CHAPTER III

SECURITY OF THE ROADS

These roads, thus followed in every direction by the king and the

lords moving from one manor to another, by the merchants and peasants

going to the fair, the market, or the staple, by sheriffs, monks and

itinerant justices, by ladies in carriages and villains driving their

carts, were they safe? The theorist studying the legal ordinances of

the period, and the manner in which the county police and the town

watch and ward were organized, might come to the conclusion that

precautions were well taken for the prevention of misdeeds, and that

travelling did not present more danger than it does at present. If

we add, as Mr. Thorold Rogers has shown, that common carriers plied

their trade between Oxford and London, Winchester, Newcastle, etc.,

and that the price of transport was not dear, we might be persuaded

that the roads were quite safe, and we should be wrong; wrong too, if

on the faith of romantic tales, we pictured to ourselves brigands in

every thicket, a hanged man on {150} every branch, and robber barons

at every cross-road. But _accident_, or the unexpected, must be taken

into account.

Accident played a great part in the social life of the fourteenth

century. It was the moment when modern life began, the outward

brilliancy of a novel civilization had recently modified society from

top to bottom, the need to be constantly on the watch had become less

apparent; the moated castle with its drawbridge, battlements and

loop-holes, had begun to change into a villa or a mansion, while the

hut was growing into a house. Confidence was greater, but not always

justified: accidents are unexpected mishaps.

More means were taken than formerly to hinder ill-doing; but numerous

occurrences happened to destroy this incipient security. Society was

in reality neither calm nor quite settled, and many of its members

were still half savage. The term “half” may be taken literally. If a

list were made of the characteristics of such or such an individual

of the time, it would be found that some belonged to a refined,

and some to a barbarous world. Hence these contrasts: on one side

order, which it would perhaps be unjust not to consider as the normal

condition; and on the other, the frequent ebullitions of the untamed

nature. Let us select an example of such accidents which could take

at times remarkable proportions. Here are a knight and his men at the

corner of a road, waiting for a troop of merchants. The text itself

of the victims’ petition gives all the details of the encounter.[175]

The facts happened in 1342. Some Lichfield merchants state to their

lord, the Earl of Arundel, that on a certain Friday they sent two

servants and two horses laden with “spicery and mercery,” worth

forty pounds, to Stafford for the next market day. When their men

“came beneath Cannock Wood” they met Sir Robert de Rideware, Knight,

waiting for them, together with {151} two of his men, who seized

on the servants, horses, and goods, and took them to the priory of

Lappeley. Unfortunately for the knight, during the journey, one of

the servants escaped.

At the priory the band found “Sir John de Oddyngesles, Esmon de

Oddyngesles, and several others, knights as well as others.” It was

evidently a pre-arranged affair, carefully devised; all was done

according to rule; they shared “among them the aforesaid mercery and

spicery, each one a portion according to his degree.” That done, the

company left Lappeley and rode to the priory of Blythebury, a nuns’

priory. Sir Robert declared that they were the king’s men, quite

exhausted, and begged for hospitality. But the company had obviously

a suspicious appearance, and the abbess refused. Indignant at this

unfriendly reception, the knights burst open the doors of the barns

and lofts, gave hay and oats to their horses, and so passed the night.

But they were not the only people to have made a good use of their

time. The escaped servant had followed them at a distance; when he

saw they had taken up their quarters at the priory he returned with

all speed to Lichfield and warned the bailiff who hastened to collect

his men for the pursuit of the robbers. The latter, men of the sword,

as soon as they were met, stood their ground, and a real battle took

place, in which they had at first the upper hand, and wounded several

of their pursuers. At length, however, they were worsted and fled;

all the spices were recovered, and four of their company taken, who,

without further ado, were beheaded on the spot.

Robert de Rideware was not one of the latter, and did not lose heart.

He met his relative Walter de Rideware, lord of Hamstall Rideware,

with some of his followers, while the bailiff was on his way back to

Lichfield; all together veered around in pursuit of the bailiff. A

fresh fight. This time the king’s officer was routed and fled, {152}

while the highway gentlemen once more captured the spices.

What resource remained for the unhappy William and Richard, authors

of the petition? Resort to justice? This they wanted to do. But as

they were going for this purpose to Stafford, chief town of the

county, they found at the gates some retainers of their persecutors,

who barred their passage and even attacked them so hotly that they

had difficulty in escaping without grievous hurt. They returned

to Lichfield, watched by their enemies, and led there a pitiable

existence. “And, sir, the aforesaid William and Richard, and several

people of the town of Lichfield, are menaced by the said robbers and

their maintainers, so that they dare not go anywhere out of the said

town.”[176]

This legal document, the original of which has been preserved, is, in

many ways, characteristic, and shows us local tyrants not unlike the

latter day ones in the _Promessi Sposi_ and their terrible _bravi_.

One may, especially, notice the coolness and determination of the

knights, not disconcerted by the death of four of their number; the

attack under cover of a wood; the selection of the victims, “garsuns”

belonging to rich merchants; the request for hospitality in a priory

under pretext of journeying in the king’s service; the expeditious

justice of the bailiff, and the persistent surveillance to which the

victims were subjected by their lordly robbers.

These, though remarkable, are not quite exceptional facts, and Robert

of Rideware was not the only man on the look out in the copses along

the roads. Other noblemen were, like him, supported by devoted

retainers, ready for any enterprise. Capes and liveries of their

masters’ colours were given to them, and they went about as the {153}

uniformed soldiers of their chief; a lord well surrounded with his

partizans considered himself as above the common law, and it was no

easy matter for justice to make herself respected by him. The custom

of having a number of resolute followers wearing one’s colours became

universal at the end of Edward III’s reign and under Richard II; it

survived in spite of statutes[177] during the whole of the fifteenth

century, and contributed to render even more embittered and bloody

the War of the Roses.

But even outside the periods of civil war, the misdeeds of certain

barons and their retainers, or of retainers acting on their own

account under cover of their lord’s colours—“notoirs meffesours et

meintenours of meffesours,” the statute said of both,[178]—were at

times so frequent and serious that parts of the country seemed to

be in a state of war. Throughout the fourteenth century, the abuse

called _maintenance_, which word meant in old French _protection_,

was on the increase, in spite of all the efforts of king and

Parliament. The great of the land, and some lesser people too, had

their own men, sworn to their service and ready to do anything they

were commanded, which consisted sometimes in the most monstrous

deeds, such as securing property or other goods to which neither

their masters, nor any claimant paying their master in order to be

thus “protected,”[179] had any title. They terrorized the rightful

{154} owners, the judges and the juries, ransoming, beating and

maiming any opponent.[180]

Statutes were, as usual, numerous, well-meant, peremptory, and

inefficient. The evil was so general that Edward III had to forbid

the people nearest him, the chief officers of his court, his “dearest

consort, the queen,” his son the prince of Wales, the prelates of

Holy Church,[181] to thus interfere with the regular course of the

law. The will of the king is that “the poor should enjoy their right

just as the rich.”[182] But they do not; great ladies practice

maintenance, one among others even dearer to the king than his dear

consort, namely his mistress, Alice Perers.[183]

A new reign begins; maintenance flourishes better than ever before.

The preamble of a statute of the second year of Richard II[184]

gives a perhaps somewhat exaggerated picture of these disorders so

as to better justify rigorous measures, but the description must

have been at least partly true. We there see—and the king, it is

stated, has learnt it both from the petitions addressed to parliament

and by public rumour—that certain people in several parts of the

kingdom claimed “to have right to divers lands, tenements and other

possessions, and some espying women and damsels unmarried, and some

desiring to make maintenance in their marches, do gather together

to a great number of men of arms and archers, _to the manner of

war_, and confederate themselves by oath and other confederacy.”

These people, having no “consideration to God, nor to the laws

of Holy Church, nor of the land, {155} nor to right, nor justice,

but refusing and setting apart all process of the law, do ride in

great routs in divers parts of England, and take possession and

set them in divers manors, lands, and other possessions of their

own authority, and hold the same long with such force, _doing many

manner apparelments of war_; and in some places do ravish women and

damsels, and bring them into strange countries, where please them;

and in some places lying in await with such routs do beat and maim,

murder and slay the people, for to have their wives and their goods,

and the same women and goods retain to their own use; and sometimes

take the king’s liege people in their houses, and bring and hold

them as prisoners, and at the last put them to fine and ransom _as

it were in a land of war_; and sometimes come before the justices in

their sessions in such guise with great force, whereby the justices

be afraid and not hardy to do the law; and do many other riots and

horrible offences, whereby the realm in divers parts is put in great

trouble, to the great mischief and grievance of the people.”[185]

Which shows how vainly the Good Parliament had worked, for, in 1376,

the Commons had already made exactly similar complaints: “Now great

riot begins anew by {156} many people in different parts of England

who ride with a great number of armed men,” etc.[186]

Besides these organized and quasi-seignorial bands, there were

ordinary robbers, numerous enough for chantries to have been founded

“for the safety of travellers who were in danger from thieves.”[187]

Against those people who impeded travelling much more grievously

than ever the floods and broken bridges, Edward I had taken, in

1285, special measures in the Statute of Winchester. These men were

described there as accustomed to crouch down in the ditches, coppice,

or brushwoods near the roads, especially those linking two market

towns. This was, of course, the passage-way of many easy victims,

richly laden. The king orders therefore that, for a space of two

hundred feet, the ground on each side of the road should be cleared

in such a manner that there remain neither coppice nor brushwood,

nor hollow nor ditch which serve as shelter for malefactors: “où

leur peut tapir pur mal fere.” Only large trees such as oaks might

be left. The owner of the soil had to do the work; if he neglected

it, he would be responsible for robberies and murders, and have to

pay a fine to the king. If the road went through a park, the same

obligation lay on the lord, unless he consented to close it by a wall

or a hedge so thick, or by a ditch so wide and deep, that robbers

could not cross them: “qe meffesurs ne pussent passer ne returner pur

mal fere.” The king sets the example and orders such clearings to be

made at once on the lands belonging to the crown.[188]

After which, things continued pretty much as before: “Meanwhile,”

writes a chronicler for the years 1303–05, {157} “certain

malefactors, bound together, four, six, ten or twenty went in

company to fairs and markets, rifled the houses of honest people

and were not ashamed to capture through their misdoings the goods

of the faithful and rich people.”[189] Worse than that: we find as

we progress in the fourteenth century, that these common thieves

had improved their methods and increased their profits. They allied

themselves, sometimes secretly, sometimes openly, to the seignorial

bands, and were not henceforward unticketed men for whom no one was

responsible. The Commons were aware of the fact, and complained

accordingly: “Whereas it is notoriously known _throughout all the

shires of England_ that robbers, thieves, and other malefactors on

foot and on horseback, go and ride on the highway through all the

land in divers places, committing larcenies and robberies: may it

please our lord the king to charge the nobility of the land that none

such be maintained by them, privately nor openly; but that they help

to arrest and take such bad ones.”[190] In the preceding parliament

the same complaints had been made, and the king had already promised

that he would order “such remedy as should be pleasing to God and

man.”[191] But neither God nor man had had apparently cause to be

pleased.

In addition to the support of the great, these evildoers enjoyed

various privileges. Some of them could be met along the roads, cross

in hand; both king and church forbade seizing them, they were men

who had forsworn the realm. When a robber, a murderer, or any felon

found himself too hard pressed, he fled into a church and found

safety. In almost all societies having reached a certain stage of

civilization the same privilege has existed or still exists. It

was known to the Romans, {158} was legislated about by Theodosius

the Great, Justinian and the early councils,[192] and is still in

constant use in many parts of the East. A church in the Middle Ages

was an inviolable place: whoever crossed its threshold was under

the protection of God, and many wonderful miracles, the history of

which was familiar to everybody, attested with what particular favour

the right of sanctuary was regarded especially by the Holy Virgin.

At Walsingham, one of the most famous British pilgrimages, people

never failed to go and see the “Gate of the Knight,” a gate which

had stretched itself so as to give miraculous shelter to a man on

horseback, hard pursued by his enemies, and who found himself thus

opportunely placed beyond the reach of men as well as beyond the

reach of law.

[Illustration 32. THE KNOCKER OF THE DURHAM SANCTUARY (NORMAN).]

Several interesting relics of old English sanctuaries are still in

existence, such as stone sign-posts which helped the fugitive to

avoid either vengeance or justice: “Even to-day, in various parts

of England, curious stone crosses, {159} inscribed with the word

SANCTUARIUM, are to be met with. Such crosses probably marked the

way to a sanctuary and served to guide fugitives.”[193] At Durham is

to be seen a beautiful bronze knocker, cast and chiselled in Norman

times, still affixed to the cathedral door through which malefactors

were admitted to the sanctuary.[194] As soon as they had knocked,

the door was opened, the bell in the Galilee tower was rung, and

after having confessed before witnesses their crime, which was at

once put into writing, the culprits were allowed to enjoy the peace

of St. Cuthbert. Several churches had a chair or stool called the

_fridstool_, or peace chair (originally, in some cases, a presbyteral

or episcopal seat) the reaching of which by the fugitive secured for

him the maximum protection. Beverley has one of the oldest, in stone,

perfectly plain, formerly accompanied with a Latin inscription,

saying: “This stone seat is called _freedstoll_, that is, chair

of peace, on reaching which a fugitive criminal enjoys complete

safety.”[195] The Beverley sanctuary was the most celebrated and

safest in England.[196] In this case, and in some others, at Hexham

for example, the privilege extended not only to the church, but to

one mile or more round it, the space being divided into several

circles, usually marked by stone crosses, and it was more and more

sinful to remove fugitives violently from the sanctuary the nearer

{160} they were to the inner circle. If they were dragged from the

altar or the fridstool, no money atonement was accepted from the

abductor, who thus apparently forfeited his life. Describing the

several circles around the Hexham sanctuary, Prior Richard, who wrote

between 1154 and 1167, says of the inner one: “If any one, moved by

a spirit of madness, ventured with diabolical boldness to seize one

in the stone chair near the altar which the English call _fridstol_,

that is a chair of quiet or peace, or at the shrine of the holy

relics, back of the altar, no compensation will be determined for

such a glaring sacrilege, no amount of money will serve as an

atonement, for it is what the English call _botolos_ (bootless), that

is a thing for which there can be no compensation.”[197]

[Illustration 33. THE FRIDSTOOL AT HEXHAM ABBEY, NORTHUMBERLAND

(NORMAN).]

[Illustration 34. THE FRIDSTOOL AT SPROTBOROUGH, YORKSHIRE.

_Fourteenth Century._]

That same fridstool has been preserved, being not improbably the

original episcopal seat of the famous St. Wilfrid, born about 634,

the builder of the old church {163} at Hexham, a crypt of which,

with some Roman stones used for the walls, is still in existence.

Near the fridstool was to be seen a queer, short, stone statue now

moved to another place in the church, of a man, with brutal features,

“wearing a long coat, buttoned in front from the neck to the waist,

having three coils or clumsy ligatures . . . round his ankles; and

he holds erect with both hands a staff or club as tall as himself.”

A. B. Wright, author of an “Essay towards the history of Hexham,”

expresses the opinion that, “it was intended to represent an officer

of justice, with his staff and plume, his feet bared and manacled, to

show that within the bounds of sanctuary he dared not move towards

his design and that there his authority availed him not.”[198]

A confirmation of this opinion may be found in the figures carved

on the little known but very curious fridstool at Sprotborough,

Yorkshire, apparently of the fourteenth century: the fugitive

who could not be properly represented seated in the chair, since

this would have made it impossible of use, is shown protected and

covered by it, while a clumsy and much deteriorated image of some

law official, carrying his staff, stands at one of the sides of

the chair, but unable to move, being bound to it by a collar or

_carcannum_.[199]

Among the most curious remembrances of the English sanctuaries figure

the registers still preserved in some few places, in which were

entered the confessions of the criminals at the moment they asked

for admittance. The Beverley and the Durham ones have been printed;

both date from the fifteenth century; that of Durham covers the years

1464 to 1524; it includes, besides other crimes, 195 murders and

homicides, in which 283 persons {164} are concerned, and which are

divided as follows, according to the trades and avocations of the

perpetrators:

“Husbandmen 8

Labourers 4

Yeomen 4

Gentlemen 4

Ecclesiastics 3

Merchants 2

Tailor 1

Plumber 1

Carpenter 1

Tanner 1

Baxster 1

Glover 1

Sailor 1

Apprentice 1

Under-Bailiff 1

Servant 1

Knight (an accessory) 1

“The occupations of the remainder are not mentioned.”[200]

The entries in the two registers are much alike; the formalities are

of the same kind; the Galilee bell is tolled, the culprit confesses;

witnesses are called to hear him, and the names of all concerned

are given in full. Here is an example translated from the Latin

original: “To be remembered that on the 6th day of October, 1477,

William Rome and William Nicholson, of the parish of Forsate, fled

to the cathedral church of St. Cuthbert in Durham, where on account,

among other things, of a felony committed and publicly confessed by

them, consisting of the murder by them of William Aliand, they asked

from the venerable and religious men, Sir Thomas Haughton, sacristan

of the said church, and William Cuthbert, master of the Galilee

there, both brothers and monks of the same church, to be admitted to

the benefit of the immunity of the church, according to the liberties

and privileges conceded in old time to the most glorious confessor

Cuthbert. And by the ringing of one bell according to custom, they

obtained this benefit. There were present there, seeing and hearing,

the discreet men William Heyhyngton, Thomas Hudson, John Wrangham,

{165} and Thomas Strynger, witnesses called in especially for the

occasion.”[201]

At Beverley there were no witnesses: the culprit swore, his hand on

the Book. Besides stating the cause of his flying to sanctuary he

took his oath to remain peaceful, to help in case of fire or strife,

to be present at mass on the commemoration day of King Athelstan,

benefactor of the church, etc.:

“Also ye shall bere no poynted wepen, dagger, knyfe, ne none other

wapen, ayenst the kynges pece.

“Also ye shalbe redy at all your power, if ther be any debate or

stryf, or oder sodan case of fyre within the towne, to help to

surcess it.

“Also ye shalbe redy at the obite of Kyng Adelstan, at the dirige,

and the messe, at such tyme as it is done, at the warnyng of the

belman of the towne, and doe your dewte in ryngyng, and for to offer

at the messe on the morne,”[202] etc.

To drag men out of the sanctuary was a sacrilege punished with

whipping, heavy fines, excommunication, or even death. Nicholas le

Porter had helped to snatch from the church of the Carmelites of

Newcastle some laymen who had taken refuge there “for the safety

of their lives,” and who, once delivered to the civil authority,

had been executed. Only the Pope’s nuncio could secure for him his

pardon, and he had to submit to a public penance very little in

accord with our present customs:

“We order,” wrote Bishop Richard to the parson of St. Nicholas of

Durham, “that on Monday, Tuesday, and Wednesday of the Whitsun-week

just coming, he shall receive the whip from your hands publicly,

before the chief door of your church, in his shirt, bare-headed,

{166} and barefoot.[203] He shall there proclaim in English the

reason for his penance and shall admit his fault; and when he has

thus been whipped the said Nicholas will go to the cathedral church

of Durham, bareheaded, barefoot, and dressed as above, he will walk

in front, you will follow him; and you will whip him in the same

manner before the door of the cathedral these three days, and he will

repeat there the confession of his sin.”[204]

Excommunication was the punishment meted out to Ralph de Ferrers, one

of the retainers of the then all-powerful John of Gaunt, for having

dragged from the Westminster sanctuary, at mass time, two prisoners

escaped from the Tower where his master had sent them, and for having

killed one in the process, 1378. The Duke of Lancaster, in alliance

then with Wyclif, caused the reformer to write one of his most

virulent treatises against the right of sanctuary, asking for its

abolition.

The right was, however, maintained; the king himself did not dare to

infringe upon it, and, though unwilling, had to let traitors escape,

by such means, his revenge or justice. In a case of this kind, one of

the Henries wrote to the Prior of Durham, and careful as he was to

state that he bound himself only “for the present occasion,” there

is no doubt that his acknowledgment of the full immunities enjoyed

by St. Cuthbert’s church had nothing {167} exceptional: “Trusty and

welbeloved in God,” says the king,[205] “we grete you well. And

wheras we undirstand that Robert Marshall late comitted to prison for

treason is now escapid and broken from the same into youre church of

Duresme, we havyng tender zele and devocion to ye honour of God and

St. Cuthbert, and for the tendir favour and affection that the right

reverend father in God our right trusty and welbeloved the Bisshop of

Duresme our chauncellor of England we have for his merits wol that

for that occasion nothyng be attempted that shud be contrarie to

the liberties and immunities of [your] church. We therefor wol and

charge you that he be surely kept there as ye wol answere unto us

for him.” As there could be very little need for the king to declare

such an obvious feeling as his respect for St. Cuthbert, the earnest

recommendation by which he ends his epistle is most likely to have

been the real cause of his writing to his wellbeloved the Prior of

Durham. Another characteristic instance is the rebellion of Jack Cade

in 1450, when one of his accomplices fled to St. Martin-le-Grand, the

most famous of the London sanctuaries. The king in this case wrote to

the Dean of St. Martin’s ordering him to produce the traitor. This

the Dean refused to do, and he exhibited his charters, which being

found correct and explicit, the fugitive was allowed to remain in

safety where he was.[206]

The right of sanctuary was most valuable, not only for political

offenders, but also, and more frequently, for robbers. They escaped

from prison, fled to the church, and saved their lives. “In this

year,” 1324, say the “Croniques de London,”[207] “ten persons

escaped out of Newgate, of whom five were retaken, and four escaped

{168} to the church of St. Sepulchre, and one to the church of

St. Bride, and afterwards all for-swore England.” But when the

refugees were watched in the church by their personal enemies, their

situation, as evidenced by the statute of 1315–1316, became perilous.

The authors of a petition[208] to the king set forth in that year

that armed men established themselves in the cemetery, and even in

the sanctuary, to watch the fugitive, and guarded him so strictly

that he could not even go out to satisfy his natural wants. They

hindered food from reaching him; if the felon decided to swear that

he would quit the kingdom his enemies followed him on the road,

and in spite of the law’s protection dragged him away and beheaded

him without judgment. The king reforms all these abuses,[209] and

re-enacts the old regulations as to abjuration, which were as

follows: “When a robber, murderer, or other evil-doer shall fly unto

any church upon his confession of felony, the coroner shall cause the

abjuration to be made thus: Let the felon be brought to the church

door, and there be assigned unto him a port, near or far off, and

a time appointed for him to go out of the realm, so that in going

towards that port he carry a cross in his hand, and that he go not

out of the king’s highway, neither on the right hand, nor on the

left, but that he keep it always until he shall be gone out of the

land; and that he shall not return without special grace of our lord

the king.”

The felon took oath in the following terms: “This hear thou, sir

coroner, that I, N., am a robber of sheep, or of any other beast, or

a murderer of one or of more, and a felon to our lord the King of

England, and because I have done many such evils or robberies in this

land, I {169} do abjure the land of our lord Edward King of England,

and I shall haste me towards the port of such a place which thou

hast given me, and I shall not go out of the highway, and if I do I

will that I be taken as a robber and felon to our lord the king; and

at such a place I will diligently seek for passage, and that I will

tarry there but one flood and ebb, if I can have passage; and unless

I can have it in such a place I will go every day into the sea up to

my knees assaying to pass over; and unless I can do this within forty

days, I will put myself again into the church as a robber and a felon

to our lord the king. So God me help and his holy judgment.”[210]

Dover was the port oftenest assigned to abjurors. The time limit

varied, being on occasions so brief, that it must have been almost

impossible for people on foot to fulfil the condition: which was most

probably what the coroner had in view, for he would assign sometimes

different delays to different refugees for the same distance. “The

distance from York to Dover over London Bridge was nearly 270 miles,

and there are several entries of eight days being the allotted time,

thus maintaining a rate of over 33 miles a day.”[211] {170}

In the church robbers found themselves side by side with insolvent

debtors. These before seeking refuge were usually careful to make

a general donation of all their property, and the creditors who

cited them to justice remained empty handed. In 1379,[212] Richard

II enacted remedial legislation. During five weeks, once a week,

the debtor is to be summoned, by proclamation made at the door of

the sanctuary, to appear in person or by attorney before the king’s

judges. If he does not choose to appear justice shall take its

course; sentence will be passed, and the property that he had given

away will be shared among the creditors.

This, however, served, as usual, only for a time. In the first years

of the following reign the Commons are found lamenting the same

abuses. Apprentices who have plundered their masters, tradesmen in

debt, robbers, flee to St. Martin-le-Grand and live there in quiet

on the money they have stolen. They employ the leisure which this

peaceful existence leaves them in patiently forging “obligations,

indentures, acquitances,” imitating the signatures and seals of

honest city merchants and of other people. Felons, murderers and

thieves avail themselves of this restful seclusion for preparing new

crimes; they go out at night to commit them, and safely return in the

morning to their inviolate retreat. The king, apparently puzzled as

to what to do, when the abuse is so great and the privilege {171} so

sacred, vaguely promises that “reasonable remedy shall be had.”[213]

Some years later (A.D. 1447) the Goldsmiths’ Company of London was

startled on finding that a quantity of sham gold and silver plate

and jewellery had been issued from the privileged precincts of St.

Martin-le-Grand’s sanctuary, to the great detriment of their own

worshipful company. They brought the facts to the notice of the

king, who wrote to the Dean recommending him to check this abuse if

possible: “Trustie and welbeloved, we grete you wel, and let you

to wote that we be informed that there be divers persons dwellinge

within our seinctuarie of St. Martin’s that forge and sell laton

and coper, some gilt and some sylverd for gold and silver, unto

the great deceipt of our lege people. . . . ”[214] The tone of the

king’s letter is very moderate; he seems to write only to please the

Goldsmiths’ Company, while realizing that he is powerless in the

matter, and that his recommendations will come to nothing.

A priest who took refuge in a church was not obliged to quit England;

he swore that he was a priest, and “enjoyed ecclesiastic privilege,

according to the praiseworthy custom of the kingdom.”[215] But the

church, who accorded to all comers the benefit of sanctuary, reserved

to herself the power of removal from it. “In this year (1320), a

woman who was named Isabel of Bury, killed the priest of the church

of All Saints, near London Wall, and she remained in the same church

five days, so that the Bishop of London issued his letter that the

church would not save her, wherefore she was brought out of the

church to Newgate and was hanged on the third day afterwards.”[216]

{172}

In those days, when riots and rebellions were not uncommon,

the right of sanctuary might be valuable for any one; reformers

like Wyclif vainly protested against this exorbitant but useful

custom.[217] A bishop even, however sacred his person, might have

to spur his horse and fly towards a church to save his head. The

Bishop of Exeter tried and failed when Isabella and her son came

to overthrow Edward II:[218] “The same day came one Sir Walter de

Stapleton, who was Bishop of Exeter, and the king’s treasurer the

previous year, riding to his house in Elde Deanes lane to his dinner,

and there he was proclaimed traitor; and he seeing that fled on his

horse towards the church of St. Paul’s, and was there met and quickly

unhorsed, and brought to Cheap, and there he was stripped and his

head cut off.”

Under Richard III might be seen a queen and a king’s son refuse

to quit the sacred enclosure of Westminster, in which their lives

were safe, thanks to the sanctity of the place. Sir Thomas More has

left in his history of the usurper, the first real history in the

national language, a moving picture of the plucky defence of Edward

IV’s widow and of the persistent efforts of Richard to snatch the

second child of the late king from the abbey. To reiterated demands

the queen replied: “In what place coulde I recken him sure, if he

be not sure in this the sentuarye whereof was there never tiraunt

yet so develish, that durst presume to breake. . . . For soth he

hath founden a goodly glose, by whiche that place that may defend a

thefe, may not save an innocent.”[219] The “goodly glose” of Richard

III consisted simply in having the right of sanctuary abolished.

In a speech in favour of {173} the measure, which was aimed

especially at the places of refuge of St. Paul’s and Westminster,

the Duke of Buckingham is represented by More drawing a very lively

as well as an exact picture of the disorders there: “What a rabble

of theves, murtherers, and malicious heyghnous traitours, and that

in twoo places specyallye. . . . Mens wyves runne thither with

theyr housebandes plate, and saye, thei dare not abyde with theyr

housebandes for beatinge. Theves bryng thyther theyr stolen goodes,

and there lyve thereon. There devise thei newe roberies; nightlye

they steale out, they robbe and reve, and kyll, and come in again as

though those places gave them not only a safe garde for the harme

they have done, but a license also to doo more.”[220]

This privilege endured, however, and even survived the Reformation;

but from that hour it was less respected. Lord Chancellor Bacon

speaks of the sanctuary of Colnham, near Abingdon, as being

considered “insufficient” for traitors, under Henry VII; several

political criminals who had taken refuge there, were seized,

therefore, and one of them was executed.[221] Sanctuaries were

suppressed, legally at least, in the twenty-first year of the

reign of James I: “And be it alsoe enacted by the authoritie of

this present parliament that no sanctuarie or priviledge {174} of

sanctuary shal be hereafter admitted or allowed in any case.”[222]

But they lingered on in England as well as on the continent. Cromwell

complains, in one of his most famous speeches, of the difficulties

his Government sometimes experience on that account when they have

to ask from foreign potentates that justice be done. He alludes to

the recent assassination of an English messenger, and says: “It is

the pleasure of the Pope at any time to tell you that though the man

is murdered, yet his murderer has got into the sanctuary.” Another

proof that, after the statute of James I, the right of sanctuary

did not fall entirely into disuse in England is that it had to be

re-abolished in 1697; sanctuaries are to be found even so late as

the reign of George I, when the one at St. Peter’s, Westminster, was

demolished.

With all their penal severity, law and custom still gave other

encouragements to malefactors. They often received charters of

pardon which the royal chancery willingly granted because they must

be paid for, while the Commons unweariedly renewed their complaints

against this abuse. The priest, John Crochille, states to the king

in parliament that while he was at the Court of Rome he has been

outlawed, and was imprisoned on his return. The chancellor has

granted him a charter of pardon, but he is “so impoverished that he

has not wherewith to pay for the said charter.”[223]

Charters were thus given to the innocent for money, and to “common

felons and murderers” also, which had two results: the number of

brigands increased by reason of their impunity, and men dared not

bring the most formidable criminals to justice for fear of seeing

them return pardoned and ready to wreak a terrible revenge.

Most unluckily, the interest that the great had in {175} the

continuance of this abuse tended also to its maintenance. In league

with their retainers, they wanted to defend them from justice as

they themselves were defended by them in the street or on the road;

and the best means of saving these _bravi_ from the consequences of

some assassination was to obtain or buy for them a charter of pardon.

The Commons knew it, and reminded the king that often the protectors

of such criminals secured charters for them on the representation

that these men were abroad, occupied in fighting for the prince. The

charter once obtained, the malefactors returned and renewed their

ill-deeds, without fear of being troubled by any one.[224]

For all these reasons the traveller would not have been prudent if

he had not foreseen on starting the chance of some untoward meeting,

and if he had not armed himself in consequence. This was such a

recognized necessity that the Chancellor of the University of Oxford

allowed the students, on the occasion of a journey, to carry arms,

otherwise strictly forbidden.[225]

There was, then, at best, but moderate safety against robbers, and

there was not always much against the sheriff’s officers themselves.

At a time when prowlers were so numerous, it was enough to be a

stranger in the district, especially if it were night, to be sent to

gaol on suspicion, {176} as shown by a statute of Edward III.[226]

Nothing more general than the terms of this law; the power to arrest

is almost unlimited: “Whereas, in the statute made at Winchester

in the time of King Edward, grandfather to the king that now is,

it is contained, That if any stranger pass by the country in the

night, of whom any have suspicion, he shall presently be arrested

and delivered to the sheriff, and remain in ward till he be duly

delivered; and because there have been divers manslaughters,

felonies, and robberies[227] done in times past, by people that

be called roberdesmen, wastors, and draw-latches . . . ” whoever

suspects any to be one such, “be it by day or by night,” shall cause

him immediately to be arrested by the constables of the towns; the

man shall be kept in prison till the justices of gaol delivery come

down, and meanwhile inquiry shall be made.

Think now of a stranger passing through the town by night; some

constable feels suspicious and wants to arrest him; imagining himself

already in prison “till the justices come down,” the man runs away

instead of allowing himself to be taken. The statute has provided

for his case.[228] “If they will not obey the arrest, hue and cry

shall be levied upon them, and such as keep the watch shall follow

with hue and cry with all the town, and the towns near, and so hue

and cry shall be made from town to town until that they be taken and

delivered {177} to the sheriff.”[229] A singular picture: night wraps

in its shadows the crooked lanes of the unlit city; the stranger is

perhaps a robber, perhaps an honest man, who has lost his way, not

knowing the place; his fault is not to be within doors by curfew; he

gropes his way as best he can; the watch perceives and challenges

him; fearing the result he takes to his heels, and behold! the hue

and cry begins, the watch runs, the town wakes up, lights appear, and

one after the other the more zealous join in the chase. If the town

is fortified, the postern gates have long been closed, and he will be

surely taken. Scarcely can he hope to cast himself into some unshut

doorway at a turning of the street, behind which he will cower,

listening with trembling hand and beating heart to the watch who pass

heavily along at a charging pace, followed by a crowd of furious

shouters. The number of steps lessen, and the shouts become fainter,

then die away, lost in the depths of the city.

If the place is not important enough to be enclosed by walls, the

first thought of the fugitive will be to gain the open, and then

he must not fear marshes, ditches, hedges; he must know how, at a

bend of the ground, to leave the high-road and profit by any place

where the Statute of Winchester has been negligently applied. But

for that he is lost, the constables follow, the town follows, the

“cry” continues, and at the next village the scene of the start will

begin over again. The inhabitants, warned by the clamour, light their

lanterns, and see, they are already in the chase. Before he reaches

the end of the high-street some peasant will be found on the alert,

ready to bar the passage of the road to him. All have an interest

in it, all have been robbed, or their friends, or relatives; {178}

someone of their kin may have been wounded or murdered on the road

as he returned from market. Every one has heard of such misfortunes,

and feels himself personally menaced. Hence this zeal in joining the

chase with the hue and cry, and the conviction that, running so hard

and making so many folk run, the fugitive must be a famous brigand

ready for the gibbet.[230]

{179}

PART II

_LAY WAYFARERS_

{181}

[Illustration 35. AN ADVENTURE SEEKER.

(_From the MS. 2 B._ vii; _English; early Fourteenth Century_.)]

INTRODUCTORY NOTE

“_Qui ne s’adventure n’a cheval ni mule, ce dist Salomon.—Qui trop

s’adventure perd cheval et mule, respondit Malcon._”

VIE DE GARGANTUA.

We have seen the aspect and usual condition of English roads; we must

now take separately the principal types of the wandering class and

see what sort of a life the wayfarer led, and what was his importance

in society or in the State.

Wayfarers belonging to civil life were, in the first place, quacks

and drug-sellers, glee-men, tumblers, minstrels, and singers; then

messengers, pedlars, and itinerant chapmen; lastly, outlaws, thieves

of all kinds, peasants out of bond or perambulating workmen, and

beggars. To ecclesiastic life belonged preachers, mendicant friars,

and those strange dealers in indulgences called pardoners. Lastly

there were palmers and pilgrims, whose journeyings {182} had a

religious object, but in whose ranks, as in Chaucer’s book, clerk and

lay were mingled.

Many of these individuals, the friars for instance, had, it is true,

a resting-place, but their existence was spent, for the greater part,

on the roads; when they left their abode their purpose was not to

reach this or that place, they had no fixed itinerary, but spent

their time in ceaseless rambles about the country, begging as they

went. They had, in the long run, caught the manners and the language

of true nomadic wayfarers, and in common opinion were generally

confounded with them; they belonged to that caste or family of beings.

As for the strange race which we still see at the present day

wandering from country to country, and which, later than any, will

represent among us the caste of wanderers, it had not yet made its

appearance in the British world, and are outside the limits of the

present work. The Bohemians or Gipsies remained entirely unknown in

England till the fifteenth century.

[Illustration 36. BLIND BEGGAR AND HIS DOG.

(_From the MS. 10 E. IV._)]

{183}

[Illustration 37. “THER WAS ALSO A DOCTOUR OF PHISIK” (CHAUCER’S

DOCTOR).

(_From the Ellesmere MS._)]

CHAPTER I

HERBALISTS, CHARLATANS, MINSTRELS, JUGGLERS, AND TUMBLERS

The most popular of all the wanderers were naturally the most

cheerful, or those held to be the most beneficent. These latter were

the folks with a universal panacea, very numerous in the Middle

Ages; they went about the world selling health. They established

themselves in the village green, or the market place, on holidays,

spreading a carpet or a piece of cloth on the ground; they displayed

their drugs, and began to harangue the people. Their numbers go

diminishing nowadays, for the laws are more and more unkind to them,

but they have not yet entirely disappeared, so natural to man {184}

are credulity and the longing for health. One may still hear at the

present day discourses not very different from those they spoke in

the fourteenth century in England, France, or Italy; their profession

is one that has changed less than any. In the thirteenth century

the herbalist of Rutebeuf spoke like Ben Jonson’s mountebank of the

seventeenth, like the charlatan who yesterday a few steps from our

door attracted the crowd to his trestle, limiting however his sales,

on account of the churlishness of the legislator, to tonics, tooth

pastes and the like. Big words, marvellous tales, praise of their

noble and distant origin, enumeration of the extraordinary cures

they have made, ostentatious display of an unbounded devotion to the

public good, and of entire pecuniary disinterestedness: all this is

found, and always will be found, in the talk of these insinuating

itinerants, as it is also found to-day in the advertisements, on

walls or in newspapers, of wondrous cures discovered by a priest,

by a convent, by a gentleman of worth and disinterestedness; which

advertisements have, to some extent, replaced the itinerant healer of

olden times.

“Good people,” said Rutebeuf’s medicinal herb-seller six hundred

years ago, “I am not one of those poor preachers, nor one of those

poor herbalists who stand in front of churches with their miserable

ill-sown cloak, who carry boxes and sachets and spread out a carpet.

Know that I am not one of these; but I belong to a lady whose name is

Madame Trote de Salerno, who makes a kerchief of her ears, and whose

eyebrows hang down as silver chains behind her shoulders: know that

she is the wisest lady that is in all the four parts of the world.

My lady sends us into different lands and countries, into Apulia,

Calabria, Burgundy, into the forest of Ardennes to kill wild beasts

in order to extract good ointments from them, and give medicine to

those who are ill in body. . . . And because she made me swear by the

saints when I {185} parted from her, I will teach you the proper

cure for worms, if you will listen. Will you listen?

“. . . Take off your caps, give ear, look at my herbs which my lady

sends into this land and country; and because she wishes the poor as

well as the rich to have access thereto, she told me that I should

make pennyworths of them, for a man may have a penny in his purse who

has not five pounds; and she told and commanded that I might take

pence of the current coin in the land and country wherever I should

come. . . .

“These herbs, you will not eat them; for there is no ox in this

country, no charger, be he never so strong, who if he had a bit the

size of a pea upon his tongue would not die a hard death, they are

so strong and bitter. . . . You will put them three days to sleep in

good white wine; if you have no white take red, if you have no red

take fine clear water, for one may have a well before his door who

has not a cask of wine in his cellar. If you breakfast from it for

thirteen mornings you will be cured of your various maladies. For if

my father and mother were in danger of death and they were to ask of

me the best herb I could give them, I should give them this. This is

how I sell my herbs and my ointments; if you want any, come and take

them; if you don’t, let them alone.”[231]

This herbalist was of those early maligned in France and England

by royal ordinances for the illegal practice of medicine. Philip

the Fair in 1311, John the Good in 1352, had issued severe decrees

against them. They were berated with being “ignorant of men’s

temperament, of the time and mode of administering, of the virtues

of medicines, above all, of laxative ones in which lies danger of

death.” These people “often come from abroad,” go through town and

suburbs, and venture to administer to the confiding sick, “clisteria

multum laxativa et alia {186} eis illicita,”[232] at which the royal

authority was justly indignant.

In England the itinerant drug-sellers had no better reputation; the

popular songs, satires and farces always show them associating in

taverns with the meanest rabble, and using—true to nature—the most

ridiculous rant. Master Brundyche’s man, in a play of the fifteenth

century, thus prepares the minds of the hearers for the advent of the

“leech,” his master, deriding both:

What dysease or syknesse y^t ever ye have,

He wyl never leve yow tylle ye be in your grave.[233]

To have an idea of what their recipes might be, one must recall what

the medicine was that the statutes of the kingdom protected. John

of Gaddesden, court doctor under Edward II, got rid of the marks of

the small-pox by wrapping the sick man in red cloths, and he thus

cured the heir to the throne himself.[234] He had for a long time

been troubled how to cure stone: “At last,” says he, in his “Rosa

Anglica,” “I bethought myself of collecting {187} a good number of

those beetles which in summer are found in the dung of oxen, also of

the crickets which sing in the fields. I cut off the heads and the

wings of the crickets and put them with the beetles and common oil

into a pot; I covered it and left it afterwards for a day and night

in a bread oven. I drew out the pot and heated it at a moderate fire,

I pounded the whole and rubbed the sick parts; in three days the pain

had disappeared”; under the influence of the beetles and the crickets

the stone had broken into bits.[235] It was almost always thus, by a

sudden illumination, bethinking himself of beetles or of something

else, that the learned man discovered his most efficacious remedies:

Madame Trote de Salerno never confided to her agents in the various

parts of the world the secret of more marvellous and unexpected

recipes.

The law, however, made a clear distinction between a court physician

and a quack of the cross-ways. Kings and princes had their own

healers, attached to their persons, whom they trusted more than they

did their ministers. Securing by indentures of 1372 and 1373 the

services of “frere William de Appleton, phisicien et surgien,” and

of “Maistre Johan Bray,” granting them forty marks yearly pension

with the “bouche en court,” or right to be fed at his tables, and

other advantages, John of Gaunt, “roy de Castille,” was careful

to bind those men of learning to attend on him “in peace and in

war, _so long as they lived_,” a pledge which his brother, King

Edward, never exacted from his chancellors. A Gaddesden had the

support of an established reputation to apply any medicament to his

patients, and he offered the warranty of his high position. He had

studied at Oxford, and he was an authority; a grave physician like

Chaucer’s “doctour,” who had grown rich during the plague, his wealth

increasing his repute— {188}

“For gold in physik is a cordial,”

had not neglected to pore over the works of “Gatesden.”

With lesser book-knowledge but an equal ingenuity, the wandering

herbalist was not so advantageously known: _he_ could not, like

the royal physician, rely on his good reputation and his “bouche

en court” to make his patients swallow glow-worms, rub them with

beetles and crickets, or give them “seven heads of fat bats”[236] as

remedies. The legislator kept his eye on him. In the country, like

most of the other wayfarers, the man nearly always found means to

escape the rigour of the laws; but in towns the risk was greater.

The unhappy Roger Clerk was sued in 1381 for the illegal practice of

medicine in London, because he tried to cure a woman by making her

wear a certain parchment on her bosom. Though such a nostrum could

not possibly be more hurtful than the use of fat bats, he was carried

to the pillory “through the middle of the city, with trumpets and

pipes,” on a horse without a saddle, his parchment and a whetstone

round his neck, unseemly pottery hanging round his neck and down his

back, in token that he had lied.[237]

Uneasy at the increase of these abuses, Henry V issued in 1421

an _Ordinance against the meddlers with physic and surgery_, “to

get rid of the mischiefs and dangers which have long continued

within the kingdom among the people by means of those who have

used the art and practice of physic and surgery, pretending to be

well and sufficiently taught in the same arts, when of truth they

are not so.” Henceforth there would be severe punishments for all

practitioners who have not been approved in their speciality, “that

is to say, those of physic by the universities, and the surgeons by

the masters of that art.”[238] The mischief {189} continued just

as before; which seeing, in order to give more authority to the

medicine approved by the State, Edward IV, in the first year of his

reign, erected the Company of Barbers of London using the faculty of

surgery, into a corporation.[239]

The Renaissance came and found barbers, quacks, empirics, and

sorcerers continuing to prosper on British soil, and still the

subject of song, satire and play. John Heywood’s Pothecary is a

lineal descendant of Rutebeuf’s herbalist; he sells a wonderful

_Syrapus de Byzansis_, and advertises it in such a way that, anything

that happens, he is right:

“These be the thynges that breke all stryfe

Betweene mannes sycknes and his lyfe;

From all payne these shall you delever

And set you even at reste for ever.”[240]

Henry VIII deplored the hold those men kept on the common people, and

on some of their betters too; he considered it his duty to enact new

rules. “The science and connyng of physyke and surgerie,” said the

king in his statute, “to the perfecte knowlege wherof bee requisite

bothe grete lernyng and ripe experience, ys daily within this Royalme

exercised by a grete multitude of ignoraunt persones, of whom the

grete partie have no maner of insight in the same nor in any other

kynde of lernyng; some also can no lettres on the boke, soofarfurth

that common artificers, as smythes, wevers, and women boldely

and custumably take upon theim grete curis and thyngys of great

difficultie, in the which they partely use sorcery and which-crafte,

partely applie such medicine unto the disease as be verey noyous and

nothyng metely therfore, to the high displeasoure {190} of God . . .

and destruccion of many of the kynge’s liege people, most specially

of them that cannot descerne the uncunnyng from the cunnyng.”[241]

The examples above have shown how difficult it must often have been

to “descerne” between them.

Consequently, the king continues, every one who may wish to practise

in London or seven miles round, must previously submit to an

examination before the bishop of that city, or before the Dean of

St. Paul’s, assisted by four “doctors of phisyk.” In the country the

examination will take place before the bishop of the diocese or his

vicar-general. In 1540, the same prince united the corporation of the

barbers and the college of surgeons, and granted each year to the new

association the bodies of four condemned criminals “for anathomies.”

Hardly were all these privileges conceded than doubts filled the

mind of the legislator himself, and who, it may be wondered, did he

regret? precisely those old unregistered quacks, those possessors

of infallible secrets, those village empirics so harshly treated

in the statute of 1511. A new law was enacted, which is but one

long enumeration of the guilty practices of qualified doctors; they

poison their clients as thoroughly as the quacks of old, the chief

difference is that they take more for it, refusing even to interfere

if the patient is poor:

“Mynding oonelie theyre owne lucres, and nothing the profite or ease

of the diseased or patient, [they] have sued, troubled and vexed

divers honest persones aswell men as woomen, whome God hathe endued

with the knowledge of the nature, kinde, and operacion of certeyne

herbes, rotes, and waters, . . . and yet the saide persones have not

takin any thing for theyre peynes and cooning, but have mynistred the

same to the poore people oonelie for neighbourhode and Goddes sake,

and of pite and {191} charytie; and it is nowe well knowen that the

surgeons admytted wooll doo no cure to any persone, but where they

shall knowe to be rewarded with a greater soome or rewarde than the

cure extendeth unto, for in cace they wolde mynistre theyre coonning

to sore people unrewarded, there shoulde not so manye rotte and

perishe to deathe for lacke of helpe of surgerye as dailie doo.”

Besides, in spite of the examinations by the Bishop of London, “the

most parte of the persones of the said crafte of surgeons have

small coonning.” For which cause all the king’s subjects who have,

“by speculacion or practyse,” knowledge of the virtues of plants,

roots, and waters, may as before, notwithstanding enactments to the

contrary, cure any malady apparent on the surface of the body, by

means of plasters, poultices, and ointments “within any parte of the

realme of Englande, or within any other the kinges dominions.”[242]

A radical change, as we see; the secrets and “speculacions” of

country people were no longer those of sorcerers, but precious

recipes which they had received from God by intuition; the poor,

subject to die without a doctor, rejoiced, the quacks breathed once

more—but were led again onto the boards of the comic stage just as

before. Ben Jonson, that bold pedestrian who walked all the way from

London to Scotland, and who, in his long rambles through villages

or cities, had become familiar with the variegated characters

haunting their market places, painted, in his turn, the portrait of

the “mountebank doctor,” one of the best, not better however than

Rutebeuf’s, and very similar to it, for, as we said, the type passed

on from century to century, unchanged.

Old Ben, as usual, paints from life, having seen and heard more

than once at Bartholomew and other fairs the drug-seller pacing his

scaffold and exclaiming, “O, health, health! the blessing of the

rich! the riches of the {192} poor! who can buy thee at too dear a

rate, since there is no enjoying this world without thee.” Upon which

the man makes game of the despicable “asses” his rivals, boasts of

his incomparable panacea, into which enters a little human fat, which

is worth a thousand crowns, but which he will part with for eight

crowns, no, for six, finally for sixpence. A thousand crowns is what

the cardinals Montalto and Farnese and his friend the Grand Duke of

Tuscany have paid him, but he despises money and he makes sacrifices

for the people. Likewise he has a little of the powder which gave

beauty to Venus and to Helen; one of his friends, a great traveller,

found it in the ruins of Troy and sent it him. This friend also sent

a little of it to the French Court, but that portion had become

“sophisticated,” and the ladies who use it do not obtain from it such

good results.[243]

Three years later, an English traveller, finding himself at Venice,

was filled with wonder at the talk of the Italian mountebanks, and

describing them, he too, from life, gave another copy of the same

immutable original. “Truely,” wrote Coryat, “I often wondered at

many of these natural orators. For they would tell their tales with

such admirable volubility and plausible grace, even _extempore_,

and seasoned with that singular variety of elegant jests and witty

conceits, that they did often strike great admiration into strangers

that never heard them before.” They sell “oyles, soueraigne waters,

amorous songs printed, apothecary drugs, and a common-weale of other

trifles. . . . I saw one of them holde a viper in his hand, and play

with his sting a quarter of an houre together, and yet receive no

hurt. . . . He made us all beleeve that the same viper was lineally

descended from the generation of that viper that lept out of the

fire upon St. Paul’s hand, in the island of Melita, now called

Malta.”[244] {193}

No doubt the loquacity, the volubility, the momentary conviction,

the grace, the insinuating tone, the light, winged gaiety of the

southern charlatan were not found so fully or so charmingly at the

festivals of old England. These festivals were, however, merry and

boisterous, attended by large crowds, among which moved many an

artful character so full of jest and guile that Shakespeare thought

them worthy of immortality; he gave it them indeed in creating,

as a model of those men whose “revenue is the silly cheat,” his

incomparable “Autolycus, a rogue.”

Country labourers went in numbers to these meetings, to stand jests

which, aimed at them, were an amusement even to themselves, and to

buy some drug which would do them good: they are to be seen there

still. At the present day they continue to collect before the vendors

of cures for the toothache and other troubles. Certificates abound

round the booth; it seems as though all the illustrious people in

the world must have been benefited by the discovery; the man now

addresses himself to the rest of humanity. He talks, gesticulates,

gets excited, leans over with a grave tone and a deep voice. The

peasants press around, gaping with inquisitive eye, uncertain if

they ought to laugh or to be afraid, and in the end get confident.

The large hand fumbles in the new coat, the purse is drawn forth

with an awkward air, the piece of money is held out and the medicine

received, while the shining eye and undecided physiognomy say plainly

that the cunning and the habitual practical sense are here at fault;

that these good souls, clever and invincible in their own domain

when it is a question of a sheep or a cow, are the victims of every

one in an unknown land, the land of medical lore. The vendor bestirs

himself, and now, as formerly, triumphs over indecision by means of

direct appeals.

In England the incomparable Goose Fair at {194} Nottingham should

be chosen as the place to see these spectacles, which shine there in

all their infinite variety, with quacks as racy as those of pristine

days, scenes reminding one of Rubens’ great “Kermesse” at the Louvre,

and at every turn and before every shop living confutations of St.

Evremond and others’ ideas of the temper of the English, ever lost in

their thoughts, as if merry England were no more.[245]

Greater still was, in the Middle Ages, the popularity of those

wayfarers, numerous too at the Goose Fair, who came not to cure, but

to amuse, and who, if they did not offer remedies for diseases, at

least brought forgetfulness of troubles; the minstrels, tumblers,

jugglers, and singers. Minstrels and _jongleurs_, under different

names, exercised the same profession, that is, they chanted songs

and romances to the accompaniment of their instruments, as is still

done in the East, in Persia for instance, where poems are not told

but chanted, in various keys according to the subject. At a time

when books were rare, and the theatre, properly so called, did not

exist, poetry and music travelled with the minstrels and gleemen

along the roads; such guests were always welcome. They were to be

found at every feast, wherever there were rejoicings; it was expected

from them, as from wine or beer, that care would be lulled to sleep,

and merriment would replace it. They had many ways to fulfil the

expectation, some dignified, some not. Of the first sort was the

singing and reciting, either in French or English, of the loves and

deeds of ancient heroes.

This was a grand part to play, one held in much reverence; the

harpers and minstrels who arrived at the castle gates, their heads

full of war stories, or sweet tales, or lively songs to excite

laughter, “ad ridendum,” were received with the highest favour. On

their coming they announced themselves without by some “murie {195}

singing” overheard in the house; soon came the order to bring them

in; they were ranged at one end of the hall, and every one gave ear

to them.[246] They preluded on their instruments, and then began to

sing. On what subject?

“Perhaps the plaintive numbers flow

For old unhappy far off things

And battles long ago:

Or is it some more humble lay

Familiar matter of to-day?

Some natural sorrow, loss, or pain

That has been and may be again?”[247]

Like Taillefer at Hastings, they told of the prowess of Charlemagne

and of Roland, or they spoke of Arthur, or of the heroes of the wars

of Troy, undoubted ancestors of the Britons of England:

“Men lykyn jestis for to here,

And romans rede in diuers manere

Of Alexandre the conqueroure,

Of Julius Cesar the emperoure,

Of Grece and Troy the strong stryf,

There many a man lost his lyf, {196}

Of Brute that baron bold of hond

The first conqueroure of Englond,

Of kyng Artour that was so riche,

Was non in his tyme him liche,

* * * * *

How kyng Charlis and Rowlond fawght

With Sarzyns nold they be cawght,

Of Tristrem and of Ysoude the swete

How they with love first gan mete,

Of kyng John and of Isombras,

Of Ydoyne and of Amadas,

Stories of diuerce thynggis

Of pryncis, prelatis, and of kynggis,

Many songgis of diuers ryme,

As english, frensh, and latyne.”[248]

In the fourteenth century most of these old romances, heroic,

forceful, or touching, had been re-cast and put into new language;

florid descriptions, complicated adventures, marvels and prodigies

had been added to them; many had been turned into prose, and instead

of being sung they were read.[249] The lord listened with pleasure,

and his taste, palled by surfeit, caused him to take delight in

the strange entanglements with which every event was henceforth

enveloped. He now lived a more complex life than formerly; being more

refined he had more wants, and grand, simple pictures in poems like

the Song of Roland no longer satisfied his imagination: he preferred

variety to grandeur. The heroes of romance {197} found harder and

harder tasks imposed on them, and were obliged to triumph over more

and more marvellous enchantments. As the hand became more alert the

modelling improved; the softer-hearted heroes of amorous adventures

were endowed by the poet with that charm, at once mystic and sensual,

so characteristic of the sculptured figures of the fourteenth

century. The author of “Sir Gawayne” takes a scarcely concealed

pleasure in describing the visits which his knight receives, in

painting his lady, so gentle, so pretty, with easy motions and gay

smile; he puts into his picture all his art, all his soul; he finds

words which seem caresses, and verses which shine as with a golden

gleam.[250]

These pictures, not rare in the thirteenth century, greatly

multiplied in the fourteenth, but toward the end thereof passed from

the romance into the tale, or into poems, half tale, half romance,

such as the “Troilus” of Chaucer. After many transformations the

metrical romance was gradually giving way to new forms and styles

which better suited the tastes of the hour. A hundred years earlier

such a man as Chaucer would have taken up the Arthur legends in his

turn, and would have written some splendid long-winded poetical

romance for the minstrels; but he left us tales and lyric poems

because his own taste and that of the age were different, and he

felt that people were still curious but not enthusiastic about old

heroic stories, that few any longer followed them with passion to

the end, and that they were rather made the ornament of libraries

than the subject of daily thought.[251] Thenceforward men liked to

find separately in {198} ballads and in tales the lyric breath and

the spirit of observation formerly contained with all the rest in

the great metrical romances, the poetical _summæ_ of earlier days;

and these, abandoned to the less expert of the itinerant rhymers,

became such wretched copies of the old originals that they were the

laughing-stock of people of sense and taste.

Many of the grand French epics were thus abridged and put into

skipping, barren English verse, the epics being out of fashion, their

substitutes valueless. So, when Chaucer, surrounded by his fellow

pilgrims, favoured them with a story of Sir Thopas, popular good

sense, personated by the host, rebelled, and the performance was

rudely interrupted. Yet from Sir Thopas to many of the romances which

ran the streets or the roads the distance is small, and the laughable

parody was hardly more than a close imitation. Robert Thornton, in

the first half of the fifteenth century, copied from older texts a

good number of these remodelled romances. In turning their pages one

is struck by the excellence of Chaucer’s jesting, his caricature

being almost a portrait.

These poems are all cut after one and the same pattern, tripping

and sprightly, with little thought and less sentiment; the cadenced

stanzas march on, clear, easy, and empty; no constraint, no effort;

one may open and close the book without a sigh, without regret, with

no positive weariness nor really-felt pleasure. Were it not for the

proper names, the reader might pass chancewise from one romance to

another without noticing the change. Take no matter which, “Sir

Isumbras” for example: {199} after a prayer for form’s sake, the

rhymer vaunts the valour of the hero, then praises a quality of

especial value, with which he was happily endowed, his fondness for

minstrels and his generosity towards them:

“He luffede glewmene well in haulle

He gafe thame robis riche of palle (fine cloth)

Bothe of golde and also fee;

Of curtasye was he kynge,

Of mete and drynke no nythynge,

On lyfe was none so fre.”

Isumbras, his wife, and his son, are without peers; he is the most

valiant of knights, his wife the most lovely of women:

“I wille yow telle of a knyghte

That bothe was stalworthe and wyghte,

And worthily undir wede;

His name was hattene syr Ysambrace.”

So is also Sir Eglamour:

“Y shalle telle yow of a knyght

That was bothe hardy and wyght,

And stronge in eche a stowre.”

So is also Sir Degrevant:

“And y schalle karppe off a knyght

That was both hardy and wyght,

Sire Degrevaunt that hend hyght,

That dowghty was of dede.”[252] {200}

So is also Chaucer’s Sir Thopas:

“. . . I wol telle verrayment

Of myrthe and of solas,

Al of a knyght was fair and gent

In batail and in tornament,

His name was Sir Thopas.”

And though Sir Thopas almost comes within the scope of the present

work, being an adventure seeker, “a knight auntrous,” ever on his

way, never sleeping in a house—

“And for he was a knight auntrous,

He nolde slepen in non hous,

But liggen in his hode;

His bright helm was his wonger (pillow),”

yet must we abide by the ruling of mine host and leave him alone:

“No more of this for Goddes dignitee.”

But, even at a comparatively late date, the inmate of an out of the

way castle usually proved more lenient. He welcomed the minstrel, his

verse and his viol as he welcomed change; he lent a complacent ear to

his commonplace romances, his ballads on every subject, his praise

of flowers, women, wine, spring, heroes and saints, his _goliardic_

dispraise of women,[253] monks and friars, his tales of love or

laughter, his patriotic songs the rarest of all, for the Hundred

Years War was for the English chiefly a royal and not a national

war, and this alone can explain the scant place occupied in the

songs of the time by Crécy {201} and Poictiers, never mentioned by

Chaucer, never mentioned by Langland (who disapproved of the war),

celebrated only by one solitary songster known by name and otherwise

unknown, the unimitated and ungifted Laurence Minot.[254] The noble

listened; he had few intellectual diversions; he gave little time

if any to reading, which was not for him then an unmixed pleasure,

and needed effort; there was no theatre for him to go to. At long

intervals only, when the great yearly feasts came round, the knight

might go, in company with the crowd, to see Pilate and Jesus on the

boards. There he found sometimes not only the crowd but the king too.

Richard II, for example, witnessed a religious play or mystery in the

fourteenth year of his reign, and had ten pounds distributed among

several clerks of London who had played before him at Skinnerwell

“the play of the Passion and of the creation of the world.”[255] A

few years later he saw the famous York plays, at the feast of Corpus

Christi, performed in the streets of that city.[256] In ordinary

times the knight was only too happy to receive in his home men of

vast memory, who knew more verse and more music than could be heard

in a day.

The king himself liked their coming. He had them sometimes brought

up to him in his very chamber, where he was pleased to sit and hear

their music. Edward II received four minstrels in his chamber at

Westminster and heard their songs, and when they went he ordered

twenty ells of cloth to be given them for their reward.[257] No

one thought in those days of rejoicings without minstrels; there

were four hundred and twenty-six of them {202} at the marriage of

the Princess Margaret, daughter of Edward I.[258] Edward III gave

a hundred pounds to those who were present at the marriage of his

daughter Isabella,[259] some figured also at his tournaments.[260]

When a bishop went on his pastoral rounds he was occasionally greeted

by minstrels, hired on purpose to cheer him; they were of necessity

chosen among local artists, who were apt to fiddle cheap music to

his lordship. Bishop Swinfield, in one of his rounds, gave a penny a

piece to two minstrels who had just played before him; but on another

occasion he distributed twelve pence a piece.[261]

When men of importance were travelling they sometimes had the

pleasure of hearing minstrels at the inn, and in that manner

whiled away the long empty evenings. In the curious manual already

quoted, called “La manière de langage,” composed in French by an

Englishman of the fourteenth century, the traveller of distinction

is represented listening to the musicians at the inn, and mingling

his voice at need with their music: “Then,” says our author, “come

forward into the lord’s presence the trumpeters and horn-blowers

with their frestels (pipes) and clarions, and begin to play and blow

very loud, and then the lord with his squires begin to move, to

sway, to dance, to utter and sing fine carols till midnight without

ceasing.”[262]

In great houses minstrels’ music was the usual seasoning of meals.

At table there are only two amusements, {203} says Langland, in his

“Visions”: to listen to the minstrels, and, when they are silent,

to talk religion and to scoff at its mysteries.[263] The repasts

which Sir Gawain takes at the house of his host the Green Knight

are enlivened with songs and music. On the second day the amusement

extends till after supper; they listen during the meal and after it

to many noble songs, such as Christmas carols and new songs, with all

possible mirth:

“Mony athel songez,

As coundutes of kryst-masse, and carolez newe,

With all the manerly merthe that mon may of telle.”

On the third day,

“With merthe and mynstralsye, with metez at hor wylle,

Thay maden as mery as any men moghten.”[264]

In Chaucer’s “Squire’s Tale,” King Cambynskan gives a

“Feste so solempne and so riche

That in this worlde ne was ther noon it liche.”

And this prince is shown sitting after the third course among his

nobles, listening to the music:

“. . . So bifelle after the thridde cours,

Whil that the kyng sit thus in his nobleye,

Herkyng his mynstrales her thinges pleye

Byforn him atte boord deliciously. . . .”

During all these meals the sound of the viol, the voice of the

singers, the “delicious things” of the minstrels, were interrupted,

it is true, by the crunching of the bones {204} gnawed by the dogs

under the tables, by the quarrels of the same, or by the sharp cry

of some ill-bred falcon; for many noblemen kept during dinner these

favourite birds on a perch behind them. Their masters, enjoying their

presence, were indulgent with the liberties they took.

The minstrels of Cambynskan are represented as attached to his

person; those belonging to the King of England also had permanent

functions. The sovereign was seldom without them, and even when

he went abroad was accompanied by them as well as by his hawks

and hounds, a complete orchestra. Henry V engaged eighteen, who

were to follow him to Guyenne and elsewhere.[265] Their chief is

sometimes called _king_ or _marshal_ of the minstrels.[266] On

May 2, 1387, Richard II gave a passport to John Caumz (? Camuz),

“rex ministrallorum nostrorum,” who was setting out for a journey

beyond the sea.[267] On January 19, 1464, Edward IV grants a pension

of ten marks “to our beloved Walter Haliday, marshall of our

minstrels.”[268] The Roll of Thomas Brantingham, treasurer to Edward

III, bears frequent mention of royal minstrels, to whom a fixed

salary of seven pence-halfpenny a day is paid.[269] King Richard II

had in the same manner minstrels in his pay, and enjoyed their music

{205} when travelling. When he went for the last time to Ireland he

had to wait for ten days at Milford on account of contrary winds.

That French gentleman, Créton, who was with him, and wrote afterwards

a most interesting account of what befell the unfortunate king during

the last year of his reign, states in his chronicle that the time was

merrily passed at Milford while expecting a change in the weather,

and that day and night they had music and songs of minstrels.[270]

The richer nobles imitated, of course, the king, and had their own

companies, whom they allowed to play at times in various parts

of the country (as was the case later with regular actors), and

whom they supplied with testimonial letters vouching for them and

their artistic ability.[271] The accounts of Winchester College

under Edward IV show that this college recompensed the services of

minstrels belonging to the king, the Earl of Arundel, Lord de la

Ware, the Duke of Gloucester, the [Earl] of Northumberland, and the

Bishop of Winchester; these last often recur. In the same accounts,

time of Henry IV, mention is made of the expenses occasioned by the

visit of the Countess of Westmoreland, accompanied by her suite. Her

minstrels formed part of it, and a sum of money was given them.[272]

{206}

When visiting towns and performing before the citizens, itinerant

troups made a collection among the bystanders, having, however,

themselves a fee to pay for the privilege. A curious example of this

is recorded in John of Gaunt’s register,[273] where his seneschal

of Newcastle-under-Lyme is ordered to see to it that 4d. be paid to

William de Brompton a burgess of that city and Margery his wife, “by

every minstrel coming there to make his minstralcy against the feast

of St. Giles the Abbot,” and that a payment be also made to the same

for every bear brought there to be baited, a regular inquest having

shown that such fees had been paid to that couple and to Margery’s

ancestors from time immemorial.

Like lords and princes, from the early fifteenth century at least,

cities themselves had their troups of minstrels: “London, Coventry,

Bristol, Shrewsbury, Norwich, Chester, York, Beverley, Leicester,

Lynn, Canterbury, had them, to name no others. They received fixed

fees or dues, wore the town livery and badge of a silver scutcheon,

played at all local celebrations and festivities and were commonly

known as _waits_.”[274]

Besides money and good meals, those musical wanderers often received

a variety of gifts, such as cloaks, furred robes, and the like.

Langland alludes more than once to these largesses, which proves

that they were considerable, and he regrets that all this was not

distributed to the poor who go, they too, from door to door, and are

the minstrels of God: {207}

“Clerkus and knyghtes · welcometh kynges mynstrales,

And for love of here lordes · lithen hem at festes:

Much more, me thenketh · riche men auhte

Have beggers by-fore hem · whiche beth godes mynstrales.”[275]

But his advice was not heeded, and long after his time the minstrels

continued to be admitted to the castle halls. In erecting the hall

the builder took into account the probable visits of musicians, and

often raised a gallery for them above the entrance door, opposite

to the dais, the place where the master’s table was set.[276] This

custom long survived the Middle Ages. At Hatfield a minstrels’

gallery of the seventeenth century adorns the hall of that beautiful

place, and is still, on great occasions, put to the use it was

originally intended for.

[Illustration 38. PLAYING UPON THE VIELLE.

(_From the MS. 10 E.IV; English; early Fourteenth Century._)]

The classic instrument of the minstrel was the _vielle_, a kind of

violin or fiddle with a bow, something like ours, a drawing of which,

as used in the thirteenth century, is to be found in the album of

Villard de Honnecourt.[277] It was delicate to handle, and required

much skill; in proportion therefore as the profession lowered, the

good performer on the _vielle_ became rarer; the common tambourine

or tabor, which needed but little training, replaced the _vielle_,

and true artists complained of the music and the taste of the {208}

day. It was a tabor that the glee-man of Ely wore at his neck when

he had his famous dialogue with the King of England, which proved

so bewildering for the monarch: “He came thence to London; in a

meadow he met the king and his suite; around his neck hung his tabor,

painted with gold and rich azure.”[278]

The minstrels played yet other instruments, the harp, the lute, the

guitar, the bag-pipe, the rota (a kind of small harp, the ancient

instrument of the Celts), and others.[279]

[Illustration 39. _Cittern._ _Bagpipe._ _Clarion._ _Rebec._

_Psaltery._ _Syrinx._ _Sackbut._ _Regals._ _Gittern._ _Shalm._

_Timbrel._ _Cymbals._

THE MINSTRELS’ GALLERY AT EXETER.

(_Fourteenth Century._)]

The presents, the favour of the great, rendered enviable the lot

of the minstrels; they multiplied accordingly, and the competition

was great, which made the trade less profitable. In the fifteenth

century, the king’s minstrels, clever and able men, protested to

their master against the increasing audacity of the false minstrels,

who deprived them of the greater part of their revenues. “Uncultured

peasants,” said the king, who sided with his own men, “and

workmen of different trades in our kingdom of England have passed

themselves off as minstrels; some have worn our livery, which we

did not {211} grant to them, and have even given themselves out to

be our own minstrels.” By means of these guilty practices, they

extorted much money from the king’s subjects, and although they had

no understanding nor experience of the art, they went from place to

place on festival days and gathered all the profits which should have

enriched the true artists, those who had devoted themselves entirely

to their profession, and did not exercise any low trade.

The king, to protect his men against such unlawful competition,

authorized them to reconstitute and consolidate the pre-existing

gild of minstrels; no one could henceforth exercise this profession,

whatever his talent, if he had not been admitted into the gild. A

power of inquiry was granted to the members of the society, who had

the right to have false minstrels fined, the money to be applied

to candles lit in the chapel of the Holy Virgin at St. Paul’s and

in the “royal free chapel of St. Anthony.” For a pious motive was

associated then with most actions, and minstrels, so badly treated

by the generality of religious writers, were in this case bound,

says the king, to pray in those two chapels for him while alive and

for his soul when dead, for his “dearest consort Elizabeth queen of

England,” and for the soul of his “dearest lord and father”; this

till the end of time. Women were, as well as men, admitted into the

fraternity.[280]

Such was the will of the king; in the same manner, and without any

better success, the price of bread and the wage for a day’s labour

were lowered by statute, all of which had but a limited and temporary

effect. {212}

The authorities had other reasons for watching over singers and

itinerant musicians; while they showed indulgence to the armed

retainers of the great, they feared the rounds made by those glee men

with no other arms than their vielle or tabor, but sowing sometimes

strange disquieting doctrines under colour of songs. These were more

than liberal, and went at times so far as to recommend social or

political revolt. The Commons in parliament denounced by name, at the

beginning of the fifteenth century, the Welsh minstrels as fomentors

of trouble and causes of rebellion. Their political songs encouraged

the insurgents to resistance; and parliament, who bracketed them with

ordinary vagabonds, knew well that in having them arrested on the

roads, it was not simple cut-purses whom it sent to prison. “_Item_:

That no westours and rimers, minstrels or vagabonds, be maintained

in Wales to make kymorthas or quyllages on the common people, who

by their divinations, lies, and exhortations are partly cause of

the insurrection and rebellion now in Wales. _Reply_: Le roy le

veut.”[281]

Popular movements were the occasion for satirical songs against the

great, songs composed by minstrels and soon known by heart among the

crowd. It was a popular song which furnished to John Ball the text

for his famous speech at Blackheath in the revolt of 1381:

“When Adam delved and Eve span,

Who was then the gentleman?”

Again, under Henry VI, when the peasants of Kent rose, and their

allies the sailors took and beheaded the Duke of Suffolk at sea,

a satirical song was composed, became popular and has come down

to us. As before killing him they had given a mock trial to the

king’s favourite, so in the song they present the comedy of his

funeral; {213} nobles and prelates are asked to come and sing their

responses, and in this pretended burial service, which is in reality

a hymn of joy and triumph, the minstrel calls down heavenly blessings

on the murderers. At the end the Commons are represented coming in

their turn to sing a sarcastic _Requiescant in pace_ over all English

traitors.[282]

The renown of the popular rebel, Robin Hood the outlaw, who lived

in the twelfth century if he ever lived at all, went on increasing.

His manly virtues were extolled; picturesque companions were, later,

invented for him: Friar Tuck, Maid Marian, Little John and all the

imaginary inhabitants of Sherwood Forest; listeners were told how

this pious man, who, even in the worst danger, waited till mass

was over before thinking of his safety, boldly robbed great lords

and high prelates, but was merciful to the poor;[283] which was an

indirect notice to the brigands of the time that they should be

careful to discern in their rounds between the tares and the wheat.

The sympathy of the minstrels for ideas of emancipation, which had

made such progress in the fourteenth century, was not only evinced in

these songs, but also in the remodelled romances recited by them in

presence of the nobles, and which henceforth were full of high-flown

declarations on the equality of men. The hearer did not take offence;

the greater poets, favourites of all that counted, the king himself

in his public statements proclaimed liberal truths which it was

hardly expected would be acted upon literally. Thus Chaucer {214}

celebrates in his most eloquent verse the only true nobility in his

eyes, that which comes from the heart.[284] Thus also King Edward

I, on summoning the first true English parliament in 1295, declared

that he did so inspired by the old maxim which prescribes that what

concerns all should be approved by all, proclaiming a principle

whence have since issued the most radical reforms of society, and on

which the American insurgents founded, centuries later, their claim

to independence.[285]

Such direct appeals from the king to his people contributed early to

develop among the English the sense of duty, of political rights and

responsibilities. In days of trouble, when parliament scarcely yet

existed, the same king thought he should explain his conduct to the

people and allow them to form an opinion: “The king about this, and

about his estate and as to his kingdom, and how the business of the

kingdom has come to naught, makes known and wishes that all should

know the truth of it; which ensues . . .”[286]

In France the enunciation of liberal principles was frequent

in royal edicts, but the emptiness of these fine words and the

interested motives which caused them to {215} be used were scarcely

veiled at all. Louis X, “le Hutin,” in his ordinance of July 2, 1315,

declares that, “as according to the law of nature every one is born

free,” he has resolved to enfranchise the serfs on his own estates.

He adds, however, that he will do so for money. Three days later,

fearing that his benefit is not sufficiently prized, he supplements

his first statement by a new one in which his exalted ideas and

his present needs are boldly intertwined: “It may be that some,

ill-advised and in default of good counsel, might misunderstand such

great benefit and favour and wish rather to remain in the baseness of

servitude than to come to free estate: wherefore we order and commit

to you that, _for the aid of the present war_, you levy on such

persons according to the amount of their property, and the conditions

of servitude of each one, as much and sufficiently as the condition

and riches of those persons may bear and as the necessity of our war

may require.”[287]

Well then might the minstrels imitate the king himself in repeating

axioms so well known, and which, according to appearance, there was

so little chance of seeing carried out. But ideas, like the seeds of

trees falling on the soil, are not lost, and the noble who had gone

to sleep to the murmur of verses chanted by the glee-man waked up

one day to the tumult of the crowd collected before London, with the

refrain of the priest John Ball for its war-cry. And then he had to

draw his sword and show by a massacre that the time was not yet come

to apply these axioms, and that there was nothing in them save song.

Still were the trees dropping their seeds. Poets and popular singers

had thus an influence over social movements, less through the

maxims scattered throughout their great works than by those little

unpolished pieces, struck off on the moment, which the lesser among

them composed and sang for the people, at the cross-roads in {216}

times of trouble, or by the peasants’ hearth in ordinary times, as a

reward for hospitality.[288]

[Illustration 40. A FOURTEENTH-CENTURY JUGGLER.

(_From MS. 10 E. IV._)]

Minstrels, however, as singers of songs, propagators of thoughts,

tellers of romances, were to disappear. An age was beginning when

books and the art of reading spread among the people, and a more and

more numerous public would read and cease to listen; the theatres

were, moreover, about to offer a spectacle much superior to that

of the little troop of musicians and wandering singers, and would

compete with them more powerfully than the “rude husbandmen and

artificers of various crafts,” against whose impertinence Edward IV

was so indignant. Replaced, unwanted, the minstrels proper ceased to

exist as a class, leaving however behind them a variety of men who

could claim them as ancestors, street musicians, mirth mongers, or

the “blind crouder with no rougher voice then rude stile,” who sang

for Sir Philip Sidney “the olde song of Percy and Douglas.”

In fact, the period of the Taillefers who would go to death in the

fight while singing of Charlemagne was a limited one; the lustre

which the jongleurs or trouvères of the twelfth and thirteenth

centuries, who confined themselves to the recitation of poetry,

had shed on their profession, was effaced in proportion as they

associated {217} more closely with the mannerless bands of tumblers,

jugglers, leaders of performing bears (_ursinarii_, the Latin

documents of the time name them),[289] conjurors, and ribalds of all

kinds.[290]

These bands had always existed, but the chanters of romances,

tellers of knights’ high deeds, and of saints’ edifying examples,

admitted even into the cloister, finding grace before St. Thomas

Aquinas,[291] had, in the heyday of their fame stood above them, or

apart from them. At all times, however, in castles and at fairs,

were to be found buffoons and jugglers, whose coarseness exhilarated

the spectators. The precise details which the contemporaries give

as to their performances show not only that their jokes would not

be tolerated among the rich of to-day, but that there are even few

out of the way villages where {218} peasants on a festival would

accept them without disgust. The great of former days found pleasure,

however, in them, and in the troop of mummers and tumblers who went

about wherever mirth was wanted, there always were some who excited

laughter by the ignoble means described in John of Salisbury’s

“Polycraticus”—“so shameful that even a cynic would blush at seeing

them.”[292] But people of high degree did not blush, they laughed.

Two hundred years later, some sacrilegious clerks, out of hate for

the Archbishop of York, made themselves guilty of the same monstrous

buffooneries in his very cathedral, and the episcopal letter relating

their misdeeds with the precision of a legal report, adds that they

were committed _more ribaldorum_.[293] Langland, at the same epoch,

shows that one of his personages is not a true minstrel, either of

the higher or of the lower sort, since he is neither able to “telle

faire gestes,” nor to practise those welcome turpitudes.[294]

The greater was the feast, the coarser were often the deeds and

songs of the mirth-mongers. In this way, in particular, were they

accustomed to celebrate Christmas. Thomas Gascoigne, in the sort of

theological dictionary compiled by him, beseeches his readers to

abstain from hearing such Christmas songs, for they leave on the mind

images and ideas which it is almost impossible afterwards to wash

out. He adds as a warning the story of a man he personally knew: “I

have known, I, Gascoigne, Doctor in Divinity, who am writing this

book, a man who had heard at Christmas some of those repulsive songs.

{219} It so happened that the shameful things he had heard had made

such a deep impression on his mind that he could never in after time

get rid of those remembrances nor wipe away those images. So he

fell into such a deep melancholy that at length it proved deadly to

him.”[295]

[Illustration 41. FAVOURITE DANCES IN MEDIÆVAL ENGLAND.

(_From MS. 10 E. IV._)]

The representations of the dance of Salome to be found in mediæval

stained glass or manuscripts give an idea of the sort of tricks and

games considered the fittest to amuse people of importance while

sitting in their hall or having their dinner. It is by dancing on her

hands, head downwards, that the young woman gains the suffrages of

Herod. As the idea of such a dance could not be drawn from the Bible,

it obviously arose from the customs of the time. At Clermont-Ferrand,

in the stained glass of the cathedral (thirteenth century), Salome

dances on knives which she holds with each hand, she also having

her head downwards. In a window at the Lincoln cathedral she has no

knives, but her “dance” is of the same sort and her red-stockinged

feet touch the upper line of the glass panel. At Verona, she is

represented on the {220} most ancient of the bronze gates of St.

Zeno (ninth century) bending backwards and touching her feet with her

head. Those standing by are filled with surprise and admiration, one

puts his hand to his mouth, the other to his cheek, in an involuntary

gesture of amazement. She may be seen in the same posture in several

manuscripts in the British Museum; Herod is sitting at his table

with his lords, while the young woman dances head downwards.[296] In

another manuscript, also of the fourteenth century, minstrels are

shown playing on their instruments, while a professional dancing girl

belonging to their troop performs as usual head downwards, but this

time, as at Clermont, her hands rest on two swords. The accounts of

the royal exchequer of England sometimes mention sums paid to passing

dancers, who, no doubt, must also have performed surprising feats,

for the payments are considerable. Thus, in the third year of his

reign, Richard II pays to John Katerine, a dancer of Venice, six

pounds thirteen shillings and fourpence for having played and danced

before him.[297]

[Illustration 42. FAVOURITE DANCES IN PERSIA.

(_From a pencil-case._)]

In the East, where, in our travels, we have sometimes the surprise

of finding ancient customs still living {221} which we can at home

only study in books, the fashion for buffoons and mimics survives,

and even remains the great distraction of princes. The Bey of Tunis,

when I was there years ago, had fools to amuse him in the evening,

who insulted and diverted him by the contrast between their permitted

insolence and his real power. Among the rich Moslem women of the

same city, few of whom could read, the monotony of days spent by

them till death came under the shadow of the same walls, behind the

same gratings, was broken by the tales of the female fool, whose

duty was to enliven the harem by sallies of the strangest liberty.

As for dances, they frequently consist, in the East, in performances

similar to that of Salome, such as shown in our manuscripts. Women

dancing head downwards constantly appear in Persian pictures; several

examples may be seen in the Victoria and Albert Museum, and the same

subject often occurs on the valuable pencil-cases formerly made with

so much taste and art in Persia.

If our ancestors of the fourteenth century could enjoy such

pleasures, no wonder that moralists declared more and more openly

against both minstrels and mimics and ranked them with those rogues

and vagabonds denounced as a public danger by parliament. As years

pass the discredit grows. In the sixteenth century Philip Stubbes

saw in minstrels the personification of all vices, and he justified

in bitter words his contempt for “suche drunken sockets and bawdye

parasits as range the cuntreyes, ryming and singing of uncleane,

corrupt and filthie songes in tavernes, ale-houses, innes, and other

publique assemblies.” Their life is like the shameful songs of which

their heads are full, and they are the origin of all abominations;

the more dangerous because their number is so great:

“Every towne, citie, and countrey is full of these minstrelles to

pype up a dance to the devill: but of dyvines, so few there be as

they maye hardly be seene. {222}

“But some of them will reply, and say, What, sir! we have lycences

from justices of peace to pype and use our minstralsie to our best

commoditie. Cursed be those lycences which lycence any man to get his

lyving with the destruction of many thousands!

“But have you a lycence from the archjustice of peace, Christe

Jesus? If you have not . . . than may you, as rogues, extravagantes,

and straglers from the heavenlye country, be arrested of the high

justice of peace, Christ Jesus, and be punished with eternall death,

notwithstanding your pretensed licences of earthly men.”[298]

Such was the state of degradation the noble profession of the old

singers had reached; the necessity either of obtaining a licence or

of joining a gild, as prescribed by Edward IV, had been powerless

to check the decay. With new manners and inventions their _raison

d’être_ disappeared; the ancient reciters of poems, after having

mingled with the disreputable troops of caterers to public amusement,

saw these troops survive them, and, regular players apart, there

henceforth only remained upon the roads those coarse buffoons,

bearwards, and vulgar music makers whom thoughtful men held as

reprobates.

[Illustration 43. A PERFORMING BEAR.

(_From MS. 10 E. IV._)]

{223}

[Illustration 44. A SHAM MESSENGER.

(_From MS. 10 E. IV._)]

CHAPTER II

MESSENGERS, ITINERANT MERCHANTS AND PEDLARS

All his life long, kind, loving, merry Chaucer, a good observer, a

good listener and good talker, was fond of travels and travellers,

of roamers and tale-tellers, of people who came from afar, bringing

home with them many stories if little money, stories in which much

invention no doubt was mingled with a little truth: but what is

the good of raising a protest against harmless invention? Is not

sometimes their mixture with “sooth” a pleasant one? Thus, he said:

“Thus saugh I fals and sothe compouned

Togeder fle for oo (one) tydynge.”

Interested in all that was human he studied ordinary types and

rare ones; he observed mine Host, and looked also for seekers of

adventure, and was never tired of hearing their tales: {224}

“Aventure,

That is the moder of tydynges,

As the see is of welles and of sprynges.”

No greater pleasure for him than to see:

“Winged wondres faste fleen,

Twenty thousand in a route,

As Eolus hem blew aboute.”

He was in this a real _connoisseur_, fully appreciating the merit of

a well-told fable and knowing how useful and pleasant some such may

be found to beguile slow-winged time. Long before he started from

the Tabard, “faste by the Belle,” for a journey which millions of

Englishmen have since performed at his heels, allured by the music or

merriment of his word, he had this same taste for “unkouthe syghtes

and tydynges,” as well as for “thinges glad.” Finding himself once

in great “distresse” of mind, with a heavy heart, “disesperat of all

blys,” what did he dream of to “solace” himself, but of meeting and

hearing the whole innumerable tribe of tale-tellers, wayfarers, and

adventure seekers, by fancy assembled in an immense house, “made of

twigges, salwe, rede and green eke?” He wanted us to know, and he

wrote of the “House of Fame,” where after having met the bard “that

bare of Thebes up the fame” (Statius), and “gret Omere,” and “Venus’

clerke Ovide,” “Englyssh Gaunfride” (of Monmouth, of Arthurian fame),

and many more, he thought that there was no room for him, and feeling

his distress as keen as ever, dreamed of something else, willing

“Somme newe tydyngis for to lere,

Somme newe thinge, Y not what,

Tydyngs other this or that,

Of love, or suche thinges glad.”[299]

{225}

In this he had full satisfaction; his dream took another turn, and

he was led towards the place he wanted, where things glad were to be

found, a temple not of fame, but of tales and tidings, of noise and

merriment:

“And theroute come so grete a noyse,

That had hyt stonde upon Oyse,

Men myght hyt have herd esely

To Rome, Y trowe sikerly.”

The noise went up to the sky from innumerable apertures, for

“This hous hath of entrees

As feele (many) as of leves ben on trees,

In somer whan they grene ben.”

Never for one instant is the place quiet nor silent; it is always

“Filde ful of tydynges,

Other loude or of whisprynges;

And over alle the houses angles,

Ys ful of rounynges and of jangles,

Of werres, of pes, of mariages,

Of restes, of labour and of viages.”

War and peace, and love and travels, all this he was to make in

after-time the subject of his “Canterbury Tales,” and he represents

himself in this earlier poem as if coming to the well and spring of

all tales, placed somewhere in the land of dreams and fancy, yet

surrounded by people who were neither fanciful nor dreamy creatures,

but bony beings, on the contrary, with strong muscles and alert

tongues, and the dust of the road to Rome or the East on their feet;

surrounded, in fact, by these very roamers we are now trying to call

up one by one from the past, and who receive in the “House of Fame”

such an apotheosis as befits their quaint if rather questionable

character. Good Chaucer {226} lends a willing ear, and the ways of

speech of these people are carefully preserved in his verse for those

who after him may find interest in them. In this manner they spoke:

every person, says the poet,

“Every wight that I saugh there

Rouned (muttered) in eche others ere,

A newe tydynge prevely,

Or elles tolde alle oppenly

Ryght thus, and seyde; ‘Nost not thou

That ys betyd, late or now?’

—‘No,’ quod he, ‘Telle me what.’

And than he tolde hym this and that,

And swore therto that hit was sothe;

‘Thus hath he sayde’ and ‘Thus he dothe,’

And ‘Thus shal hit be’ and ‘Thus herde Y seye.’”

And the delight is that the tale repeated by many is always new, for

it is never exactly the same; the fib fattens as it grows old, so

that it may serve your pleasure many a time and oft:

“Whan oon had herde a thinge ywis,

He come forthright to another wight,

And gan him tellen anon ryght,

The same thynge that him was tolde,

Or hyt a forlonge way was olde,

But gan sommewhat for to eche (increase)

To this tydynge in this speche

More than hit ever was . . .

As fire ys wont to quyk and goo

From a sparke sprongen amys,

Tille alle a citee brent up ys.”

That there may be no mistake about the sort of people to whom the

pleasant art of stretching a lie is so familiar, Chaucer is careful

to name them, and there we find almost every one of our friends

already mentioned or hereafter described, the sea or land wayfarers:

“And lord! this hous in alle tymes

Was ful of shipmen and pilgrimes,

With scrippes (bags) bret-ful of leseyngs (lies)

Entremedled with tydynges, {227}

And eke allone be hemselve,

O many a thousand tymes twelve

Saugh I eke of these pardoners,

Currours, and eke of messangers

With boystes crammed ful of lyes.”

What Chaucer gathered from these shipmen, pardoners, couriers, and

messengers, he assures us it was not his intention to tell the world,

“For hit no nede is redely;

Folke kan hit synge bet than I.”

Whether or not some doubt may have afterwards entered his mind about

the great poetical faculty of “folke,” certain it is that, for the

delight of future ages, he did not stick to his word, as every reader

of the “Canterbury Tales” well knows.

[Illustration 45. A PROFESSIONAL MESSENGER.

(_From the MS. 10 E. IV._)]

These “boystes” which Chaucer represents, carried by messengers and

couriers, were filled in the way he describes only in a metaphorical

sense, and this left room for more solid ware, for letters and

parcels too, since in those old simple days, the messengers were

the only equivalent for mail and for parcels post. They were to be

found in the service of abbots, bishops, nobles, sheriffs, courts

of justice,[300] and of the king. Such a costly forerunner of the

post was not, of course, available for everybody; people did as they

best could. The poor man {228} waited till some friend was going a

journey; the rich only had express messengers, entrusted with their

errands to distant places and with the carrying of their letters,

generally written at dictation by a scribe on a sheet of parchment,

and then sealed in wax with the master’s signet.[301] The king kept

twelve messengers with a fixed salary; they followed him everywhere,

in constant readiness to start; they received threepence a day when

they were on the road, and four shillings and eightpence a year to

buy shoes.[302] They were entrusted with letters {229} for the kings

of France and Scotland; sent to call together the representatives

of the nation for Parliament; to order the publication of the papal

sentence against Guy de Montfort; to call to Windsor the knights of

St. George; to summon the “archbishops, earls, barons, and other

lords and ladies of England and Wales” to London to be present at the

funeral of the late queen (Philippa); to prescribe the proclamation

in the counties of the statutes made in Parliament; to command the

“archbishops, bishops, abbots, priors, deans, and chapters of the

cathedral churches of all the shires to pray for the soul of Anne,

late Queen of England, deceased.”[303]

Edward III sends messengers or heralds to foreign parts, viz.,

France, Germany, Brabant, Flanders, Scotland, to call the nobility

of these countries to a great tournament, a sort of international

match to be held on St. George’s Day. The amount of the expense so

incurred, which is not less than thirty-two pounds, shows that the

messengers must have had long protracted journeys and must have had

to visit every part of the countries allotted to each of them.[304]

Sometimes the king got into trouble with his Commons on account of

expenses for messengers, which he did not always feel inclined to pay

from his own purse. Such a case happened in 1378, and the Commons

took this opportunity to once more assert their views about {230}

the French and other foreign possessions of their sovereign, Ireland

being included among them. They plainly state, as they had before,

that these countries and the expenses concerning them are a matter

for the king, not for them; it is a sort of kingly luxury with which

they will have nothing to do. They remonstrate, therefore, that about

forty-six thousand pounds sterling have been spent and entered as an

item of national expense “for the safeguard of certain countries,

places and fortresses, for which the Commons ought in no way to be

charged. These are partly in the march of Calais and partly at Brest,

Cherbourg, in Gascony, and in Ireland; and also expenses over certain

messengers to Flanders, Lombardy, Navarre, and Scotland.”

The Government peremptorily refuses to accept this kind of reasoning,

and returns a spirited reply: “To which it was answered that Gascony

and the other forts which our lord the king has in the parts beyond,

are and must be as barbicans for the kingdom of England, and if the

barbicans are well kept, with the safeguard formed by the sea, the

kingdom will be secure of peace. Otherwise we shall never find rest

nor peace with our enemies; for then they would push hot war to the

thresholds of our houses, which God forbid. Besides, through these

barbicans our said lord the king has convenient gates and entrances

towards his enemies to grieve them when he is ready and can act.”

Telling reasons are also given for retaining among public expenses

the costs of the journeys of messengers north and south.[305] None

the less did the Commons of England long continue to consider the

French wars, glorious perhaps, but undoubtedly expensive, as a

personal quarrel of their sovereign, and as, in fact, little more

than a rivalry between two French sovereigns speaking the same

language and belonging to the same family. {231}

Besides letters, couriers and messengers had many strange parcels

to carry from one place in the country to another: presents to fair

ladies, commodities of all sorts for their own masters. Thus, in

the year 1396, we find a servant of the Duke de Berri sent as a

messenger to Scotland, and travelling all the way thither from France

across England to fetch certain greyhounds of which his master was

especially fond. He is accompanied by three men on horseback, to help

him in taking care of the hounds, and he carries a safe-conduct from

Richard II, to travel without hindrance through the English dominions

with his followers and their belongings.[306]

Among the missions given by the king to his servants are some which,

at the present day, would seem singularly repugnant. He might, for

instance, charge one of his faithful retainers to carry the quarters

of a criminal’s body executed for treason to the great towns of

England. In this case he did not employ simple messengers; they were

personages of trust, followed by an escort to convey the remains.

Thus Edward III, in the fifty-first year of his reign, paid not less

than twenty pounds to “Sir William de Faryngton, knight, for the

costs and expenses he had incurred for transporting the four quarters

of the body of Sir John of Mistreworth, knight, to different parts of

England.”[307]

Of all travellers, the messenger was the swiftest; first, because

travelling was his business; he was a good horseman, an experienced

person, clever in getting out of trouble on the road and at the inns;

then he had the right of way; woe to whoever thought to stop him;

there were immense fines if the master were powerful, still more if

the man were the king’s messenger. A messenger of the queen, who had

been imprisoned by {232} the constable of Roxburgh Castle, did not

hesitate to claim £10,000 sterling for contempt of his sovereign, and

£2,000 as indemnity for himself.[308]

When, on August 7, 1316, Jacques d’Euse, cardinal-bishop of Porto,

was chosen pope at Lyons, and assumed the name of John XXII, Edward

II being at York learnt the news ten days afterwards through Laurence

of Ireland, messenger of the house of the Bardi. And indeed we

find by the accounts of the king’s household that this prince paid

Laurence twenty shillings on the 17th of August to reward him for his

trouble. It was only on the 27th of September that, being still at

York, the king received by Durand Budet, a messenger of cardinal de

Pelagrua, the official letters announcing the election; he gave five

pounds to the messenger. Finally, the pope’s nuncio having arrived in

person shortly afterwards, bearing the same news no longer so fresh,

the king made him a present, inversely proportionate to his speed, of

a hundred pounds.[309]

Such was the custom, presents were made to the bringers of good

news; royal messengers had thus a chance of casually increasing

their meagre pay of threepence a day. Most fortunate were those who

brought word to the king himself of happy events. Edward III gave

a forty marks pension for life to the queen’s messenger who came

announcing the birth of the Prince of Wales, the future Black Prince;

he gave thirteen pounds, three shillings and fourpence to John Cok

of Cherbourg, who told him of the capture of King John at Poictiers;

he settled a pension of one hundred shillings upon Thomas of

Brynchesley who brought him the good news of the capture of Charles

of Blois.[310] {233}

Sometimes messengers, in spite of their privileges and cleverness,

were liable to find themselves in very difficult plight. In time of

war they had to conceal their real function, and were in constant

danger of being stopped and having their bag searched and their

letters opened. People felt strongly about foreigners living in

England, many of them being friars who might disclose the secrets

of the realm in their private correspondence. The Commons therefore

asked for very strict rules to be passed in order to remedy this

possible evil, and we find them, in the year 1346, when England was

at war with France, recommending the creation of something like the

_cabinets noirs_ of a later date.[311]

Langland in his “Visions” graphically compares the different modes of

travelling of messengers and such other wayfarers as merchants going

with their goods from one place to another. The one is the swiftest

of all, no one would dare to stop him; the other is retarded by his

pack, his debts, his fear of robbers which prevents his travelling

at dark, the impossibility for him to use short cuts across the

fields, while short {234} cuts are freely allowed to messengers: no

hayward would disturb them; no man in his senses, no “wys man” would

“wroth be” on account of his crops being spoiled by a messenger; the

messenger shows his letters and is free to go:

“ . . . Yf a marchaunt and a messager · metten to-gederes,

And scholde wende o way · where both mosten reste . . .

The marchante mote nede be lette (kept) · lengere then the messagere;

The messager doth na more · bote with hus mouthe telleth

Hus erande and hus lettere sheweth · and is a-non delyvered.

And thauh thei wende by the wey · tho two to-gederes,

Thauh the messager make hus wey · a-mydde the whete,

Wole no wys man wroth be · ne hus wed (pledge) take;

Ys no haiwarde yhote (bidden) · hus wed for to take:

_Necesitas non habet legem._

Ac yf the merchaunt make hus way · overe menne corne,

And the haywarde happe · with hym for to mete,

Other hus hatt, other hus hode · othere elles hus gloves

The marchaunt mot for-go · other moneye of hus porse . . .

Yut thauh thei wenden on way · as to Wynchestre fayre,

The marchaunt with hus marchaundise · may nat go so swithe

As the messager may · ne with so mochel ese.

For that on (one) bereth bote a boxe · a brevet (letter) ther-ynne,

Ther the marchaunt ledeth a male (trunk) · with meny kynne thynges,

And dredeth to be ded there-fore · and (if) he in derke mete

With robbours and revers (thieves) · that riche men dispoilen;

Ther the messager is ay murye · hus mouthe ful of songes.”[312]

Wayfarers there were in whom both characteristics were united, the

slowness of pace of the merchant and the lightness of heart of the

messenger. These were the pedlars, a very numerous race in the Middle

Ages, one of the few sorts of wanderers that have not yet entirely

disappeared. A jovial race they seem to have been; they are so now,

most of them, for their way to success is through fair speech and

enticing words; and how could they be enticing if they did not show

good humour and jollity? “Gaiety” mends their broken wares, and

colours the faded ones, and blinds customers to otherwise {235}

obvious defects. They have always been described thus; they were

merry and sharp-tongued; such was Shakespeare’s Autolycus; such is,

in a novel of our time, the jovial owner of the dog Mumps, Bob Jakin

of “The Mill on the Floss.” “‘Get out wi’ you, Mumps,’ said Bob, with

a kick; ‘he is as quiet as a lamb, sir’—an observation which Mumps

corroborated by a low growl, as he retreated behind his master’s

legs.” About the exact scrupulousness prevailing among the tribe the

opinion has perhaps not been quite so consistent, which is the best

that can be said for it.

One good point about them, however, is that in mediæval England,

whatever may have been their reputation, they entirely escaped

legislation. Very possibly they were impliedly included in statutes

against vagrants and rovers; but they may at least argue that as

a matter of fact they are not named in any Act of Parliament, and

pass unobserved or nearly so by the Westminster legislator down to

a comparatively recent date. They are for the first time named in a

statute during the reign of Edward VI, in which, it is true, they are

treated in a contemptuous manner, being described as more “hurtful

than necessary to the common wealth.” This is called “an acte for

tynkers and pedlers,” and is to the following effect: “For as muche

as it is evident that tynkers, pedlers and suche like vagrant persons

are more hurtfull than necessarie to the Common Wealth of this realm,

Be it therefore ordeyned . . . that . . . no person or persons

commonly called pedler, tynker or pety chapman shall wander or go

from one towne to another or from place to place out of the towne,

parishe or village where such person shall dwell, and sell pynnes,

poyntes, laces, gloves, knyves, glasses, tapes or any suche kynde of

wares whatsoever, or gather connye skynnes or suche like things or

use or exercise the trade or occupation of a tynker,” except those

that shall have a licence from two justices {236} of the peace; and

then they will be allowed to travel only in the “circuyte” assigned

to them.[313]

Queen Elizabeth, too, had a word for pedlars, and it was not

more complimentary than what her brother had to say about them,

although “scollers of the Universityes” joined them on her list of

disreputable roamers. They figure in her “Acte for the punishment of

vacabondes”; and a very curious list of wanderers is found in it: “It

ys nowe publyshed,” says the queen, “that . . . all ydle persones

goinge aboute in any countrey of the said Realme, using subtyll

craftye and unlawfull games or playes, and some of them fayninge

themselves to have knowledge in phisnomye, palmestrye, . . . and all

fencers, bearwardes, comon players in interludes and minstrels not

belonging to any baron of this realme . . . all juglers, pedlars,

tynkers, and petye chapmen . . . and all scollers of the Universityes

of Oxford or Cambridge y^t goe about begginge . . . and all shipmen

pretendinge losses by sea . . . shalbee deemed roges vacabounds

and sturdy beggers intended of by this present act.”[314] But the

case of pedlars was not seriously taken in hand before the reign of

William III who put a tax upon them and, ominously enough, bound them

to certify commissioners for transportation how they travelled and

traded.[315]

The late date of this statute of pedlars, if it may be called so,

is the more remarkable that they swarmed along the roads in the

Middle Ages, more numerous than tinkers or any other wandering

representatives of petty trades. There were not then as now large

shops in every village with all the necessaries of life ready

provided for the inhabitants. The shop itself was itinerant, being

nothing else than the pack of travelling chapmen. In the same way

{237} as the literature propagated by the minstrels, as news,

tales, and letters, pardons from Rome and many other commodities,

so household wares were carried about the country by indefatigable

wayfarers. A host of small useful things, or sometimes useless, but

so pleasing! were concealed in their unfathomable boxes. The contents

of them are pretty well shown by a series of illuminations in a

fourteenth-century manuscript, where a pedlar is represented asleep

at the foot of a tree, while monkeys have got hold of his box and

help themselves to the contents. They find in it vests, caps, gloves,

musical instruments, purses, girdles, hats, cutlasses, pewter pots,

and a number of other articles.[316]

As to the means by which pedlars came by their goods, a variety seem

to have been used by them, and purchase was only one among several. A

proverbial saying preserved for us by Langland shows how they secured

furs for their country customers. The author of the “Visions” states

how Repentance came once to Avarice, and examined him as to his

usurious doings:

“‘Hastow pite on pore men · that mote nedes borwe?’

‘I have as moche pite of pore men · as pedlere hath of cattes,

That wolde kille hem, yf he cacche hem myghte · for coveitise of here

skynnes.’”[317]

a practice which cannot fail to be deeply resented by all lovers of

cats.

The regular merchants whom Langland and Chaucer describe, so

splendid to look at that no one knew they were “in dette,” adorned

with Flaundrish hats and “botes clasped faire and fetisly,” were a

very different sort of {238} people; but though no mere wanderers,

they were, too, great wayfarers. Many of them had had to visit the

continent to find markets for their goods, and for their purchases.

Through them too, and it was in fact, perhaps, the safest and most

reliable among many such channels of information, ideas of what was

going on in the outer world and how things were managed in France and

elsewhere, points of similitude and comparison, were introduced into

England and made the subject of thought and discussion.

[Illustration 46. A PEDLAR ROBBED BY MONKEYS.

(_From MS. 10 E. IV._)]

During the fourteenth century the foreign trade of England had

greatly increased; there was a constant intercourse with Flanders,

with Bruges above all other towns, for the sale of home produce:

wools especially, and woolfels, cheese, butter, tin, coal,[318]

etc., with the {239} Rhine country, with Gascony, with Spain, for

the purchase of wines;[319] with the Hanse towns, Lombardy, Venice,

and the East. Unintelligent regulations constantly interfered, it

is true, with this development, but so strong was the impulse that

it went on steadily. One of the most persistent and most noxious of

these regulations was the prohibition to export money or bullion,

which governments were never tired of renewing.[320] English

merchants were forbidden, when purchasing goods in foreign countries,

to pay for them with money; they had to pay in kind, with wools,

cheese and other home produce, which of course might or might not be

found acceptable by the vendor. It was, in other words, forbidden

to use money as a means of facilitating exchange, which is its very

_raison d’être_, and people had to return to the primitive practice

of _troc_, or exchange in kind. It had sometimes worse effects than

that of impeding transactions; foreign merchants might, as once

did the Flemings, show their appreciation of the rules imposed on

their English purchasers by answering their proffer of wools and

cheese with a beating and imprisonment until they would alter their

laws or their minds. For {240} which treatment, English merchants

sent doleful complaints to Parliament. In such cases retaliation

upon Flemings in England might be demanded, but no thought was

entertained, even by the injured party, of repealing laws considered

as an indispensable safeguard for the kingdom.[321]

Not much wiser were the rules applied to merchant shipping, made

worse by constant change, a defect which was noticeable in every

trade regulation of that time. Some are curious as being an attempt

to establish the long lived, but more moderate rules devised by

Cromwell in 1651: “Item, to increase the navy of England which is

now greatly diminished, it is assented and accorded, that none of

the king’s liege people do from henceforth ship any merchandize in

going out or coming within the realm of England in any port, but

only in ships of the king’s liegeance.” But the very next year this

impossible statute was altered so as to practically annul it: “It

is ordained and granted that the said ordinance only have place

as long as ships of the said ligeance in the parts where the said

merchants happen to dwell be found able and sufficient.”[322] The

same unsteadiness of purpose was shown in almost every branch of the

yet unbaptized science of political economy.

English Wayfaring Life in the Middle Ages (XIVth Century) · 第 3 / 8 章