CHAPTER XVII.

A SELF-ELECTED CONSTABLE

If Susanna could ever have been "knocked down with a feather," as she

often averred, she might have been then.

Indignation, consternation, amazement, all the emotions which have to be

expressed in polysyllables, pictured themselves on her countenance as

she paused on the bedroom threshold and looked at the intruder over her

spectacles, through them, and below them. He lay face down upon the

pillows, his dirty boots reposing on her choicest log-cabin quilt, and

his groans fairly chilling the blood even in her veins, used though she

was to the habits of men in illness. Moses, in his groaniest days, had

rarely equalled this.

After the moment's pause her mind worked quickly, and she expressed it

in words, spoken more to herself than to Kate, close beside her.

"He mustn't lie there, that way, with them filthy old shoes on. He acts

as if he was at the p'int o' death, though folks a-dyin' don't gen'ally

caterwaul like that. I bet I know what ails him! It's them pies an'

things he stole! If 'tis, I'm glad of it, serves him right!" she

finished, triumphantly, and in her satisfaction went so far as to

approach the bed and shake the man's shoulder.

At first he paid no attention to her, and his groans did not cease,

though they became rather intermittent, as if the paroxysms of pain were

less frequent. Finally, her voice, now pitched to its shrillest,

penetrated his consciousness, and at her question: "What's the matter

with ye? Got the colic?" he turned upon his side and his face was

revealed.

Then, indeed, did Susanna's countenance undergo a more wonderful change.

All the emotions which had earlier crossed it concentrated in one

prolonged stare, while she felt her strength oozing from her till she

knew she should fall. Her hand left the stranger's shoulder and dropped

limply to her side, her jaw fell, and she would have sunk down upon the

floor had not Katharine slipped a chair forward to receive her. Upon

this she settled, still staring and speechless; and as if he, too, were

profoundly moved, the tramp ceased groaning altogether and fixed his

burning gaze on her. So they remained, and for so long, that Kate grew

frantic, and begged:

"Oh, Susanna! what is wrong? Why do you look at him like that? Why does

he look at you? Is he dying? Do you know him? Does he know you? Can't we

do something for him? It's so dreadful to see anybody suffer. Even he,

poor fellow, who--"

The Widow Sprigg held up a shaking hand protesting against this volley

of questions and answering none. But after a little time the woman in

her got the better of the judge, and, rising, she went to the wall

cupboard and took from it a bottle containing brown fluid and plainly

labelled, "Cholera Mixture. Poison." Pouring a generous dose into a

glass, she diluted it with water and was returning to the bed when

Katharine caught her hand to stay it, crying:

"Why, Susanna! How dare you? That's marked poison!"

The widow shook the girl's hand off, calmly replying:

"My suz! I guess I know what I'm about. That 'cholera mixture' 's one

the old doctor's own prescriptions, an' I've give more of it to more

folks 'an you could shake a stick at. It's marked 'poison' so's to keep

childern like you from meddlin' with it. A dose of it won't hurt nobody,

an' if his malady is the sort I cal'late, I'm treatin' him like the Good

Samaritan would on the Sabbath Day. I've made it a powerful dose, an' I

'low it'll settle his hash one way or other. But I hate to touch him. I

certainly do."

A last faint moan issued from the sufferer, and his eyes turned upon the

girl. He looked so wan and so forlorn that her own natural repugnance

left her, and she caught the medicine-glass from Susanna to present it

to the sick man's lips. He opened them and drank obediently, even

smacking his lips over the fiery mixture, and Kate, having finished her

task, hastily withdrew to the outer room.

But what had come over the Widow Sprigg? Her whole manner had changed.

Fear seemed to have left her and a stern determination taken its place.

Katharine could only observe, wondering, as the mistress of the cottage

caught up a pail, and going to the well drew it full several times,

throwing out all but the last pailful, which she brought back into the

house and set on a table in the bedroom. Beside it she placed a dipper,

and observed:

"That water's all right. Moses, he had the well cleaned out for me only

last month. We always do do it twicet a year, lest somebody comes along

an' drinks it stale. More'n that, the well's fed by a spring, runnin' in

an' out, so really don't need any cleanin', but--"

Such solicitude on account of that detested tramp! It was amazing. Yet

her next procedure was even more so. Going up-stairs, she looked that

the window was shut, and the nail, its only fastening, put in above the

lower sash. Anybody inside could have opened it, of course, but that did

not occur to her. Each of the windows was thus treated, and, beckoning

to Katharine, she led the way out-doors. The door was locked on the

outside and Susanna started homeward. She was no longer a weary or a

sad-faced woman. She was alert, silent, but unmistakably cheerful.

Kate kept close pace with the now swift steps of the housekeeper, and

finally ventured to ask: "Who is he?"

"We may not all hope to be constables, but some of us is constables

without ever runnin' for office! Well, well, well! I shouldn't be

surprised if the end o' the world happens along now, any time," said

Susanna, irrelevantly, and fell into such a brown study that Katy dared

not interrupt her, and the rest of the way home was passed in silence.

The deacon was waiting restlessly. He had not liked to desert his post

and leave the disabled Moses alone in the house. Neither had he liked to

lose his Sunday afternoon nap, well-earned refreshment of a diligent

man. One other thing he had not liked: Moses' flat refusal to discuss

their employer's affairs. This had led to other controversies, and two

disgruntled men were ready to greet the tardy wanderers.

"Hm-m. Thought you never was a-comin' back. That's all the sense a silly

woman has; let her get off grounds an' she don't know when to step on to

'em again. The deacon, he's been purty patient, but--I guess we'll be

better friends if we part for a spell now," was Moses' greeting; and,

instead of resenting it, Susanna said never a word.

In silence she brought him his cup of beef tea. In silence she went out

and fed the poultry; came in and gave Sir Philip his bowl of milk and

Punch his plate of scraps. She had long since taken the feeding of both

animals upon herself, declaring, with some show of truth, that they did

not dare "muss around" for her as they did for Eunice or Kate.

Till it was supper-time she sat in absolute silence beside the

sitting-room window, her eyes fixed upon vacancy, and an expression of

great perplexity.

Katharine bore this as long as she could, then stole softly up to the

hired man's room, careless whether he were asleep or not. She had not

been bidden to secrecy, and, finding him awake, she poured out the story

of the afternoon so fast that her words fairly tripped each other up.

Then Moses made her go back and tell it all over again, and when she had

finished, exclaimed:

"Beats thunder! A silly woman! An' me, a man! Bedrid here, like an old

block of wood, an' her--She thinks she's arrested somebody, Susanna

does! She thinks she's made herself into a constable, does she? Turned

her house into a jail--an' forgot to fasten the winders outside! Ho! Ho!

Silly women!"

The disappointed old fellow got as much enjoyment as he could out of the

situation, and was more than delighted by thought of a tramp's shoes

smirching the log-cabin quilt. It served the widow right, he maintained,

because she had wasted so much labor on the thing. "Bought good new

Merrimac print, she did, an' then set there o' nights a

snip-snip-snippin' it up into little scraps an' sewin' 'em together

again. If a woman'll do that, it's proof what sort o' brains she's got."

Then, with sudden energy, he advised: "Don't you never let her set you a

sewin' patchwork, Kitty Keehoty. It's all on a piece with knittin'

mittens for the Hottentots--a waste of time. A waste o' sinful time, I

mean a sinful waste of--Oh, hum!"

She waited till he had cooled off from his own vexation, and then asked:

"Uncle Moses, will you tell me all about Montgomery's father?"

If she had surprised him before she startled him now. Flashing his keen

old eyes upon her, he asked in return:

"Why do you want to know? Who egged you on to say that?"

"Nobody. Why, surely, nobody at all. But it seems so queer that none

talk of him, yet of his mother speak so often and so lovingly. Aunt

Eunice says she was a Marsden lady, a farmer's daughter, and 'as lovely

as a flower.' Even Madam, who didn't like her at first, grew to be fond

of her and to call her 'my sweet daughter.' But when I asked Monty of

his father, and had told him all about mine, about everything, about the

second Mrs. John, the Snowballs, and all--he just said: 'I guess I'll go

hunt old Whitey,' and off he went, without saying 'excuse me.' His face

was as red as red, and there came a queer look in his eyes as if--as if

he was ashamed. Was his father a wicked man, Uncle Moses?"

Quite diverted by this time from his own vexations, the hired man lay

silently thinking for a moment. Then he said:

"Well, little Kitty Keehoty, I hain't seen that your warm heart gets any

colder toward folks when they get into trouble 'an when they don't. That

tramp, now, that stole your victuals--Oh, I know! I did know last night,

though you didn't know that I knowed--"

"'I saw Esau kissing Kate, Esau saw that I saw,'" quoted this other

Kate, in laughing interruption.

Moses laughed, too, as he was glad to do. He had had enough of gloom and

grumble for that sweet Lord's Day, now so near its close. And though the

story he was going to tell was anything but a bright one, he meant to

tell it in such wise that his young listener should be the tenderer and

more compassionate because of hearing it.

"Well, Keehoty, it's ruther a long yarn. That is, it goes a good way

back, clean to the old Squire's time--no such a Squire as Pettijohn,

forename James, mind ye--but a good, high-sprung, old-fashioned

gentleman; with high-up English blood in his veins, an' a reg'lar

English temper to balance the blood. Never did a dirty trick in his life

nor an unjust one--except to his own and only son. That was Monty's

father, poor little stutterin' shaver! Well, along of his late years the

old Squire had bad feelin's in his head, suffered terr'ble agony, an'

hardly knowed what he did do or say. He got a notion that he was goin'

to be robbed, an' used to carry 'round with him a cur'ous old box that

folks said held his bonds an' money an' the old family jewels that had

been brought over from England a hunderd years afore. If he went

a-ridin'--an' he was the splendidest horseman ever seen in these

parts--he'd have the thing on the saddle afore him. If he druv, 'twould

be in the box o' the carriage-seat. Nobody ever seen the inside that

box, an' 'twas 'lowed there wasn't none could open it, except him an'

the Madam."

"Oh!" gasped Katharine, leaning forward, breathlessly intent. Naturally

such close attention flattered the narrator, who went on with renewed

earnestness:

"The old Squire an' his son didn't hit it off together very well. Never

did from the time Verplanck, 'Planck he was called for short, was born.

He was a good deal like Monty is, only more oneasy--if anybody could be;

an' from the time he could toddle he was hand in glove with Jim

Pettijohn's little tacker, Nate. Nate, he wasn't so smart as some folks.

Not a fool, uther, an' consid'able better'n half-witted, but

queer--queer. He just worshipped Planck Sturtevant, an' where you see

one you see t'other, sure. Well, they growed up, an' Planck got married.

That seemed to 'bout break Nate's heart, an' he got queerer an' queerer.

Old Squire got queerer, too. Nothin' Verplanck could do or say was right

in his father's eyes; an' though he managed to work the farm fairly

well, he never made any money off it, an' that made the old man mad.

Planck, he bore it patient for a spell, 'cause his wife--she that was

Elizabeth Morton from up-mountain--thought the world an' all of the old

folks an' they o' her. She'd been raised on a farm an' could an' did

turn her hand to every sort o' work, but 'twasn't no use. She loved

them, but she loved her husband better; an', one night, after there'd

been more hard talk 'an common 'twixt the Squire an' Verplanck, there

was three folks missin' from Marsden township. They was somethin' else

missin', too, an' that was the queer brass bound box with all the

Squire's money an' vallybles. The hired man told 'bout the box, else

nobody might ever have heard that part. He was carryin' in the day's

wood next mornin' an' overheard the Squire an' the Madam talkin' 'bout

it; him callin' his son a 'thief,' an' forbiddin' his name ever to be

spoke in that house again. She declarin' that no child of them two

honest people could ever be a thief. Hot an' heavy they had it, though

nobody had ever heard them two quarrel afore. An' right on top of that

stalks in Jim Pettijohn--him that's a sort o' Squire, a justice of the

peace, now--an' demands his son. He'd let the feller grow up without

good trainin' or lookin' after of any kind, though 'twas needed bad

enough. All Nate did know, or the little he knowed, was badness an'

deviltry. Why, he used to go with your own pa, Johnny, consid'able, an'

'peared to like him almost as well as he did Verplanck, an' many's the

time I've had the three on my hands a-fishin'. But Johnny didn't tackle

much to ary one them other boys. He was all for trompin' 'round by

himself, drawin' pictur's on whatever come handy, or lyin' under the

trees a-dreamin' the summer days through. In the winter he'd dream afore

the wood fire just the same idle way, an' finally he dreamed himself out

o' Marsden an' run away to be an artist. Eunice, she was set an'

determined he should be a minister, else maybe 'twouldn't never ha'

turned out as it did. But Johnny was good, good clean through to the

core, parson or artist or what not; an' 'twasn't o' him I set out to

tell. An' I must hurry up, anyway, 'cause Susanna she'll be in purty

soon, an' that'll end all our nice time."

"Oh, Uncle Moses! I like Susanna better to-day than I ever did before.

She showed me the real inside of herself, and it isn't half as crusty as

the outside."

"Huh! What'd she do to manage that? She seems powerful still an'

sot-lookin' sence she come back from inspectin' her 'prope'ty.' By the

way, did you happen to notice whuther the slat top to that cistern o'

hers was over the manhole? Out in the open shed, or lean-to? 'Cause

she's a great notion of leavin' it off to 'air'--as if a cistern that

hasn't had no water in it for fifteen twenty years wasn't dry as a

pipe-stem a'ready or needed 'airin''! Gen'ally, after she's been out

there I take a look 'round myself. I wouldn't admire to have anything,

even a tramp, fall down that cistern, though it might not hurt 'em much,

'cause it's shallower 'n it's broad. A real good 'system,' I 'low, even

if that everlastin' Sprigg did build it. But what's the inside o'

Susanna 't you saw an' liked?"

"She showed me her baby's things, an' looked as sad as if it had died

only yesterday. But she showed me, too, her shroud--her _shroud_! Just

think of it, Uncle Moses! And that was horrible."

"Pooh! That's nothin'. Lots of women has 'em laid by. Same's some

fool-men has a coffin built an' kep' handy. As for me, I'm goin' to

worry 'bout things only up till the day o' my death, an' not a minute

beyond. But, I was tellin' of Verplanck Sturtevant, an' must finish the

job. Squire, he had always given the cold shoulder to Jim, an' despised

him out an' out. Jim was crafty an' underhand, Squire was open an' above

board--an' them two kinds don't mix. Still, Jim had been able to get his

claw on the Squire's meat, so to speak; that is, he'd made money

himself, lawin' an' grindin' the face of them worse off 'an he was, an'

the Squire needin' ready cash, to make some improvements he'd better ha'

let alone, Jim advanced it an' Squire give a mortgage. That was the

beginnin', an' now, they say, Pettijohn owns about every acre of the old

Sturtevant property, an' could turn the Madam out any day. Yet, somehow,

he dassent. Indeed, I'd like to see the man could walk straight up to

that old lady an' say: 'Your house is mine. Please to get out.' Out

she'd go at the first word; head up, back straight as one her own hall

chairs, but a look in her eye that that man wouldn't forget in his

lifetime. Verplanck, he was of the same sort--prouder'n Lucifer; an'

even if she'd knowed where to send for him his mother would ha'

understood 'twouldn't done a mite o' good. But she didn't send. She

obeyed her husband to the last say-so. An' he didn't live long after

that, anyway. Elizabeth, she come back, bringin' Monty with her; but

her own folks tell as how there was never a thing said betwixt even them

two, except Elizabeth sayin': 'I've come home, Mother Sturtevant, to

bring your grandson to the old place. I haven't long to live; but

Verplanck will never come till he has made a fortune and redeemed

everything. Let us not talk of him.' They never did. Where he was or

how, his old mother could only guess. Then Elizabeth died and there was

just them two--Madam an' Montgomery--left in the Mansion. Every year she

let Jim Pettijohn get a tighter clutch on the property, till, as I tell

ye, he prob'ly owns all.

"That's all of Monty's father. 'Twas ten years or more ago when

Elizabeth fetched him; why, my sake! it must be full twelve or up'ards,

but time does fly so I forget. I never believed Verplanck stole a thing.

I misdoubt if the box ever was took. The Squire bein' queer might ha'

hid it somewheres, more'n likely. But there's them that does believe,

an' I hear the Madam's amongst 'em. She's searched the Mansion from A to

Izzard, knowin' every crane an' cranny of it, an' found nothin'. So

that's why Monty's face got red when you asked about his father.

Marsden's like every other village, full o' gossip, an' what his

grandmother has tried to keep from him hearin' there's been plenty loose

tongues to let slip. More'n once I've seen the poor little shaver sit

broodin' an' solemn as if his heart was breakin', an' I've fancied he

was thinkin' 'bout his pa. But he ain't one the broodin' kind, thanks

be; an' the very next thing I knowed he'd be up to some mischief or

other, lively as a cricket. But don't you ever let on what I've told ye,

'less he speaks of it himself. I'm glad you're good friends, an' likely

enough he'll out with the hull business an' all he's thought an' felt

about it. If ever he does, Kitty Keehoty, you remember that it's a

woman's part--such women as Eunice an' the Madam an' her that was

Elizabeth Morton--to comfort an' cheer them 'at are downcast. Though I

needn't caution ye, I guess, sence I found out some time ago that you've

got a power o' sympathy in your fly-about little body. Hm-m. I've 'most

talked the legs off the iron pot, hain't I? It's time to quit,

an'--hark! Them's wheels! They're drivin' in here. They're on our

gravel, sure. Look out the winder, child, an' see who 'tis. I'm most too

tuckered out for more comp'ny to-night. The deacon, he's a good man, but

he dreadful fatiguin'."

The Brass Bound Box · 第 17 / 21 章