CHAPTER II.

THE BARON VON HOHENFELS EXPRESSES AN OPINION.

That night Rudolph did not go to bed. He spent some hours walking up

and down his room in a nervous agitation he could by no means account

for. It seemed to him that he had been dropped into a disagreeably

topsy-turvy world, and the thought made him wretched and unhappy:

dissatisfied and perplexed by his own state, fierce in a vague kind

of resentment against Agiropoulos, and filled with an immeasurable

grief for Photini. With such soul in her fingers she appeared to him

through an ugly cloud like a battered and draggled angel, and he sat

disconsolately gazing at the blue and golden flames from the beautiful

star-fire above, and asked himself how had it happened, and was there

for her henceforth no struggling back into the paths of sweet womanhood

from which she had strangely and openly strayed?

Yet why should he grieve so passionately for Photini? No affair of

his if she courted slander and irreverent familiarity; nor yet if she

indulged in inadmissible tastes in public, and wounded and insulted

all who came near her. His own birth and its responsibilities surely

excluded him from such preoccupations, and his natural fastidiousness

made relations, however slight and flexible, with a woman like

Photini impossible. This he knew well, and despite the knowledge

felt miserably sad and unquiet. He wanted so much that she should not

degrade his high ideal of the artist who has received nature’s patent

of nobility, and a lonely impressionable boy like Rudolph could not

afford to stand by tamely and watch the dethroning of his idol. For

Photini had been his idol long before they had met. Her name had been

borne into his retreat from many quarters, and no one had hinted to

him her unlovableness--her disreputableness. Liszt had only spoken to

him of her genius with enthusiasm. Had his small circle deliberately

conspired to keep him in ignorance of this cruel reality, while he

was wandering and losing himself in a forest of delicate and poetic

illusions?--building hope upon hope of an unanalysable nature until his

whole happiness grew to bind itself round the thought of this unknown

woman crowned by art with a glory greater than her womanhood? Photini

Natzelhuber! His mother had often told him of the time she first came

to Vienna, a slip of a girl, with a curly boyish head and the strangest

topaz eyes. Mossy dark hair and topaz eyes with divine fingers--what

more did it require to set aflame a dreamy imaginative lad? And when

strangers visited the Castle at Rapolden Kirchen and spoke of her,

he never seemed to understand that years had flown and left her less

girlish, but pictured her like Art, like a goddess ever young. And when

he read of knightly reverence and allegiance, he told himself that one

day he should go abroad and seek Photini. He dreamed of no conditions

or reward, not of marriage or of love in the ordinary sense. To wear

her colours, serve her in true devotion, honour her above all women,

and humbly sue the privilege to obey her commands and caprices with

some considerable recreative pauses for music--this was Rudolph’s

innocent dream. Remember he was brought up by a high-bred mother, all

grace and gentle benignity, a woman who wore her widowhood like a

sovereign lady to whom man’s homage was a sweet claim. And her pretty

and impracticable theories but helped to feed the fires of a fatally

romantic temperament, while his complete and unboylike isolation left

him an easy prey to the riotous play of fancy. Then is it any wonder

that reality at the outset should both crush and bewilder him?

He opened the window, and leant far out with his head against his hand,

that the cold night air might blow upon him. Through the confusion of

his mind he could gather no dim or possible conclusion upon which to

shape immediate action. He dreaded meeting Photini again, for he felt

he could never forgive her for the havoc she had made of all his bright

hopes. Then softly through the silence of the night waved in echoing

dimness the lovely strains of the “Barcarolle,” with its ever recurrent

note of passionate melancholy, its very voluptousness of exquisite pain

and the musical rhythm of the oars breaking through the water murmur.

The memoried sounds flushed his cheek with trembling delight, and he

rushed to his violin and tried to pick out the dominant melody. But who

could ever hope to play it as she did? And, happily, he became mindful

of the possible objections of others to this faint nocturnal music, and

generously put up his instrument.

“Ah!” he sighed, “if Photini be hardly a woman, what an artist, good

heavens!” Must much not be forgiven undeniable genius? And was all

the ideal love irrevocably vanished? If only he could know. For this

uncertainty disturbed him and made him unhappy, and unhappiness is not

exactly the condition that enables a young man to see clearly into his

own mind or into anybody else’s. He would try to sleep, and then this

tempest of emotion and harassing conflict would blow over and leave his

eyes clearer to see what he ought to do and leave undone.

But Rudolph did not sleep, and a sleepless night, we know, works

disastrously upon the nerves and looks. When he appeared downstairs his

uncle glanced up casually from his papers, and, stirring his chocolate,

said in surprise:

“Why, whatever is the matter with you, Rudolph? This is too absurd. A

girl wouldn’t look so battered after a first ball.”

“Well, I am battered, I suppose. I’ve passed a bad night and I am not

used to it,” said Rudolph listlessly.

“A bad night! a fellow of your age! Is it possible? Fact is, my dear

boy, your mother has ruined you. Nothing worse than to pamper and

coddle up lads as if they were girls. Your mother had no business to

keep you immured in that ghostly old place with no hardier society than

her own.”

“I wish she were there still and I with her,” said poor Rudolph, with a

little break in his voice and a faint clouding of his blue eyes.

“Of course, of course,” hastily cried the volatile baron, whom all

evidence of emotion struck chill. “The wish does you and her credit.

But all the same, it is not exactly fit training for a boy. Makes him

whimsical and sensitive and shy--a lively prey for all adventurers

male and female, especially female. Fact is, it is most enervating and

absurd. You ought to have seen something of society long ago, Rudolph;

you ought indeed. Men and manners--you know your classics?”

“That is just my difficulty. Men and manners--to find them

disappointing and strange. My brief glimpse of them has both sickened

and saddened me.”

“Nonsense! You must face life like a man; not dream it away like a puny

sentimental girl. You want backbone and nerve, Rudolph, you do indeed.

Men are not saints nor women angels. Well, what of that? They are not

expected to be so until they get into the next world, which time,

as far as I am concerned, I trust will be postponed to the furthest

limits. Then the ladies find their wings and the men get canonised,

that is, if they haven’t taken snuff. I believe a very estimable saint

was once refused canonisation because he took snuff; can’t swear to it,

however. For the rest, my boy, adopt the aphorism of the wise German,

who was good enough to discover that everything is arranged for the

best in this best of all possible worlds.”

“You can take things lightly, uncle, but I cannot.”

“Of course not,” rejoined the baron, lighting a cigar. “Whoever heard

of a young man taking anything lightly except his debts?”

“I do not ask that men should be saints nor women angels.”

“It is considerate of you to be so unexacting. Pass the saintship of

your own sex, young men have the extremely awkward habit of quarrelling

with women as soon as they discover they are not angels.”

“But I do seek for evidences of gentlemanly feeling, for decent

manners and chivalrous speech,” Rudolph went on, ignoring the Baron’s

interruptions.

“Now you are hardly so unexacting. This strikes me as demanding

something more than sanctity, for it is quite possible that a saint may

be an ill-mannered cad,” said the baron gravely.

“I hope, sir, that you will not be offended with me if I express a wish

to return to Austria,” said Rudolph, after a pause, nervously devoted

to industrious crumbling.

“Indeed, Rudolph,” cried the baron, facing him with a disconcerting

steadiness of gaze, “I am very seriously offended to hear you express

such a wish. Your aunt and I have cherished the hope that you would

find your stay with us pleasant enough to make your visit a prolonged

one. What has upset you? If there is anything we can do to make you

comfortable, I beg you will state your wishes and count them fulfilled.”

“Nothing, nothing indeed, I assure you. You and my dear aunt are

kindness itself, and I am most truly grateful. But I am not happy,

uncle. Do not blame me if I seem capricious.”

“Seem! Well, and are you not?”

“I cannot help it if I am perplexed and grieved. I think I should

feel less troubled in Rapolden Kirchen, that is all,” Rudolph slowly

explained, bending his head with apparent anxiety over the little heap

of crumbs he was making with his knife.

His uncle watching him narrowly saw the sensitive lips tremble under

the soft moustache.

“Come, unveil the mystery, Rudolph,” he said with a quiet smile. “Who

is the woman? For, Gad, it looks deucedly like a first prick of love.

Nothing else smarts so keenly at your age.”

Rudolph shrank visibly from the coarse frank glance of worldly eyes

directed upon a wound so intangible, so especially delicate, and

yet open to misconstruction. To grieve about a woman argues the

existence of the commoner sentiment, and he loathed the thought of

his fine instinct being so misinterpreted. But could a bland and

heavy ambassador, who smokes the best cigars and lounges on the

softest cushions in irreproachable attire, skilful in gastronomy and

a connoisseur in feminine points, be possibly expected to seize and

rightly interpret the daintier emotions and pangs of a more exquisite

and spiritual organism?

“There is nothing of that matter in my trouble, but I believe I am

unfitted for society. I don’t like it; much that others, possibly wiser

and better than I, hardly note offends me.”

“You find the charming illusions nurtured in the seclusion of Rapolden

Kirchen rudely dispelled,” suggested the baron, looking what he felt, a

trifle bored by the lad’s heavy earnestness, but admirably sustained by

the comfort of good tobacco. “That happens to every one, though I have

no doubt it would afford you immeasurable satisfaction to look upon

your case as exceptional. All this is quite correct, since it is so,

and if this very interesting and pleasant world realised the fastidious

ideal of youth, my dear fellow, it would not be a fit place for any

sensible man to live in. Be reasonable, Rudolph. Give poor society

another chance before you decide to abandon it to inevitable perdition.

There will be plenty of balls presently. Stay and see if you cannot

reconcile your flighty imagination to a waltz or two with some pretty

Athenians. You may not credit it, but there are two very pretty girls

here.”

Daughters of Men · 第 2 / 19 章