CHAPTER V.

It was Sunday. The morning sermon was ended, and the choir-leader had

played the “walkout,” as Chee termed the postlude.

The choir-leader was a very interesting person. He not only led the

singing and played the organ at church, but could whistle. And such

whistling! Not the every-day wood-pile sort, but the kind that made

every boy in town his friend.

He was tall, had a sallow, haggard face and hollow eyes. His spare

locks almost touched his shoulders, and appeared to be faded. One knew

at a second glance, however, they had never been brighter.

This eccentric-looking gentleman had hardly slipped from off the long

bench before the organ, ere the minister had found Aunt Mean and was

saying, “Will you kindly do Mrs. Green and myself a favor?”

“You know very well, Elder, any living thing on our farm is at your

disposal. If I’ve said it once, I have said it a hundred times!”

“Well, it is something from your farm, to be sure. We want your little

niece for a day--say Wednesday, if it is pleasant.”

“Chee?” she exclaimed, with surprise. “For mercy’s sake, what do you

want o’ her?”

“You know how fond of children we are--both of us. We want her to enjoy

her. Surely, you can spare the child for a single day.”

“It ain’t the sparin’ on her.” But catching sight of Chee’s pleading

eyes, she added, “I don’t want no niece o’ mine botherin’ round and

makin’ Mrs. Green a heap o’ work.”

“No, indeed, Chee would be a real help. You know, Miss Whittaker, a

home without a child is often a lonely place.”

“Some folks ain’t had much chance to find out, lately,” and Aunt Mean

went off with her favorite “Humph.”

For awhile after that eventful visit, matters went more smoothly for

Chee.

She was taught how to tighten the strings of her violin until they

formed chords, and how to play scales upon them. Her eyes opened wide

with astonishment.

“To think the dear old fiddle hasn’t been to blame, after all!” she

joyfully cried. “Just me!”

It was a great revelation to her to find the strings had always to be

brought up to a certain pitch. “Why, no wonder Daddy Joe’s couldn’t

play if they have to be pulled up every time,” she exclaimed, then

added, plaintively, “It’s years and years since Daddy’s pulled up his.”

“Of course it’s no wonder,” laughed her teacher, fingering the

companion of his boyhood days. “Even the strings on this are yellow

from lying in a paper so long. What must your father’s be like?

It’s a great marvel that they have not snapped before this. No, no,

little one, don’t condemn the instrument, but keep right on trying to

understand it.”

Chee, with a light heart, bade the minister and his wife good-by. She

had begun to learn how to make music. And were not a whole package of

violin-strings in her pocket?

After this it became more natural for the pastor to say Sundays, “May

we have Chee to-morrow, Miss Whittaker?” Or, “Mrs. Green wishes me to

engage your little niece for Thursday,” and Aunt Mean seldom refused.

Chee never quite understood why permission was so readily given.

Secretly she puzzled over it, but was far too grateful to ask questions.

The truth of the matter is this--it flattered Aunt Mean to have

the minister intimate with her little relative. Moreover, she had

an indescribable notion that by allowing her niece to frequent the

parsonage, she might in some way counterbalance the child’s heathendom.

“It’s no use for you to tell me different, Reuben,” she would argue.

“Her mother was a heathen, or Injun” (the two were synonymous in Aunt

Mean’s mind), “and do what we can, the girl will allers be half a

savage.”

So Chee--in spite of her aunt’s arguing, decidedly a whole person--was

allowed to spend one or two days of every week with her friends.

From chords and scales, she learned to pick out simple tunes, those she

heard at church being her chief source of selection. After awhile she

learned to play little melodies of her own composing. “Wind and bird

songs,” she called them.

The clergyman gave her all the rules for violin-playing he knew, and

his wife taught her to read music.

They were happy times for Chee,--Mrs. Green at the piano, playing old,

familiar hymns, Chee picking out the notes on the minister’s violin.

One day she said, “Some way, Mr. Green, I can’t love your fiddle

like I do Daddy’s.” Then fearing she might hurt her good friend’s

feelings, she hastened to add, “It’s very much shinier, and of course

it’s a fiddle.” Mrs. Green used to wonder if “fiddle” wasn’t the most

beautiful word in all the world to Chee.

Three years passed without much change except Chee’s gradual

improvement and increasing delight in her music.

In Aunt Mean’s best parlor, a hymn-book lay in prim stateliness beside

the family Bible. It was a coveted treasure to Chee. But the principle

of strict honesty was a part of her very soul, in spite of her

“heathen” mother, and the Bible was never left alone to gather dust.

Much to her displeasure, she was “broke in.” But in time she took her

household duties as a matter of course, and things went on much in the

same old way.

Daddy Joe's fiddle · 第 5 / 15 章