XXIV

The next night Sophy acted as showman. Her part was over at the end of

the first act, and a few minutes later she slipped into a seat by John's

side behind the curtain.

"What do you think of it so far?" she asked, a little anxiously.

"It seems quite good," John replied cheerfully. "Some very clever lines,

and all that sort of thing; but I can't quite see what it's all leading

to."

Sophy peered around the house from behind the curtain.

"There isn't standing-room anywhere," she declared. "I don't suppose

there ever was a play in London that was more talked about; and then

putting it off for more than three months--why, there have been all

sorts of rumors about. Do you want to know who the people in the

audience are?"

"Not particularly," John answered. "I shouldn't know them, if you told

me. There are just a few familiar faces. I see the prince in the box

opposite."

"Did you telephone to Louise to-day?" Sophy asked.

John shook his head.

"No. I thought it better to leave her alone until after to-night."

"You are going to the supper, of course?"

"I have been asked," John replied, a little doubtfully. "I don't quite

know whether I want to. Is it being given by the prince or by the

management?"

"The management," Sophy assured him. "Do come and take me! It's going to

be rather fun."

The curtain went up upon the second act. John, from the shadows of the

box, listened attentively. The subject was not a particularly new one,

but the writing was brilliant. There was the old _Marquis de Guy_, a

roue, a degenerate, but still overbearing and full of personality, from

whose lips came some of Graillot's most brilliant sayings; Louise, his

wife; and Faraday, a friend of the old marquis, and obviously the

intended lover of his wife.

"I don't see anything so terrible in this," John remarked, as the

curtain went down once more and thunders of applause greeted some

wonderful lines of Graillot's.

"It's wonderful!" Sophy declared. "Try and bear the thread of it all in

your mind. For two acts you have been asked to focus your attention upon

the increasing brutality of the marquis. Remember that, won't you?"

"Not likely to forget it," John replied. "How well they all act!"

There was a quarter of an hour's interval before the curtain rose again.

Rumors concerning the last act had been floating about for weeks, and

the house was almost tense with excitement as the curtain went up. The

scene was the country _chateau_ of the _Marquis de Guy_, who brought a

noisy crowd of companions from Paris without any warning. His wife

showed signs of dismay at his coming. He had brought with him women whom

she declined to receive.

The great scene between her husband and herself took place in the square

hall of the _chateau_, on the first floor. The marquis is on the way to

the room of one of his guests. Louise reaffirms her intention of

leaving the house. Her husband laughs at her. Her position is helpless.

"What can you do?" he mocks.

She shrugs her shoulders and passes into her room. The marquis sinks

upon a settee, and presently is joined by one of the ladies who have

traveled with him from Paris. He talks to her of the pictures upon the

wall. She is impatient to meet the _Marquis de Guy_.

The marquis knocks at his wife's door. Her voice is heard clearly, after

a moment's pause.

"In a few minutes!" she replies.

The marquis resumes his flirtation. His companion becomes impatient--the

marquis has pledged his word that she should be received by his wife. An

ancient enmity against the _Marquis de Guy_ prompts her to insist.

The marquis shrugs his shoulders and knocks more loudly than ever at his

wife's door. She comes out--followed by Faraday.

"You asked me what I could do," she says, pointing to her lover. "You

see now!"

There was a moment's breathless silence through the house. The scene in

itself was a little beyond anything that the audience had expected.

Sophy, who had been leaning over the edge of the box, turned around in

no little anxiety. She heard the door slam. John had disappeared!

He left the theater with only his hat in his hand, turning up his coat

by instinct as he passed through the driving rain. All his senses seemed

tingling with some nameless horror. The brilliance of the language, the

subtlety of the situation, seemed like some evil trail drawn across that

one horrible climax. It was Louise who had come from that room and

pointed to Faraday! Louise who confessed herself a--

He broke out into language as he walked. The desire of Samson burned in

his heart--to stride back into the theater, to smash the scenery, to

throw the puppets from the stage, one by one, to end forever this

ghastly, unspeakable play. And all the time the applause rang in his

ears. He had read with one swift glance the tense interest--almost

lascivious, it seemed to him--on the faces of that great audience. The

scene had tickled their fancies. It was to pander to such base feelings

that Louise was upon the stage!

He reached his rooms--he scarcely knew how--and walked up-stairs. There

he threw off some of his dripping garments, opened the window wide, and

stood there.

He looked out over the Thames, and there was a red fire before his eyes.

Stephen was right, he told himself. There was nothing but evil to be

found here, nothing but bitter disappointment, nothing but the pain

which deepens into anguish. Better to remain like Stephen, unloving and

unloved, to draw nearer to the mountains, to find joy in the crops and

the rain and the sunshine, to listen stonily to the cry of human beings

as if to some voice from an unknown world.

He leaned a little further from the window, and gazed into the court at

a dizzy depth below. He had cut himself adrift from the peace which

might have been his. He would never know again the joys of his earlier

life. It was for this that he had fought so many battles, clung so

tightly to one ideal--for Louise, who could show herself to any one who

cared to pay his shilling or his half-guinea, glorying in her dishonor;

worse than glorying in it--finding some subtle humor in the little

gesture with which she had pointed, unashamed, to her lover.

John bent a little lower from the window. A sudden dizziness seemed to

have come over him. Then he was forced to turn around. His door had been

quickly opened and shut. It was Sophy who was crossing toward him, the

rain streaming from her ruined opera-cloak.

"John!" she cried. "Oh, John!"

She led him back to his chair and knelt by his side. She held his hands

tightly.

"You mustn't feel like this," she sobbed; "you mustn't, John, really!

You don't understand. It's all a play. Louise wouldn't really do

anything like that!"

He shivered. Nevertheless, he clutched her hands and drew her closer to

him.

"Do, please, listen to me," she begged. "It's all over. Louise is

herself again--Louise Maurel. The _Marquis de Guy_ never lived except

upon these boards. It is simply a wonderful creation. Any one of the

great actresses would play that part and glory in it--the very greatest,

John. Oh, it's so hard to make you understand! Louise is waiting for

you. They are all waiting at the supper-party. You are expected. You

must go and tell her that you think it was wonderful!"

He rose slowly to his feet.

"Wonderful!" he muttered. "Wonderful! But, child, it is damnable!"

"Don't be foolish," she answered. "Go and put on another dress coat, tie

your tie again, and brush your hair. I have come to take you to the

supper."

He caught at her hands roughly.

"Supposing I won't go?" he whispered hoarsely. "Supposing--I keep you

here instead, Sophy?"

She swayed for a moment. Something flashed into her face and passed

away. She was paler than ever.

"Dear John," she begged, "pull yourself together! Remember that Louise

is waiting for you. It's Louise you want--not me. Nothing that she has

done to-night should make her any the less worthy of you and your love."

He strode away into the farther room. He reappeared in a moment or two,

his hair smoothly brushed, his tie newly arranged.

"I'll come, little girl," he promised. "I don't know what I'll say to

her, but I'll come. There can't be any harm in that!"

"Of course not," she answered cheerfully. "You're the most terrible

goose, John," she added, as they walked down the corridor. "Do, please,

lose your tragical air. The whole world is at Louise's feet to-night.

You mustn't let her know how absurdly you have been feeling. To-morrow

you will find that every paper in London will be acclaiming her genius."

John squared his shoulders.

"All the same," he declared grimly, "if I could burn the theater and the

play, and lock up Graillot for a month, to-night, I'd do it!"

The Hillman · 第 26 / 44 题