CHAPTER XVI.

VISIT TO EATON HALL.—THE LARGEST ARCH IN THE WORLD.—THE OUTER

PARK.—BACKWOODS’ FARMING.—THE DEER PARK.—THE HALL.—THE PARTERRE.—

THE LAWN.—THE FRUIT GARDEN.—STABLES.

[Sidenote: _LANDSCAPE GARDENING._]

In the afternoon we walked to Eaton park.

Probably there is no object of art that Americans of cultivated

taste generally more long to see in Europe, than an English park.

What artist, so noble, has often been my thought, as he, who with

far-reaching conception of beauty and designing power, sketches the

outline, writes the colours, and directs the shadows of a picture so

great that Nature shall be employed upon it for generations, before the

work he has arranged for her shall realize his intentions.

Eaton hall and park is _one_ of the seats of the Marquis of

Westminster, a very wealthy nobleman, who has lately been named “Lord

High Chamberlain to her Majesty,” a kind of state-housekeeper or

steward, I take it—an office which Punch, and a common report of a

niggardly disposition in his private affairs, deems him particularly

appropriate to.

We left town by the new, or Grosvenor bridge—a simple, grand, and every

way excellent work, crossing the Dee by a single arch, which we are

told is the largest in the world. It is entirely free from decorative

ornament, and the effect of it, as seen looking from the river side,

is most imposing. I know of nothing in America to compare with it. It

was built by the marquis, whose family name is Grosvenor, at a cost of

$180,000 (£36,000). The designer was Thomas Harrison, an architect of

note, who formerly lived in Chester.[13]

[13] The main arch spans two hundred feet, and its height is forty

feet, and there two dry arches, each twenty feet wide and forty feet

high. From the surface of the water to the road is over sixty feet.

The parapet walls are three hundred and fifty feet long, with a

carriage-way and foot-path between, of thirty feet.

By the side of the road we found an oratory, or small chapel, building,

and gardeners laying out grounds for a rural cemetery. Beyond this we

came to the great castellated edifice that I have before spoken of as

the gateway to the park. Such we were told it was, and were therefore

surprised to find within only a long, straight road, with but tolerable

mowing lots alternating by the side of it, with thick plantations of

trees, no way differing from the twenty-year old natural wood of my

own farm, except that hollies, laurels, and our common dog-wood were

planted regularly along the edge. After a while we pushed into this

wood, to see if we could not scare up some of the deer. We soon saw

daylight on the outside, and about twelve rods from the road, came

to an open field, separated from the road only by a common Yankee

three-rail fence, which I had not expected to see in England; very poor

it was too, at that.

A stout boy, leaning heavily on the stilts, was ploughing the

stubble-ground (apparently a _summer fallow_). We jumped over and asked

what crop the ground was preparing for. The horses stopped of their own

accord when we spoke. The boy turned and sat upon the stilts-brace, and

then answered—“Erdnow.”

[Sidenote: _GENTLEMAN FARMING.—PARK SCENERY._]

The same answer, or some other sounds that we could not guess the

meaning of, followed several other questions. The plough had a wooden

beam, bound round with hoop iron. The horses, one black and the other

white, seemed to be worn-out hacks; the harness was mended with bits

of rope; the furrows were crooked and badly turned. Altogether, a

more unfarmer-like turn-out, and a worse piece of work I never saw in

our own backwoods. When we last saw the ploughman, he had taken off

his woollen cap and seemed about lighting a pipe, and the horses were

beginning to nibble at the stubble, which stuck up in tufts all over

the ploughed ground. In getting back to the road we crossed a low spot,

sinking ankle deep in mire, and noticed several trees not eight inches

thick, which showed signs of decay.

We tramped on for several miles through this tame scenery and most

ungentlemanly farming, until it became really tiresome. At length the

wood fell back, and the road was lined for some way with a double row

of fine elms. Still no deer. A little further, and we came to a cottage

most beautifully draped with ivy; passed through another gate. Ah! here

is the real park at last.

A gracefully, irregular, gently undulating surface of close-cropped

pasture land, reaching way off inimitably; dark green in colour;

very old, but not very large trees scattered singly and in groups—so

far apart as to throw long unbroken shadows across broad openings of

light, and leave the view in several directions unobstructed for a

long distance. Herds of fallow-deer, fawns, cattle, sheep, and lambs

quietly feeding near us, and moving slowly in masses at a distance; a

warm atmosphere, descending sun, and sublime shadows from fleecy clouds

transiently darkening in succession, sunny surface, cool woodside,

flocks and herds, and foliage.

The road ran on winding through this. We drew a long breath, and walked

slowly for a little way, then turned aside at the nearest tree, and lay

down to take it all in satisfactorily. Then we rose and went among

the deer. They were small and lean, all with their heads down feeding.

Among them was one pure white fawn. I believe none of them had antlers,

or more than mere prongs. They seemed to be quite as tame as the sheep;

but suddenly, as we came still nearer, all, as if one, raised high

their heads, and bounded off in a high springing gallop. After going

a few rods, one stopped short, and facing about, stood alone with

ears erect, and gleaming eyes, intent upon us. A few rods further the

whole herd stopped and stood in the same way, looking at us. One by

one the heads again dropped; a fawn stepped out from among them; the

one nearest us turned and trotted to it, and then all fell quietly to

feeding again.

The sheep were of a large, coarse-woolled variety, some of them nearly

as large, only not standing quite so high, as the deer—not handsome at

all (as sheep) even for a mutton breed; but in groups at a distance,

and against the shadows, far prettier than the deer. The cattle were

short horned, large, dapple skinned, sleek, and handsome, but not

remarkable.

We concluded that the sheep and cattle were of the most value for their

effect in the landscape; but it was a little exciting to us to watch

the deer, particularly as we would some times see them in a large herd

leisurely moving across an opening among the trees, a long way off, and

barely distinguishable; or still more when one, two, or three, which

had been separated from a nearer herd, suddenly started, and dashed

wildly by us, within pistol shot.

“I don’t think they are as large as our Maine fallow deer.”

“I wonder if they’d taste as good as they did _that night_.”

“Well, I reckon not—no hemlock to toast them over.”

“Or to sleep on afterwards, eh!”

“And no wolves to keep you awake.”

“No! How the bloody rascals did howl that night though, didn’t they?”

[Sidenote: _ETON HALL.—THE POINTED GOTHIC._]

Following the carriage road, we came near a mass of shrubbery, over and

beyond which the trees were closer and taller. It was separated from

the deer park by an iron fence. Passing this by another light gate, and

through a screen of thick underwood, we found ourselves close to the

entrance front of the Hall.

“It is considered the most splendid specimen of the pointed Gothic.

It consists of a centre and three stories, finished with octagonal

turrets, connected with the main part by lofty intermediate towers,

the whole enriched by buttresses, niches, and pinnacles, and adorned

with elaborately carved heraldic designs, fretwork, and foliage,

surmounted throughout by an enriched battlement.”

So much from the Guide Book. It is not my business to attempt a

criticism of “the finest specimen of the pointed Gothic” in England;

but I may honestly say that it did not, as a whole, produce the

expected effect of grandeur or sublimity upon us, without trying to

find reasons for the failure. Even when we came to look at it closely,

we found little to admire. There was no great simple beauty in it as a

mass, nor yet vigorous original character enough in the details to make

them an interesting study. The edifice is long and low, and covered

with an immense amount of meaningless decoration.

Such was our first impression, and we were greatly disappointed, you

may be sure. We admired it more afterwards on the other side, from the

middle of a great garden, where it seems to stand much higher, being

set up on terraces, and gaining much, I suspect, from the extension

of architectural character to the grounds in its front. Here we

acknowledged a good deal of magnificence in its effect. Still it seemed

as if it might have been obtained in some other style, with less

labour, and was much frittered away in the confusion of ornament.

This garden is a curiosity. It is in the geometrical style, and covers

eight acres, it is said, though it does not seem nearly that to the

eye. It is merely a succession of small arabesque figures of fine

grass or flower beds, set in hard, rolled, dark-coloured gravel. The

surface, dropping by long terraces from the steps of the hall to the

river, is otherwise only varied by stiff pyramidal yews and box, and

a few vases. On the whole, the effect of it in connection with the

house, and looking towards it, is good, more so than I should have

expected; and it falls so rapidly, that it affects the landscape seen

in this direction _from_ the house but very little. This is exquisitely

beautiful, looking across the Dee, over a lovely valley towards some

high, blue mountains. From other parts of the hall grand vistas open

through long avenues of elms, and there are some noble single trees

about the lawn.

This English elm is a much finer tree than I had been aware of—very

tall, yet with drooping limbs and fine thick foliage; not nearly as

fine as a single tree as our elm, but even more effective, I think, in

masses, because thicker and better filled out in its general outline.

The hall was undergoing extensive alterations and repairs; and all the

grounds immediately about it, except the terrace garden, were lumbered

up with brick and stone, and masons’ sheds, and in complete confusion.

Being Saturday, all the workmen had left, and it was long before we

could find any one about the house. We had got very thirsty, and

considering that such a place would not be left without any tenants,

determined to rouse them out and get a drink. After hammering for some

time at a door under the principal entrance, a woman came and opened it

a few inches, and learning our wish, brought us a glass of water, which

she passed out through the narrow opening, never showing her face. We

were amused at this, which she perceiving, told us the door was chained

and padlocked, so she could not open it wider.

[Sidenote: _BOX STABLES._]

Soon after, while looking for an entrance to the fruit garden, we met

a gamekeeper, who was followed by a pet cub fox. He very obligingly,

and with a gentlemanly manner showed us through such parts of the

establishment as he was able to. There was nothing remarkable in

the gardens or glass-houses, except some very large and wonderfully

well-trained fruit trees on walls. Every thing was neglected now,

however, and we did no more than glance at them. There were some new

stables nearly finished, the plans of which I studied with interest.

Each horse is to have a private box for himself. I do not recollect the

exact size, but it is at least twelve feet square on the floor, and

more than that high. In the ceiling is a ventilator, and in one corner

an iron rack for hay (much like a fire-grate), and there is probably

intended to be a small manger for fine and wet feed. There is a grating

for drainage in the floor, and, besides these, no other fixtures

whatever. The horse is to be left free within the walls.

Walks and talks of an American farmer in England (Part 1 of 2) · 第 16 / 30 章