HENRY G. BOHN.

_York Street, January, 1850._

AUTHOR’S PREFACE,

TO THE FIRST EDITION.

With some diffidence, I here present to the public a series of papers

which originated in the presence of the noblest objects of nature,—on

the Ocean,—in the forests of the Orinoco,—in the Savannahs of

Venezuela,—and in the solitudes of the Peruvian and Mexican Mountains.

Several detached fragments, written on the spot, have since been wrought

into a whole. A survey of nature at large,—proofs of the co-operation of

forces,—and a renewal of the enjoyment which the immediate aspect of the

tropical countries affords to the susceptible beholder,—are the objects

at which I aim. Each Essay was designed to be complete in itself; and

one and the same tendency pervades the whole. This æsthetic mode of

treating subjects of Natural History is fraught with great difficulties

in the execution, notwithstanding the marvellous vigour and flexibility

of my native language. The wonderful luxuriance of nature presents an

accumulation of separate images, and accumulation disturbs the harmony

and effect of a picture. When the feelings and the imagination are

excited, the style is apt to stray into poetical prose. But these ideas

require no amplification here, for the following pages afford but too

abundant examples of such deviations and of such want of unity.

Notwithstanding these defects, which I can more easily perceive than

amend, let me hope that these “Views” may afford the reader, at least

some portion of that enjoyment which a sensitive mind receives from the

immediate contemplation of nature. As this enjoyment is heightened by an

insight into the connection of the occult forces, I have subjoined to

each treatise scientific illustrations and additions.

Everywhere the reader’s attention is directed to the perpetual influence

which physical nature exercises on the moral condition and on the

destiny of man. It is to minds oppressed with care that these pages are

especially consecrated. He who has escaped from the stormy waves of life

will joyfully follow me into the depths of the forests, over the

boundless steppes and prairies, and to the lofty summits of the Andes.

To him are addressed the words of the chorus who preside over the

destinies of mankind:

On the mountains is freedom! the breath of decay

Never sullies the fresh flowing air;

Oh! nature is perfect wherever we stray;

’Tis man that deforms it with care.[B]

AUTHOR’S PREFACE,

TO THE SECOND AND THIRD EDITIONS.

The twofold object of this work,—an anxious endeavour to heighten the

enjoyment of nature by vivid representations, and at the same time to

increase, according to the present state of science, the reader’s

insight into the harmonious co-operation of forces,—was pointed out by

me in the preface to the first edition, nearly half a century ago. I

there alluded to the several obstacles which oppose themselves to the

æsthetic treatment of the grand scenes of nature. The combination of a

literary and a purely scientific aim, the desire to engage the

imagination, and at the same time to enrich life with new ideas by the

increase of knowledge, render the due arrangement of the separate parts,

and what is required as unity of composition, difficult of attainment.

Notwithstanding these disadvantages, however, the public have continued

to receive with indulgent partiality, my imperfect performance.

The second edition of the _Views of Nature_, was published by me in

Paris in 1826. Two papers were then added, one, “An inquiry into the

structure and mode of action of Volcanos in different regions of the

earth;” the other, “Vital Force, or The Rhodian Genius.” Schiller, in

remembrance of his youthful medical studies, loved to converse with me,

during my long stay at Jena, on physiological subjects. The inquiries in

which I was then engaged, in preparing my work “On the condition of the

fibres of muscles and nerves, when irritated by contact with substances

chemically opposed,” often imparted a more serious direction to our

conversation. It was at this period that I wrote the little allegory on

Vital Force, called The Rhodian Genius. The predilection which Schiller

entertained for this piece, and which he admitted into his periodical,

_Die Horen_, gave me courage to introduce it here. My brother, in a

letter which has recently been published (William von Humboldt’s Letters

to a Female Friend, vol. ii. p. 39), delicately alludes to the subject,

but at the same time very justly adds; “The development of a

physiological idea is exclusively the object of the essay. Such

semi-poetical clothings of grave truths were more in vogue at the time

this was written than they are at present.”

In my eightieth year I have still the gratification of completing a

third edition of my work, and entirely remoulding it to meet the demands

of the age. Almost all the scientific illustrations are either enlarged

or replaced by new and more comprehensive ones.

I have indulged a hope of stimulating the study of nature, by

compressing into the smallest possible compass, the numerous results of

careful investigation on a variety of interesting subjects, with a view

of shewing the importance of accurate numerical data, and the necessity

of comparing them with each other, as well as to check the dogmatic

smattering and fashionable scepticism which have too long prevailed in

the so-called higher circles of society.

My expedition into northern Asia (to the Ural, the Altai, and the shores

of the Caspian Sea) in the year 1829, with Ehrenberg and Gustavus Rose,

at the command of the Emperor of Russia, took place between the second

and third editions of my work. This expedition has essentially

contributed to the enlargement of my views in all that concerns the

formation of the earth’s surface, the direction of mountain-chains, the

connexion of the Steppes and Deserts, and the geographical distribution

of plants according to ascertained influences of temperature. The

ignorance which has so long existed respecting the two great

snow-covered mountain-chains, the Thian-schan and the Kuen-lün, situated

between the Altai and Himalaya, has (owing to the injudicious neglect of

Chinese sources of information) obscured the geography of Central Asia,

and propagated fancies instead of facts, in works of extensive

circulation. Within the last few months the hypsometric comparisons of

the culminating points of both continents have unexpectedly received

important and corrective illustration, of which I am the first to avail

myself in the following pages. The measurement (now divested of former

errors) of the altitude of the two mountains, Sorata and Illimani, in

the eastern chain of the Andes of Bolivia, has not yet, with certainty,

restored the Chimborazo to its ancient pre-eminence among the snowy

mountains of the new world. In the Himalaya the recent barometric

measurement of the Kinchinjinga (26,438 Parisian, or 28,178 English

feet) places it next in height to the Dhawalagiri, which has also been

trigonometrically measured with greater accuracy.

To preserve uniformity with the two former editions of the _Views of

Nature_, the calculations of temperature, unless where the contrary is

stated, are given according to the eighty degrees thermometer of Reamur.

The lineal measurement is the old French, in which the _toise_ is

equivalent to six Parisian feet. The miles are geographical, fifteen to

a degree of the equator. The longitudes are calculated from the first

meridian of the Parisian Observatory.

_Berlin, March, 1849._

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