CHAPTER XXXI

OTHER EDUCATORS OF THE SIXTEENTH CENTURY

=Literature.=--_H. M. Skinner_, The Schoolmaster in Literature, The

Schoolmaster in Comedy and Satire; _Gill_, Systems of Education;

_Quick_, Educational Reformers; _Williams_, History of Modern Education;

_Besant_, Rabelais; _Monroe_, Educational Ideal; _Collins_, Montaigne;

_Emerson_, Representative Men; _Vogel_, Geschichte der Paedagogik;

_Carlisle_, Two Great Teachers (Ascham and Arnold); _Azarias_, Essays

Educational; _Davidson_, History of Education.

We have thus far discussed educators who were directly connected with

the great Protestant and Catholic movements. There were others who were

more or less independent of these movements. Among these we may mention

Roger Ascham, Rabelais, and Montaigne.

ASCHAM (1515-1568)

Roger Ascham was the most celebrated English educator of the sixteenth

century. He was educated at Cambridge, and studied three years in

Germany. He had a thorough knowledge of the classic languages. For these

reasons he was chosen tutor to Elizabeth, a position which he held for

two years. Upon her accession to the throne, Ascham came to read with

her several hours a day, and she retained her affection for her old

teacher throughout his life.

His chief literary work is his "Scholemaster," which is the first

educational classic in English. Dr. Johnson says of this book, "It

contains, perhaps, the best advice that ever was given for the study of

languages." This method was as follows, given in Ascham's words: "First,

let him teach the child, cheerfully and plainly, the cause and matter of

the letter (Cicero's Epistles); then, let him construe it into English

so oft as the child may easily carry away the understanding of it;

lastly, parse it over perfectly. This done, then let the child by and by

both construe and parse it over again; so that it may appear that the

child doubteth in nothing that his master has taught him before.

"After this, the child must take a paper book, and sitting in some place

where no man shall prompt him, by himself let him translate into English

his former lesson. Then showing it to his master, let the master take

from him his Latin book, and pausing an hour at the least, then let the

child translate his own English into Latin again in another paper book.

When the child bringeth it turned into Latin, the master must compare it

with Tully's book, and lay them both together, and where the child doth

well, praise him, where amiss, point out why Tully's use is better.

"Thus the child will easily acquire a knowledge of grammar, and also the

ground of almost all the rules that are so busily taught by the master,

and so hardly learned by the scholar in all common schools. The

translation is the most common and most commendable of all other

exercises for youth; most common, for all your constructions in grammar

schools be nothing else but translations; but because they be not

_double_ translations (as I do require), they bring forth but simple and

single commodity; and because also they lack the daily use of writing,

which is the only thing that breedeth deep root, both in the wit for

good understanding, and in the memory for sure keeping of all that is

learned; most commendable also, and that by the judgment of all authors

which entreat of these exercises."[73]

Ascham often refers to his illustrious pupil in claiming merit for his

system. He says, "And a better and nearer example herein may be our most

noble Queen Elizabeth, who never took yet Greek nor Latin grammar in her

hand after the first declining of a noun and a verb; but only by this

double translating of Demosthenes and Isocrates daily, without missing,

every forenoon, and likewise some part of Tully every afternoon, for the

space of a year or two, hath attained to such a perfect understanding in

both tongues, and to such a ready utterance of the Latin, and that with

such a judgment as there be few now in both universities, or elsewhere

in England, that be in both tongues comparable with her Majesty." Mr.

Quick thinks that while Ascham may have thus flattered his royal pupil,

there is no doubt that she was an accomplished scholar.

We have seen that Sturm made some use of double translation, but Ascham

is entitled to full credit for the method, which he adopted from Pliny

and perfected. Many teachers of language since that time have employed

this method with excellent results.

RABELAIS[74] (1483-1553)

Though there is some obscurity as to the exact date of the birth of

Rabelais, it is generally believed that he was born the same year as

Luther, 1483. He was the son of a French innkeeper, and, after

completing a classical course, was consecrated to the priesthood. His

great ability and independent thinking, and his humanistic tendency

brought reproof from his superiors, and he was ordered to perform works

of penance in his cell; but through the influence of powerful friends he

was freed and allowed to go over to the Benedictines, with whom,

however, he did not remain long. He became an independent preacher, and

as such had many friends among the reformers, chief among whom was

Calvin. His intimacy with Calvin led the more radical reformers to be

suspicious of him, and not without reason. Walter Besant tells us that,

"One hears he is a buffoon--he is always mocking and always laughing.

That is perfectly true. He laughs at the pretensions of pope, cardinal,

bishop, and priest; he laughs at monkery and monks; he mocks at the

perpetual iteration of litanies; he laughs at the ignorance and

superstition which he thinks are about to vanish before the new day of

modern learning."[75] Nor was his sympathy with the reformers any more

marked. Besant further adds, "It was at that time all important that, as

in England, the scholars should range themselves on the Protestant side.

Rabelais refused to do this. More, he set an example which deterred

other scholars, and kept them, in sheer impatience, in the enemy's

camp."[76]

The great literary work of Rabelais is embodied in a series of

chronicles, the first of which is called "Gargantua" and the second,

"Pantagruel." It is believed that these were popular names of giants in

the Middle Ages. In these books we find Rabelais's pedagogy.[77] The

giant Gargantua attends a school in which scholastic methods are

employed. The author skillfully ridicules the methods, and shows the

utter inefficiency of the instruction by contrasting the result in

Gargantua and Eudemon, a page of the king. Gargantua, a man of

fifty-five, is introduced to Eudemon, a boy of twelve. The former is

awkward, bashful, and does not know what to say, while the latter meets

Gargantua cap in hand, with open countenance, ruddy lips, steady eyes,

and with modesty becoming a youth. In reply to the polite and

intelligent conversation of the lad, Gargantua "falls to crying like a

cow, casting down his face, and hiding it with his cap." Compayre says,

"In these two pupils, so different in manner, Rabelais has personified

two contrasted methods of education: that which, by mechanical exercises

of memory, enfeebles and dulls the intelligence; and that which, with

large grants of liberty, develops intelligences and frank and open

characters."

The deficiencies of the old education (the scholastic) being thus shown,

Rabelais places his pupil under Ponocrates, Eudemon's teacher, who has

produced such practical results. He then opens up his system of pedagogy

in the plan pursued for the redemption of Gargantua.

=Realism in Education.=--Compayre's estimate of this pedagogy is as

follows: "The pedagogy of Rabelais is the first appearance of what may

be called _realism_ in instruction, in distinction from the scholastic

_formalism_. The author of 'Gargantua' turns the mind of the young man

toward objects truly worthy of occupying his attention. He catches a

glimpse of the future reserved to scientific education, and to the study

of nature. He invites the mind, not to the labored subtleties and

complicated tricks which scholasticism had brought into fashion, but to

manly efforts, and to a wide unfolding of human nature."[78]

In comparing Rabelais with Lucretius, Walter Besant says, "Both, at an

interval of fifteen hundred years, anticipated the nineteenth century

in its restless discontent of old beliefs, its fearless questioning, its

advocacy of scientific research."[79] Compayre thinks that Rabelais is

"certainly the first, in point of time, of that grand school of

educators who place the sciences in the first rank among the studies of

human thought."[80] It would seem, then, that the author of "Gargantua"

is worthy of a most honorable place among educational writers. Rabelais

began a movement, which was destined to revolutionize educational

methods.

The educational scheme of Rabelais embraced the study of letters, of

nature, of science, of morals and religion, of the physical

well-being,--in short, of everything necessary, as Herbert Spencer would

say, to complete living.

MONTAIGNE[81] (1533-1592)

Of a very different character from Rabelais was Montaigne. Rabelais was

radical and extravagant, Montaigne conservative and discreet; Rabelais

sought development of all the faculties alike, Montaigne gave preference

to the training of the judgment; Rabelais would thoroughly master every

branch of human knowledge, Montaigne was content to skim over the

sciences. And yet, Montaigne must be recognized as an important factor

in education, not only for his own teachings, but because undoubtedly

Bacon, Locke, Rousseau, and other apostles of reform were greatly

influenced by him. Bacon furthered Montaigne's theories concerning the

importance of science, and by his inductive method rendered the world a

far greater service than his great French contemporary. Locke enlarged

upon Montaigne's ideas of physical training. Rousseau accepted a vital

doctrine of Montaigne in the following words: "He (Emile) possesses a

universal capacity, not in point of actual knowledge, but in the faculty

of acquiring it; an open, intelligent genius adapted to everything, and,

as Montaigne says, if not instructed, capable of receiving instruction."

Montaigne's father was a French nobleman, who fully appreciated the

responsibility laid upon him in the education of his son. Doubtless his

training had much to do in shaping the pedagogy of the illustrious son.

It was wise, mild but firm, natural, and thorough. The tutors and

servants who surrounded him were allowed to speak only in Latin. That

tongue thus became as familiar as his native tongue. Indeed, it is said,

that at the age of six he was so proficient in the language of Cicero,

that the best Latinists of the time feared to address him. Nor was his

knowledge confined to Latin alone. He was instructed in modern lore as

well. At the age of six he was placed in the college of Guienne, where

he remained seven years. His experience there, so contrary to that under

which he had been brought up, led him to be utterly opposed to corporal

punishment. Of the methods of discipline employed in the school, he

says, "The discipline of most of our colleges has always displeased me.

They are veritable jails in which youth is held prisoner. The pupils are

made vicious by being punished before they become so. Pay a visit there

when they are at their work; you will hear nothing but cries,--children

under execution, and masters drunk with fury. What a mode of creating in

these tender and timid souls an appetite for their lessons, to conduct

them to their tasks with a furious countenance, rod in hand!--it is an

iniquitous and pernicious fashion. How much more becoming it would be

to see the classroom strewed with leaves and flowers than with

blood-stained stumps of birch rods! I would have painted up there scenes

of joy and merriment, Flora and the Graces, as Speusippus had his school

of philosophy: where they are to gain profit, there let them find

happiness too. One ought to sweeten all food that is wholesome, and put

bitter into what is dangerous."[82]

Here we find a strong plea for humane forms of punishment and a severe

criticism of the prevailing practice of flogging, a practice which did

not cease until long after Montaigne's time. It is an equally forcible

plea for beautiful and pleasant schoolrooms, decorated with works of art

intended to awaken and cultivate the aesthetic sense of the children,

while contributing to their happiness. It has been left to the educators

of the end of the nineteenth century to take up and seriously act upon

this suggestion made over three hundred years ago. "The purpose of

education," said Montaigne, "is the training, not of a grammarian, or a

logician, but of a complete gentleman." Education should be of a

practical nature. The child must become familiar with the things about

him. He must learn his own language first and then that of his

neighbors, and languages should all be learned by conversation.

A decided weakness in his system is found in his ideas concerning women.

He made no provision for their education, and, indeed, expressed great

contempt for their abilities of either mind or heart.

Montaigne's chief literary work is his "Essays." Compayre pronounces

Montaigne's pedagogy, "a pedagogy of good sense," and further adds that

he has "remained, after three centuries, a sure guide in the matter of

intellectual education."

Observation and experience were to be abundantly employed, and visits to

other lands, together with intercourse with intelligent men everywhere,

were to "sharpen our wits by rubbing them upon those of others."

To sum up, we may say that the pedagogy of Montaigne teaches the

training and use of the senses; the study of science; the learning of

the mother tongue first by conversation, and then the language of our

neighbors with whom we come in contact; the abolition of corporal

punishment, and the beautifying of schoolrooms. This surely is no small

contribution to education. His definition of education is worthy of

note. He says, "It is not the mind only, nor the body, but the whole man

that is to be educated."[83]

=Summary of Educational Progress during the Sixteenth Century.=--1.

Humanism had reached its climax and begun to decline. It stimulated

invention and discovery; it revived classic literature and put it in

such form that it could be used; it emancipated the mind; it prepared

the way for later reforms; it produced great educators such as Petrarch,

Erasmus, and Reuchlin.

2. The Reformation took up the educational work of humanism, and carried

it forward. It instituted primary education, the education of the

masses, compulsory education and parental responsibility therefor; it

asserted the right and duty of the State to demand and secure universal

education; it elevated and gave dignity to the office of teacher; it

formulated several school systems, and laid the foundation of the

present German school system. Among its great educators were Luther,

Melanchthon, Sturm, and Neander.

3. The Jesuits established a remarkable system of schools, noted for

their thoroughness, for their singleness of purpose, for their rapid

growth, and for their trained teachers. They gave little attention to

primary education, but sought to reach the higher classes. Emulation was

the principal incentive employed.

4. Opposed to the Jesuit education was that of the Port Royalists. They

appealed to the intelligence of the children and cultivated the

sense-perceptions. They invented the phonic method of spelling.

5. Sturm's celebrated course of study was introduced during this century

at Strasburg.

6. The method of double translations in learning a language was taught

by Ascham and Sturm.

7. In Rabelais we find the first appearance of _realism_, which bore

rich fruit in later scientific education.

8. Montaigne opposed the use of the rod, and taught that the schoolroom

should be made attractive. He also advocated the study of modern

languages by conversation, and gave science an honorable place in the

curriculum.

It thus appears that the sixteenth century surpassed many previous eras

in its contributions to educational progress.

FOOTNOTES:

[73] H. M. Skinner, "The Schoolmaster in Literature," p. 20.

[74] For special reference see Besant's "Rabelais."

[75] "Rabelais," 192.

[76] Ibid., 193.

[77] "Schoolmaster in Comedy and Satire," 9-33.

[78] "History of Pedagogy," p. 91.

[79] "Rabelais," p. 187.

[80] "History of Pedagogy," p. 96.

[81] See Collins, "Montaigne."

[82] Collins, "Montaigne," p. 14.

[83] A good summary of Montaigne's educational ideas may be found in

Collins's "Montaigne," p. 102.

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