CHAPTER XLIV

TENDER MINISTRATIONS

September 11th.

A week has passed very quietly, during which I have written nothing.

By degrees I am becoming accustomed to my Japanese household, to the

strangeness of the language, costumes, and faces. For the last three

weeks no letters have arrived from Europe; they have no doubt miscarried,

and their absence contributes, as is usually the case, to throw a veil of

oblivion over the past.

Every day, therefore, I climb up to my villa, sometimes by beautiful

starlit nights, sometimes through downpours of rain. Every morning as

the sound of Madame Prune's chanted prayer rises through the

reverberating air, I awake and go down toward the sea, by grassy pathways

full of dew.

The chief occupation in Japan seems to be a perpetual hunt after curios.

We sit down on the mattings, in the antique-sellers' little booths,

taking a cup of tea with the salesmen, and rummage with our own hands in

the cupboards and chests, where many a fantastic piece of old rubbish is

huddled away. The bargaining, much discussed, is laughingly carried on

for several days, as if we were trying to play off some excellent little

practical joke upon each other.

I really make a sad abuse of the adjective little; I am quite aware of

it, but how can I do otherwise? In describing this country, the

temptation is great to use it ten times in every written line. Little,

finical; affected,--all Japan is contained, both physically and morally,

in these three words.

My purchases are accumulating in my little wood and paper house; but how

much more Japanese it really was, in its bare emptiness, such as M. Sucre

and Madame Prune had conceived it. There are now many lamps of sacred

symbolism hanging from the ceiling; many stools and many vases, as many

gods and goddesses as in a pagoda.

There is even a little Shintoist altar, before which Madame Prune has not

been able to restrain her feelings, and before which she has fallen down

and chanted her prayers in her bleating, goat-like voice:

"Wash me clean from all my impurity, O Ama-Terace-Omi-Kami! as one

washes away uncleanness in the river of Kamo."

Alas for poor Ama-Terace-Omi-Kami to have to wash away the impurities of

Madame Prune! What a tedious and ungrateful task!!

Chrysantheme, who is a Buddhist, prays sometimes in the evening before

lying down; although overcome with sleep, she prays clapping her hands

before the largest of our gilded idols. But she smiles with a childish

disrespect for her Buddha, as soon as her prayer is ended. I know that

she has also a certain veneration for her Ottokes (the spirits of her

ancestors), whose rather sumptuous altar is set up at the house of her

mother, Madame Renoncule. She asks for their blessings, for fortune and

wisdom.

Who can fathom her ideas about the gods, or about death? Does she

possess a soul? Does she think she has one? Her religion is an obscure

chaos of theogonies as old as the world, treasured up out of respect for

ancient customs; and of more recent ideas about the blessed final

annihilation, imported from India by saintly Chinese missionaries at the

epoch of our Middle Ages. The bonzes themselves are puzzled; what a

muddle, therefore, must not all this become, when jumbled together in the

childish brain of a sleepy mousme!

Two very insignificant episodes have somewhat attached me to her--(bonds

of this kind seldom fail to draw closer in the end). The first occasion

was as follows:

Madame Prune one day brought forth a relic of her gay youth, a tortoise-

shell comb of rare transparency, one of those combs that it is good style

to place on the summit of the head, lightly poised, hardly stuck at all

in the hair, with all the teeth showing. Taking it out of a pretty

little lacquered box, she held it up in the air and blinked her eyes,

looking through it at the sky--a bright summer sky--as one does to

examine the quality of a precious stone.

"Here is," she said, "an object of great value that you should offer to

your little wife."

My mousme, very much taken by it, admired the clearness of the comb and

its graceful shape.

The lacquered box, however, pleased me more. On the cover was a

wonderful painting in gold on gold, representing a field of rice, seen

very close, on a windy day; a tangle of ears and grass beaten down and

twisted by a terrible squall; here and there, between the distorted

stalks, the muddy earth of the rice-swamp was visible; there were even

little pools of water, produced by bits of the transparent lacquer on

which tiny particles of gold seemed to float about like chaff in a thick

liquid; two or three insects, which required a microscope to be well

seen, were clinging in a terrified manner to the rushes, and the whole

picture was no larger than a woman's hand.

As for Madame Prune's comb, I confess it left me indifferent, and I

turned a deaf ear, thinking it very insignificant and expensive. Then

Chrysantheme answered, mournfully:

"No, thank you, I don't want it; take it away, dear Madame Prune."

And at the same time she heaved a deep sigh, full of meaning, which

plainly said:

"He is not so fond of me as all that.--Useless to bother him."

I immediately made the wished-for purchase.

Later when Chrysantheme will have become an old monkey like Madame Prune,

with her black teeth and long orisons, she, in her turn, will retail that

comb to some fine lady of a fresh generation.

On another occasion the sun had given me a headache; I lay on the floor

resting my head on my snake-skin pillow. My eyes were dim; and

everything appeared to turn around: the open veranda, the big expanse of

luminous evening sky, and a variety of kites hovering against its

background. I felt myself vibrating painfully to the rhythmical sound of

the cicalas which filled the atmosphere.

She, crouching by my side, strove to relieve me by a Japanese process,

pressing with all her might on my temples with her little thumbs and

turning them rapidly around, as if she were boring a hole with a gimlet.

She had become quite hot and red over this hard work, which procured me

real comfort, something similar to the dreamy intoxication of opium.

Then, anxious and fearful lest I should have an attack of fever, she

rolled into a pellet and thrust into my mouth a very efficacious prayer

written on rice-paper, which she had kept carefully in the lining of one

of her sleeves.

Well, I swallowed that prayer without a smile, not wishing to hurt her

feelings or shake her funny little faith.

Madame Chrysantheme — Volume 3 · 第 12 / 14 章