WHAT TO READ

Theophrastus says that the reading of poetry is of vast service to the

orator. Many, and with good reason, are of the same opinion, as from the

poets may be derived sprightliness in thought, sublimity in expression,

force and variety in sentiment, propriety and decorum in character,

together with that diversion for cheering and freshening minds which

have been for any time harassed by the drudgery of the bar.

Let it be remembered, however, that poets are not in all things to be

imitated by the orator, neither in the liberty of words, nor license of

figures. The whole of that study is calculated for ostentation. Its sole

aim is pleasure, and it invariably pursues it, by fictions of not only

what is false, but of some things that are incredible. It is sure, also,

of meeting with partizans to espouse its cause, because, since it is

bound down to a certain necessity of feet it can not always use proper

words, and being driven out of the straight road, must turn into byways

of speaking, and be compelled to change some words, and to lengthen,

shorten, transpose and divide them. As for orators, they must stand

their ground completely armed in the order of battle, and having to

fight for matters of the highest consequence, must think of nothing but

gaining the victory.

Still would I not have their armor appear squalid and covered with rust,

but retain rather a brightness that dismays, such as of polished steel,

striking both the mind and eyes with awe, and not the splendor of gold

and silver, a weak safeguard, indeed, and rather dangerous to the

bearer.

History, likewise, by its mild and grateful sap may afford kind

nutriment to an oratorical composition. Yet the orator should so read

history as to be convinced that most of its perfections ought to be

avoided by him. It nearly borders upon poetry, and may be held as a

poem, unrestrained by the laws of verse. Its object is to narrate, and

not to prove, and its whole business neither intends action nor

contention, but to transmit facts to posterity, and enhance the

reputation of its author.

In the reading of history there is another benefit, and indeed the

greatest, but one not relative to the present subject. This proceeds

from the knowledge of things and examples, which the orator ought to be

well versed in, so that not all his testimonies may be from the parties,

but many of them may be taken from antiquity, with which, through

history, he will be well acquainted; these testimonies being the more

powerful, as they are exempt from suspicion of prejudice and partiality.

I shall venture to say that there are few which have stood the test of

time, that may not be read with some profit by the judicious. Cicero

himself confesses that he received great help from old authors, who

were, indeed, very ingenious but were deficient in art. Before I speak

of the respective merit of authors, I must make, in a few words, some

general reflections on the diversity of taste in regard to matters of

eloquence. Some think that the ancients deserve to be read, believing

that they alone have distinguished themselves by natural eloquence and

that strength of language so becoming men. Others are captivated with

the flowery profusion of the orators of the present age, with their

delicate turns, and with all the blandishments they skilfully invent to

charm the ears of an ignorant multitude. Some choose to follow the plain

and direct way of speaking. Others take to be sound and truly Attic

whatever is close, neat, and departs but little from ordinary

conversation. Some are delighted with a more elevated, more impetuous,

and more fiery force of genius. Others, and not a few, like a smooth,

elegant, and polite manner. I shall speak of this difference in taste

more fully when I come to examine the style which may seem most proper

for the orator.

The Training of a Public Speaker · 第 88 / 109 题