TO R.W.E.

'_Dec._12, 1843.--When Goethe received a letter from Zelter,

with a handsome superscription, he said. "Lay that aside; it

is Zelter's true hand-writing. Every man has a dæmon, who is

busy to confuse and limit his life. No way is the action of

this power more clearly shown, than in the hand-writing. On

this occasion, the evil influences have been evaded; the mood,

the hand, the pen and paper have conspired to let our friend

write truly himself."

'You may perceive, I quote from memory, as the sentences

are anything but Goethean; but I think often of this little

passage. With me, for weeks and months, the dæmon works his

will. Nothing succeeds with me. I fall ill, or am otherwise

interrupted. At these times, whether of frost, or sultry

weather, I would gladly neither plant nor reap,--wait for

the better times, which sometimes come, when I forget that

sickness is ever possible; when all interruptions are upborne

like straws on the full stream of my life, and the words that

accompany it are as much in harmony as sedges murmuring near

the bank. Not all, yet not unlike. But it often happens, that

something presents itself, and must be done, in the bad time;

nothing presents itself in the good: so I, like the others,

seem worse and poorer than I am.'

In another letter to an earlier friend, she expatiates a little.

'As to the Dæmoniacal, I know not that I can say to you

anything more precise than you find from Goethe. There are

no precise terms for such thoughts. The word _instinctive_

indicates their existence. I intimated it in the little piece

on the Drachenfels. It may be best understood, perhaps, by a

symbol. As the sun shines from the serene heavens, dispelling

noxious exhalations, and calling forth exquisite thoughts

on the surface of earth in the shape of shrub or flower, so

gnome-like works the fire within the hidden caverns and secret

veins of earth, fashioning existences which have a longer

share in time, perhaps, because they are not immortal in

thought. Love, beauty, wisdom, goodness are intelligent, but

this power moves only to seize its prey. It is not necessarily

either malignant or the reverse, but it has no scope beyond

demonstrating its existence. When conscious, self-asserting,

it becomes (as power working for its own sake, unwilling to

acknowledge love for its superior, must) the devil. That is

the legend of Lucifer, the star that would not own its

centre. Yet, while it is unconscious, it is not devilish, only

dæmoniac. In nature, we trace it in all volcanic workings, in

a boding position of lights, in whispers of the wind, which

has no pedigree; in deceitful invitations of the water, in the

sullen rock, which never shall find a voice, and in the shapes

of all those beings who go about seeking what they may devour.

We speak of a mystery, a dread; we shudder, but we approach

still nearer, and a part of our nature listens, sometimes

answers to this influence, which, if not indestructible, is at

least indissolubly linked with the existence of matter.

'In genius, and in character, it works, as you say,

instinctively; it refuses to be analyzed by the understanding,

and is most of all inaccessible to the person who possesses

it. We can only say, I have it, he has it. You have seen it

often in the eyes of those Italian faces you like. It is most

obvious in the eye. As we look on such eyes, we think on

the tiger, the serpent, beings who lurk, glide, fascinate,

mysteriously control. For it is occult by its nature, and if

it could meet you on the highway, and be familiarly known as

an acquaintance, could not exist. The angels of light do not

love, yet they do not insist on exterminating it.

'It has given rise to the fables of wizard, enchantress, and

the like; these beings are scarcely good, yet not necessarily

bad. Power tempts them. They draw their skills from the dead,

because their being is coeval with that of matter, and matter

is the mother of death.'

In later days, she allowed herself sometimes to dwell sadly on the

resistances which she called her fate, and remarked, that 'all life

that has been or could be natural to me, is invariably denied.'

Memoirs of Margaret Fuller Ossoli, Volume I · 第 90 / 133 题