. Some claims have been advanced with regard
to the durability of various styles of binding, but it is impossible to
ignore the fact that it is the paper of the book and not the covers of
the binding which forms the weak point.
The Great War has rendered this paper problem an acute one. For a few
years before 1914 librarians had induced a few publishers to produce
some classes of books on a superior paper, and in a reinforced
binding--that is, one according to the Society of Arts and Library
Association recommendations--but the war conditions not only stopped all
this, they prevented the importation of paper and paper-materials. Hence
the most appalling rubbish was made to serve the purpose of book-paper,
with disastrous results for almost all books published from 1915-19. Few
books published in that period are in materials that will last without
any particular use for a decade, and far fewer will stand the handling
of public library readers or bear re-binding in any material heavier
than cloth. The public acquiesced in these materials as a war necessity;
it has yet to be seen if the publishers, having found the public
apparently contented with them, will persist in their use when they
become cheaper. Every effort must be made to prevent it.
Dirt is also as potent a factor as rough usage in shortening the life of
a book, and it really matters little what kind of special materials or
stitching are employed since no book’s existence can be prolonged beyond
a certain term of years when dirt and inferior paper are such important
elements in the matter. There are other factors in the question of
binding from sheets, and one is the difficulty of obtaining the
necessary copies from publishers. Another is the fact that some cheap
novels cannot be had in quires at all, and, consequently, any advantage
which may result from unused sheets giving a better and firmer hold for
stitching cannot be obtained. The durability of new books re-bound in
special materials has been somewhat exaggerated, and librarians and
committees should first adopt the ordinary method of allowing use to
determine the books which require re-binding. But experiments should
also be tried with special re-binding and other plans in order to
ascertain what is best; and a good general rule will probably emerge--no
book should be bound so well that the cover is in excellent condition
long after the inside has been worn beyond redemption.
=332.= It would be a valuable concession if publishers would issue some
copies of every novel by well-known authors, printed on specially tough
paper, and bound according to the specification given in Section 341.
This would meet every need which exists for specially bound copies of
popular books, and give the much more valuable advantage of editions
printed on paper which is not mere rubbish.
=333. Home Binding.=--The question of establishing a bookbinding plant,
for the purpose of conducting binding on the library premises, is one
which affects only the large libraries of the country; but large towns
with a number of branch libraries may find it both economical and
advantageous to establish binderies, if not for extensive operations in
the binding of books, at least for their repair and re-casing. At
Portsmouth, Hull, Bristol, Brighton, Bournemouth and elsewhere home
binderies more or less extensive have been established, and the
experience gained in these places seems to vary considerably.
The advantages accruing to the home bindery are obvious, apart from that
of the convenience of having the work done on the library premises; the
librarian can select only the best materials and can supervise the work
at every stage of the processes. Librarians who have established such a
department are convinced not only of its convenience but also--a much
more important point in present circumstances--its economy. When it is
remembered that much other work than the actual binding and re-casing of
books, such as illustration-mounting, ruling, magazine cover-making,
etc., may be carried out in the home bindery, there is much to be said
for it; but until the experiment has been carried much further home
binding is not advocated save in the larger libraries. A joint-stock or
cooperative bindery could be worked by the London Metropolitan Borough
Libraries with considerable prospects of success and economy, but in
isolated provincial towns the plan is not so feasible.
=334.= Repairing departments stand upon quite another footing, and here
there is safe ground for experiment with every prospect of success. At
Glasgow, Manchester, Croydon, Islington and other places, small
repairing plants have been in operation for some time with good results.
At all the places mentioned women workers are employed, who repair and
re-case books, stitch pamphlets in covers, and even bind less important
books which are not likely to be greatly used. Lettering and numbering
can also be done, a useful branch of the bookbinder’s art, carried on at
a considerable number of libraries. A repairing plant such as is used at
Croydon costs less than £30, while the wages of a repairer may range
from 40s. weekly. Materials also run into a certain sum per annum,
according to the nature and amount of work done.
=335.= Finishing, which includes lettering and numbering, can be done by
members of the library staff, although instruction is sometimes
difficult to obtain owing to trade jealousy and the regulations of most
polytechnic schools, which, though supported by public funds, deny
instruction to any save those actually engaged in particular trades.
Perhaps the day will come when library schools, such as that about to be
established in London at University College, will include this subject
when dealing with bookbinding, typography and all allied practical arts.
A complete finishing plant, including sets of numbers and alphabets, can
be purchased at a sum which even small libraries can afford. The
satisfaction of accomplishing on the premises the work of class
lettering and numbering, which requires both care and neatness, is
great. At any rate, inquiry should be made by librarians into the
possibilities of establishing a finishing department, especially in
cases where a systematic classification is used.[12]
[12] _See_ “Specification for the fittings of a small bindery,” by F.
J. Williamson, in _Leather for Libraries_, 1905.
=336. Materials.=--For public library purposes book-covering materials
should be of the most durable sorts, and it is not wise to employ many
different varieties either of cloths or leathers. Ordinary binders’
cloth is nearly as satisfactory as anything else for preserving its
colour, lettering and defying the pernicious effects of gas-laden
atmospheres and extremes of temperature. It will not stand much
handling, however, and is very liable to wear out at the corners and
joints. Nevertheless, for little-used collections of pamphlets, sets of
local publications, and other matter which merely wants binding for
appearance’s sake and storage purposes, ordinary binders’ cloth is
strongly recommended. Smooth varieties are preferable to rough or
patterned kinds, as being less liable to harbour dust. Apart from
ordinary binders’ cloth, the best known varieties are linen cloths,
buckrams and Pegamoid and Rexine cloths. Pegamoid and Rexine cloths are
treated in a special way with some preparation of celluloid to render
them impervious to dirt and moisture. For novels and other short-lived
books these cloths are worth a trial, as they cannot be regarded as
expensive. At any rate, experience has proved that these materials will
outlast any novel which may be re-bound in them, and, after all, that is
as much as can be expected of any binding. Leather should rarely be
placed upon little-used books, and many libraries which hitherto used it
for long sets, have discarded it in favour of legal buckram, or such a
material as Winterbottam’s washable cloth. A certain amount of handling
is necessary for the preservation of most leathers, as the animal grease
from the hands is a preservative, and they deteriorate if this is not
forthcoming.
=337.= The principal leathers used for public library bindings are
pig-skin, persian and levant moroccos, and roan. Calf, russia and other
fancy leathers should not be used, as they turn brittle under the
influence of heated and dry air, and crumble to pieces. Apart from this,
they are costly and otherwise unsuitable for public library purposes.
The leathers recommended should be used according to the books which
they have to cover, and the following list will give an idea of the best
classes for which to use each kind:--
Levant morocco, or real morocco, made from goat-skin. This material
should be used for very valuable books which require a handsome and
dignified binding. It is very durable, but expensive for ordinary
work.
Persian morocco, made from sheep-skin, is not so dear or so good as
levant morocco, but is a durable and satisfactory leather if a good
quality is procured. It should be used for popular books in the
non-fictional classes of the lending department. Heavy books can be
bound in this leather, but pig-skin is better. The more it is handled
the better it wears and keeps its condition.
Roan is a kind of inferior sheep-skin, with a different grain and
surface from Persian morocco, and is a useful and cheap leather for
certain classes of books, such as the less popular works of travel,
science, theology, fiction, etc. Books up to the crown octavo size can
be half-bound in this material at prices ranging from 1s. 6d. to 2s. a
volume. Heavy books are not recommended for binding in this leather.
Pig-skin is the strongest leather of all, and also the most durable
for much-used heavy books; but librarians should make certain that
real pig-skin is supplied, and not some wretched imitation. The price
of pig-skin is rather more than good Persian morocco. All reference
works, such as dictionaries, atlases, directories, and other volumes
which are being constantly handled, may well be bound in this.
All leathers specified for bookbinding should be of the acid-free
description recommended by the Society of Arts Committee (1898-1900) and
the Sound Leather Committee of the Library Association. Sumach-tanned
leathers are now to be had with a special guarantee from the makers.
Other binding materials, such as vellum, parchment, canvas and patent
leathers of various kinds, are seldom required in libraries, and need
not be considered further. Preparations for spreading on books to
protect them may also be passed over, and also the continental and
American habit of covering all books in manilla or other paper covers of
uniform colour. Most of the so-called leather “preservatives” are
hurtful rather than helpful, but it may be observed that some leather
bindings which get dry and worn will improve if treated with ordinary
vaseline. It should be rubbed well and plentifully into the texture of
the leather with the fingers, and when it has soaked in, should be wiped
with a soft cloth. Vaseline is as good as any patent or other
preservative for reviving decaying and shabby leathers of all kinds,
although it dries quickly, and furniture polish has also been
recommended. As regards covers, the time has not yet come when the
individuality of a book, as issued by its publisher, or given by its
appropriate library binding, requires to be hidden under a paper mask.
=338. Class Colours.=--In systematically classified libraries there is a
certain amount of advantage to be gained by re-binding each class of
books, as required, in some appropriate colour. When open access to the
shelves is also granted, there is a very considerable aid to the
maintenance of order given by the use of distinctive class colours.
Thus, Science may be light brown or fawn colour; Fine Arts, orange;
Social Science, light green; Theology, etc., black; History and Travel,
dark green; Biography, maroon; Philology, light blue; Poetry, red;
Fiction, dark brown; and Juvenile, yellow; and so on to any degree. A
variation of this plan is to vary the colours for authors, binding each
distinctively; this gives a not unpleasing variety to the shelves and
has a certain arranging value.
=339. Lettering and Numbering.=--When lettering and numbering have to be
done apart from the re-binding, they can be executed by the staff after
a little practice, as pointed out in Section 335. The object of
lettering is to facilitate the finding of books, and for this reason it
should be clear and bold. It is also possible by means of a little
variation to obtain a certain amount of class-guiding in the system of
lettering, and it should be made an invariable principle in every public
library to adopt a certain order of particulars on the backs of books,
and stick to the order. Too often this important matter is left to the
fitful fancy of the binder’s finisher, with the result that very
frequently the author’s name appears in all the panels in rotation. The
series of suggestions given in Fig. 127 for dealing with each class is
offered as a basis on which any librarian can build a system of his own.
The letterings are arranged to provide for titles, authors, volume
numbers, class numbers, and dates of publication when necessary. Class
letters and numbers occupy one definite place on each book, which is not
subject to variations in height when appearing on books of different
sizes. The markings here figured for the backs of books are arranged so
that titles occupy the leading panel in all classes and thereby
correspond with the great majority of the books as issued by publishers.
[Illustration: FIG. 127.--Specimens of Class Lettering and Numbering
(Section 339).]
The chief points to emphasize in these suggested letterings are that the
class letter and number should always occupy the same relative position
irrespective of the size of the volume, namely, about two inches from
the foot, and that alphabetical classes like Fiction, Poetry and Essays
should be boldly lettered with the first three letters of the author’s
surname, or numbers from an author table, while _Individual_ Biography
only should be similarly marked with the surname letters of the
_subject_ of the biography, but not the author, save in the case of
autobiographies, letters, etc. If it should be thought necessary to add
the accession numbers, they can be placed out of the way in the top
half-panel, as shown in No. 7, while shelf colours for open access can
be added at the points suggested in Section 243.
[Illustration: FIG. 128.--Specimens of Class Lettering and Numbering
(Section 340).]
=340.= The principal alternative method is that mentioned in the chapter
on classification (Section 241), where the book is lettered in
accordance with what is thought to be the natural process in arranging
and finding books. Thus a book is arranged on the shelves first by its
class, second by its author, third by its title, except in the case of
individual biography, where the name of the biographee takes the panel
which in other books is devoted to the author, and the author takes the
panel below the title. Fig. 128 will indicate sufficiently the
appearance of such a lettering scheme, and will show how it subordinates
ordinary usage to library purposes, especially in the third example.
No. 3 brings Dowden’s book into the group of Shakesperian books, and
shows the spelling of the name preferred in the catalogue for the
heading; and No. 4 shows the method of indicating both the real name of
the author, which is the catalogue heading and arranging name, and also
the author’s pseudonym.
=341. Specification.=--Whether or not library binding should be done by
tender, which in practice means giving the work to the lowest bidder, is
a question which different places must settle in different ways.
Sometimes tenders are insisted upon by the municipality for all work
done with public funds. It must be recognized, however, that binding is
a very varied matter, some books requiring special treatment, and that
binders are equally varied in their ability to do special work. The best
results can only be obtained if the librarian has power to send certain
classes of work to the firms best qualified to deal with them. So far as
general binding is concerned, the present-day combination of
master-binders has levelled up prices until every binder quotes
practically the same figures; so there does not seem much to be gained
by tenders, except that legal formality which is so much approved by
public authorities. If it is used, bookbinding specification should
include every point which has any bearing on the cost, finish and
workmanship of the books. The specification of the Society of Arts and
that drafted by Mr Douglas Cockerell are very good, and many of their
points could be included in a specification for library binding. As
requirements differ in every library, it is impossible to attempt the
drafting of a model specification which will meet every case, but the
details set out in the following draft may prove useful and suggestive:
DRAFT BOOKBINDING SPECIFICATION.
To the Public Libraries Committee
of. . . . . . . . . . . . . . . . . . . .
Date. . . . . . . . . . . . . .
Gentlemen,
. . . . . . undertake to bind books for the. . . . . . . . . . Public
Libraries Committee in the manner specified below, at the prices
stated in the annexed schedule, for one year from. . . . . . . . . .
to. . . . . . . . . . .
All books to be well beaten or rolled, and care taken to avoid set-off
of ink in new books.
To be sewn one-sheet-on, on strong tapes; the first and last sheets to
be enclosed at back in linen strips. All sections broken at the back
to be enclosed in linen strips, and neatly overcast, not less than
four stitches to the inch, before being sewn to the tapes. Four tapes
to be allowed for crown 8vos; other sizes in proportion. The tapes to
be firmly secured between the back and front boards, which must be
carefully split to receive them.
In leather-bound books, the backs to be made close and flexible,
without bands, save in cases to be separately notified, but with blind
fillets in imitation of bands. Leathers as specified in schedule, with
smooth cloth sides to match colour of leathers.
SCHEDULE OF PRICES
+-------------------------++------+-------+-----+-----+------+------+
| Sizes. ||Half |Half |Half |Half |Best |Best |
| ||Levant|Persian|Pig- |Roan.|Linen.|Ordi- |
| ||Moroc-|Moroc- |skin.| | |nary |
| ||co. |co. | | | |Cloth.|
+-------------------------++------+-------+-----+-----+------+------+
| Fcap. 8vo (6¼″ × 4″) || | | | | | |
| Crown 8vo (7″ × 4½″) || | | | | | |
| Post 8vo (8″ × 5″) || | | | | | |
| Demy 8vo (9″ × 6″) || | | | | | |
| Medium 8vo (9½″ × 6″) || | | | | | |
| Royal 8vo (10″ × 6½″) || | | | | | |
| Imperial 8vo (11″ × 7½″) || | | | | | |
| Quarto (11″ × 8½″) || | | | | | |
| Folio (13″ × 8″) || | | | | | |
| || | | | | | |
+-------------------------++------+-------+-----+-----+------+------+
| |
| _Prices of other sizes to be in proportion._ |
| |
| Extras: |
| |
| Per inch for folios over thirteen inches. |
| For lettering large initials in classes 800 and 920 . . . per |
| hundred. |
| For mending torn or broken leaves. |
| For guarding plates in linen or jaconet, per dozen. |
| For mounting and dissecting maps, etc., on fine linen, per sq. |
| foot. |
| . . . For extra thickness, if books more than half the |
| width of boards. . . . |
| |
+-------------------------------------------------------------------+
In cloth- or pegamoid-bound books, the backs to be made open, with
suitable linings. Edges to be very carefully cut, sprinkled and
burnished, but only when the margins are not too small; otherwise to
be left with proof and top edge only smoothed.
End-papers to be of stout, coloured, marbled or printed paper, with at
least one white leaf before and after the printed matter. (Or as an
alternative--the special library end-papers to be used in all books
re-bound, etc.)
Linen or other strong cloth joints in all books.
Lettered in gold with author’s name, title, class numbers, initials,
etc., as per separate diagram showing arrangement of lettering for
each class. The colours of leathers and cloths for each class to be
as specified in the diagram. The order of lettering and colours to be
maintained unless altered by the instructions, and class letters and
numbers to be placed at a uniform height of two inches from the foot
of each book, irrespective of size.
Include all wrappers, cancelled matter, and advertisement pages of
certain magazines at the end of volumes, in their published order.
All materials used to be of the best quality, and the work done
carefully and promptly. Deficiencies and irregularities in books, if
any, to be reported to the librarian.
Each lot of binding to be finished and returned within . . . . . . . .
weeks from the date of order.
Should there be any extras chargeable beyond those provided for in
this specification, they must be reported to the librarian before the
work is proceeded with.
Samples of the manner in which . . . . . . propose to bind books in
accordance with this specification are sent herewith.
Signature of firm.
...................
+---------+----------+-------+------------+---------+
|Date when| | Class | | Date |
| sent. |Lettering.|and No.|Instruction.|Returned.|
+---------+----------+-------+------------+---------+
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
FIG. 129.--Binding Sheet (Section 342).
Some libraries use vellum instead of leather corners, while others have
the corners of the leaves neatly rounded like a pack of modern playing
cards, and some have the boards rounded to correspond. It is a good plan
to have the corners of the leaves slightly rounded, but added corners of
vellum often result in the roughing-up of the cloth which fits down to
their edges, and there is no great benefit arising from the rounding of
the corners of the covers. Other points will doubtless arise in the
practice of every library, and these must be provided for as thought
best. Metal corner-pieces let in between the split boards are not
recommended.
+-----------+---------+----------+------+---------+---------+
|Progressive| Date of | | | | Date |
| No. |Despatch.|Lettering.|Class.|Material.|Returned.|
+-----------+---------+----------+------+---------+---------+
| | | | | | |
| 1 | | | | | |
| | | | | | |
+-----------+---------+----------+------+---------+---------+
| | | | | | |
| 2 | | | | | |
| | | | | | |
+-----------+---------+----------+------+---------+---------+
| | | | | | |
| 3 | | | | | |
| | | | | | |
+-----------+---------+----------+------+---------+---------+
| | | | | | |
| 4 | | | | | |
| | | | | | |
+-----------+---------+----------+------+---------+---------+
FIG. 130.--Binding Order Book (Section 342).
=342. Records and Checks.=--When a lot of books for binding is sent out
it must be accompanied by a set of instructions to the binder, and a
copy of this must be retained at the library as a record and to check
the books when returned. The most usual plan is to send out a binding
sheet, ruled as in Fig. 129, on which are entered the particulars of the
books requiring binding. These particulars are also entered in a binding
book, ruled exactly the same as the sheets, and in the last column of
this the books are marked off as returned. This result, and an actual
facsimile copy, may be obtained by using a duplicating book, the sheet
sent to the binder being so perforated as to be easily removable. The
double copying involved in making out two separate sheets is thus
avoided. It is usual to make the binder’s messenger check over and sign
for every lot of books at the end of the page. Another method, which
possesses the advantage of enabling the binder to distribute the work in
his workshop, and makes every book carry its own instruction, is as
follows: Procure a large book of perforated slips, with a counterpart
page, unperforated, behind every page of slips, in the style of a
manifold order book. Have these pages ruled as in Fig. 130, and
progressively numbered.
Or separate order slips, as under (Fig. 131), can be used, and their
purport briefly entered in a binding book ruled to show title, class and
date returned, with a column for a consecutive number, which of course
would be written on the corresponding slip.
+-------------------+-------------------+
| No. | Date sent |
+===================+===================+
| LETTERING |
+---------------------------------------+
| TITLE |
| |
+---------------------------------------+
| AUTHOR |
| |
+---------------------------------------+
| VOL. No. |
| |
+---------------------------------------+
| CLASS No. |
| |
+=======================================+
| Material |
| |
| |
| |
+---------------------------------------+
| Other instructions |
| |
| |
+---------------------------------------+
FIG. 131.--Binding Order Slip (Section 342).
When an order for binding is being made up each book is entered on a
numbered slip, pen-carbon or other copying paper being placed between
the slips and the counterpart below. Dates can be stamped to save time.
The slips are then detached and placed in the books to which they refer.
An ordinary order form is then made out in some such terms as:
Mr.................... will please bind as per contract and separate
instructions the ............ books sent herewith, comprising numbers
......... to ............
The binder’s messenger can sign the book on the last counterfoil, in a
form like this:
Received on .......... from the ................ Public Library ......
volumes for binding.
Or a rubber stamp with these words and blanks can be used. The object of
the progressive number is to afford a ready means of identifying
instructions and ascertaining in an easy manner the number of books
bound in any one year. These numbers may also be written in ink at the
end of the letterpress of each book, as a means of ascertaining how
often any book has been re-bound. The price, if carried into the column
reserved for the progressive number in the counterpart, will also be a
useful record to keep. By simply referring to the progressive numbers it
is possible to ascertain the price paid for successive re-bindings, and
to keep a check on the whole of the work.
=343.= Repairs should not be entered in this book. It is better to use
an ordinary order sheet and copy it in the press order book. It can be
headed:
Mr............ will please re-case the following books:
or
Mr............ will please repair the following books, as per
instructions added to each:
=344. Miscellaneous.=--Tape or ribbon BOOK-MARKS are sometimes placed in
public library books, but a much more obvious and useful plan is to
print a special book-mark with a folding-over tab, which can be placed
in _all_ books which are issued, and not confined simply to those which
are re-bound. A good form of marker can have one or two pointed rules
for the due care and preservation of books printed on a conspicuous
part.
Some enterprising firms give away book-marks of various kinds, many
publishers insert advertising cards which serve as markers, and
occasionally an advertising agent will supply a library with book-marks,
and pay for the privilege, on being allowed to use some part of it for
advertisements from which he draws the revenue.
=345.= Special END-PAPERS have been introduced in a few libraries to be
placed in re-bound books. They serve the purpose of an ownership mark
more effectually than a book-plate, but, of course, they can only be
used in the books which happen to require re-binding. The Croydon
end-paper is quite an elaborate design, giving compartments showing the
arms, monogram and a view of the town hall. End-papers of this kind are
a luxury which few public libraries can afford.
=346.= An effective way of placing an indelible mark of ownership upon a
public library book is to impress a blind stamp upon the outside front
board. This can be done by means of a screw-press and a special die, and
need not cost more than £10. Any member of the staff can impress such a
stamp, and it is better than confining this mark of ownership simply to
books which have been re-bound. A circular stamp is best, as it will
always appear straight.
=347.= BIBLIOGRAPHY
Bailey, A. L. Library Bookbinding, 1916. H. W. Wilson Co.
Chivers, Cedric. The Paper of Lending Library Books: with some remarks
on their binding, 1909.
Cockerell, D. Bookbinding and the Care of Books, 1901.
Coutts and Stephen. Manual of Library Bookbinding, 1911.
Dana, J. C. Notes on Bookbinding, 1906.
Graesel, A. Library Binding. _In his_ Bibliothekslehre, 1902.
Johnston, D. V. R. Library Binding. U.S. Educ. Rept., 1892-1893, vol.
i., p. 907.
Leather for Libraries, 1905.
Philip, A. J. The Business of Booklending, 1912.
Society of Arts. Report of the Committee on Leather for Bookbinding,
1905.
Stephen, G. A. Commercial Bookbinding, 1910.
For articles see Cannons, K 1-21, Bookbinding.
DIVISION X
RULES AND REGULATIONS