I am not a bit corrupt. I am a dreamer. My twenty years excuse that!

Julia.

But your dreams are poisonous. You want a woman to be your mistress and

yet be chaste--to keep the blush of maidenhood and yet be as passionate

as yourself.--And what have you learned from your experience in the

world? Nothing, except how to scent and track out the sins that lie

hidden in one's inmost soul, the secret sins that one dares not admit

to oneself.--And when the prey is in reach, then you fire away with

your "rights of the modern woman," your "sovereignty of the freed

individuality"--and whatever the rest of the phrases may be.--Ah! You

knew better than I that we all have the Scarlet Woman's blood in our

veins!--Blow away the halo--and the saint is gone!

Pierre.

It seems to me you found a great deal of pleasure in your sin!

Julia.

Yes--at least that's what one tells oneself--perhaps one feels it,

too.--It depends--more in the evening than the morning--more in March

than October.--But the dread, the horror of it, is always there.--The

weight of such love is like the weight of one's own coffin-lid.--And

you soon discovered that, Pierre.--Then you began softly, gently, to

bind me to you with glances and caresses that were like chains of

roses!--Yes, and that I become maddened by roses as cats by valerian,

that, too, you soon found out.--Then--then you began to speak to me of

the lover's pavilion--all covered with roses--where your ancestors

spent happy, pastoral hours in wooing their loves--the pavilion that

had been waiting so long for a new mistress. You spoke of adorning it

with beautiful hangings--of filling it full of roses. Oh you, you

Pierre, how well you understood!--Do have some black coffee made for

me! If the gardener can't do it, make it yourself! Please, please!

Pierre.

But, I tell you, I have to go back to mamma.

Julia.

Nowadays, you always "have to go back to mamma." Shall I tell you

something--a big secret? You are tired of me! You want to get rid

of me--only you don't know how!

Pierre.

Your notions are offensive, my dear.

Julia.

Pierre, I know my fate. I know I am doomed to the gutter. But not

yet! Don't leave me yet! Care for me a little while longer--so the

fall won't be too sudden.--Let me stay here as long as the roses

bloom--here, where _he_ can't find me! Oh, if I leave this place I

shall die of fear!--Nowhere else am I safe from those two great fists

of his!--Pierre, Pierre, you don't know his fists--they're like two

iron bolts!--You, too--beware of him!

Pierre (_half to himself_).

Why do you say that to me?

Julia.

He was always jealous of you. When you sent the hothouse roses in

April, he became suspicious. Ever since then, he has continually had

the notion of an admirer in his head. That was the danger-signal!

Pierre, if he surmised--then you would be the first--and I would come

afterward! Pierre, if you drive me to desperation, I'll give you up to

him!----

Pierre.

Are you mad?

Julia.

I'll write him a letter something like this: "If you want to find the

traces of my flight, search the rubbish heap behind the lover's

pavilion. Search for the faded petals of the roses upon which, night

after night, Pierre and I celebrated our union. Search the highway for

the bloody prints of my bare feet after he turned me out. Then search

the dregs of the brothels where I found a refuge. And then--then avenge

me!"

Pierre.

Roses: Four One-Act Plays Streaks of Light—The Last Visit—Margot—The Far-away Princess · 第 20 / 171 题