XI.

It is perhaps fitting, before we take leave of Douglass, to give some

estimate of the remarkable oratory which gave him his hold upon

the past generation. For, while his labors as editor and in other

directions were of great value to the cause of freedom, it is upon his

genius as an orator that his fame must ultimately rest.

While Douglass's color put him in a class by himself among great

orators, and although his slave past threw around him an element of

romance that added charm to his eloquence, these were mere incidental

elements of distinction. The North was full of fugitive slaves, and

more than one had passionately proclaimed his wrongs. There were

several colored orators who stood high in the councils of the

abolitionists and did good service for the cause of humanity.

Douglass possessed, in large measure, the physical equipment most

impressive in an orator. He was a man of magnificent figure, tall,

strong, his head crowned with a mass of hair which made a striking

element of his appearance. He had deep-set and flashing eyes, a firm,

well-moulded chin, a countenance somewhat severe in repose, but

capable of a wide range of expression. His voice was rich and

melodious, and of great carrying power. One writer, who knew him in

the early days of his connection with the abolitionists, says of him,

in Johnson's _Sketches of Lynn_:

"He was not then the polished orator he has since become, but even at

that early date he gave promise of the grand part he was to play in

the conflict which was to end in the destruction of the system that

had so long cursed his race.... He was more than six feet in height;

and his majestic form, as he rose to speak, straight as an arrow,

muscular yet lithe and graceful, his flashing eye, and more than all

his voice, that rivalled Webster's in its richness and in the depth

and sonorousness of its cadences, made up such an ideal of an orator

as the listeners never forgot. And they never forgot his burning

words, his pathos, nor the rich play of his humor."

The poet William Howitt said of him on his departure from England in

1847, "He has appeared in this country before the most accomplished

audiences, who were surprised, not only at his talent, but at his

extraordinary information."

In Ireland he was introduced as "the black O'Connell,"--a high

compliment; for O'Connell was at that time the idol of the Irish

people. In Scotland they called him the "black Douglass [Douglas],"

after his prototype in _The Lady of the Lake_, because of his fìre

and vigor. In Rochester he was called the "swarthy Ajax," from his

indignant denunciation and defiance of the Fugitive Slave Law of

1850, which came like a flash of lightning to blast the hopes of the

anti-slavery people.

Douglass possessed in unusual degree the faculty of swaying his

audience, sometimes against their maturer judgment. There is something

in the argument from first principles which, if presented with force

and eloquence, never fails to appeal to those who are not blinded by

self-interest or deep-seated prejudice. Douglass's argument was that

of the Declaration of Independence,--"that _all_ men are created

equal; that they are endowed by their Creator with certain inalienable

rights; that among these are life, liberty, and the pursuit of

happiness. That, to secure these rights, governments are instituted

among men, deriving their just powers from the _consent of the

governed_." The writer may be pardoned for this quotation; for there

are times when we seem to forget that now and here, no less than in

ancient Rome, "eternal vigilance is the price of liberty." Douglass

brushed aside all sophistries about Constitutional guarantees, and

vested rights, and inferior races, and, having postulated the right of

men to be free, maintained that negroes were men, and offered himself

as a proof of his assertion,--an argument that few had the temerity

to deny. If it were answered that he was only half a negro, he would

reply that slavery made no such distinction, and as a still more

irrefutable argument would point to his friend, Samuel R. Ward, who

often accompanied him on the platform,--an eloquent and effective

orator, of whom Wendell Phillips said that "he was so black that, if

he would shut his eyes, one could not see him." It was difficult for

an auditor to avoid assent to such arguments, presented with all the

force and fire of genius, relieved by a ready wit, a contagious humor,

and a tear-compelling power rarely excelled.

"As a speaker," says one of his contemporaries, "he has few equals. It

is not declamation, but oratory, power of description. He watches the

tide of discussion, and dashes into it at once with all the tact of

the forum or the bar. He has art, argument, sarcasm, pathos,--all that

first-rate men show in their master efforts."

His readiness was admirably illustrated in the running debate with

Captain Rynders, a ward politician and gambler of New York, who led a

gang of roughs with the intention of breaking up the meeting of the

American Anti-slavery Society in New York City, May 7, 1850. The

newspapers had announced the proposed meeting in language calculated

to excite riot. Rynders packed the meeting with rowdies, and himself

occupied a seat on the platform. Some remark by Mr. Garrison, the

first speaker, provoked a demonstration of hostility. When this was

finally quelled by a promise to permit one of the Rynders party to

reply, Mr. Garrison finished his speech. He was followed by a prosy

individual, who branded the negro as brother to the monkey. Douglass,

perceiving that the speaker was wearying even his own friends,

intervened at an opportune moment, captured the audience by a timely

display of wit, and then improved the occasion by a long and effective

speech. When Douglass offered himself as a refutation of the last

speaker's argument, Rynders replied that Douglass was half white.

Douglass thereupon greeted Rynders as his half-brother, and made this

expression the catchword of his speech. When Rynders interrupted from

time to time, he was silenced with a laugh. He appears to have been

a somewhat philosophic scoundrel, with an appreciation of humor that

permitted the meeting to proceed to an orderly close. Douglass's

speech was the feature of the evening. "That gifted man," said

Garrison, in whose _Life and Times_ a graphic description of this

famous meeting is given, "effectually put to shame his assailants by

his wit and eloquence."

A speech delivered by Douglass at Concord, New Hampshire, is thus

described by another writer: "He gradually let out the outraged

humanity that was laboring in him, in indignant and terrible

speech.... There was great oratory in his speech, but more of dignity

and earnestness than what we call eloquence. He was an insurgent

slave, taking hold on the rights of speech, and charging on his

tyrants the bondage of his race."

In Holland's biography of Douglass extracts are given from letters

of distinguished contemporaries who knew the orator. Colonel T.W.

Higginson writes thus: "I have hardly heard his equal, in grasp upon

an audience, in dramatic presentation, in striking at the pith of an

ethical question, and in single [signal] illustrations and examples."

Another writes, in reference to the impromptu speech delivered at the

meeting at Rochester on the death of Lincoln: "I have heard Webster

and Clay in their best moments, Channing and Beecher in their highest

inspirations. I never heard truer eloquence. I never saw profounder

impression."

The published speeches of Douglass, of which examples may be found

scattered throughout his various autobiographies, reveal something of

the powers thus characterized, though, like other printed speeches,

they lose by being put in type. But one can easily imagine their

effect upon a sympathetic or receptive audience, when delivered with

flashing eye and deep-toned resonant voice by a man whose complexion

and past history gave him the highest right to describe and denounce

the iniquities of slavery and contend for the rights of a race. In

later years, when brighter days had dawned for his people, and age

had dimmed the recollection of his sufferings and tempered his

animosities, he became more charitable to his old enemies; but in the

vigor of his manhood, with the memory of his wrongs and those of his

race fresh upon him, he possessed that indispensable quality of the

true reformer: he went straight to the root of the evil, and made no

admissions and no compromises. Slavery for him was conceived in greed,

born in sin, cradled in shame, and worthy of utter and relentless

condemnation. He had the quality of directness and simplicity. When

Collins would have turned the abolition influence to the support of a

communistic scheme, Douglass opposed it vehemently. Slavery was the

evil they were fighting, and their cause would be rendered still more

unpopular if they ran after strange gods.

When Garrison pleaded for the rights of man, when Phillips with golden

eloquence preached the doctrine of humanity and progress, men approved

and applauded. When Parker painted the moral baseness of the times,

men acquiesced shamefacedly. When Channing preached the gospel of

love, they wished the dream might become a reality. But, when Douglass

told the story of his wrongs and those of his brethren in bondage,

they felt that here indeed was slavery embodied, here was an argument

for freedom that could not be gainsaid, that the race that could

produce in slavery such a man as Frederick Douglass must surely be

worthy of freedom.

What Douglass's platform utterances in later years lacked of the

vehemence and fire of his earlier speeches, they made up in wisdom and

mature judgment. There is a note of exultation in his speeches just

after the war. Jehovah had triumphed, his people were free. He had

seen the Red Sea of blood open and let them pass, and engulf the enemy

who pursued them.

Among the most noteworthy of Douglass's later addresses were the

oration at the unveiling of the Freedmen's Monument to Abraham Lincoln

in Washington in 1876, which may be found in his _Life and Times_;

the address on Decoration Day, New York, 1878; his eulogy on Wendell

Phillips, printed in Austin's _Life and Times of Wendell Phillips_;

and the speech on the death of Garrison, June, 1879. He lectured in

the Parker Fraternity Course in Boston, delivered numerous addresses

to gatherings of colored men, spoke at public dinners and woman

suffrage meetings, and retained his hold upon the interest of the

public down to the very day of his death.

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