QUEER BRIC-A-BRAC.

Stepping over the threshold, the young waterman is warmly received by

his older brother of the oar, and blushingly by the girl, whose cheeks

are already of a high colour, caught from the fire over which she has

been stooping.

Old Joe, seated in the chimney corner, in a huge wicker chair of his own

construction, motions Jack to another opposite, leaving the space in

front clear for Amy to carry on her culinary operations. There are

still a few touches to be added--a sauce to be concocted--before the

supper can be served; and she is concocting it.

Host and guest converse without heeding her, chiefly on topics relating

to the bore of the river, about which old Joe is an oracle. As the

other, too, has spent all his days on Vaga's banks; but there have been

more of them, and he longer resident in that particular neighbourhood.

It is too early to enter upon subjects of a more serious nature, though

a word now and then slips in about the late occurrence at Llangorren,

still wrapped in mystery. If they bring shadows over the brow of the

old boatman, these pass off, as he surveys the table which his niece has

tastefully decorated with fruits and late autumn flowers. It reminds

him of many a pleasant Christmas night in the grand servants' hall at

the Court, under holly and mistletoe, besides bowls of steaming punch

and dishes of blazing snapdragon.

His guest knows something of that same hall; but cares not to recall its

memories. Better likes he the bright room he is now seated in. Within

the radiant circle of its fire, and the other pleasant surroundings, he

is for the time cheerful--almost himself again. His mother told him it

was not good to be for ever grieving--not righteous, but sinful. And

now, as he watches the graceful creature moving about, actively

engaged--and all on his account--he begins to think there may be truth

in what she said. At all events his grief is more bearable than it has

been for long days past. Not that he is untrue to the memory of Mary

Morgan. Far from it. His feelings are but natural, inevitable. With

that fair presence flitting before his eyes, he would not be man if it

failed in some way to impress him.

But his feelings for Amy Preece do not go beyond the bounds of

respectful admiration. Still is it an admiration that may become

warmer, gathering strength as time goes on. It even does somewhat on

this same night; for, in truth the girl's beauty is a thing which cannot

be glanced at without a wish to gaze upon it again. And she possesses

something more than beauty--a gift not quite so rare, but perhaps as

much prized by Jack Wingate--modesty. He has noted her shy, almost

timid mien, ere now; for it is not the first time he has been in her

company--contrasted it with the bold advances made to him by her former

fellow-servant at the Court--Clarisse. And now, again, he observes the

same bearing, as she moves about through that cheery place, in the light

of glowing coals--best from the Forest of Dean.

And he thinks of it while seated at the supper table; she at its head,

_vis-a-vis_ to her uncle, and distributing the viands. These are no

damper to his admiration of her, since the dishes she has prepared are

of the daintiest. He has not been accustomed to eat such a meal, for

his mother could not cook it; while, as already said, Amy is something

of an _artiste de cuisine_. An excellent wife she would make, all

things considered; and possibly at a later period, Jack Wingate might

catch himself so reflecting. But not now; not to-night. Such a thought

is not in his mind; could not be, with that sadder thought still

overshadowing.

The conversation at the table is mostly between the uncle and himself,

the niece only now and then putting in a word; and the subjects are

still of a general character, in the main relating to boats and their

management.

It continues so till the supper things have been cleared off; and in

their place appear a decanter of spirits, a basin of lump sugar, and a

jug of hot water, with a couple of tumblers containing spoons. Amy

knows her uncle's weakness--which is a whisky toddy before going to bed;

for it is the "barley bree" that sparkles in the decanter; and also

aware that to-night he will indulge in more than one, she sets the

kettle on its trivet against the bars of the grate.

As the hour has now waxed late, and the host is evidently longing for a

more confidential chat with his guest, she asks if there is anything

more likely to be wanted.

Answered in the negative, she bids both "Good night," withdraws to the

little chamber so prettily decorated for her, and goes to her bed.

But not immediately to fall asleep. Instead she lies awake thinking of

Jack Wingate, whose voice, like a distant murmur, she can now and then

hear. The French _femme de chambre_ would have had her cheek at the

keyhole, to catch what he might say. Not so the young English girl,

brought up in a very different school; and if she lies awake, it is from

no prying curiosity, but kept so by a nobler sentiment.

On the instant of her withdrawal, old Joe, who has been some time

showing in a fidget for it, hitches his chair closer to the table,

desiring his guest to do the same; and the whisky punches having been

already prepared, they also bring their glasses together.

"Yer good health, Jack."

"Same to yerself, Joe."

After this exchange the ex-Charon, no longer constrained by the presence

of a third party, launches out into a dialogue altogether different from

that hitherto held between them--the subject being the late tenant of

the house in which they are hobnobbing.

"Queer sort o' chap, that Coracle Dick! an't he, Jack?"

"Course he be. But why do ye ask? You knowed him afore, well enough."

"Not so well's now. He never comed about the Court, 'ceptin' once when

fetched there--afore the old Squire on a poachin' case. Lor! what a

change! He now head keeper o' the estate."

"Ye say ye know him better than ye did? Ha' ye larned anythin' 'bout

him o' late?"

"That hae I; an' a goodish deal too. More'n one thing as seems

kewrous."

"If ye don't object tellin' me, I'd like to hear what they be."

"Well, one are, that Dick Dempsey ha' been in the practice of somethin'

besides poachin'."

"That an't no news to me, I ha' long suspected him o' doin's worse than

that."

"Amongst them did ye include forgin'?"

"No; because I never thought o' it. But I believe him to be capable o'

it, or anything else. What makes ye think he a' been a forger?"

"Well, I won't say forger, for he mayn't a made the things. But for

sure he ha' been engaged in passin' them off."

"Passin' what off!"

"Them!" rejoins Joe, drawing a little canvas bag out of his pocket, and

spilling its contents upon the table--over a score of coins to all

appearance half-crown pieces.

"Counterfeits--every one o' 'em!" he adds, as the other sits staring at

them in surprise.

"Where did you find them?" asks Jack.

"In the corner o' an old cubbord. Furbishin' up the place, I comed

across them--besides a goodish grist o' other kewrosities. What would

ye think o' my predecessor here bein' a burglar as well as smasher?"

"I wouldn't think that noways strange neyther. As I've sayed already, I

b'lieve Dick Dempsey to be a man who'd not mind takin' a hand at any

mortal thing, howsomever bad. Burglary, or even worse, if it wor made

worth his while. But what led ye to think he ha' been also in the

housebreaking line?"

"These!" answers the old boatman, producing another and larger bag, the

more ponderous contents of which he spills out on the floor, not the

table; as he does so exclaiming, "Theere be a lot o' oddities! A

complete set o' burglar's tools--far as I can understand them."

And so are they, jemmies, cold chisels, skeleton keys--in short, every

implement of the cracksman's calling.

"And ye found them in the cubbert too?"

"No, not there, nor yet inside; but on the premises. The big bag, wi'

its contents, wor crammed up into a hole in the rocks--the clift at the

back o' the house."

"Odd, all o' it! An' the oddest his leavin' such things behind--to tell

the tale o' his guilty doin's; I suppose bein' full o' his new fortunes,

he's forgot all about them."

"But ye han't waited for me to gie the whole o' the cat'logue. There be

somethin' more to come."

"What more?" asks the young waterman, suprisedly, and with renewed

interest.

"A thing as seems kewrouser than all the rest. I can draw conclusions

from the counterfeet coins, an' the house-breakin' implements; but the

other beats me dead down, an' I don't know what to make o't. Maybe you

can tell. I foun' it stuck up the same hole in the rocks, wi' a stone

in front exact fittin' to an' fillin' its mouth."

While speaking, he draws open a chest, and takes from it a bundle of

some white stuff--apparently linen--loosely rolled. Unfolding, and

holding it up to the light, he adds:--

"Theer be the eydentical article!"

No wonder he thought the thing strange, found where he had found it.

For it is a _shroud_! White, with a cross and two letters in red

stitched upon that part which, were it upon a body, both cross and

lettering would lie over the breast!

"O God!" cries Jack Wingate, as his eyes rest upon the symbol. "That's

the shroud Mary Morgan wor buried in! I can swear to 't. I seed her

mother stitch on that cross an' them letters--the ineetials o' her name.

An' I seed it on herself in the coffin 'fore't wor closed. Heaven o'

mercy! what do it mean?"

Amy Preece, lying awake in her bed, hears Jack Wingate's voice excitedly

exclaiming, and wonders what that means. But she is not told; nor

learns she aught of a conversation which succeeds in more subdued tone;

prolonged to a much later hour--even into morning. For before the two

men part they mature a plan for ascertaining why that ghostly thing is

still above ground instead of in the grave, where the body it covered is

coldly sleeping!

Volume Three, Chapter XIII.

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