CHAPTER IX.

_Almagro attempts to conquer Chili.--His misfortunes.--Cruelty

to the natives.--Battle with the Promancians.--Almagro

retires to Peru.--His death._

The conquest of Peru by Francis Pizarro, has been already recorded.

Among the officers who assisted in the conquest, was Diego Almagro--a

chosen friend and fit companion for the ruthless Pizarro. But the

friendships of the wicked are easily set aside whenever self-interest

operates. Pizarro wanted all the gold of Peru; and he persuaded Almagro

to attempt the conquest of Chili.

The Spaniards had heard that Chili was a country rich in gold and

silver; and Almagro, flattered with having such a field of wealth

entirely to himself, was induced to undertake the conquest.

Filled with these sanguine expectations of great booty, he began his

march for Chili near the end of the year 1535. He had an army composed

of five hundred and seventy Spaniards and fifteen thousand Peruvians.

Two roads lead from Peru to Chili; one is by the sea-coast, and

destitute of water or provisions; the other, for the distance of one

hundred and twenty miles, passes over the Andes. This last Almagro

took, for no other reason but because it was shortest, and he was

impatient to reach his golden harvest.

But he paid dearly for his folly; his army, having been exposed to

infinite fatigue and many conflicts with the adjoining savages, reached

the Cordilleras just at the commencement of winter, destitute of

food, and almost of clothing. In this season the snow falls almost

continually, and completely covers the few paths that are passable in

summer.

The soldiers, encouraged by their general, who had no idea of the

dangers of the passage, arrived at the tops of the mountains, but could

go no farther. One hundred and fifty Spaniards, and _ten thousand_

Peruvians, there died by cold and hunger.

The whole army would have perished, had not Almagro resolutely pushed

forward with a few horsemen and reached the plains of Copiapo, and then

sent back provisions to the exhausted and dying soldiers. Those of the

more robust constitutions were, by this means, saved.

The inhabitants of Copiapo, which is the first province in Chili,

received these worn and hungry strangers with all the rites of friendly

hospitality. The Peruvians had been long held in respect by the

Chilians of that province; and the Spaniards, as incorporated with the

soldiers of Peru, were welcomed by the _Ulmen_ or governor of Copiapo.

He was probably a vain man, and wished to impress the Spaniards with a

high idea of his wealth and power: we cannot otherwise account for the

infatuation of his conduct. Had he been a wise man, he would have known

that avarice is never satisfied--that to feed is only to increase it.

Be that as it may, he had, it seems, learned the prevailing passion of

the Spaniards for gold, and he collected from his people a sum equal to

500,000 ducats, and presented them to Almagro. One would think such a

rich present deserved to be gratefully remembered.

But those who worship mammon allow no feelings of friendship or

gratitude to interfere with their selfish propensities. Under the

pretext that the Ulmen had usurped the government which belonged to his

nephew, Almagro arrested the chief of Copiapo, and kept him a prisoner.

About the same time two Spanish soldiers, having separated from the

rest of the army, proceeded to Guasco, where they were at first well

received, but were afterwards put to death by the inhabitants, in

consequence, no doubt, of some acts of violence, which soldiers, freed

from the control of their officers, are very apt to commit.

This was the first European blood spilt in Chili,--a country afterwards

so copiously sprinkled with it.

Had Almagro wished to preserve peace, and impartially examined the

whole transaction, he would, undoubtedly, have found the Chilians

justified by the laws of nations and of nature, in the act they had

committed. True, it was rash, and it afforded him a pretext, which was

all he wanted, to begin his cruel oppressions.

Almagro seized the Ulmen of the district in which his soldiers were

put to death, his brother and twenty of the principal inhabitants, and

without even accusing them of being concerned in the murder, indeed

without assigning any reason at all for his conduct, he ordered them to

be burnt. At the same time he also consigned the Ulmen of Copiapo to

the flames.

Who will say that the savage crime, even allowing the two soldiers were

murdered without provocation, was to be compared in iniquity to that

retaliation in which the civilized Christian indulged? But the savage

never made gold his god.

The cruelty of the Spanish general, and the intentions he now

manifested of enslaving the Chilians, instead of terrifying, at once

roused that brave people to resistance.

It is a melancholy task to record the murders and cruelties of war, but

we cannot blame a people for resisting the progress of an invading

army, especially when they come, as the Spaniards did, to plunder the

country, and make the inhabitants slaves.

Almagro, however, was so elated with his success, and felt so secure

of conquering all Chili as easily as he had obtained the command of

Copiapo, that he would not hearken at all to his Peruvian allies,

who represented to him that the Chilians in the other provinces were

numerous and warlike. He advanced into the province of the Promancians.

At the first sight of the Spaniards, their horses, and the thundering

arms of Europe, these valiant people were almost petrified with

astonishment. But they soon recovered from their surprise, and prepared

to defend themselves. They met the Spaniards on the shore of the Rio

Claro. Almagro despised their force; he knew that the red men had

never been a match for Spanish valor, and so he placed his Peruvian

auxiliaries in front, intending, with his Spaniards, to appear merely

as spectators of the fight.

The Chilians soon routed these allies, or rather slaves of the

Spaniards, and then, nothing daunted by the horses, guns and swords

of the white men, they rushed on with a courage which the superior

discipline of the Spaniards could not resist. The battle was furious,

and continued till night separated the combatants.

The Promancians had lost many warriors, but they had also destroyed

many of their foes; and they encamped in sight of the enemy, determined

to renew the fight on the following morning. The Spaniards, however,

though they had kept the field, had no inclination to dispute another

such day. They had been accustomed to subdue immense provinces with

little or no resistance; but now they had met with a bold and

independent nation, who did not believe them to be invincible or

immortal.

Almagro, finding that his soldiers refused to fight again, abandoned

the enterprize, and immediately began his march for Peru. He returned

by the sea-coast; his dread of the perils of the mountain road being

fresh in his mind. On his return to Peru he attempted to secure that

government for himself, and for this purpose fought a battle with

Pizarro, by whom he was taken, tried and beheaded as a disturber of the

public peace.

Thus perished the first invader of Chili. The thirst of riches was the

moving spring of his expedition. He was disappointed; he then sought to

dispossess _his friend_ Pizarro of the share he had obtained in the New

World, and by him was put to death; thus showing that there can be no

sincere friendships among the wicked.

[Illustration: THE RHINOCEROS.]

The Rhinoceros.

I know not how it may be with others, but I could never see a

rhinoceros without laughing. There was one in Boston a few years ago,

and he looked to me like an enormous pig with a very muddy coat on.

His shape, his aspect, his ways, were all swinish, and his skin seemed

entirely too large for him; it was therefore gathered up in folds

across his back and sides. He eat hay, though he seemed to prefer sweet

apples, corn and potatoes. He was a curiosity indeed.

I believe the rhinoceros to be the only creature that has a horn upon

his nose; and I do not see why that is not a good place for one,

if the creature wants a horn. This animal finds his convenient for

tearing away the trees in his passage through the woods, and perhaps

in digging up roots for food; and in his battles with the elephant, he

often gives his enemy a terrible scratch with it under the ribs. So

his horn answers at one time as a pickaxe, and at another it is like

a warrior’s spear: thus it serves the purposes of peace and war; it

brings sustenance, and it affords defence. Who then shall find fault

with nature for giving the rhinoceros a horn upon the nose?

If one horn upon the nose is a good thing, two must be better; so there

are some of these creatures that have two. The African species, which

is very powerful and numerous in some parts, has two horns; the Asiatic

species, found in India, has but one. This latter kind is seldom more

than six or seven feet long, but those of Africa are sometimes twelve

feet. They are, therefore, excepting the elephant, the largest of

quadrupeds.

In India the hunting of the rhinoceros is famous sport. The people

go out mounted upon elephants, and usually find five or six of these

animals in a drove. Their hides are so thick that it is difficult to

kill them. One will often receive twenty bullets before he falls.

The rhinoceros attacks an elephant fearlessly, and endeavors to get

his horn under him so as to rip him open. But the elephant, finding

what he would be at, turns his tail to the assailant, who gives him a

hunch behind, and tumbles his huge enemy upon his knees. Then the men

upon the elephant fire their guns and pepper the thick hide of the

rhinoceros with their bullets.

Thus goes the fight, and after many adventures, and much danger, and

plenty of accidents and hair breadth ’scapes, and a vast waste of

gunpowder and lead, the game usually runs away, or perhaps it is left

as a trophy of the sportsman’s skill and prowess upon the field.

The rhinoceros feeds entirely upon vegetables, always living near

water, and taking a frequent wallow in the mud, or a bath in the wave.

He is fearful of man, and though dull of sight, has an acute scent and

a sharp ear, which enable him usually to keep out of reach of the being

he dreads so much. It is only when hunted and closely pursued, that he

turns to fight, and then he is fierce and formidable. In confinement

he becomes quiet and stupid, though he sometimes gets into a fury, and

then he rends his cage in pieces with ease. It is almost impossible to

confine him when his rage is excited.

Briers and Berries.

’Twas on a gloomy, smoky day,

(If rightly I the date remember,

For certainly I cannot say,)

About the middle of September,

When I, astride my pacing grey,

Was plodding on my weary way,

To spend the night and preach the word

To people who had never heard

The gospel; or, to say the least,

Had never viewed it as a feast

Of fat things full of marrow.

In sadness as I rode along

And crossed the silver Unadilla,

The robin sung his plaintive song,

And faintly drooped the fading lily:

The smoky sky, no longer blue,

Assumed a dim and dusky grey;

And Autumn, o’er my feelings threw

The coloring of its own decay,

And filled my heart with sorrow.

I, in my mind, was pondering o’er

The miseries that beset the preacher:

The persecutions which he bore--

(The scoff and scorn of every creature--)

His heated brain--his frame worn down,

Emaciated and dyspeptic--

The hardened bigot’s iron frown--

The jeers and satire of the skeptic--

One mocking revelation’s page--

The other ridiculing reason--

And then the storms we must engage,

And all th’ inclemencies of season.

In this desponding, gloomy mood,

I rode perhaps a mile or two--

When lo! beside the way there stood

A little girl, with eyes of blue,

Light hair, and cheeks as red as cherries;

And through the briers, with much ado,

She wrought her way to pick the berries.

Quoth I, “My little girl, it seems

To me, you buy your berries dear;

For down your hand the red blood streams,

And down your cheek there rolls a tear.”

“O, yes,” said she, “but then, you know,

_There will be briers where berries grow_.”

These words came home with keen rebuke

To me, who mourned life’s little jostles,

And called to mind the things that Luke

Has written of the first apostles,

Who faced the foe without a fear,

And counted even life not dear.

And since, from that good hour to this,

Come pleasant or come stormy weather,

I still reflect that human bliss

And human wo are mixed together:

Come smiling friend or frowning foe--

‘_There will be briers where berries grow_.’

BROWNE.

The Crows’ Court of Law.

There is a kind of crow which is seen in the south of England in flocks

about the middle of autumn; it is called the hooded crow. These crows

go away towards the north in spring; they are very tame, and will go

into the yards of houses to pick up food.

They are not very like the common crows, for their backs are

ash-colored, and their heads, throat, wings and tail, are black, and

they have two cries; one of them being like the voice of the common

crow, and the other something like the crowing of a cock.

It is said that in some places where these birds are found, one or two

hundred of them will now and then meet together, as if upon some fixed

plan, and at these times a few of them sit with drooping heads, and

others look very grave, as if they were judges, and others are very

bustling and noisy.

In about an hour the meeting breaks up, when one or two are generally

found dead, and it has been supposed that this meeting is a sort of

trial of some crows who have behaved ill, and who are punished in this

severe way for their bad behavior.

The Story of the Supposed Miser.

A great many miles to the east is a country called France, in the

southern part of which is a large city called Marseilles. In this place

there once lived a man by the name of Guizot. He was always busy, and

seemed very anxious to get money, either by his industry, or in some

other way.

He was poorly clad, and his food was of the simplest and cheapest kind.

He lived alone, and denied himself all the luxuries and many of the

comforts of life.

He was honest and faithful, never taking that which was not his own,

and always performing his promises; yet the people of Marseilles

thought he was a miser, and they held him in great contempt. As he

passed along the streets, the rich men looked on him with scorn, and

the poor hissed and hooted at him. Even the boys would cry out, “There

goes old Skinflint; there goes old Greedy Gizzard.”

But the old man bore all this insult with gentleness and patience. Day

by day, he went to his labor, and day by day, as he passed through the

crowd, he was saluted with taunts, and sneers, and reproaches.

Thus, time passed on, and poor Guizot was now more than eighty years of

age. But he still continued the same persevering industry, still lived

in the same saving, simple manner as before.

Though he was now bent almost double, and though his hair was thin and

white as snow; though his knees tottered as he went along the streets;

still the rude jokes and hisses of the throng pursued him wherever he

went.

But, at length, the old man died, and it was ascertained that he

had heaped together, in gold and silver, a sum equal to two hundred

thousand dollars. On looking over his papers, his will was found, in

which were the following words:

“I was once poor, and I observed that the poor people of

Marseilles suffered very much for the want of pure, fresh

water. I have devoted my life to the saving of a sum of

money sufficient to build an aqueduct to supply the city

of Marseilles with pure water, so that the poor may have a

full supply.”

The Mouth.

The mouth was made to eat and speak with. It is therefore a pretty

convenient and useful thing, and we could not well do without it.

But the mouth, like almost everything else, needs to be taken care of.

Sometimes the mouth will pout, and make a child look very disagreeable.

Sometimes the mouth will eat very fast, and get too much in at a time.

Don’t let your mouth do any such things as these!

I forgot to tell you another very curious thing about the mouth, and

that is, that it laughs! I believe dogs, and cats, and pigs, and

hens, and geese, never laugh; but children laugh, and old people too,

sometimes.

It is well enough to laugh, at proper times. I love to see children

laugh in their play. I love to see them laugh when I tell a funny story.

But I never like to see any one laugh at the misfortune of another.

Tell me, little reader, did your mouth ever laugh at another child

because he was poor? or because he was poorly dressed? or because he

fell down and hurt himself? or because he happened to know less than

you do?

If your mouth has ever done any of these naughty things, I pray you,

little reader, teach your mouth better manners.

Peter Pilgrim’s Account of his

Schoolmates. No. 3.

One of my schoolmates, named Dick Dashall, was a wild rattle-headed

fellow, always sure to get into mischief, but slow enough to get out of

the quagmire. His parents and brothers were poor farming people, who

had hard work to make both ends meet, and could ill afford even the

very trifling cost attending Dick’s education. Dick had been intended

for the hard-working profession of a farmer, but that honest calling

did not at all jump with his restless humor. He never could see the

fun and philosophy of rising with the dawn, and “yoking up” to follow

the plough through the field, or the iron harrow over the furrows. He

did not like the tedious work of planting corn and potatoes, and still

less the more laborious employ of “covering up” or “hilling up,” or

getting in the crops; nor did he relish any of the various details

of hay-making and harvesting. He had no objection, however, to the

merry husking frolic, for then, in the general sport and confusion,

he managed to avoid work himself, while he listened with both his big

ears to the diverting tales that were often on such occasions related

by those present. He disliked as much the tedious employment of riding

the old cart-horse in the plough, as he delighted in scampering away on

his bare back all over the country side, when he could contrive to get

possession of the poor beast. And when he did accomplish that desired

object, never was the dull animal so worked by his owners; for away the

madcap would ride, without saddle, bridle, spur or stirrup, guiding

him only with an old rope, and urging him on with a big bludgeon of a

stick, with which he failed not well to belabor the ribs of his steed,

till they fairly bled and ached again. At length, one of his runaway

frolics terminated fatally to the poor brute, whom he attempted to swim

across a rapid and deep river near the village, in which essay the

horse was drowned, and Dick only escaped by skilful swimming, which was

almost the only valuable accomplishment that he possessed.

Dick seemed to be filled with the very evil spirit of all mischief.

The book and task were perfectly odious to him, and if left to follow

his own inclination, he never would have learned either to read or

write; indeed, as it was, his best attempts with the pen looked more

like pot-hooks and fish-hooks than good civilized letters. No mortal

could have deciphered them. And then his copybook was one blotch of

ink from beginning to end. His arithmetic and grammar books, though

showing, by their numerous thumb-marks and “dog’s-ears,” that they

had been pretty thoroughly handled by his seldom-washed fingers, were

about as intelligible to him as so many volumes of Greek or Arabic;

the deep lore contained in their pages was much too profound for

his understanding, and never did any ideas from them penetrate the

thickness and dulness of his brain; or, if they ever by any chance

found an entrance there, they must have laid in a torpid state, for no

one could ever discover that such scraps of knowledge existed in his

head, through the outlet of the tongue and voice.

But though Dick could not inscribe legible characters with his pen,

yet he had a sort of natural talent for drawing rude sketches with

pencil, pen, or even a bit of charcoal; and most ridiculous and

striking caricatures would he produce with them. The droll expression

and awkward figure of the old pedagogue himself furnished him with

a fertile subject for his wit, and various and laughable were the

burlesque representations he gave of him. Every scrap of paper that

he could lay hands on, every piece of broken slate, and even the very

walls of the school-house and the board fences in the neighborhood,

were covered with all sorts of strange figures, hit off, too, with

no little talent and humor. This love for sketching and caricaturing

seemed to be the peculiar bent of his genius, and it proved to him and

his mates a source of great amusement.

When the term of his instruction had well-nigh expired, and it became

necessary for him to decide to what species of employment he should

devote his talents and attention, it happened that an itinerant

portrait-painter strolled into the village, and, taking the best room

of the inn, announced, through a staring painted placard at the window,

that he was ready to paint, for a small consideration, the portraits

of the good people of the place, in a most artist-like and expeditious

manner. Nor was he long without his patrons. First the squire, and then

the parson and his lady, and the doctor with his lady, and a half-score

of children, and then many of the most substantial farmers and

tradesmen of the vicinity, were seen to enter at the inn-door, and in a

few days return to their several homes, each one bearing in his hands

a large highly-colored piece of canvass, in which one might perhaps

detect some remote likeness to the bearer or some of his family.

Finally, the worthy innkeeper himself, with his rosy-faced dame, and

some half-dozen overgrown daughters, figured in full-length beauty, in

one mingled group, upon the artist’s canvass; and presently a span-new

sign-board of “the white horse” was seen creaking and swinging in

all the freshness of new paint from the tall sign-post at the tavern

door. This flaming specimen of the fine arts proved a great object of

admiration and remark with all the grown gossips and little children

of the village, till at length, the “nine days” having elapsed, the

wonder ceased.

Dick very soon made the acquaintance, and gained the good will of the

artist, first by running on all his errands, in his communication with

his patrons, and afterwards by his unfeigned expressions of admiration

at the inspection of the “artist’s gallery,” which comprised a few

dauby copies of the old masters, and a number of unpaid and unclaimed

portraits from the artist’s own easel. Before the worthy artist took

leave of the village, Dick had so far ingratiated himself into his

favor, that he agreed to take him with him, and impart to him all the

knowledge of his art that he was able to give, receiving in return due

assistance from Dick, as a sort of artist-of-all-work, which phrase

might be understood to comprise any and all kinds of menial occupation.

But Dick was deeply smitten with the love of painting, and eagerly

caught at this golden opportunity of ridding himself from the irksome

drudgery of book and task, and learn to be a painter of faces himself,

while at the same time he should have some opportunity of seeing in his

rambles not a little of the men and manners of the world.

Poor little Dick! when he set forth “to fresh fields and pastures new,”

with an adventurous desire to try his fortunes in the world, he little

anticipated the troubles and perplexities that would beset his way. The

honest artist to whom he had attached himself was neither a Raphael nor

a Vandyke, and the share of patronage he met with in the humble places

where he set up his easel, was very limited in degree, and unprofitable

to the pocket. In some villages which they visited in their rounds,

they found that rival artists had reaped such scanty harvests as the

poverty of the villages afforded; and in other places they found, to

their sorrow, that the flinty inhabitants were no upholders of art, and

felt no ambition to hand down the “counterfeit presentment” of their

features to posterity. So, as there was only starvation to be had,

there was nothing to be done but to pack up their slender wardrobe,

with the paints and pencils, and migrate to a more enlightened region.

The poor artist was, however, both kind and liberal, so far as his

means went, to his little charge, and when he received his hard-earned

dollar, as the recompense of many a patient hour of toil, he freely

shared it with him; and so long as the treasure lasted, they did not

lack for the best of good fare, at village tavern or rural farmhouse.

Oftentimes it chanced that their treasury was entirely exhausted, and

neither paper or specie payments were forthcoming to defray the needful

expenses of the way. At such times, the cost of coach-ride, or even

wagon conveyance, being beyond their reach, their only resource was,

to convey their bodies from place to place upon those natural supports

which Nature has kindly supplied us with, but which often complain of

an undue proportion of fatigue after a long day’s progress in a hot

summer’s day. But poor Dick ever made the best of it, and shouldering

his little bundle, stumped on stoutly at the side of his master, often

beguiling the toil and length of the travel with a merry heart, and

a cheerful singing voice. The natural beauties of the scenes through

which they passed were not lost upon them, nor did the wild rose at the

road-side blush unseen of them, or the sweet lily of the valley waste

its fragrant breath in vain. They each had the artist’s eye and soul

to enjoy the loveliness of the bending and painted skies, the waving

woods, the verdant grass, and the flowing stream.

“Even the air they breathed, the light they saw,

Became religion; for the ethereal spirit

That to soft music wakes the chords of feeling,

And mellows everything to beauty, moved

With cheering energy within their breasts,

And made all holy there--for all was love.

The morning stars, that sweetly sang together,

The moon, that hung at night in the mid-sky,

Day-spring and eventide, and all the fair

And beautiful forms of nature, had a voice

Of eloquent worship.”

Every pretty flower that bloomed in the hedge, or at the wood-borders,

Dick would diligently gather, and carefully preserve in a little

book, which he carried with him for that purpose. Many a colored

butterfly with its wings of powdered gold, and many a nameless insect,

streaked or spotted with all the rich hues of the rainbow, would he

hunt down and add to his collection. His great delight at the close

of the ramble consisted in copying, with his paints, the rich colors

of these beautiful objects; and soon he had formed quite a portable

museum of pretty prints, flowers and insects; and in this recreation he

received no little aid from his kind-hearted teacher. He soon became a

proficient in the art of mingling colors, and by a zealous application

to the details of art, in a short time was able to sketch a scene or

strike off a likeness with considerable faithfulness and ability. So

great was his love of the art, that he really derived much pleasure

from his rambles, long and difficult as they often were. In the course

of a few months’ practice, he had learned all that his teacher had to

communicate; and it was often asserted by their rustic patrons that the

little painter was in no respect inferior to his principal with the

brush. Indeed, so conscious were they themselves of this fact, that an

equal partnership was formed between them, and whatever sums fell into

their exchequer, were shared equally between them.

But, alas! there is an end to all human enjoyment, and a severance

of all earthly ties. The poor artist, what with the fatigues of

journeying, often at inclement seasons, and with the wearing labors of

his long and tedious tasks, had gradually undermined a constitution

naturally infirm; and his poor little protegè, as he gazed sorrowfully

upon his wan face and wasted form, saw plainly that the one was getting

paler, and the other thinner and thinner, every day; and soon was

impressed with the certainty that they must soon part from each other,

and that that parting would be at the grave’s foot. And so indeed

it turned out, when a year or two had elapsed from the commencement

of their connection. The elder artist, after struggling on with all

his resolution, and unwilling to yield to the insidious advances of

disease, was at length completely exhausted and subdued. He sank down

on the way at the door of a little village public house, where he was

obliged to take to his bed, and receive the aids and doses of the

doctors, in the feeble hope of a restoration to health. But in vain;

his poor frame, already so much reduced, grew feebler and feebler day

by day, and his sunken cheek grew still more hollow, and the little

light that sickness had lent to his eye trembled and flickered, and

then expired altogether; and finally the poor fellow, after taking an

affectionate and mournful farewell of Dick, and bequeathing to him

all the little possessions that he called his own, resigned himself

patiently to his fate, and without pain or struggle “passed away.”

Dick, after following his remains to the humble church-yard, and

pouring out his soul in the truest sorrow over his dust, departed

sad and solitary on his way. He assumed his poor master’s easel and

other implements, and followed “the painter’s quiet trade” on his

own account. He met with but indifferent success, however; he painted

the rough faces of country squires, and the hard-favored features of

their spouses, without number, but the recompense he received therefor

scarcely served to find him in “meat and manger.” After struggling with

adversity for many a weary year, and encountering every species of

trial and disappointment with the firmness of a martyr, he at length,

in very despair, was obliged to relinquish his beloved profession,

and settle down quietly in a flourishing town, where the products of

his brush could be turned to better account. He was forced to abandon

entirely the higher walks of art, and stoop to a humbler, but more

profitable branch of trade; devoting himself, in short, to the daubing

of chairs, tables, and vehicles of every description, and embellishing

them with as many of the “scientific touches” of his former calling as

the time and pay would justify. In this way he contrived to eke out a

humble but respectable subsistence, and after gaining the good will of

his employer by his faithful and honest exertions, he scraped together

sufficient money to enable him to set up an establishment of his own,

where a flaming board proclaimed that Richard Dashall executed sign,

house and chaise painting, in all its varieties, “in the most neat and

expeditious manner possible;” assisted by two or three active young

apprentices in all his handicrafts. In due course of time he joined to

his fortunes a pretty little lady of a wife, and conjointly they reared

up and educated a numerous progeny. So ends the history of poor Dick

Dashall; and it is that of many an honest and industrious young fellow,

who is cast forth like a weed upon the ocean of life, to sink or to

swim as the chance may be.

[Illustration: _The Fata Morgana._]

Travels, Adventures, and Experiences of Thomas Trotter.

Robert Merry's Museum, Volumes I-II (1841) · 第 2 / 5 章