And Joel smiled, and said quietly: "Yes--with happier times to come."

She looked up at him wistfully. "You'll be good to me, won't you, Joel?"

He patted her shoulder.

They were married in the big old white church, and every pew was filled.

Afterwards they all went down to the piers, where Asa Worthen had spread

long tables and loaded them so that they groaned. Alongside lay the

_Nathan Ross_, her decks littered with the last confusion of preparation.

Joel showed Priscilla the lumber for the cabin alterations, ranked along

the rail beneath the boathouse; and she gripped his arm tight with both

hands. Afterwards, he took Priscilla up the hill to the great House of

Shore. Rachel had prepared their wedding supper there....

At a quarter before ten o'clock the next morning, the _Nathan Ross_ went

out with the tide. When she had cleared the dock and was fairly in the

stream, Joel gave her in charge of Jim Finch; and he and Priscilla stood

in the after house, astern, and looked back at the throng upon the pier

until the individual figures merged into a black mass, pepper-and-salted

with color where the women stood. They could see the handkerchiefs

flickering, until a turn of the channel swept them out of sight of the

town, and they drifted on through the widening mouth of the bay, toward

the open sea. At dusk that night, there was still land in sight behind

them and on either side; but when Priscilla came on deck in the morning,

there was nothing but blue water and laughing waves. And so she was

homesick, all that day, and laughed not at all till the evening, when the

moon bathed the ship in silver fire, and the white-caps danced all about

them.

The _Nathan Ross_ was in no sense a lovely ship. There was about her none

of the poetry of the seas. She was designed strictly for utility, and for

hard and dirty toil. Blunt she was of bow and stern, and her widest point

was just abeam the foremast, so that she had great shoulders that

buffeted the sea. These shoulders bent inward toward the prow and met in

what was practically a right angle; and her stern was cut almost straight

across, with only enough overhang to give the rudder room. Furthermore,

her masts had no rake. They stood up stiff and straight as sore thumbs;

and the bowsprit, instead of being something near horizontal, rose toward

the skies at an angle close to forty-five degrees. This bowsprit made the

_Nathan Ross_ look as though she had just stubbed her toe. She carried

four boats at the davits; and two spare craft, bottom up, on the

boathouse just forward of the mizzenmast. Three of the four at the davits

were on the starboard side, and since they were each thirty feet long,

while the ship herself was scarce a hundred and twenty, they gave her a

sadly cluttered and overloaded appearance. For the rest, she was painted

black, with a white checkerboarding around the rail; and her sails were

smeared and smutty with smoke from burning blubber scraps.

Nevertheless, she was a comfortable ship, and a dry one. She rode waves

that would have swept a vessel cut on prouder lines; and she was

moderately steady. She was not fast, nor cared to be. An easy five or six

knots contented her; for the whole ocean was her hunting ground, and

though there were certain more favored areas, you might meet whales

anywhere. Give her time, and she would poke that blunt nose of hers right

'round the world, and come back with a net profit anywhere up to a

hundred and fifty thousand dollars in her sweating casks.

Priscilla Holt knew all these things, and she respected the _Nathan Ross_

on their account. But during the first weeks of the cruise, she was too

much interested in the work on the cabin to consider other matters. Old

Aaron Burnham, the carpenter, did the work. He was a wiry little man,

gray and grizzled; and he loved the tools of his craft with a jealous

love that forbade the laying on of impious hands. Through the long, calm

days, when the ship snored like a sleep-walker through the empty seas,

Priscilla would sit on box or bench or floor, and watch Aaron at his

task, and ask him questions, and listen to the old man's long stories of

things that had come and gone.

Sometimes she tried to help him; but he would not let her handle an edged

tool. "Ye'll no have the eye for it," he would say. "Leave it be." Now

and then he let her try to drive a nail; but as often as not she missed

the nail head and marred the soft wood, until Aaron lost patience with

her. "Mark you," he cried, "men will see the scar there, and they'll be

thinking I did this task with my foot, Ma'am."

And Priscilla would laugh at him, and curl up with her feet tucked under

her skirts and her chin in her hands, and watch him by the long hour on

hour.

The task dragged on; it seemed to her endless. For Aaron had other work

that must be done, and he could give only his spare time to this. Also,

he was a slow worker, accustomed to take his own time; and when Priscilla

grew impatient and scolded him, the old man merely sat back on his knees,

and scratched his head, and tapped thoughtfully with his hammer on the

floor beside him.

"We-ell, Ma'am," he said, "I do things so, and I do things so; and it

takes time, that does, Ma'am."

Now and then, through those days, Priscilla's enthusiasm would send her

skittering up the companion to fetch Joel to see some new wonder--a

window set in the stern, or a bench completed, or a door hung. And Joel,

looking far oftener at Priscilla than at the object she wished him to

consider, would chuckle, and touch her shoulder affectionately, and go

back to his post.

In the sixth week, the last nail had been driven, and the last lick of

paint was dry. In the result, Priscilla was as happy as a bride has a

right to be.

Across the very stern of the ship, with windows looking out upon the

wake, ran what might have been called a sitting room. It was perhaps

twenty feet wide and eight feet deep; and its rear wall--formed by the

overhanging stern--sloped outward toward the ceiling. Against this slope,

beneath the three windows, a broad, cushioned bench was built, to serve

as couch or seat. The bench was broken in one place to make room for

Joel's desk, and the cabinet wherein he kept his records and his

instruments. Priss had put curtains on the windows; and she had a lily,

in a pot, at one of them, and a clump of pansies at another. Joel's cabin

opened off this compartment, on the starboard side; hers was opposite.

The main cabin, with its folding table built about the thick butt of the

mizzenmast, had been extended forward to make room for the enlargement of

this stern apartment; and the mates were quartered off this main cabin.

The galley and the store rooms were on the main deck, in the after house,

on either side of the awkward "walking wheel" by which the ship was

steered; and the cabin companion was just forward of this wheel.

There were aboard the _Nathan Ross_ about thirty men, all told; but the

most of them were not of Priscilla's world. The foremast hands never came

aft of the try works, save on tasks assigned; and the secondary

officers--boat-steerers and the like--slept in the steerage and kept

forward of the boathouse. Thus the after deck was shared only by

Priscilla and Joel, the mates, the cook, and old Aaron, who was a man of

many privileges.

This world, Priscilla ruled. Joel adored her; Jim Finch gave her the

clumsy homage of a puppy--and was at times just as oppressively amiable.

Old Aaron talked to her by the hour, while he went about his work. And

the other mates--Varde, the sullen; and Hooper, who was old and losing

his grip; and Dick Morrell, who was young and finding his--paid her the

respect that was her due. Young Morrell--he was not even as old as she

was--helped her on her first climb to the mast head. He was only a

boy.... The girl, when the first homesick pangs were past, was happy.

Until the day they killed their whale, a seventy-barrel cachalot cow who

died as peaceably as a chicken, with only a convulsive flop or two when

the lances found the life. Priscilla took a single glimpse of the

shuddering, bloody, oily work of cutting in the carcass, and then she

fled to her cabin and remained there steadfastly until the long task was

done. The smoke from the bubbling try pots, and the persistent smell of

boiling blubber sickened her; and the grime that descended over

everything appalled her dainty soul. Not until the men had cleaned ship

did she go on deck again; and even then she scolded Joel for the affair

as though it were a matter for which he was wholly to blame.

"There just isn't any sense in making so much dirt," she told him. "I've

had to wash out every one of my curtains; and I can't ever get rid of

that smell."

Joel chuckled. "Aye, the smell sticks," he agreed. "But you'll be used to

it soon, Priss. You'll come to like it, I'm thinking. Any case, we'll not

be rid of it while the cruise is on."

She was so angry that she wanted to cry. "Do you actually mean, Joel

Shore, that I've got to live with that sickening, hot-oil smell for

th-three years?"

He nodded slowly. "Yes, Priss. No way out of it. It's part of the work.

Come another month, and you'll not mind at all."

She said positively: "I may not say anything, but I shall always hate

that smell."

His eyes twinkled slowly; and she stamped her foot. "If I'd known it was

going to be like this, I wouldn't have come, Joel. Now don't you laugh at

me. If there was any way to go back, I'd go. I hate it. I hate it all.

You ought not to have brought me...."

They were on the broad bench across the stern, in their cabin; and he put

his big arm about her shoulders and laughed at her till she could do no

less than laugh back at him. But--she assured herself of this--she was

angry, just the same. Nevertheless, she laughed....

Joel had put the _Nathan Ross_ on the most direct southward course,

touching neither Azores nor Cape Verdes. For it was in his mind, as he

had told Asa Worthen, to make direct for the Gilbert Islands and seek

some trace of his brother there. That had been his plan before he left

port; but the plan had become determination after a word with Aaron

Burnham, one day. Joel, resting in the cabin while old Aaron worked

there, fell to thinking of his brother, and so asked:

"Aaron, what is your belief about my brother, Mark Shore? Is he dead?"

Aaron was building, that day, the forward partition of the new cabin,

fitting his boards meticulously, and driving home each nail with hammer

strokes that seemed smooth and effortless, yet sank the nail to the head

in an instant. He looked up over his shoulder at Joel, between nails.

"Dead, d'ye say?" he countered quizzically.

All the Brothers Were Valiant · 第 18 / 57 题