NEED OF COMMUNION.

'_Aug_. 7, 1832.--I feel quite lost; it is so long since I

have talked myself. To see so many acquaintances, to talk

so many words, and never tell my mind completely on any

subject--to say so many things which do not seem called out,

makes me feel strangely vague and movable.

''Tis true, the time is probably near when I must live alone,

to all intents and purposes,--separate entirely my acting from

my thinking world, take care of my ideas without aid,--except

from the illustrious dead,--answer my own questions, correct

my own feelings, and do all that hard work for myself. How

tiresome 'tis to find out all one's self-delusion! I thought

myself so very independent, because I could conceal some

feelings at will, and did not need the same excitement as

other young characters did. And I am not independent, nor

never shall be, while I can get anybody to minister to me. But

I shall go where there is never a spirit to come, if I call

ever so loudly.

'Perhaps I shall talk to you about Körner, but need not write.

He charms me, and has become a fixed star in the heaven of

my thought; but I understand all that he excites perfectly.

I felt very '_new_ about Novalis,--"the good Novalis," as

you call him after Mr. Carlyle. He is, indeed, _good_, most

enlightened, yet most pure; every link of his experience

framed--no, _beaten_--from the tried gold.

'I have read, thoroughly, only two of his pieces, "Die

Lehrlinge zu Sais," and "Heinrich von Ofterdingen." From the

former I have only brought away piecemeal impressions, but the

plan and treatment of the latter, I believe, I understand. It

describes the development of poetry in a mind; and with this

several other developments are connected. I think I shall tell

you all I know about it, some quiet time after your return,

but if not, will certainly keep a Novalis-journal for you some

favorable season, when I live regularly for a fort night.'

* * * * *

'_June_, 1833.--I return Lessing. I could hardly get through

Miss Sampson. E. Galeotti is good in the same way as

Minna. Well-conceived and sustained characters, interesting

situations, but never that profound knowledge of human nature,

those minute beauties, and delicate vivifying traits, which

lead on so in the writings of some authors, who may be

nameless. I think him easily followed; strong, but not deep.'

* * * * *

'_May_, 1833.--_Groton_.--I think you are wrong in applying

your artistical ideas to occasional poetry. An epic, a drama,

must have a fixed form in the mind of the poet from the first;

and copious draughts of ambrosia quaffed in the heaven of

thought, soft fanning gales and bright light from the outward

world, give muscle and bloom,--that is, give life,--to this

skeleton. But all occasional poems must be moods, and can a

mood have a form fixed and perfect, more than a wave of the

sea?'

* * * * *

'Three or four afternoons I have passed very happily at my

beloved haunt in the wood, reading Goethe's "Second Residence

in Rome." Your pencil-marks show that you have been before me.

I shut the book each time with an earnest desire to live as

he did,--always to have some engrossing object of pursuit.

I sympathize deeply with a mind in that state. While mine is

being used up by ounces, I wish pailfuls might be poured into

it. I am dejected and uneasy when I see no results from my

daily existence, but I am suffocated and lost when I have not

the bright feeling of progression.' * *

* * * * *

'I think I am less happy, in many respects, than you, but

particularly in this. You can speak freely to me of all your

circumstances and feelings, can you not? It is not possible

for me to be so profoundly frank with any earthly friend. Thus

my heart has no proper home; it only can prefer some of its

visiting-places to others; and with deep regret I realize that

I have, at length, entered on the concentrating stage of

life. It was not time. I had been too sadly cramped. I had not

learned enough, and must always remain imperfect. Enough! I am

glad I have been able to say so much.'

* * * * *

'I have read nothing,--to signify,--except Goethe's "Campagne

in Frankreich." Have you looked through it, and do you

remember his intercourse with the Wertherian Plessing? That

tale pained me exceedingly. We cry, "help, help," and there is

no help--in man at least. How often I have thought, if I could

see Goethe, and tell him my state of mind, he would support

and guide me! He would be able to understand; he would show

me how to rule circumstances, instead of being ruled by them;

and, above all, he would not have been so sure that all would

be for the best, without our making an effort to act out the

oracles; he would have wished to see me what Nature intended.

But his conduct to Plessing and Ohlenschlager shows that to

him, also, an appeal would have been vain.'

'Do you really believe there is anything "all-comprehending"

but religion? Are not these distinctions imaginary? Must not

the philosophy of every mind, or set of minds, be a system

suited to guide them, and give a home where they can bring

materials among which to accept, reject, and shape at

pleasure? Novalis calls those, who harbor these ideas,

"unbelievers;" but hard names make no difference. He says with

disdain, "To _such_, philosophy is only a system which will

spare them the trouble of reflecting." Now this is just

my case. I _do_ want a system which shall suffice to my

character, and in whose applications I shall have faith. I

do not wish to _reflect_ always, if reflecting must be always

about one's identity, whether "_ich_" am the true "_ich_" &c.

I wish to arrive at that point where I can trust myself, and

leave off saying, "It seems to me," and boldly feel, It _is_

so TO ME. My character has got its natural regulator, my heart

beats, my lips speak truth, I can walk alone, or offer my arm

to a friend, or if I lean on another, it is not the debility

of sickness, but only wayside weariness. This is the

philosophy _I_ want; this much would satisfy _me_.

'Then Novalis says, "Philosophy is the art of discovering the

place of truth in every encountered event and circumstance, to

attune all relations to truth."

'Philosophy is peculiarly home-sickness; an over-mastering

desire to be at home.

'I think so; but what is there _all-comprehending_;

eternally-conscious, about that?'

* * * * *

'_Sept.,_ 1832.--"Not see the use of metaphysics?" A moderate

portion, taken at stated intervals, I hold to be of much

use as discipline of the faculties. I only object to them as

having an absorbing and anti-productive tendency. But 'tis not

always so; may not be so with you. Wait till you are two years

older, before you decide that 'tis your vocation. Time

enough at six-and-twenty to form yourself into a metaphysical

philosopher. The brain does not easily get too dry for

_that_. Happy you, in these ideas which give you a tendency to

optimism. May you become a proselyte to that consoling faith.

I shall never be able to follow you, but shall look after you

with longing eyes.'

* * * * *

'_Groton._--Spring has come, and I shall see you soon. If

I could pour into your mind all the ideas which have passed

through mine, you would be well entertained, I think, for

three or four days. But no hour will receive aught beyond its

own appropriate wealth.

'I am at present engaged in surveying the level on which the

public mind is poised. I no longer lie in wait for the

tragedy and comedy of life; the rules of its _prose_ engage my

attention. I talk incessantly with common-place people, full

of curiosity to ascertain the process by which materials,

apparently so jarring and incapable of classification, get

united into that strange whole, the American public. I have

read all Jefferson's letters, the North American, the daily

papers, &c., without end. H. seems to be weaving his Kantisms

into the American system in a tolerably happy manner.'

* * * * *

* * 'George Thompson has a voice of uncommon compass and

beauty; never sharp in its highest, or rough and husky in its

lowest, tones. A perfect enunciation, every syllable round

and energetic; though his manner was the one I love best,

very rapid, and full of eager climaxes. Earnestness in every

part,--sometimes impassioned earnestness,--a sort of "Dear

friends, believe, _pray_ believe, I love you, and you MUST

believe as I do" expression, even in the argumentative parts.

I felt, as I have so often done before, if I were a man, the

gift I would choose should be that of eloquence. That power of

forcing the vital currents of thousands of human hearts into

ONE current, by the constraining power of that most delicate

instrument, the voice, is so intense,--yes, I would prefer it

to a more extensive fame, a more permanent influence.'

'Did I describe to you my feelings on hearing Mr. Everett's

eulogy on Lafayette? No; I did not. That was exquisite.

The old, hackneyed story; not a new anecdote, not a single

reflection of any value; but the manner, the _manner_^ the

delicate inflections of voice, the elegant and appropriate

gesture, the sense of beauty produced by the whole, which

thrilled us all to tears, flowing from a deeper and purer

source than that which answers to pathos. This was fine; but

I prefer the Thompson manner. Then there is Mr. Webster's,

unlike either; simple grandeur, nobler, more impressive, less

captivating. I have heard few fine speakers; I wish I could

hear a thousand.

Are you vexed by my keeping the six volumes of your Goethe?

I read him very little either; I have so little time,--many

things to do at home,--my three children, and three pupils

besides, whom I instruct.

'By the way, I have always thought all that was said about

the anti-religious tendency of a classical education to be

old wives' tales. But their puzzles about Virgil's notions

of heaven and virtue, and his gracefully-described gods and

goddesses, have led me to alter my opinions; and I suspect,

from reminiscences of my own mental history, that if all

governors do not think the same 't is from want of that

intimate knowledge of their pupils' minds which I naturally

possess. I really find it difficult to keep their _morale_

steady, and am inclined to think many of my own sceptical

sufferings are traceable to this source. I well remember what

reflections arose in my childish mind from a comparison of the

Hebrew history, where every moral obliquity is shown out with

such naïveté, and the Greek history, full of sparkling deeds

and brilliant sayings, and their gods and goddesses, the

types of beauty and power, with the dazzling veil of flowery

language and poetical imagery cast over their vices and

failings.'

* * * * *

'My own favorite project, since I began seriously to entertain

any of that sort, is six historical tragedies; of which I have

the plans of three quite perfect. However, the attempts I

have made on them have served to show me the vast difference

between conception and execution. Yet I am, though abashed,

not altogether discouraged. My next favorite plan is a series

of tales illustrative of Hebrew history. The proper junctures

have occurred to me during my late studies on the historical

books of the Old Testament. This task, however, requires

a thorough and imbuing knowledge of the Hebrew manners and

spirit, with a chastened energy of imagination, which I am as

yet far from possessing. But if I should be permitted peace

and time to follow out my ideas, I have hopes. Perhaps it is

a weakness to confide to you embryo designs, which never may

glow into life, or mock me by their failure.'

* * * * *

'I have long had a suspicion that no mind can systematize its

knowledge, and carry on the concentrating processes, without

some fixed opinion on the subject of metaphysics. But that

indisposition, or even dread of the study, which you may

remember, has kept me from meddling with it, till lately, in

meditating on the life of Goethe, I thought I must get some

idea of the history of philosophical opinion in Germany, that

I might be able to judge of the influence it exercised upon

his mind. I think I can comprehend him every other way, and

probably interpret him satisfactorily to others,--if I can get

the proper materials. When I was in Cambridge, I got Fichte

and Jacobi; I was much interrupted, but some time and earnest

thought I devoted. Fichte I could not understand at all;

though the treatise which I read was one intended to be

popular, and which he says must compel (_bezwingen_) to

conviction. Jacobi I could understand in details, but not in

system. It seemed to me that his mind must have been moulded

by some other mind, with which I ought to be acquainted, in

order to know him well,--perhaps Spinoza's. Since I came home,

I have been consulting Buhle's and Tennemann's histories of

philosophy, and dipping into Brown, Stewart, and that class of

books.'

* * * * *

'After I had cast the burden of my cares upon you, I rested,

and read Petrarch for a day or two. But that could not last.

I had begun to "take an account of stock," as Coleridge calls

it, and was forced to proceed. He says few persons ever did

this faithfully, without being dissatisfied with the result,

and lowering their estimate of their supposed riches. With

me it has ended in the most humiliating sense of poverty; and

only just enough pride is left to keep your poor friend off

the parish. As it is, I have already asked items of several

besides yourself; but, though they have all given what they

had, it has by no means answered my purpose; and I have laid

their gifts aside, with my other hoards, which gleamed so

fairy bright, and are now, in the hour of trial, turned into

mere slate-stones. I am not sure that even if I do find the

philosopher's stone, I shall be able to transmute them into

the gold they looked so like formerly. It will be long before

I can give a distinct, and at the same time concise, account

of my present state. I believe it is a great era. I am

thinking now,--really thinking, I believe; certainly it seems

as if I had never done so before. If it does not kill me,

something will come of it. Never was my mind so active; and

the subjects are God, the universe, immortality. But shall I

be fit for anything till I have absolutely re-educated myself?

Am I, can I make myself, fit to write an account of half a

century of the existence of one of the master-spirits of this

world? It seems as if I had been very arrogant to dare

to think it; yet will I not shrink back from what I have

undertaken,--even by failure I shall learn much.'

* * * * *

'I am shocked to perceive you think I am _writing_ the life of

Goethe. No, indeed! I shall need a great deal of preparation

before I shall have it clear in my head, I have taken a great

many notes; but I shall not begin to write it, till it all

lies mapped out before me. I have no materials for ten years

of his life, from the time he went to Weimar, up to the

Italian journey. Besides, I wish to see the books that have

been written about him in Germany, by friend or foe. I wish to

look at the matter from all sides. New lights are constantly

dawning on me; and I think it possible I shall come out from

the Carlyle view, and perhaps from yours, and distaste you,

which will trouble me.

* * 'How am I to get the information I want, unless I go to

Europe? To whom shall I write to choose my materials? I have

thought of Mr. Carlyle, but still more of Goethe's friend, Von

Muller. I dare say he would be pleased at the idea of a life

of G. written in this hemisphere, and be very willing to help

me. If you have anything to tell me, you will, and not mince

matters. Of course, my impressions of Goethe's works cannot be

influenced by information I get about his _life_; but, as

to this latter, I suspect I must have been hasty in my

inferences. I apply to you without scruple. There are subjects

on which men and women usually talk a great deal, but apart

from one another. You, however, are well aware that I am very

destitute of what is commonly _called_ modesty. With regard to

this, how fine the remark of our present subject: "Courage

and modesty are virtues which every sort of society reveres,

because they are virtues which cannot be counterfeited; also,

they are known by the _same hue_." When that blush does not

come naturally to my face, I do not drop a veil to make people

think it is there. All this may be very unlovely, but it is

_I_.'

Memoirs of Margaret Fuller Ossoli, Volume I · 第 45 / 133 题