FRA ANGELICO.

The earliest of the great fifteenth-century painters belongs in the

character of his works rather to the preceding century. The monk Guido

di Pietro of Fiesole, commonly called Fra Angelico from the holiness and

purity which were as conspicuous in his life as in his works, was born

in 1387 at Vicchio, in the province of Mugello. At the age of twenty he

entered the order of the Predicants at Fiesole, and took the name of

Giovanni, by which he was afterward known. His first art work was the

illumination of manuscripts. Quitting the monastery in 1409, he practiced

as a fresco-painter in various places until 1418, when he returned to

Fiesole, and continued to reside there for the next eighteen years. In

1436 he again quitted his retreat, to paint a series of frescoes on the

history of the Passion for the convent of San Marco in Florence. This

work occupied nine years, and on its completion Angelico was invited to

Rome. The chief work which he undertook there was the decoration of a

chapel in the Vatican for Pope Nicholas V. In 1447 he went to Orvieto to

undertake a similar task, but returned in the same year, having done only

three compartments of the ceiling, and leaving the rest to be afterward

completed by Luca Signorelli. He then continued to reside in Rome, where

he died and was buried in 1455. The most striking characteristics of

Angelico’s art spring from the temper of religious fervor with which he

practiced it. He worked without payment; he prayed before beginning any

work for the Divine guidance in its conception; and believing himself

to be so assisted, he regarded each picture as a revelation, and could

never be persuaded to alter any part of it. His works on panel are very

numerous, and are to be found in many public and private galleries;

of the finest of these are, a “Last Judgment,” belonging to the Earl

of Dudley, and the “Coronation of the Virgin” in the gallery of the

Louvre. After his death he was “beatified” by the church he had served

so devotedly—a solemnity which ranks next to canonization; and Il Beato

Angelico is the name by which Fra Giovanni was and is most fondly and

reverently remembered. His style survived only in one pupil who assisted

him at Orvieto.

The Chautauquan, Vol. 04, April 1884, No. 7 · 第 15 / 113 题