AN UNWILLING NOVICE.

"Am I myself? Dreaming? Or, is it insanity?"

It is a young girl who thus strangely interrogates. A beautiful girl,

woman grown, of tall stature, with bright face and a wealth of hair,

golden hued.

But what is beauty to her with all these adjuncts? As the flower born

to blush unseen, eye of man may not look upon hers; though it is not

wasting its sweetness on the desert air; but within the walls of a

convent.

An English girl, though the convent is in France--in the city of

Boulogne-sur-mer; the same in whose attached _pensionnat_ the sister of

Major Mahon is receiving education. She is not the girl, for Kate

Mahon, though herself beautiful, is no blonde; instead, the very

opposite. Besides, this creature of radiant complexion is not attending

school--she is beyond the years for that. Neither is she allowed the

freedom of the streets, but kept shut up within a cell in the innermost

recesses of the establishment, where the _pensionnaires_ are not

permitted, save one or two who are favourites with the Lady Superior.

A small apartment the young girl occupies--bedchamber and sitting-room

in one--in short, a nun's cloister. Furnished, as such, are, in a style

of austere simplicity; pallet bed along the one side, the other taken up

by a plain deal dressing table, a washstand with jug and basin--these

little bigger than tea-bowl and ewer--and a couple of common rush-bottom

chairs--that is all.

The walls are lime-washed, but most of their surface is concealed by

pictures of saints male and female; while the mother of all is honoured

by an image, having a niche to itself, in a corner.

On the table are some four or five books, including a Testament and

Missal; their bindings, with the orthodox cross stamped upon them,

proclaiming the nature of the contents.

A literature that cannot be to the liking of the present occupant of the

cloister; since she has been there several days without turning over a

single leaf, or even taking up one of the volumes to look at it.

That she is not there with her own will but against it, can be told by

her words, and as their tone, her manner while giving utterance to them.

Seated upon the side of the bed, she has sprung to her feet, and with

arms raised aloft and tossed about, strides distractedly over the floor.

One seeing her thus might well imagine her to be, what she half fancies

herself--insane! A supposition strengthened by an unnatural lustre in

her eyes, and a hectic flush on her cheeks unlike the hue of health.

Still, not as with one suffering bodily sickness, or any physical

ailment, but more as from a mind diseased. Seen for only a moment--that

particular moment--such would be the conclusion regarding her. But her

speech coming after tells she is in full possession of her senses--only

under terrible agitation--distraught with some great trouble.

"It must be a convent! But how have I come into it? Into France, too;

for surely am I there? The woman who brings my meals is French. So the

other--Sister of Mercy, as she calls herself, though she speaks my own

tongue. The furniture--bed, table, chairs, washstand--everything of

French manufacture. And in all England there is not such a jug and

basin as those!"

Regarding the lavatory utensils--so diminutive as to recall "Gulliver's

Travels in Lilliput," if ever read by her--she for a moment seems to

forget her misery, as will in its very midst, and keenest, at sight of

the ludicrous and grotesque.

It is quickly recalled, as her glance, wandering around the room, again

rests on the little statue--not of marble, but a cheap plaster of Paris

cast--and she reads the inscription underneath, "_La Mere de Dieu_."

The symbols tell her she is inside a nunnery, and upon the soil of

France!

"Oh, yes!" she exclaims, "'tis certainly so! I am no more in my native

land, but have been carried across the sea!"

The knowledge, or belief, does nought to tranquillise her feelings or

explain the situation, to her all mysterious. Instead, it but adds to

her bewilderment, and she once more exclaims, almost repeating herself:

"Am I myself? Is it a dream? Or have my senses indeed forsaken me?"

She clasps her hands across her forehead, the white fingers threading

the thick folds of her hair which hangs dishevelled. She presses them

against her temples, as if to make sure her brain is still untouched!

It is so, or she would not reason as she does.

"Everything around shows I am in France. But how came I to it? Who has

brought me? What offence have I given God or man, to be dragged from

home, from country--and confined--imprisoned! Convent, or whatever it

be, imprisoned I am! The door constantly kept locked! That window, so

high, I cannot see over its sill! The dim light it lets in telling it

was not meant for enjoyment. Oh! Instead of cheering it tantalises--

tortures me!"

Despairingly she reseats herself upon the side of the bed, and with head

still buried in her hands, continues her soliloquy; no longer of things

present, but reverting to the past.

"Let me think again! What can I remember? That night, so happy in its

beginning, to end as it did! The end of my life, as I thought, if I had

a thought at that time. It was not, though, or I shouldn't be here, but

in heaven I hope. Would I were in heaven now! When I recall _his_

words--those last words and think--"

"Your thoughts are sinful, child!"

The remark, thus interrupting, is made by a woman, who appears on the

threshold of the door, which she had just pushed open. A woman of

mature age, dressed in a floating drapery of deep black--the orthodox

garb of the Holy Sisterhood, with all its insignia, of girdle,

bead-roll, and pendant crucifix. A tall thin personage, with skin like

shrivelled parchment, and a countenance that would be repulsive but for

the nun's coif, which partly concealing, tones down its sinister

expression. Withal, a face disagreeable to gaze upon; not the less so

from its air of sanctity, evidently affected. The intruder is "Sister

Ursule."

She has opened the door noiselessly--as cloister doors are made to

open--and stands between its jambs, like a shadowy _silhouette_ in its

frame, one hand still holding the knob, while in the other is a small

volume, apparently well-thumbed. That she has had her ear to the

keyhole before presenting herself is told by the rebuke having reference

to the last words of the girl's soliloquy, in her excitement uttered

aloud.

"Yes?" she continues, "sinful--very sinful! You should be thinking of

something else than the world and its wickedness. And of anything

before that you have been thinking of--the wickedness of all."

She thus spoken to had neither started at the intrusion, nor does she

show surprise at what is said. It is not the first visit of Sister

Ursule to her cell, made in like stealthy manner; nor the first austere

speech she has heard from the same skinny lips. At the beginning she

did not listen to it patiently; instead, with indignation; defiantly,

almost fiercely, rejoining. But the proudest spirit can be humbled.

Even the eagle, when its wings are beaten to exhaustion against the bars

of its cage, will became subdued, if not tamed. Therefore the

imprisoned English girl makes reply, meekly and appealingly--

"Sister of Mercy, as you are called; have mercy upon me! Tell me why I

am here?"

"For the good of your soul and its salvation."

"But how can that concern any one save myself?"

"Ah! there you mistake, child; which shows the sort of life you've been

hitherto leading; and the sort of people surrounding you; who, in their

sinfulness, imagine all as themselves. They cannot conceive that there

are those who deem it a duty--nay, a direct command from God--to do all

in their power for the redemption of lost sinners, and restoring them to

his divine favour. He is all-merciful."

"True: He is. I do not need to be told it. Only, who these

redemptionists are that take such interest in my spiritual welfare, and

how I have come to be here, surely I may know?"

"You shall in time, _ma fille_. Now you cannot--must not--for many

reasons."

"What reasons?"

"Well; for one, you have been very ill--nigh unto death, indeed."

"I know that, without knowing how."

"Of course. The accident which came so near depriving you of life was

of that sudden nature; and your senses--but I mustn't speak further

about it. The doctor has given strict directions that you're to be kept

quiet, and it might excite you. Be satisfied with knowing, that they

who have placed you here are the same who saved your life, and would now

rescue your soul from perdition. I've brought you this little volume

for perusal. It will help to enlighten you."

She stretches out her long bony fingers, handing the book--one of those

"Aids to Faith" relied upon by the apostles of the _Propaganda_.

The girl mechanically takes it, without looking at, or thinking of it;

still pondering upon the unknown and mysterious benefactors, who, as she

is told, have done so much for her.

"How good of them!" she rejoins, with an air of incredulity, and in

tones that might be taken as derisive.

"How wicked of you!" retorts the other, taking it in this sense.

"Positively ungrateful!" she adds, with the acerbity of a baffled

proselytiser. "I am sorry, child, you still cling to your sinful

thoughts, and keep up a rebellious spirit in face of all that is being

done for your good. But I shall leave you now, and go and pray for you;

hoping, on my next visit, to find you in a more proper frame of mind."

So saying, Sister Ursule glides out of the cloister, drawing to the

door, and silently turning the key in its lock.

"O God!" groans the young girl in despair, flinging herself along the

pallet, and for the third time interrogating, "am I myself, and

dreaming? Or am I mad? In mercy, Heaven, tell me what it means!"

Volume Three, Chapter XI.

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