ON SCOTT'S "TALES OF MY LANDLORD"

[From _The Quarterly Review_, January, 1817]

_Tales of My Landlord_. 4 vols. 12mo. Third Edition. Blackwood,

Edinburgh. John Murray, London. 1817.

These Tales belong obviously to a class of novels which we have already

had occasion repeatedly to notice, and which have attracted the

attention of the public in no common degree,--we mean Waverley, Guy

Mannering, and the Antiquary, and we have little hesitation to pronounce

them either entirely, or in a great measure, the work of the same

author. Why he should industriously endeavour to elude observation by

taking leave of us in one character, and then suddenly popping out upon

us in another, we cannot pretend to guess without knowing more of his

personal reasons for preserving so strict an incognito that has hitherto

reached us. We can, however, conceive many reasons for a writer

observing this sort of mystery; not to mention that it has certainly had

its effect in keeping up the interest which his works have excited.

We do not know if the imagination of our author will sink in the opinion

of the public when deprived of that degree of invention which we have

been hitherto disposed to ascribe to him; but we are certain that it

ought to increase the value of his portraits, that human beings have

actually sate for them. These coincidences between fiction and reality

are perhaps the very circumstances to which the success of these novels

is in a great measure to be attributed: for, without depreciating the

merit of the artist, every spectator at once recognizes in those scenes

and faces which are copied from nature an air of distinct reality, which

is not attached to fancy-pieces however happily conceived and

elaborately executed. By what sort of freemasonry, if we may use the

term, the mind arrives at this conviction, we do not pretend to guess,

but every one must have felt that he instinctively and almost insensibly

recognizes in painting, poetry, or other works of imagination, that

which is copied from existing nature, and that he forthwith clings to it

with that kindred interest which thinks nothing which is human

indifferent to humanity. Before therefore we proceed to analyse the work

immediately before us, we beg leave briefly to notice a few

circumstances connected with its predecessors.

Our author has told us it was his object to present a succession of

scenes and characters connected with Scotland in its past and present

state, and we must own that his stories are so slightly constructed as

to remind us of the showman's thread with which he draws up his pictures

and presents them successively to the eye of the spectator. He seems

seriously to have proceeded on Mr. Bays's maxim--"What the deuce is a

plot good for, but to bring in fine things?"--Probability and

perspicuity of narrative are sacrificed with the utmost indifference to

the desire of producing effect; and provided the author can but contrive

to "surprize and elevate," he appears to think that he has done his duty

to the public. Against this slovenly indifference we have already

remonstrated, and we again enter our protest. It is in justice to the

author himself that we do so, because, whatever merit individual scenes

and passages may possess, (and none have been more ready than ourselves

to offer our applause), it is clear that their effect would be greatly

enhanced by being disposed in a clear and continued narrative. We are

the more earnest in this matter, because it seems that the author errs

chiefly from carelessness. There may be something of system in it,

however: for we have remarked, that with an attention which amounts even

to affectation, he has avoided the common language of narrative, and

thrown his story, as much as possible, into a dramatic shape. In many

cases this has added greatly to the effect, by keeping both the actors

and action continually before the reader, and placing him, in some

measure, in the situation of the audience at a theatre, who are

compelled to gather the meaning of the scene from what the _dramatis

personae_ say to each other, and not from any explanation addressed

immediately to themselves. But though the author gain this advantage,

and thereby compel the reader to think of the personages of the novel

and not of the writer, yet the practice, especially pushed to the extent

we have noticed, is a principal cause of the flimsiness and incoherent

texture of which his greatest admirers are compelled to complain. Few

can wish his success more sincerely than we do, and yet without more

attention on his own part, we have great doubts of its continuance.

In addition to the loose and incoherent style of the narration, another

leading fault in these novels is the total want of interest which the

reader attaches to the character of the hero. Waverley, Brown, or

Bertram in Guy Mannering, and Lovel in the Antiquary, are all brethren

of a family; very amiable and very insipid sort of young men. We think

we can perceive that this error is also in some degree occasioned by the

dramatic principle upon which the author frames his plots. His chief

characters are never actors, but always acted upon by the spur of

circumstances, and have their fates uniformly determined by the agency

of the subordinate persons. This arises from the author having usually

represented them as foreigners to whom every thing in Scotland is

strange,--a circumstance which serves as his apology for entering into

many minute details which are reflectively, as it were, addressed to the

reader through the medium of the hero. While he is going into

explanations and details which, addressed directly to the reader, might

appear tiresome and unnecessary, he gives interest to them by exhibiting

the effect which they produce upon the principal person of his drama,

and at the same time obtains a patient hearing for what might otherwise

be passed over without attention. But if he gains this advantage, it is

by sacrificing the character of the hero. No one can be interesting to

the reader who is not himself a prime agent in the scene. This is

understood even by the worthy citizen and his wife, who are introduced

as prolocutors in Fletcher's Knight of the Burning Pestle. When they are

asked what the principal person of the drama shall do?--the answer is

prompt and ready--"Marry, let him come forth and kill a giant." There is

a good deal of tact in the request. Every hero in poetry, in fictitious

narrative, ought to come forth and do or say something or other which no

other person could have done or said; make some sacrifice, surmount some

difficulty, and become interesting to us otherwise than by his mere

appearance on the scene, the passive tool of the other characters.

The insipidity of this author's heroes may be also in part referred to

the readiness with which the twists and turns his story to produce some

immediate and perhaps temporary effect. This could hardly be done

without representing the principal character either as inconsistent or

flexible in his principles. The ease with which Waverley adopts and

after forsakes the Jacobite party in 1745 is a good example of what we

mean. Had he been painted as a steady character, his conduct would have

been improbable. The author was aware of this; and yet, unwilling to

relinquish an opportunity of introducing the interior of the Chevalier's

military court, the circumstances of the battle of Preston-pans, and so

forth, he hesitates not to sacrifice poor Waverley, and to represent him

as a reed blown about at the pleasure of every breeze: a less careless

writer would probably have taken some pains to gain the end proposed in

a more artful and ingenious manner. But our author was hasty, and has

paid the penalty of his haste.

We have hinted that we are disposed to question the originality of these

novels in point of invention, and that in doing so, we do not consider

ourselves as derogating from the merit of the author, to whom, on the

contrary, we give the praise due to one who has collected and brought

out with accuracy and effect, incidents and manners which might

otherwise have slept in oblivion. We proceed to our proofs.[1]

[1] It will be readily conceived that the curious MSS. and other

information of which we have availed ourselves were not accessible

to us in this country; but we have been assiduous in our inquiries;

and are happy enough to possess a correspondent whose researches on

the spot have been indefatigable, and whose kind, and ready

communications have anticipated all our wishes.

* * * * *

The traditions and manners of the Scotch were so blended with

superstitious practices and fears, that the author of these novels seems

to have deemed it incumbent on him, to transfer many more such incidents

to his novels, than seem either probable or natural to an English

reader. It may be some apology that his story would have lost the

national cast, which it was chiefly his object to preserve, had this

been otherwise. There are few families of antiquity in Scotland, which

do not possess some strange legends, told only under promise of secrecy,

and with an air of mystery; in developing which, the influence of the

powers of darkness is referred to. The truth probably is, that the

agency of witches and demons was often made to account for the sudden

disappearance of individuals and similar incidents, too apt to arise out

of the evil dispositions of humanity, in a land where revenge was long

held honourable--where private feuds and civil broils disturbed the

inhabitants for ages--and where justice was but weakly and irregularly

executed. Mr. Law, a conscientious but credulous clergyman of the Kirk

of Scotland, who lived in the seventeenth century, has left behind him a

very curious manuscript, in which, with the political events of that

distracted period, he has intermingled the various portents and

marvellous occurrences which, in common with his age, he ascribed to

supernatural agency. The following extract will serve to illustrate the

taste of this period for the supernatural. When we read such things

recorded by men of sense and education, (and Mr. Law was deficient in

neither), we cannot help remembering the times of paganism, when every

scene, incident, and action, had its appropriate and presiding deity. It

is indeed curious to consider what must have been the sensations of a

person, who lived under this peculiar species of hallucination,

believing himself beset on all hands by invisible agents; one who was

unable to account for the restiveness of a nobleman's carriage horses

otherwise than by the immediate effect of witchcraft: and supposed that

the _sage femme_ of the highest reputation was most likely to devote the

infants to the infernal spirits, upon their very entrance into life.

* * * * *

To the superstitions of the North Britons must be added their peculiar

and characteristic amusements; and here we have some atonement to make

to the memory of the learned Paulus Pleydell, whose compotatory

relaxations, better information now inclines us to think, we mentioned

with somewhat too little reverence. Before the new town of Edinburgh (as

it is called) was built, its inhabitants lodged, as is the practice of

Paris at this day, in large buildings called _lands_, each family

occupying a story, and having access to it by a stair common to all the

inhabitants. These buildings, when they did not front the high street of

the city, composed the sides of little, narrow, unwholesome _closes_ or

lanes. The miserable and confined accommodation which such habitations

afforded, drove _men of business_, as they were called, that is, people

belonging to the law, to hold their professional rendezvouses in

taverns, and many lawyers of eminence spent the principal part of their

time in some tavern of note, transacted their business there, received

the visits of clients with their writers or attornies, and suffered no

imputation from so doing. This practice naturally led to habits of

conviviality, to which the Scottish lawyers, till of very late years,

were rather too much addicted. Few men drank so hard as the counsellors

of the old school, and there survived till of late some veterans who

supported in that respect the character of their predecessors. To vary

the humour of a joyous evening many frolics were resorted to, and the

game of _high jinks_ was one of the most common.[1] In fact, high jinks

was one of the _petits jeux_ with which certain circles were wont to

while away the time; and though it claims no alliance with modern

associations, yet, as it required some shrewdness and dexterity to

support the characters assumed for the occasion, it is not difficult to

conceive that it might have been as interesting and amusing to the

parties engaged in it, as counting the spots of a pack of cards, or

treasuring in memory the rotation in which they are thrown on the table.

The worst of the game was what that age considered as its principal

excellence, namely, that the forfeitures being all commuted for wine, it

proved an encouragement to hard drinking, the prevailing vice of the

age.

[1] We have learned, with some dismay, that one of the ablest lawyers

Scotland ever produced, and who lives to witness (although in

retirement) the various changes which have taken place in her courts

of judicature, a man who has filled with marked distinction the

highest offices of his profession, _tush'd_ (pshaw'd) extremely at

the delicacy of our former criticism. And certainly he claims some

title to do so, having been in his youth not only a witness of such

orgies as are described as proceeding under the auspices of Mr.

Pleydell, but himself a distinguished performer.

On the subject of Davie Gellatley, the fool of the Baron of

Bradwardine's family, we are assured there is ample testimony that a

custom, referred to Shakespeare's time in England, had, and in remote

provinces of Scotland, has still its counterpart, to this day. We do not

mean to say that the professed jester with his bauble and his

party-coloured vestment can be found in any family north of the Tweed. Yet

such a personage held this respectable office in the family of the Earls

of Strathemore within the last century, and his costly holiday dress,

garnished with bells of silver, is still preserved in the Castle of

Glamis. But we are assured, that to a much later period, and even to

this moment, the habits and manners of Scotland have had some tendency

to preserve the existence of this singular order of domestics. There are

(comparatively speaking) no poor's rates in the country parishes of

Scotland, and of course no work-houses to immure either their worn out

poor or the "moping idiot and the madman gay," whom Crabbe characterizes

as the happiest inhabitants of these mansions, because insensible of

their misfortunes. It therefore happens almost necessarily in Scotland,

that the house of the nearest proprietor of wealth and consequence

proves a place of refuge for these outcasts of society; and until the

pressure of the times, and the calculating habits which they have

necessarily generated had rendered the maintenance of a human being

about such a family an object of some consideration, they usually found

an asylum there, and enjoyed the degree of comfort of which their

limited intellect rendered them susceptible. Such idiots were usually

employed in some simple sort of occasional labour; and if we are not

misinformed, the situation of turn-spit was often assigned them, before

the modern improvement of the smoke-jack. But, however employed, they

usually displayed towards their benefactors a sort of instinctive

attachment which was very affecting. We knew one instance in which such

a being refused food for many days, pined away, literally broke his

heart, and died within the space of a very few weeks after his

benefactor's decease. We cannot now pause to deduce the moral inference

which might be derived from such instances. It is however evident, that

if there was a coarseness of mind in deriving amusement from the follies

of these unfortunate beings, a circumstance to the disgrace of which

they were totally insensible, their mode of life was, in other respects,

calculated to promote such a degree of happiness as their faculties

permitted them to enjoy. But besides the amusement which our forefathers

received from witnessing their imperfections and extravagancies, there

was a more legitimate source of pleasure in the wild wit which they

often flung around them with the freedom of Shakespeare's licensed

clowns. There are few houses in Scotland of any note or antiquity where

the witty sayings of some such character are not occasionally quoted at

this very day. The pleasure afforded to our forefathers by such

repartees was no doubt heightened by their wanting the habits of more

elegant amusement. But in Scotland the practice long continued, and in

the house of one of the very first noblemen of that country (a man whose

name is never mentioned without reverence) and that within the last

twenty years, a jester such as we have mentioned stood at the side-table

during dinner, and occasionally amused the guests by his extemporaneous

sallies. Imbecility of this kind was even considered as an apology for

intrusion upon the most solemn occasions. All know the peculiar

reverence with which the Scottish of every rank attend on funeral

ceremonies. Yet within the memory of most of the present generation, an

idiot of an appearance equally hideous and absurd, dressed, as if in

mockery, in a rusty and ragged black coat, decorated with a cravat and

weepers made of white paper in the form of those worn by the deepest

mourners, preceded almost every funeral procession in Edinburgh, as if

to turn into ridicule the last rites paid to mortality.

It has been generally supposed that in the case of these as of other

successful novels, the most prominent and peculiar characters were

sketched from real life. It was only after the death of Smollet, that

two barbers and a shoemaker contended about the character of Strap,

which each asserted was modelled from his own: but even in the lifetime

of the present author, there is scarcely a dale in the pastoral

districts of the southern counties but arrogates to itself the

possession of the original Dandie Dinmont. As for Baillie Mac Wheeble, a

person of the highest eminence in the law perfectly well remembers

having received fees from him.

* * * * *

Although these strong resemblances occur so frequently, and with such

peculiar force, as almost to impress us with the conviction that the

author sketched from nature, and not from fancy alone; yet we hesitate

to draw any positive conclusion, sensible that a character dashed off as

the representative of a certain class of men will bear, if executed with

fidelity to the general outlines, not only that resemblance which he

ought to possess as "knight of the shire," but also a special affinity

to some particular individual. It is scarcely possible it should be

otherwise. When Emery appears on the stage as a Yorkshire peasant, with

the habit, manner, and dialect peculiar to the character, and which he

assumes with so much truth and fidelity, those unacquainted with the

province or its inhabitants see merely the abstract idea, the beau ideal

of a Yorkshireman. But to those who are intimate with both, the action

and manner of the comedian almost necessarily recall the idea of some

individual native (altogether unknown probably to the performer) to whom

his exterior and manners bear a casual resemblance. We are therefore on

the whole inclined to believe, that the incidents are frequently copied

from _actual_ occurrences, but that the characters are either entirely

fictitious, or if any traits have been borrowed from real life, as in

the anecdote which we have quoted respecting Invernahyle, they have been

carefully disguised and blended with such as are purely imaginary. We

now proceed to a more particular examination of the volumes before us.

They are entitled "Tales of my Landlord": why so entitled, excepting to

introduce a quotation from Don Quixote, it is difficult to conceive: for

Tales of my Landlord they are _not_, nor is it indeed easy to say whose

tales they ought to be called. There is a proem, as it is termed,

supposed to be written by Jedediah Cleishbotham, the schoolmaster and

parish clerk of the village of Gandercleugh, in which we are given to

understand that these Tales were compiled by his deceased usher, Mr.

Peter Pattieson, from the narratives or conversations of such travellers

as frequented the Wallace Inn, in that village. Of this proem we shall

only say that it is written in the quaint style of that prefixed by Gay

to his Pastorals, being, as Johnson terms it, "such imitation as he

could obtain of obsolete language, and by consequence in a style that

was never written nor spoken in any age or place."

* * * * *

We have given these details partly in compliance with the established

rules which our office prescribes, and partly in the hope that the

authorities we have been enabled to bring together might give additional

light and interest to the story. From the unprecedented popularity of

the work, we cannot flatter ourselves that our summary has made any one

of our readers acquainted with events with which he was not previously

familiar. The causes of that popularity we may be permitted shortly to

allude to; we cannot even hope to exhaust them, and it is the less

necessary that we should attempt it, since we cannot suggest a

consideration which a perusal of the work has not anticipated in the

minds of all our readers.

One great source of the universal admiration which this family of Novels

has attracted, is their peculiar plan, and the distinguished excellence

with which it has been executed. The objections that have frequently

been stated against what are called Historical Romances, have been

suggested, we think, rather from observing the universal failure of that

species of composition, than from any inherent and constitutional defect

in the species of composition itself. If the manners of different ages

are injudiciously blended together,--if unpowdered crops and slim and

fairy shapes are commingled in the dance with volumed wigs and

far-extending hoops,--if in the portraiture of real character the truth

of

history be violated, the eyes of the spectator are necessarily averted

from a picture which excites in every well regulated and intelligent

mind the hatred of incredulity. We have neither time nor inclination to

enforce our remark by giving illustrations of it. But if those

unpardonable sins against good taste can be avoided, and the features of

an age gone by can be recalled in a spirit of delineation at once

faithful and striking, the very opposite is the legitimate conclusion:

the composition itself is in every point of view dignified and improved;

and the author, leaving the light and frivolous associates with whom a

careless observer would be disposed to ally him, takes his seat on the

bench of the historians of his time and country. In this proud assembly,

and in no mean place of it, we are disposed to rank the author of these

works; for we again express our conviction--and we desire to be

understood to use the term as distinguished from _knowledge_--that they

are all the offspring of the same parent. At once a master of the great

events and minuter incidents of history, and of the manners of the times

he celebrates, as distinguished from those which now prevail,--the

intimate thus of the living and of the dead, his judgment enables him to

separate those traits which are characteristic from those that are

generic; and his imagination, not less accurate and discriminating than

vigorous and vivid, presents to the mind of the reader the manners of

the times, and introduces to his familiar acquaintance the individuals

of his drama as they thought and spoke and acted. We are not quite sure

that any thing is to be found in the manner and character of the Black

Dwarf which would enable us, without the aid of the author's

information, and the facts he relates, to give it to the beginning of

the last century; and, as we have already remarked, his free-booting

robber lives, perhaps, too late in time. But his delineation is perfect.

With palpable and inexcusable defects in the _dénouement_, there are

scenes of deep and overwhelming interest; and every one, we think, must

be delighted with the portrait of the Grandmother of Hobbie Elliott, a

representation soothing and consoling in itself, and heightened in its

effect by the contrast produced from the lighter manners of the younger

members of the family, and the honest but somewhat blunt and boisterous

bearing of the shepherd himself.

The second tale, however, as we have remarked, is more adapted to the

talents of the author, and his success has been proportionably

triumphant. We have trespassed too unmercifully on the time of our

gentle readers to indulge our inclination in endeavouring to form an

estimate of that melancholy but, nevertheless, most attractive period in

our history, when by the united efforts of a corrupt and unprincipled

government, of extravagant fanaticism, want of education, perversion of

religion, and the influence of ill-instructed teachers, whose hearts and

understandings were estranged and debased by the illapses of the wildest

enthusiasm, the liberty of the people was all but extinguished, and the

bonds of society nearly dissolved. Revolting as all this is to the

Patriot, it affords fertile materials to the Poet. As to the _beauty_ of

the delineation presented to the reader in this tale, there is, we

believe, but one opinion: and we are persuaded that the more carefully

and dispassionately it is contemplated, the more perfect will it appear

in the still more valuable qualities of fidelity and truth. We have

given part of the evidence on which we say this, and we will again recur

to the subject. The opinions and language of the _honest party_ are

detailed with the accuracy of a witness; and he who could open to our

view the state of the Scottish peasantry, perishing in the field or on

the scaffold, and driven to utter and just desperation, in attempting to

defend their first and most sacred rights; who could place before our

eyes the leaders of these enormities, from the notorious Duke of

Lauderdale downwards to the fellow mind that executed his behest,

precisely as they lived and looked,--such a chronicler cannot justly be

charged with attempting to extenuate or throw into the shade the

corruptions of a government that soon afterwards fell a victim to its

own follies and crimes.

Independently of the delineation of the manners and characters of the

times to which the story refers, it is impossible to avoid noticing, as

a separate excellence, the faithful representation of general nature.

Looking not merely to the litter of novels that peep out for a single

day from the mud where they were spawned, but to many of more ambitious

pretensions--it is quite evident that in framing them, the authors have

first addressed themselves to the involutions and developement of the

story, as the principal object of their attention; and that in

entangling and unravelling the plot, in combining the incidents which

compose it, and even in depicting the characters, they sought for

assistance chiefly in the writings of their predecessors. Baldness, and

uniformity, and inanity are the inevitable results of this slovenly and

unintellectual proceeding. The volume which this author has studied is

the great book of Nature. He has gone abroad into the world in quest of

what the world will certainly and abundantly supply, but what a man of

great discrimination alone will find, and a man of the very highest

genius will alone depict after he has discovered it. The characters of

Shakespeare are not more exclusively human, not more perfectly men and

women as they live and move, than those of this mysterious author. It is

from this circumstance that, as we have already observed, many of his

personages are supposed to be sketched from real life. He must have

mixed much and variously in the society of his native country; his

studies must have familiarized him to systems of manners now forgotten;

and thus the persons of his drama, though in truth the creatures of his

own imagination, convey the impression of individuals who we are

persuaded must exist, or are evoked from their graves in all their

original freshness, entire in their lineaments, and perfect in all the

minute peculiarities of dress and demeanour.

* * * * *

Admitting, however, that these portraits are sketched with spirit and

effect, two questions arise of much more importance than any thing

affecting the merits of the novels--namely, whether it is safe or

prudent to imitate, in a fictitious narrative, and often with a view to

a ludicrous effect, the scriptural style of the zealots of the

seventeenth century; and secondly, whether the recusant presbyterians,

collectively considered, do not carry too reverential and sacred a

character to be treated by an unknown author with such insolent

familiarity.

On the first subject, we frankly own we have great hesitation. It is

scarcely possible to ascribe scriptural expressions to hypocritical or

extravagant characters without some risk of mischief, because it will be

apt to create an habitual association between the expression and the

ludicrous manner in which it is used, unfavourable to the reverence due

to the sacred text. And it is no defence to state that this is an error

inherent in the plan of the novel. Bourdaloue, a great authority,

extends this restriction still farther, and denounces all attempts to

unmask hypocrisy by raillery, because in doing so the satirist is

necessarily compelled to expose to ridicule the religious vizard of

which he has divested him. Yet even against such authority it may be

stated, that ridicule is the friend both of religion and virtue, when

directed against those who assume their garb, whether from hypocrisy or

fanaticism. The satire of Butler, not always decorous in these

particulars, was yet eminently useful in stripping off their borrowed

gravity and exposing to public ridicule the affected fanaticism of the

times in which he lived. It may also be remembered, that in the days of

Queen Anne a number of the Camisars or Huguenots of Dauphiné arrived as

refugees in England, and became distinguished by the name of the French

prophets. The fate of these enthusiasts in their own country had been

somewhat similar to that of the Covenanters. Like them, they used to

assemble in the mountains and desolate places, to the amount of many

hundreds, in arms, and like them they were hunted and persecuted by the

military. Like them, they were enthusiasts, though their enthusiasm

assumed a character more decidedly absurd. The fugitive Camisars who

came to London had convulsion-fits, prophesied, made converts, and

attracted the public attention by an offer to raise the dead. The

English minister, instead of fine and imprisonment and other inflictions

which might have placed them in the rank and estimation of martyrs, and

confirmed in their faith their numerous disciples, encouraged a dramatic

author to bring out a farce on the subject which, though neither very

witty nor very delicate, had the good effect of laughing the French

prophets out of their audience and putting a stop to an inundation of

nonsense which could not have failed to disgrace the age in which it

appeared. The Camisars subsided into their ordinary vocation of

psalmodic whiners, and no more was heard of their sect or their

miracles. It would be well if all folly of the kind could be so easily

quelled: for enthusiastic nonsense, whether of this day or of those

which have passed away, has no more title to shelter itself under the

veil of religion than a common pirate to be protected by the reverence

due to an honoured and friendly flag.

Still, however, we must allow that there is great delicacy and

hesitation to be used in employing the weapon of ridicule on any point

connected with religion. Some passages occur in the work before us for

which the writer's sole apology must be the uncontroulable disposition

to indulge the peculiarity of his vein of humour--a temptation which

even the saturnine John Knox was unable to resist either in narrating

the martyrdom of his friend Wisheart or the assassination of his enemy

Beatson, and in the impossibility of resisting which his learned and

accurate biographer has rested his apology for this mixture of jest and

earnest.

"There are writers," he says (rebutting the charge of Hume against

Knox), "who can treat the most sacred subjects with a levity bordering

on profanity. Must we at once pronounce them profane, and is nothing

to be set down to the score of natural temper inclining them to wit

and humour? The pleasantry which Knox has mingled with his narrative

of his (Cardinal Beatson's) death and burial is unseasonable and

unbecoming. But it is to be imputed not to any pleasure which he took

in describing a bloody scene, but to the strong propensity which he

had to indulge his vein of humour. Those who have read his history

with attention must have perceived that he is not able to check this

even on the very serious occasions."--_Macrie's Life of Knox_, p. 147.

Indeed Dr. Macrie himself has given us a striking instance of the

indulgence which the Presbyterian clergy, even of the strictest

persuasion, permit to the _vis comica_. After describing a polemical

work as "ingeniously constructed and occasionally enlivened with strokes

of humour," he transfers, to embellish his own pages, (for we can

discover no purpose of edification which the tale serves), a ludicrous

parody made by an ignorant parish-priest on certain words of a Psalm,

too sacred to be here quoted. Our own innocent pleasantry cannot, in

this instance, be quite reconciled with that of the learned biographer

of John Knox, but we can easily conceive that his authority may be

regarded in Scotland as decisive of the extent to which a humourist may

venture in exercising his wit upon scriptural expressions without

incurring censure even from her most rigid divines.

It may however be a very different point how far the author is entitled

to be acquitted upon the second point of indictment. To use too much

freedom with things sacred is a course much more easily glossed over

than that of exposing to ridicule the persons of any particular sect.

Every one knows the reply of the great Prince of Condé to Louis XIV when

this monarch expressed his surprize at the clamour excited by Molière's

Tartuffe, while a blasphemous farce called _Scaramouche Hermite_ was

performed without giving any scandal: "C'est parceque Scaramouche ne

jouoit que le ciel et la religion, dont les dévots se soucioient

beaucoup moins que d'eux-mêmes." We believe, therefore, the best service

we can do our author in the present case is to shew that the odious part

of his satire applies only to that fierce and unreasonable set of

extra-presbyterians, whose zeal, equally absurd and cruel, afforded

pretexts for the severities inflicted on non-conformists without

exception, and gave the greatest scandal and offence to the wise, sober,

enlightened, and truly pious among the Presbyterians.

The principal difference betwixt the Cameronians and the rational

presbyterians has been already touched upon. It may be summed in a very

few words.

After the restoration of Charles II episcopacy was restored in Scotland,

upon the unanimous petition of the Scottish parliament. Had this been

accompanied with a free toleration of the presbyterians, whose

consciences preferred a different mode of church-government, we do not

conceive there would have been any wrong done to that ancient kingdom.

But instead of this, the most violent means of enforcing conformity were

resorted to without scruple, and the ejected presbyterian clergy were

persecuted by penal statutes and prohibited from the exercise of their

ministry. These rigours only made the people more anxiously seek out and

adhere to the silenced preachers. Driven from the churches, they held

conventicles in houses. Expelled from cities and the mansions of men,

they met on the hills and deserts like the French Huguenots. Assailed

with arms, they repelled force by force. The severity of the rulers,

instigated by the episcopal clergy, increased with the obstinacy of the

recusants, until the latter, in 1666, assumed arms for the purpose of

asserting their right to worship God in their own way. They were

defeated at Pentland; and in 1669 a gleam of common sense and justice

seems to have beamed upon the Scottish councils of Charles. They granted

what was called an _indulgence_ (afterwards repeatedly renewed) to the

presbyterian clergy, assigned them small stipends, and permitted them to

preach in such deserted churches as should be assigned to them by the

Scottish Privy Council. This "indulgence," though clogged with harsh

conditions and frequently renewed or capriciously recalled, was still an

acceptable boon to the wiser and better part of the presbyterian clergy,

who considered it as an opening to the exercise of their ministry under

the lawful authority, which they continued to acknowledge. But fiercer

and more intractable principles were evinced by the younger ministers of

that persuasion. They considered the submitting to exercise their

ministry under the controul of any visible authority as absolute

erastianism, a desertion of the great invisible and divine Head of the

church, and a line of conduct which could only be defended, says one of

their tracts, by nullifidians, time-servers, infidels, or the Archbishop

of Canterbury. They held up to ridicule and abhorrence such of their

brethren as considered mere toleration as a boon worth accepting. Every

thing, according to these fervent divines, which fell short of

re-establishing presbytery as the sole and predominating religion, all

that did not imply a full restoration of the Solemn League and Covenant,

was an imperfect and unsound composition between God and mammon,

episcopacy and prelacy. The following extracts from a printed sermon by

one of them, on the subject of "soul-confirmation," will at once exemplify

the contempt and scorn with which these high-flyers regarded their more

sober-minded brethren, and serve as a specimen of the homely eloquence

with which they excited their followers. The reader will probably be of

opinion that it is worthy of Kettledrummle himself, and will serve to

clear Mr. Jedediah Cleishbotham of the charge of exaggeration.

There is many folk that has a face to the religion that is in fashion,

and there is many folk, they have ay a face to the old company, they

have a face for godly folk, and they have a face for persecutors of

godly folk, and they will be daddies bairns and minnies bairns both;

they will be _prelates_ bairns and they will be _malignants_ bairns

and they will be the people of God's bairns. And what think ye of that

bastard temper? Poor Peter had a trial of this soupleness, but God

made Paul an instrument to take him by the neck and shake it from him:

And O that God would take us by the neck and shake our soupleness from

us.

Therefore you that keeps only your old job-trot, and does not mend

your pace, you will not wone at _soul-confirmation,_ there is a whine

(i.e., _a few_) old job-trot, and does not mend your pace, you will

not wone at _soul-confirmation,_ there is a whine old job-trot

ministers among us, a whine old job-trot professors, they have their

own pace, and faster they will not go; O therefore they could never

wine to _soul-confirmation_ in the mettere of God. And our old

job-trot ministers is turned _curates_, and our old job-trot

professors is joined with them, and now this way God has turned them

inside out, and has made it manifest and when their heart is hanging

upon this braw, I will not give a gray groat for them and their

profession both.

The devil has the ministers and professors of Scotland, now in a sive,

and O as he sifts, and O as he riddles, and O as he rattles, and O the

chaff he gets; And I fear there be more chaff nor there be good corn,

and that will be found among us or all be done: but the

_soul-confirmed_ man leaves ever the devil at two more, and he has ay

the matter gadged, and leaves ay the devil in the lee side,--Sirs O

work in the day of the cross.

The more moderate presbyterian ministers saw with pain and resentment

the lower part of their congregation, who had least to lose by taking

desperate courses, withdrawn from their flocks, by their more zealous

pretenders to purity of doctrine, while they themselves were held up to

ridicule, old jog trot professors and chaff-winnowed out and flung away

by Satan. They charged the Cameronian preachers with leading the deluded

multitude to slaughter at Bothwell, by prophesying a certainty of

victory, and dissuading them from accepting the amnesty offered by

Monmouth. "All could not avail," says Mr. Law, himself a presbyterian

minister, "with McCargill, Kidd, Douglas, and other witless men amongst

them, to hearken to any proposals of peace. Among others that Douglas,

sitting on his horse, and preaching to the confused multitude, told them

that they would come to terms with them, and like a drone was always

droning on these terms with them: 'they would give us a half Christ, but

we will have a whole Christ,' and such like impertinent speeches as

these, good enough to feed those that are served with wind and not with

the sincere milk of the word of God." Law also censures these irritated

and extravagant enthusiasts, not only for intending to overthrow the

government, but as binding themselves to kill all that would not accede

to their opinion, and he gives several instances of such cruelty being

exercised by them, not only upon straggling soldiers whom they shot by

the way or surprized in their quarters, but upon those who, having once

joined them, had fallen away from their principles. Being asked why they

committed these cruelties in cold blood, they answered, 'they were

obliged to do it by their sacred bond.' Upon these occasions they

practised great cruelties, mangling the bodies of their victims that

each man might have his share of the guilt. In these cases the

Cameronians imagined themselves the direct and inspired executioners of

the vengeance of heaven. Nor did they lack the usual incentives of

enthusiasm. Peden and others among them set up a claim to the gift of

prophecy, though they seldom foretold any thing to the purpose. They

detected witches, had bodily encounters with the enemy of mankind in his

own shape, or could discover him as, lurking in the disguise of a raven,

he inspired the rhetoric of a Quaker's meeting. In some cases, celestial

guardians kept guard over their field-meetings. At a conventicle held on

the Lomond-hills, the Rev. Mr. Blacader was credibly assured, under the

hands of four honest men, that at the time the meeting was disturbed by

the soldiers, some women who had remained at home, "clearly perceived as

the form of a tall man, majestic-like, stand in the air in stately

posture with the one leg, as it were, advanced before the other,

standing above the people all the time of the soldiers shooting."

Unluckily this great vision of the Guarded Mount did not conclude as

might have been expected. The divine sentinel left his post too soon,

and the troopers fell upon the rear of the audience, plundered and

stripped many, and made eighteen prisoners.

But we have no delight to dwell either upon the atrocities or

absurdities of a people whose ignorance and fanaticism were rendered

frantic by persecution. It is enough for our present purpose to observe

that the present Church of Scotland, which comprizes so much sound

doctrine and learning, and has produced so many distinguished

characters, is the legitimate representative of the indulged clergy of

the days of Charles II, settled however upon a comprehensive basis. That

after the revolution, it should have succeeded episcopacy as the

national religion, was natural and regular, because it possessed all the

sense, learning, and moderation fit for such a change, and because among

its followers were to be found the only men of property and influence

who acknowledged presbytery. But the Cameronians continued long as a

separate sect, though their preachers were bigoted and ignorant, and

their hearers were gleaned out of the lower ranks of the peasantry.

Their principle, so far as it was intelligible, asserted that paramount

species of presbyterian church-government which was established in the

year 1648, and they continued to regard the established church as

erastian and time-serving, because they prudently remained silent upon

certain abstract and delicate topics, where there might be some

collision between the absolute liberty asserted by the church and the

civil government of the state. The Cameronians, on the contrary,

disowned all kings and government whatsoever, which should not take the

Solemn League and Covenant; and long retained hopes of re-establishing

that great national engagement, a bait which was held out to them by all

those who wished to disturb the government during the reign of William

and Anne, as is evident from the Memoirs of Ker of Kersland, and the

Negotiations of Colonel Hooke with the Jacobites and disaffected of the

year.

A party so wild in their principles, so vague and inconsistent in their

views, could not subsist long under a free and unlimited toleration.

They continued to hold their preachings on the hills, but they lost much

of their zeal when they were no longer liable to be disturbed by

dragoons, sheriffs, and lieutenants of Militia.--The old fable of the

Traveller's Cloak was in time verified, and the fierce sanguinary

zealots of the days of Claverhouse sunk into such quiet and peaceable

enthusiasts as Howie of Lochgoin, or Old Mortality himself. It is,

therefore, upon a race of sectaries who have long ceased to exist, that

Mr. Jedediah Cleishbotham has charged all that is odious, and almost all

that is ridiculous, in his fictitious narrative; and we can no more

suppose any moderate presbyterian involved in the satire, than we should

imagine that the character of Hampden stood committed by a little

raillery on the person of Ludovic Claxton, the Muggletonian. If,

however, there remain any of those sectaries who, confining the beams of

the Gospel to the Goshen of their own obscure synagogue, and with James

Mitchell, the intended assassin, giving their sweeping testimony against

prelacy and popery, The Whole Duty of Man and bordles, promiscuous

dancing and the Common Prayer-book, and all the other enormities and

backslidings of the time, may perhaps be offended at this idle tale, we

are afraid they will receive their answer in the tone of the revellers

to Malvolio, who, it will be remembered, was something a kind of

Puritan: "Doest thou think because thou art virtuous, there shall be no

more cakes and ale?--Aye, by Saint Anne, and ginger will be hot in the

mouth too."

Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson · 第 85 / 148 题