LETTER XXIV.

NAPLES, _November_ 9_th_.

We made our excursion to Pompeii, passing through Portici, and over the

last lava of Mount Vesuvius. I experienced a strange mixture of

sensations, on surveying at once the mischiefs of the late eruption, in

the ruin of villages, farms, and vineyards; and all around them the most

luxuriant and delightful scenery of nature. It was impossible to resist

the impressions of melancholy from viewing the former, or not to admit

that gaiety of spirits which was inspired by the sight of the latter. I

say nothing of the Museum at Portici, which we saw in our way, on account

of the ample description of its contents already given to the public, and

because it should be described no otherwise than by an exact catalogue,

or by an exhibition of engravings. An hour and half brought us from this

celebrated repository to Pompeii. Nothing can be conceived more

delightful than the climate and situation of this city. It stands upon a

gently-rising hill, which commands the bay of Naples, with the islands of

Caprea and Ischia, the rich coasts of Sorento, the tower of Castel a

Mare; and on the other side, Mount Vesuvius, with the lovely country

intervening. It is judged to be about an Italian mile long, and three

and a half in circuit. We entered the city at the little gate which lies

towards Stabiæ. The first object upon entering is a colonnade round a

square court, which seems to have formed a place of arms. Behind the

colonnade is a series of little rooms, destined for the soldiers’

barracks. The columns are of stone, plaistered with stucco and coloured.

On several of them we found names scratched in Greek and Latin; probably

those of the soldiers who had been quartered there. Helmets and armour

for various parts of the body were discovered amongst the skeletons of

some soldiers, whose hard fate had compelled them to wait on duty, at the

perilous moment of the city’s approaching destruction. Dolphins and

tridents, sculptured in relief on most of these relics of armour, seem to

show that they had been fabricated for naval service. Some of the

sculptures on the arms, probably belonging to officers, exhibit a greater

variety of ornaments. The taking of Troy, wrought on one of the helmets,

is beautifully executed; and much may be said in commendation of the work

of several others.

We were next led to the remains of a temple and altar near these

barracks. From thence to some rooms floored (as indeed were almost all

that have been cleared from the rubbish) with tesselated mosaic pavements

of various patterns, and most of them of very excellent execution. Many

of these have been taken up, and now form the floors of the rooms in the

Museum at Portici, whose best ornaments of every kind are furnished from

the discoveries at Pompeii. From the rooms just mentioned we descended

into a subterraneous chamber, communicating with a bathing apartment. It

appears to have served as a kind of office to the latter. It was

probably here that the clothes used in bathing were washed. A fireplace,

a capacious cauldron of bronze, and earthen vessels, proper for that

purpose, found here, have given rise to the conjecture. Contiguous to

this room is a small circular one with a fireplace, which was the stove

to the bath. I should not forget to tell you that the skeleton of the

poor laundress (for so the antiquaries will have it), who was very

diligently washing the bathing clothes at the time of the eruption, was

found lying in an attitude of most resigned death, not far from the

washing cauldron in the office just mentioned.

We were now conducted to the temple, or rather chapel, of Isis. The

chief remains are a covered cloister; the great altar on which was

probably exhibited the statue of the goddess; a little edifice to protect

the sacred well; the pediment of the chapel, with a symbolical vase in

relief; ornaments in stucco, on the front of the main building,

consisting of the lotus, the sistrum, representations of gods,

Harpocrates, Anubis, and other objects of Egyptian worship. The figures

on one side of this temple are Perseus with the Gorgon’s head; on the

other side, Mars and Venus, with Cupids bearing the arms of Mars. We

next observe three altars of different sizes. On one of them is said to

have been found the bones of a victim unconsumed, the last sacrifice

having probably been stopped by the dreadful calamity which had

occasioned it. From a niche in the temple was taken a statue of marble:

a woman pressing her lips with her forefinger. Within the area is a

well, where the priest threw the ashes of the sacrifices. We saw in the

Museum at Portici some lovely arabesque paintings, cut from the walls of

the cloister. The foliage which ran round the whole sweep of the

cloister itself is in the finest taste. A tablet of basalt with Egyptian

hieroglyphics was transported from thence to Portici, together with the

following inscription, taken from the front gate of the chapel:

N. POPIDUS N. F. CELSINUS.

AEDEM ISIDIS TERRAE MOTU COLLAPSAM

A FUNDAMENTO P. SUA RESTITUIT

HUNC DECURIONES OB LIBERALITATEM

CUM ESSET ANNORUM SEX ORDINI SUO

GRATIS ADLEGERUNT.

Behind one of the altars we saw a small room, in which, our guide

informed us, a human skeleton had been discovered, with some fish bones

on a plate near it, and a number of other culinary utensils. We then

passed on to another apartment, almost contiguous, where nothing more

remarkable had been found than an iron crow: an instrument with which

perhaps the unfortunate wretch, whose skeleton I have mentioned above,

had vainly endeavoured to extricate herself, this room being probably

barricaded by the matter of the eruption. This temple, rebuilt, as the

inscription imports, by N. Popidius, had been thrown down by a terrible

earthquake, that likewise destroyed a great part of the city (sixteen

years before the famous eruption of Vesuvius described by Pliny, which

happened in the first year of Titus, A.D. 79) and buried at once both

Herculaneum and Pompeii. As I lingered alone in these environs sacred to

Isis, some time after my companions had quitted them, I fell into one of

those reveries which my imagination is so fond of indulging; and

transporting myself seventeen hundred years back, fancied I was sailing

with the elder Pliny, on the first day’s eruption, from Misenum, towards

Retina and Herculaneum; and afterwards towards the villa of his friend

Pomponianus at Stabiæ. The course of our galley seldom carried us out of

sight of Pompeii, and as often as I could divert my attention from the

tremendous spectacle of the eruption, its enormous pillar of smoke

standing conically in the air, and tempests of liquid fire continually

bursting out from the midst of it, then raining down the sides of the

mountain, and flooding this beautiful coast with innumerable streams of

red-hot lava, methought I turned my eyes upon this fair city, whose

houses, villas, and gardens, with their long ranges of columned courts

and porticos, were made visible through the universal cloud of ashes, by

lightning from the mountain; and saw its distracted inhabitants, men,

women, and children, running to and fro in despair. But in one spot, I

mean the court and precincts of the temple, glared a continual light. It

was the blaze of the altars; towards which I discerned a long-robed train

of priests moving in solemn procession, to supplicate by prayer and

sacrifice, at this destructive moment, the intervention of Isis, who had

taught the first fathers of mankind the culture of the earth, and other

arts of civil life. Methought I could distinguish in their hands all

those paintings and images, sacred to this divinity, brought out on this

portentous occasion, from the subterraneous apartments and mystic cells

of the temple. There was every form of creeping thing and abominable

beast, every Egyptian pollution which the true prophet had seen in

vision, among the secret idolatries of the temple at Jerusalem. The

priests arrived at the altars; I saw them gathered round, and purifying

the three at once with the sacred meal; then, all moving slowly about

them, each with his right hand towards the fire: it was the office of

some to seize the firebrands of the altars, with which they sprinkled

holy water on the numberless bystanders. Then began the prayers, the

hymns, and lustrations of the sacrifice. The priests had laid the

victims with their throats downward upon the altars; were ransacking the

baskets of flour and salt for the knives of slaughter, and proceeding in

haste to the accomplishment of their pious ceremonies;—when one of our

company, who thought me lost, returned with impatience, and calling me

off to some new object, put an end to my strange reverie. We were now

summoned to pay some attention to the scene and corridor of a theatre,

not far from the temple. Little more of its remains being yet cleared

away, we hastened back to a small house and garden in the neighbourhood

of Isis. Sir W. Hamilton (in his account of Pompeii communicated to the

Society of Antiquaries), when speaking of this house, having taken

occasion to give a general idea of the private mansions of the ancient

citizens, I shall take the liberty of transcribing the whole passage. “A

covered cloister, supported by columns, goes round the house, as was

customary in many of the houses at Pompeii. The rooms in general are

very small, and in one, where an iron bedstead was found, the wall had

been pared away to make room for this bedstead; so that it was not six

feet square, and yet this room was most elegantly painted, and had a

tesselated or mosaic floor. The weight of the matter erupted from Mount

Vesuvius has universally damaged the upper parts of the houses; the lower

parts are mostly found as fresh as at the moment they were buried. The

plan of most of the houses at Pompeii is a square court, with a fountain

in the middle, and small rooms round, communicating with that court. By

the construction and distribution of the houses, it seems, the

inhabitants of Pompeii were fond of privacy. They had few windows

towards the street, except where, from the nature of the plan, they could

not avoid it; but even in that case the windows were placed too high for

anyone in the streets to overlook them. Their houses nearly resemble

each other, both as to distribution of plan, and in the manner of

finishing the apartments. The rooms are in general small, from ten to

twelve feet, and from fourteen to eighteen feet; few communications

between room and room, almost all without windows, except the apartments

situated to the gardens, which are thought to have been allotted to the

women. Their cortiles, or courts, were often surrounded by porticos,

even in very small houses; not but there were covered galleries before

the doors of their apartments to afford shade and shelter. No timber was

used in finishing their apartments, except in doors and windows. The

floors were generally laid in mosaic work. One general taste prevailed

of painting the sides and ceilings of the rooms. Small figures and

medallions of low relief were sometimes introduced. Their great variety

consisted in the colours, and in the choice and delicacy of the

ornaments, in which they displayed great harmony and taste. Their houses

were some two, others three stories high.”

We now pursued our way through what is with some probability thought to

have been the principal street. Its narrowness, however, surprised me.

It is scarcely eleven feet wide, clear of the footways raised on each

side of it. The pavement is formed of a large sort of flattish-surfaced

pebbles; not laid down with the greatest evenness or regularity. The

sideways may be about a yard wide, each paved, irregularly enough, with

small stones. There are guard stones at equal intervals, to defend the

foot passengers from carriages and horses. I cannot say I found anything

either elegant or pleasant in the effect of this open street. But, as

the houses in general present little more than a dead wall towards it, I

do not imagine any views, beyond mere use and convenience, were consulted

in the plan. It led us, however, through the principal gate or entrance,

to a sort of Villa Rustica, without the limits of the city, which amply

recompensed our curiosity. The arcade surrounding a square garden, or

courtyard, offers itself first to the observer’s notice. Into this open

a number of coved rooms, adorned with paintings of figures and

arabesques. These rooms, though small, have a rich and elegant

appearance, their ornaments being very well executed, and retaining still

their original freshness. On the top of the arcade runs a walk or open

terrace, leading to the larger apartments of the higher story. One of

the rooms below has a capacious bow-window, where several panes of glass,

somewhat shattered, were found, but in sufficient preservation to show

that the ancients were not without knowledge of this species of

manufacture. As Horace and most of the old Latin Poets dwell much on the

praises of ancient conviviality, and appear to have valued themselves

considerably on their connoisseurship in wine, it was with great pleasure

I descended into the spacious cellars, sunk and vaulted beneath the

arcade above-mentioned. Several earthen amphoræ were standing in rows

against the walls, but the Massic and Falernian with which they were once

stored, had probably long been totally absorbed by the earth and ashes,

which were now the sole contents of these venerable jars. The ancients

are thought to have used oil, instead of corks, and that the stoppers

were of some matter that could make but little resistance, seems

confirmed by the entrance of that, which now supplied the place with

wine. The skeletons of several of the family who had possessed this

villa were discovered in the cellar, together with brass and silver

coins, and many such ornaments of dress as were of more durable

materials. On re-ascending, we went to the hot and cold baths; thence to

the back of the villa, separated by a passage from the more elegant part

of the house; we were shown some rooms which had been occupied by the

farmer, and from whence several implements of agriculture had been

carried, to enrich the collection at Portici. On the whole, the plan and

construction of this villa are extremely curious, and its situation very

happily chosen. I could not, however, help feeling some regret, in not

having had the good fortune to be present at the first discovery. It

must have been highly interesting to see all its ancient relics (the

greatest part of which are now removed) each in its proper place; or, at

least, in the place they had possessed for so long a course of years.

His Sicilian Majesty has ordered a correct draught of this villa to be

taken, which, it is hoped, will one day be published, with a complete

account of all the discoveries at Pompeii.

Our next walk was to see the Columbarium, a very solemn looking edifice,

where probably the families of higher rank only at Pompeii, deposited the

urns of their deceased kindred. Several of these urns, with their ashes,

and one among the rest of glass, inclosed in another of earth, were dug

out of the sepulchral vaults. A quantity of marble statues, of but

ordinary execution, and colossal masks of terra-cotta, constituted the

chief ornaments of the Columbarium. It is situated without the gates, on

the same side of the city as the villa just described. There is

something characteristically sad in its aspect. It threw my mind into a

melancholy, but not disagreeable tone. Under the mixed sentiments it

inspired, I cast one lingering look back on the whole affecting scene of

ruins, over which I had for several hours been rambling, and quitted it

to return to Naples, not without great reluctance.

Dreams, Waking Thoughts, and Incidents · 第 25 / 38 题