AMUSEMENTS

In spite of the many restrictions that hedged the slaves about there

were many good times on the plantation. Old Mary of the Roof plantation

described their frolics thus:

"We would sing and there was always a fiddle. I never could put up to

dance much but nobody could beat me runnin' 'Peep Squirrel'. That was a

game we made up on the plantation. The girls peeped out, then ran by the

men, and they'd be caught and twirled around. They said I was like a

kildee bird, I was so little and could run so fast. When we growed up we

walked the boys to death! They used to say we walked the heels off their

boots. We would have dances every Christmas, on different plantations. I

tell my grandchildren sometimes that my brother-in-law would carry us to

dances and wouldn' allow us to sleep, we'd dance all night long. We had

a good time, us girls!"

When the negroes got married long tables were set under the trees in the

back yard and the people from the big house came down to see how the

slaves were dressed and to wish them well.

Concerning her own marriage Mary said, "They say I was married when I

was 17 years old. I know it was after freedom. I married a boy who

belonged to the Childs plantation. I had the finest kind of marrying

dress, my father bought it for me. It had great big grapes hanging down

from the sleeves and around the skirt." She sighed and a shadow passed

over her placid old face, as she added, "I wish't I had a kep' it for my

children to saw."

A slave from the Starling Freeman plantation in South Carolina said,

"When cullud people wus married, white people give a supper. A cullud

man whut lives on de place marries 'em."

"I used to sing good myself," continued Susannah, "you could hear the

echo of my voice way out yonder, but I can't sing no more." Here

Susannah stuck out her legs, covered with long-ribbed pink stockings.

"My legs got de misery in 'em now, and my voice gone. In my mother's

house dey never trained us to sing things like the mos' o' people. We

sung the good old hymns, like, 'A Charge to Keep I have, a God to

Glorify.'"

Old Tim, who used to live on a plantation in Virginia, said in speaking

of good times before the war, "Sho', we had plenty o' banjo pickers!

They was 'lowed to play banjos and guitars at night, if de Patterolas

didn' interfere. At home de owners wouldn' 'low de Patterolas to tech

their folks. We used to run mighty fast to git home after de frolics!

Patterolas wus a club of men who'd go around and catch slaves on strange

plantations and break up frolics, and whip 'em sometimes."

We asked Aunt Ellen Campbell, who was a slave on the Eve plantation in

Richmond County, about good times in slavery days. She laughed

delightedly and said, "When anybody gwine be married dey tell de boss

and he have a cake fix. Den when Sunday come, after dey be married she

put on de white dress she be married in and dey go up to town so de boss

can see de young couple."

She was thoughtful a moment, then continued, "Den sometimes on Sadday

night we have a big frolic. De nigger fum Hammond's place and Phinizy

place, Eve place, Clayton place, D'Laigle place, all git together fer a

big dance and frolic. A lot o' de young sports used to come dere and

push de young nigger bucks aside and dance wid de wenches."

"We used to have big parties sometime," said Fannie Fulcher, a former

slave on Dr. Miller's plantation in Burke County. "No white folks--jus'

de overseer come round to see how dey git erlong. I 'member dey have a

fiddle. I had a cousin who played fer frolics, and fer de white folks,

too."

According to Melinda Mitchell, who lived on the plantation of Rev. Allen

Dozier in Edgefield County, South Carolina, the field hands and house

servants forgot cares in merriment and dancing after the day's work was

over. When asked about her master, a Baptist preacher, condoning dancing

Melinda replied with the simple statement, "He wasn't only a preacher,

he was a religious man. De slaves danced at de house of a man who

'tended de stack, way off in de fiel' away fum de big house." They

danced to the tunes of banjos and a homemade instrument termed, "Quill",

evidently some kind of reed. It was fairly certain that the noise of

merriment must have been heard at the big house, but the slaves were not

interrupted in their frolic.

"My mammy wus de bes' dancer on de plantachun," Melinda said proudly.

"She could dance so sturdy she could balance a glass o' water on her

head an never spill a drop." She recalls watching the dancers late into

the night until she fell asleep.

She could tell of dances and good times in the big house as well as in

the quarters. The young ladies were belles. They were constantly

entertaining. One day a wandering fortune-teller came on the piazza

where a crowd of young people were gathered, and asked to tell the young

ladies' fortunes. Everything was satisfactory until he told Miss Nettie

she would marry a one-armed man. At this the young belle was so

indignant that the man was driven off and the dogs set on him. "But de

fortune teller told true-true," Melinda said. A faint ominous note crept

into her voice and her eyes seemed to be seeing events that had

transpired almost three-quarters of a century ago. "After de war Miss

Nettie did marry a one-arm man, like de fortune-teller said, a

Confederate officer, Captain Shelton, who had come back wid his sleeve

empty."

Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves, Volume IV, Georgia Narratives, Part 4 · 第 61 / 70 题