Chapter LV

BEFORE the Flavii had reared the Colosseum, amphitheatres in Rome were

built of wood mainly; for that reason nearly all of them had burned

during the fire. But Nero, for the celebration of the promised games,

had given command to build several, and among them a gigantic one, for

which they began, immediately after the fire was extinguished, to bring

by sea and the Tiber great trunks of trees cut on the slopes of Atlas;

for the games were to surpass all previous ones in splendor and the

number of victims.

Large spaces were given therefore for people and for animals. Thousands

of mechanics worked at the structure night and day. They built and

ornamented without rest. Wonders were told concerning pillars

inlaid with bronze, amber, ivory, mother of pearl, and transmarine

tortoise-shells. Canals filled with ice-cold water from the mountains

and running along the seats were to keep an agreeable coolness in the

building, even during the greatest heat. A gigantic purple velarium gave

shelter from the rays of the sun. Among the rows of seats were disposed

vessels for the burning of Arabian perfumes; above them were fixed

instruments to sprinkle the spectators with dew of saffron and verbena.

The renowned builders Severus and Celer put forth all their skill to

construct an amphitheatre at once incomparable and fitted for such a

number of the curious as none of those known before had been able to

accommodate.

Hence, the day when the ludus matutinus was to begin, throngs of the

populace were awaiting from daylight the opening of the gates, listening

with delight to the roars of lions, the hoarse growls of panthers, and

the howls of dogs. The beasts had not been fed for two days, but pieces

of bloody flesh had been pushed before them to rouse their rage and

hunger all the more. At times such a storm of wild voices was raised

that people standing before the Circus could not converse, and the most

sensitive grew pale from fear.

With the rising of the sun were intoned in the enclosure of the Circus

hymns resonant but calm. The people heard these with amazement, and

said one to another, “The Christians! the Christians!” In fact, many

detachments of Christians had been brought to the amphitheatre that

night, and not from one place, as planned at first, but a few from each

prison. It was known in the crowd that the spectacles would continue

through weeks and months, but they doubted that it would be possible to

finish in a single day those Christians who had been intended for that

one occasion. The voices of men, women, and children singing the morning

hymn were so numerous that spectators of experience asserted that even

if one or two hundred persons were sent out at once, the beasts would

grow tired, become sated, and not tear all to pieces before evening.

Others declared that an excessive number of victims in the arena would

divert attention, and not give a chance to enjoy the spectacle properly.

As the moment drew near for opening the vomitoria, or passages which

led to the interior, people grew animated and joyous; they discussed

and disputed about various things touching the spectacle. Parties were

formed praising the greater efficiency of lions or tigers in tearing.

Here and there bets were made. Others however talked about gladiators

who were to appear in the arena earlier than the Christians; and again

there were parties, some in favor of Samnites, others of Gauls, others

of Mirmillons, others of Thracians, others of the retiarii.

Early in the morning larger or smaller detachments of gladiators began

to arrive at the amphitheatre under the lead of masters, called lanistæ.

Not wishing to be wearied too soon, they entered unarmed, often entirely

naked, often with green boughs in their hands, or crowned with flowers,

young, beautiful, in the light of morning, and full of life. Their

bodies, shining from olive oil, were strong as if chiselled from marble;

they roused to delight people who loved shapely forms. Many were known

personally, and from moment to moment were heard: “A greeting, Furnius!

A greeting, Leo! A greeting, Maximus! A greeting, Diomed!” Young maidens

raised to them eyes full of admiration; they, selecting the maiden most

beautiful, answered with jests, as if no care weighed on them, sending

kisses, or exclaiming, “Embrace me before death does!” Then they

vanished in the gates, through which many of them were never to come

forth again.

New arrivals drew away the attention of the throngs. Behind the

gladiators came mastigophori; that is, men armed with scourges, whose

office it was to lash and urge forward combatants. Next mules drew, in

the direction of the spoliarium, whole rows of vehicles on which were

piled wooden coffins. People were diverted at sight of this, inferring

from the number of coffins the greatness of the spectacle. Now marched

in men who were to kill the wounded; these were dressed so that each

resembled Charon or Mercury. Next came those who looked after order in

the Circus, and assigned places; after that slaves to bear around food

and refreshments; finally, pretorians, whom every Cæsar had always at

hand in the amphitheatre.

At last the vomitoria were opened, and crowds rushed to the centre. But

such was the number of those assembled that they flowed in and flowed

in for hours, till it was a marvel that the Circus could hold such a

countless multitude. The roars of wild beasts, catching the exhalations

of people, grew louder. While taking their places, the spectators made

an uproar like the sea in time of storm.

Finally, the prefect of the city came, surrounded by guards; and after

him, in unbroken line, appeared the litters of senators, consuls,

pretors, ediles, officials of the government and the palace, of

pretorian officers, patricians, and exquisite ladies. Some litters were

preceded by lictors bearing maces in bundles of rods; others by crowds

of slaves. In the sun gleamed the gilding of the litters, the white and

varied colored stuffs, feathers, earrings, jewels, steel of the

maces. From the Circus came shouts with which the people greeted great

dignitaries. Small divisions of pretorians arrived from time to time.

The priests of various temples came somewhat later; only after them were

brought in the sacred virgins of Vesta, preceded by lictors.

To begin the spectacle, they were waiting now only for Cæsar, who,

unwilling to expose the people to over-long waiting, and wishing to

win them by promptness, came soon, in company with the Augusta and

Augustians.

Petronius arrived among the Augustians, having Vinicius in his litter.

The latter knew that Lygia was sick and unconscious; but as access to

the prison had been forbidden most strictly during the preceding days,

and as the former guards had been replaced by new ones who were not

permitted to speak with the jailers or even to communicate the least

information to those who came to inquire about prisoners, he was not

even sure that she was not among the victims intended for the first

day of spectacles. They might send out even a sick woman for the lions,

though she were unconscious. But since the victims were to be sewed up

in skins of wild beasts and sent to the arena in crowds, no spectator

could be certain that one more or less might not be among them, and no

man could recognize any one. The jailers and all the servants of the

amphitheatre had been bribed, and a bargain made with the beast-keepers

to hide Lygia in some dark corner, and give her at night into the hands

of a confidant of Vinicius, who would take her at once to the Alban

Hills. Petronius, admitted to the secret, advised Vinicius to go with

him openly to the amphitheatre, and after he had entered to disappear in

the throng and hurry to the vaults, where, to avoid possible mistake, he

was to point out Lygia to the guards personally.

The guards admitted him through a small door by which they came

out themselves. One of these, named Cyrus, led him at once to the

Christians. On the way he said,--

“I know not, lord, that thou wilt find what thou art seeking. We

inquired for a maiden named Lygia, but no one gave us answer; it may be,

though, that they do not trust us.”

“Are there many?” asked Vinicius.

“Many, lord, had to wait till to-morrow.”

“Are there sick ones among them?”

“There were none who could not stand.”

Cyrus opened a door and entered as it were an enormous chamber, but

low and dark, for the light came in only through grated openings which

separated it from the arena. At first Vinicius could see nothing; he

heard only the murmur of voices in the room, and the shouts of people in

the amphitheatre. But after a time, when his eyes had grown used to the

gloom, he saw crowds of strange beings, resembling wolves and bears.

Those were Christians sewed up in skins of beasts. Some of them were

standing; others were kneeling in prayer. Here and there one might

divine by the long hair flowing over the skin that the victim was a

woman. Women, looking like wolves, carried in their arms children sewed

up in equally shaggy coverings. But from beneath the skins appeared

bright faces and eyes which in the darkness gleamed with delight and

feverishness. It was evident that the greater number of those people

were mastered by one thought, exclusive and beyond the earth,--a thought

which during life made them indifferent to everything which happened

around them and which could meet them. Some, when asked by Vinicius

about Lygia, looked at him with eyes as if roused from sleep, without

answering his questions; others smiled at him, placing a finger on their

lips or pointing to the iron grating through which bright streaks of

light entered. But here and there children were crying, frightened by

the roaring of beasts, the howling of dogs, the uproar of people, and

the forms of their own parents who looked like wild beasts. Vinicius as

he walked by the side of Cyrus looked into faces, searched, inquired, at

times stumbled against bodies of people who had fainted from the crowd,

the stifling air, the heat, and pushed farther into the dark depth of

the room, which seemed to be as spacious as a whole amphitheatre.

But he stopped on a sudden, for he seemed to hear near the grating

a voice known to him. He listened for a while, turned, and, pushing

through the crowd, went near. Light fell on the face of the speaker,

and Vinicius recognized under the skin of a wolf the emaciated and

implacable countenance of Crispus.

“Mourn for your sins!” exclaimed Crispus, “for the moment is near. But

whoso thinks by death itself to redeem his sins commits a fresh sin, and

will be hurled into endless fire. With every sin committed in life ye

have renewed the Lord’s suffering; how dare ye think that that life

which awaits you will redeem this one? To-day the just and the sinner

will die the same death; but the Lord will find His own. Woe to you, the

claws of the lions will rend your bodies; but not your sins, nor your

reckoning with God. The Lord showed mercy sufficient when He let Himself

be nailed to the cross; but thenceforth He will be only the judge,

who will leave no fault unpunished. Whoso among you has thought to

extinguish his sins by suffering, has blasphemed against God’s justice,

and will sink all the deeper. Mercy is at an end, and the hour of God’s

wrath has come. Soon ye will stand before the awful Judge in whose

presence the good will hardly be justified. Bewail your sins, for the

jaws of hell are open; woe to you, husbands and wives; woe to you,

parents and children.”

And stretching forth his bony hands, he shook them above the bent heads;

he was unterrified and implacable even in the presence of death, to

which in a while all those doomed people were to go. After his words,

were heard voices: “We bewail our sins!” Then came silence, and only the

cry of children was audible, and the beating of hands against breasts.

The blood of Vinicius stiffened in his veins. He, who had placed all his

hope in the mercy of Christ, heard now that the day of wrath had come,

and that even death in the arena would not obtain mercy. Through his

head shot, it is true, the thought, clear and swift as lightning, that

Peter would have spoken otherwise to those about to die. Still those

terrible words of Crispus filled with fanaticism that dark chamber with

its grating, beyond which was the field of torture. The nearness of that

torture, and the throng of victims arrayed for death already, filled

his soul with fear and terror. All this seemed to him dreadful, and a

hundred times more ghastly than the bloodiest battle in which he had

ever taken part. The odor and heat began to stifle him; cold sweat came

out on his forehead. He was seized by fear that he would faint like

those against whose bodies he had stumbled while searching in the depth

of the apartment; so when he remembered that they might open the grating

any moment, he began to call Lygia and Ursus aloud, in the hope that, if

not they, some one knowing them would answer.

In fact, some man, clothed as a bear, pulled his toga, and said,--

“Lord, they remained in prison. I was the last one brought out; I saw

her sick on the couch.”

“Who art thou?” inquired Vinicius.

“The quarryman in whose hut the Apostle baptized thee, lord. They

imprisoned me three days ago, and to-day I die.”

Vinicius was relieved. When entering, he had wished to find Lygia; now

he was ready to thank Christ that she was not there, and to see in that

a sign of mercy. Meanwhile the quarryman pulled his toga again, and

said,--

“Dost remember, lord, that I conducted thee to the vineyard of

Cornelius, when the Apostle discoursed in the shed?”

“I remember.”

“I saw him later, the day before they imprisoned me, He blessed me, and

said that he would come to the amphitheatre to bless the perishing. If I

could look at him in the moment of death and see the sign of the cross,

it would be easier for me to die. If thou know where he is, lord, inform

me.”

Vinicius lowered his voice, and said,--

“He is among the people of Petronius, disguised as a slave. I know not

where they chose their places, but I will return to the Circus and see.

Look thou at me when ye enter the arena. I will rise and turn my face

toward them; then thou wilt find him with thy eyes.”

“Thanks to thee, lord, and peace be with thee.”

“May the Redeemer be merciful to thee.”

“Amen.”

Vinicius went out of the cuniculum, and betook himself to the

amphitheatre, where he had a place near Petronius among the other

Augustians.

“Is she there?” inquired Petronius.

“No; she remained in prison.”

“Hear what has occurred to me, but while listening look at Nigidia for

example, so that we may seem to talk of her hair-dressing. Tigellinus

and Chilo are looking at us now. Listen then. Let them put Lygia in

a coffin at night and carry her out of the prison as a corpse; thou

divinest the rest?”

“Yes,” answered Vinicius.

Their further conversation was interrupted by Tullius Senecio, who,

bending toward them, asked,--

“Do ye know whether they will give weapons to the Christians?”

“We do not,” answered Petronius. “I should prefer that arms were given,”

said Tullius; “if not, the arena will become like butcher’s shambles too

early. But what a splendid amphitheatre!”

The sight was, in truth, magnificent. The lower seats, crowded with

togas were as white as snow. In the gilded podium sat Cæsar, wearing

a diamond collar and a golden crown on his head; next to him sat the

beautiful and gloomy Augusta, and on both sides were vestal virgins,

great officials, senators with embroidered togas, officers of the army

with glittering weapons,--in a word, all that was powerful, brilliant,

and wealthy in Rome. In the farther rows sat knights; and higher up

darkened in rows a sea of common heads, above which from pillar to

pillar hung festoons of roses, lilies, ivy, and grapevines.

People conversed aloud, called to one another, sang; at times they broke

into laughter at some witty word which was sent from row to row, and

they stamped with impatience to hasten the spectacle.

At last the stamping became like thunder, and unbroken. Then the prefect

of the city, who rode around the arena with a brilliant retinue, gave

a signal with a handkerchief, which was answered throughout the

amphitheatre by “A-a-a!” from thousands of breasts.

Usually a spectacle was begun by hunts of wild beasts, in which various

Northern and Southern barbarians excelled; but this time they had too

many beasts, so they began with andabates,--that is, men wearing helmets

without an opening for the eyes, hence fighting blindfold. A number of

these came into the arena together, and slashed at random with their

swords; the scourgers with long forks pushed some toward others to make

them meet. The more select of the audience looked with contempt and

indifference at this spectacle; but the crowd were amused by the awkward

motions of the swordsmen. When it happened that they met with their

shoulders, they burst out in loud laughter. “To the right!” “To the

left!” cried they, misleading the opponents frequently by design. A

number of pairs closed, however, and the struggle began to be bloody.

The determined combatants cast aside their shields, and giving their

left hands to each other, so as not to part again, struggled to the

death with their right. Whoever fell raised his fingers, begging mercy

by that sign; but in the beginning of a spectacle the audience demanded

death usually for the wounded, especially in the case of men who had

their faces covered and were unknown. Gradually the number of combatants

decreased; and when at last only two remained, these were pushed

together; both fell on the sand, and stabbed each other mutually. Then,

amid cries of “Peractum est!” servants carried out the bodies, youths

raked away the bloody traces on the sand and sprinkled it with leaves of

saffron.

Now a more important contest was to come,--rousing interest not only in

the herd, but in exquisites; during this contest young patricians made

enormous bets at times, often losing all they owned. Straightway from

hand to hand went tablets on which were written names of favorites, and

also the number of sestertia which each man wagered on his favorite.

“Spectati”--that is, champions who had appeared already on the arena

and gained victories--found most partisans; but among betters were

also those who risked considerably on gladiators who were new and quite

unknown, hoping to win immense sums should these conquer. Cæsar himself

bet; priests, vestals, senators, knights bet; the populace bet. People

of the crowd, when money failed them, bet their own freedom frequently.

They waited with heart-beating and even with fear for the combatants,

and more than one made audible vows to the gods to gain their protection

for a favorite.

In fact, when the shrill sound of trumpets was heard, there was a

stillness of expectation in the amphitheatre. Thousands of eyes were

turned to the great bolts, which a man approached dressed like Charon,

and amid the universal silence struck three times with a hammer, as if

summoning to death those who were hidden behind them. Then both

halves of the gate opened slowly, showing a black gully, out of which

gladiators began to appear in the bright arena. They came in divisions

of twenty-five, Thracians, Mirmillons, Samnites, Gauls, each nation

separately, all heavily armed; and last the retiarii, holding in one

hand a net, in the other a trident. At sight of them, here and there

on the benches rose applause, which soon turned into one immense and

unbroken storm. From above to below were seen excited faces, clapping

hands, and open mouths, from which shouts burst forth. The gladiators

encircled the whole arena with even and springy tread, gleaming with

their weapons and rich outfit; they halted before Cæsar’s podium, proud,

calm, and brilliant. The shrill sound of a horn stopped the applause;

the combatants stretched their right hands upward, raised their eyes and

heads toward Cæsar, and began to cry or rather to chant with drawling

voice,--

“Ave, Cæsar imperator! Morituri te salutant!”

Then they pushed apart quickly, occupying their places on the arena.

They were to attack one another in whole detachments; but first it was

permitted the most famous fencers to have a series of single combats,

in which the strength, dexterity, and courage of opponents were best

exhibited. In fact, from among the Gauls appeared a champion, well known

to lovers of the amphitheatre under the name of Lanio, a victor in many

games. With a great helmet on his head, and in mail which formed a ridge

in front of his powerful breast and behind, he looked in the gleam

of the golden arena like a giant beetle. The no less famous retiarius

Calendio came out against him.

Among the spectators people began to bet.

“Five hundred sestertia on the Gaul!”

“Five hundred on Calendio!”

“By Hercules, one thousand!”

“Two thousand!”

Meanwhile the Gaul, reaching the centre of the arena, began to withdraw

with pointed sword, and, lowering his head, watched his opponent

carefully through the opening of his visor; the light retiarius,

stately, statuesque, wholly naked save a belt around his loins, circled

quickly about his heavy antagonist, waving the net with graceful

movement, lowering or raising his trident, and singing the usual song of

the retiarius,--

“Non te peto, piscem peto; Quid me fugis, Galle?”

[“I seek not thee, I seek a fish; Why flee from me O Gaul?”]

But the Gaul was not fleeing, for after a while he stopped, and standing

in one place began to turn with barely a slight movement, so as to have

his enemy always in front, in his form and monstrously large head there

was now something terrible. The spectators understood perfectly that

that heavy body encased in bronze was preparing for a sudden throw to

decide the battle. The retiarius meanwhile sprang up to him, then sprang

away, making with his three-toothed fork motions so quick that the eye

hardly followed them. The sound of the teeth on the shield was heard

repeatedly; but the Gaul did not quiver, giving proof by this of his

gigantic strength. All his attention seemed fixed, not on the trident,

but the net which was circling above his head, like a bird of ill

omen. The spectators held the breath in their breasts, and followed the

masterly play of the gladiators. The Gaul waited, chose the moment, and

rushed at last on his enemy; the latter with equal quickness shot past

under his sword, straightened himself with raised arm, and threw the

net.

The Gaul, turning where he stood, caught it on his shield; then both

sprang apart. In the amphitheatre shouts of “Macte!” thundered; in the

lower rows they began to make new bets. Cæsar himself, who at first had

been talking with Rubria, and so far had not paid much attention to the

spectacle, turned his head toward the arena.

They began to struggle again, so regularly and with such precision in

their movements, that sometimes it seemed that with them it was not a

question of life or death, but of exhibiting skill. The Gaul escaping

twice more from the net, pushed toward the edge of the arena; those who

held bets against him, not wishing the champion to rest, began to cry,

“Bear on!” The Gaul obeyed, and attacked. The arm of the retiarius was

covered on a sudden with blood, and his net dropped. The Gaul summoned

his strength, and sprang forward to give the final blow. That instant

Calendio, who feigned inability to wield the net, sprang aside, escaped

the thrust, ran the trident between the knees of his opponent, and

brought him to the earth.

The Gaul tried to rise, but in a twinkle he was covered by the fatal

meshes, in which he was entangled more and more by every movement of his

feet and hands. Meanwhile stabs of the trident fixed him time after time

to the earth. He made one more effort, rested on his arm, and tried to

rise; in vain! He raised to his head his falling hand which could hold

the sword no longer, and fell on his back. Calendio pressed his neck to

the ground with the trident, and, resting both hands on the handle of

it, turned toward Cæsar’s box.

The whole Circus was trembling from plaudits and the roar of people. For

those who had bet on Calendio he was at that moment greater than Cæsar;

but for this very reason animosity against the Gaul vanished from their

hearts. At the cost of his blood he had filled their purses. The voices

of the audience were divided. On the upper seats half the signs were for

death, and half for mercy; but the retiarius looked only at the box of

Cæsar and the vestals, waiting for what they would decide.

To the misfortune of the fallen gladiator, Nero did not like him, for at

the last games before the fire he had bet against the Gaul, and had

lost considerable sums to Licinus; hence he thrust his hand out of the

podium, and turned his thumb toward the earth.

The vestals supported the sign at once. Calendio knelt on the breast

of the Gaul, drew a short knife from his belt, pushed apart the armor

around the neck of his opponent, and drove the three-edged blade into

his throat to the handle.

“Peractum est!” sounded voices in the amphitheatre.

The Gaul quivered a time, like a stabbed bullock, dug the sand with his

heels, stretched, and was motionless.

Mercury had no need to try with heated iron if he were living yet. He

was hidden away quickly, and other pairs appeared. After them came a

battle of whole detachments. The audience took part in it with soul,

heart, and eyes. They howled, roared, whistled, applauded, laughed,

urged on the combatants, grew wild. The gladiators on the arena, divided

into two legions, fought with the rage of wild beasts; breast struck

breast, bodies were intertwined in a death grapple, strong limbs cracked

in their joints, swords were buried in breasts and in stomachs, pale

lips threw blood on to the sand. Toward the end such terrible fear

seized some novices that, tearing themselves from the turmoil, they

fled; but the scourgers drove them back again quickly to the battle with

lashes tipped with lead. On the sand great dark spots were formed; more

and more naked and armed bodies lay stretched like grain sheaves. The

living fought on the corpses; they struck against armor and shields,

cut their feet against broken weapons, and fell. The audience lost

self-command from delight; and intoxicated with death breathed it,

sated their eyes with the sight of it, and drew into their lungs the

exhalations of it with ecstasy.

The conquered lay dead, almost every man. Barely a few wounded knelt

in the middle of the arena, and trembling stretched their hands to

the audience with a prayer for mercy. To the victors were given

rewards,--crowns, olive wreaths. And a moment of rest came, which, at

command of the all-powerful Cæsar, was turned into a feast. Perfumes

were burned in vases. Sprinklers scattered saffron and violet rain on

the people. Cooling drinks were served, roasted meats, sweet cakes,

wine, olives, and fruits. The people devoured, talked, and shouted in

honor of Cæsar, to incline him to greater bounteousness. When hunger and

thirst had been satisfied, hundreds of slaves bore around baskets full

of gifts, from which boys, dressed as Cupids, took various objects and

threw them with both hands among the seats. When lottery tickets

were distributed, a battle began. People crowded, threw, trampled

one another; cried for rescue, sprang over rows of seats, stifled one

another in the terrible crush, since whoever got a lucky number might

win possibly a house with a garden, a slave, a splendid dress, or a wild

beast which he could sell to the amphitheatre afterward. For this

reason there were such disorders that frequently the pretorians had to

interfere; and after every distribution they carried out people with

broken arms or legs, and some were even trampled to death in the throng.

But the more wealthy took no part in the fight for tesseræ. The

Augustians amused themselves now with the spectacle of Chilo, and with

making sport of his vain efforts to show that he could look at fighting

and blood-spilling as well as any man. But in vain did the unfortunate

Greek wrinkle his brow, gnaw his lips, and squeeze his fists till the

nails entered his palms. His Greek nature and his personal cowardice

were unable to endure such sights. His face grew pale, his forehead was

dotted with drops of sweat, his lips were blue, his eyes turned in, his

teeth began to chatter, and a trembling seized his body. At the end

of the battle he recovered somewhat; but when they attacked him with

tongues, sudden anger seized him, and he defended himself desperately.

“Ha, Greek! the sight of torn skin on a man is beyond thy strength!”

said Vatinius, taking him by the beard.

Chilo bared his last two yellow teeth at him and answered,--

“My father was not a cobbler, so I cannot mend it.”

“Macte! habet (Good! he has caught it!)” called a number of voices; but

others jeered on.

“He is not to blame that instead of a heart he has a piece of cheese in

his breast,” said Senecio.

“Thou art not to blame that instead of a head thou hast a bladder,”

retorted Chilo.

“Maybe thou wilt become a gladiator! thou wouldst look well with a net

on the arena.”

“If I should catch thee in it, I should catch a stinking hoopoe.”

“And how will it be with the Christians?” asked Festus, from Liguria.

“Wouldst thou not like to be a dog and bite them?”

“I should not like to be thy brother.”

“Thou Mæotian copper-nose!”

“Thou Ligurian mule!”

“Thy skin is itching, evidently, but I don’t advise thee to ask me to

scratch it.”

“Scratch thyself. If thou scratch thy own pimple, thou wilt destroy what

is best in thee.”

And in this manner they attacked him. He defended himself venomously,

amid universal laughter. Cæsar, clapping his hands, repeated, “Macte!”

and urged them on. After a while Petronius approached, and, touching the

Greek’s shoulder with his carved ivory cane, said coldly,--

“This is well, philosopher; but in one thing thou hast blundered: the

gods created thee a pickpocket, and thou hast become a demon. That is

why thou canst not endure.”

The old man looked at him with his red eyes, but this time somehow he

did not find a ready insult. He was silent for a moment; then answered,

as if with a certain effort,--

“I shall endure.”

Meanwhile the trumpets announced the end of the interval. People began

to leave the passages where they had assembled to straighten their legs

and converse. A general movement set in with the usual dispute about

seats occupied previously. Senators and patricians hastened to their

places. The uproar ceased after a time, and the amphitheatre returned to

order. On the arena a crowd of people appeared whose work was to dig out

here and there lumps of sand formed with stiffened blood.

The turn of the Christians was at hand. But since that was a new

spectacle for people, and no one knew how the Christians would bear

themselves, all waited with a certain curiosity. The disposition of the

audience was attentive but unfriendly; they were waiting for uncommon

scenes. Those people who were to appear had burned Rome and its ancient

treasures. They had drunk the blood of infants, and poisoned water; they

had cursed the whole human race, and committed the vilest crimes. The

harshest punishment did not suffice the roused hatred; and if any

fear possessed people’s hearts, it was this: that the torture of the

Christians would not equal the guilt of those ominous criminals.

Meanwhile the sun had risen high; its rays, passing through the purple

velarium, had filled the amphitheatre with blood-colored light. The sand

assumed a fiery hue, and in those gleams, in the faces of people, as

well as in the empty arena, which after a time was to be filled with

the torture of people and the rage of savage beasts, there was something

terrible. Death and terror seemed hovering in the air. The throng,

usually gladsome, became moody under the influence of hate and silence.

Faces had a sullen expression.

Now the prefect gave a sign. The same old man appeared, dressed as

Charon, who had called the gladiators to death, and, passing with slow

step across the arena amid silence, he struck three times again on the

door.

Throughout the amphitheatre was heard the deep murmur,--

“The Christians! the Christians!”

The iron gratings creaked; through the dark openings were heard the

usual cries of the scourgers, “To the sand!” and in one moment the arena

was peopled with crowds as it were of satyrs covered with skins. All ran

quickly, somewhat feverishly, and, reaching the middle of the circle,

they knelt one by another with raised heads. The spectators, judging

this to be a prayer for pity, and enraged by such cowardice, began to

stamp, whistle, throw empty wine-vessels, bones from which the flesh

had been eaten, and shout, “The beasts! the beasts!” But all at once

something unexpected took place. From out the shaggy assembly singing

voices were raised, and then sounded that hymn heard for the first time

in a Roman amphitheatre, “Christus regnat!” [“Christ reigns!”]

Astonishment seized the spectators. The condemned sang with eyes raised

to the velarium. The audience saw faces pale, but as it were inspired.

All understood that those people were not asking for mercy, and that

they seemed not to see the Circus, the audience, the Senate, or Cæsar.

“Christus regnat!” rose ever louder, and in the seats, far up to the

highest, among the rows of spectators, more than one asked himself the

question, “What is happening, and who is that Christus who reigns in

the mouths of those people who are about to die?” But meanwhile a

new grating was opened, and into the arena rushed, with mad speed and

barking, whole packs of dogs,--gigantic, yellow Molossians from the

Peloponnesus, pied dogs from the Pyrenees, and wolf-like hounds

from Hibernia, purposely famished; their sides lank, and their eyes

bloodshot. Their howls and whines filled the amphitheatre. When the

Christians had finished their hymn, they remained kneeling, motionless,

as if petrified, merely repeating in one groaning chorus, “Pro Christo!

Pro Christo!” The dogs, catching the odor of people under the skins of

beasts, and surprised by their silence, did not rush on them at once.

Some stood against the walls of the boxes, as if wishing to go among the

spectators; others ran around barking furiously, as though chasing some

unseen beast. The people were angry. A thousand voices began to call;

some howled like wild beasts; some barked like dogs; others urged them

on in every language. The amphitheatre was trembling from uproar. The

excited dogs began to run to the kneeling people, then to draw back,

snapping their teeth, till at last one of the Molossians drove his teeth

into the shoulder of a woman kneeling in front, and dragged her under

him.

Tens of dogs rushed into the crowd now, as if to break through it. The

audience ceased to howl, so as to look with greater attention. Amidst

the howling and whining were heard yet plaintive voices of men and

women: “Pro Christo! Pro Christo!” but on the arena were formed

quivering masses of the bodies of dogs and people. Blood flowed in

streams from the torn bodies. Dogs dragged from each other the bloody

limbs of people. The odor of blood and torn entrails was stronger than

Arabian perfumes, and filled the whole Circus.

At last only here and there were visible single kneeling forms, which

were soon covered by moving squirming masses.

Vinicius, who at the moment when the Christians ran in, stood up and

turned so as to indicate to the quarryman, as he had promised, the

direction in which the Apostle was hidden among the people of Petronius,

sat down again, and with the face of a dead man continued to look with

glassy eyes on the ghastly spectacle. At first fear that the quarryman

might have been mistaken, and that perchance Lygia was among the

victims, benumbed him completely; but when he heard the voices, “Pro

Christo!” when he saw the torture of so many victims who, in dying,

confessed their faith and their God, another feeling possessed him,

piercing him like the most dreadful pain, but irresistible. That feeling

was this,--if Christ Himself died in torment, if thousands are perishing

for Him now, if a sea of blood is poured forth, one drop more signifies

nothing, and it is a sin even to ask for mercy. That thought came to him

from the arena, penetrated him with the groans of the dying, with the

odor of their blood. But still he prayed and repeated with parched lips,

“O Christ! O Christ! and Thy Apostle prayed for her!” Then he forgot

himself, lost consciousness of where he was. It seemed to him that blood

on the arena was rising and rising, that it was coming up and flowing

out of the Circus over all Rome. For the rest he heard nothing, neither

the howling of dogs nor the uproar of the people nor the voices of the

Augustians, who began all at once to cry,--

“Chilo has fainted!”

“Chilo has fainted!” said Petronius, turning toward the Greek.

And he had fainted really; he sat there white as linen, his head fallen

back, his mouth wide open, like that of a corpse.

At that same moment they were urging into the arena new victims, sewed

up in skins.

These knelt immediately, like those who had gone before; but the weary

dogs would not rend them. Barely a few threw themselves on to those

kneeling nearest; but others lay down, and, raising their bloody jaws,

began to scratch their sides and yawn heavily.

Then the audience, disturbed in spirit, but drunk with blood and wild,

began to cry with hoarse voices,--

“The lions! the lions! Let out the lions!”

The lions were to be kept for the next day; but in the amphitheatres the

people imposed their will on every one, even on Cæsar. Caligula alone,

insolent and changeable in his wishes, dared to oppose them, and there

were cases when he gave command to beat the people with clubs; but even

he yielded most frequently. Nero, to whom plaudits were dearer than all

else in the world, never resisted. All the more did he not resist now,

when it was a question of mollifying the populace, excited after the

conflagration, and a question of the Christians, on whom he wished to

cast the blame of the catastrophe.

He gave the sign therefore to open the cuniculum, seeing which, the

people were calmed in a moment. They heard the creaking of the doors

behind which were the lions. At sight of the lions the dogs gathered

with low whines, on the opposite side of the arena. The lions walked

into the arena one after another, immense, tawny, with great shaggy

heads. Cæsar himself turned his wearied face toward them, and placed

the emerald to his eye to see better. The Augustians greeted them with

applause; the crowd counted them on their fingers, and followed eagerly

the impression which the sight of them would make on the Christians

kneeling in the centre, who again had begun to repeat the words, without

meaning for many, though annoying to all, “Pro Christo! Pro Christo!”

But the lions, though hungry, did not hasten to their victims. The ruddy

light in the arena dazzled them and they half closed their eyes as if

dazed. Some stretched their yellowish bodies lazily; some, opening

their jaws, yawned,--one might have said that they wanted to show their

terrible teeth to the audience. But later the odor of blood and torn

bodies, many of which were lying on the sand, began to act on them. Soon

their movements became restless, their manes rose, their nostrils drew

in the air with hoarse sound. One fell suddenly on the body of a woman

with a torn face, and, lying with his fore paws on the body, licked with

a rough tongue the stiffened blood: another approached a man who was

holding in his arms a child sewed up in a fawn’s skin.

The child, trembling from crying, and weeping, clung convulsively to the

neck of its father; he, to prolong its life even for a moment, tried to

pull it from his neck, so as to hand it to those kneeling farther on.

But the cry and the movement irritated the lion. All at once he gave

out a short, broken roar, killed the child with one blow of his paw, and

seizing the head of the father in his jaws, crushed it in a twinkle.

At sight of this all the other lions fell upon the crowd of Christians.

Some women could not restrain cries of terror; but the audience drowned

these with plaudits, which soon ceased, however, for the wish to see

gained the mastery. They beheld terrible things then: heads disappearing

entirely in open jaws, breasts torn apart with one blow, hearts and

lungs swept away; the crushing of bones under the teeth of lions.

Some lions, seizing victims by the ribs or loins, ran with mad springs

through the arena, as if seeking hidden places in which to devour

them; others fought, rose on their hind legs, grappled one another like

wrestlers, and filled the amphitheatre with thunder. People rose

from their places. Some left their seats, went down lower through the

passages to see better, and crowded one another mortally. It seemed that

the excited multitude would throw itself at last into the arena, and

rend the Christians in company with the lions. At moments an unearthly

noise was heard; at moments applause; at moments roaring, rumbling, the

clashing of teeth, the howling of Molossian dogs; at times only groans.

Cæsar, holding the emerald to his eye, looked now with attention. The

face of Petronius assumed an expression of contempt and disgust. Chilo

had been borne out of the Circus.

But from the cuniculum new victims were driven forth continually.

From the highest row in the amphitheatre the Apostle Peter looked at

them. No one saw him, for all heads were turned to the arena; so he rose

and as formerly in the vineyard of Cornelius he had blessed for death

and eternity those who were intended for imprisonment, so now he blessed

with the cross those who were perishing under the teeth of wild beasts.

He blessed their blood, their torture, their dead bodies turned into

shapeless masses, and their souls flying away from the bloody sand. Some

raised their eyes to him, and their faces grew radiant; they smiled when

they saw high above them the sign of the cross. But his heart was rent,

and he said, “O Lord! let Thy will be done. These my sheep perish to

Thy glory in testimony of the truth. Thou didst command me to feed them;

hence I give them to Thee, and do Thou count them, Lord, take them, heal

their wounds, soften their pain, give them happiness greater than the

torments which they suffered here.”

And he blessed them one after another, crowd after crowd, with as much

love as if they had been his children whom he was giving directly into

the hands of Christ. Then Cæsar, whether from madness, or the wish that

the exhibition should surpass everything seen in Rome so far, whispered

a few words to the prefect of the city. He left the podium and went at

once to the cuniculum. Even the populace were astonished when, after a

while, they saw the gratings open again. Beasts of all kinds were let

out this time,--tigers from the Euphrates, Numidian panthers, bears,

wolves, hyenas, and jackals. The whole arena was covered as with a

moving sea of striped, yellow, flax-colored, dark-brown, and spotted

skins. There rose a chaos in which the eye could distinguish nothing

save a terrible turning and twisting of the backs of wild beasts. The

spectacle lost the appearance of reality, and became as it were an orgy

of blood, a dreadful dream, a gigantic kaleidoscope of mad fancy. The

measure was surpassed. Amidst roars, howls, whines, here and there

on the seats of the spectators were heard the terrified and spasmodic

laughter of women, whose strength had given way at last. The people

were terrified. Faces grew dark. Various voices began to cry, “Enough!

enough!”

But it was easier to let the beasts in than drive them back again.

Cæsar, however, found a means of clearing the arena, and a new

amusement for the people. In all the passages between the seats appeared

detachments of Numidians, black and stately, in feathers and earrings,

with bows in their hands. The people divined what was coming, and

greeted the archers with a shout of delight. The Numidians approached

the railing, and, putting their arrows to the strings, began to shoot

from their bows into the crowd of beasts. That was a new spectacle

truly. Their bodies, shapely as if cut from dark marble, bent backward,

stretched the flexible bows, and sent bolt after bolt. The whizzing of

the strings and the whistling of the feathered missiles were mingled

with the howling of beasts and cries of wonder from the audience.

Wolves, bears, panthers, and people yet alive fell side by side. Here

and there a lion, feeling a shaft in his ribs, turned with sudden

movement, his jaws wrinkled from rage, to seize and break the arrow.

Others groaned from pain. The small beasts, falling into a panic, ran

around the arena at random, or thrust their heads into the grating;

meanwhile the arrows whizzed and whizzed on, till all that was living

had lain down in the final quiver of death.

Hundreds of slaves rushed into the arena armed with spades, shovels,

brooms, wheelbarrows, baskets for carrying out entrails, and bags of

sand. They came, crowd after crowd, and over the whole circle there

seethed up a feverish activity. The space was soon cleared of bodies,

blood, and mire, dug over, made smooth, and sprinkled with a thick layer

of fresh sand. That done, Cupids ran in, scattering leaves of roses,

lilies, and the greatest variety of flowers. The censers were

ignited again, and the velarium was removed, for the sun had sunk now

considerably. But people looked at one another with amazement, and

inquired what kind of new spectacle was waiting for them on that day.

Indeed, such a spectacle was waiting as no one had looked for. Cæsar,

who had left the podium some time before, appeared all at once on the

flowery arena, wearing a purple mantle, and a crown of gold. Twelve

choristers holding citharæ followed him. He had a silver lute, and

advanced with solemn tread to the middle, bowed a number of times to the

spectators, raised his eyes, and stood as if waiting for inspiration.

Then he struck the strings and began to sing,--

“O radiant son of Leto, Ruler of Tenedos, Chilos, Chrysos, Art thou

he who, having in his care The sacred city of Ilion, Could yield it to

Argive anger, And suffer sacred altars, Which blazed unceasingly to his

honor, To be stained with Trojan blood? Aged men raised trembling hands

to thee, O thou of the far-shooting silver bow, Mothers from the depth

of their breasts Raised tearful cries to thee, Imploring pity on

their offspring. Those complaints might have moved a stone, But to the

suffering of people Thou, O Smintheus, wert less feeling than a stone!”

The song passed gradually into an elegy, plaintive and full of pain.

In the Circus there was silence. After a while Cæsar, himself affected,

sang on,--

“With the sound of thy heavenly lyre Thou couldst drown the wailing, The

lament of hearts. At the sad sound of this song The eye to-day is filled

with tears, As a flower is filled with dew, But who can raise from dust

and ashes That day of fire, disaster, ruin? O Smintheus, where wert thou

then?”

Here his voice quivered and his eyes grew moist. Tears appeared on the

lids of the vestals; the people listened in silence before they burst

into a long unbroken storm of applause.

Meanwhile from outside through the vomitoria came the sound of creaking

vehicles on which were placed the bloody remnants of Christians, men,

women, and children, to be taken to the pits called “puticuli.”

But the Apostle Peter seized his trembling white head with his hands,

and cried in spirit,--

“O Lord, O Lord! to whom hast Thou given rule over the earth, and why

wilt Thou found in this place Thy capital?”

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