CHAPTER II.

HOW BABY OBTAINED HER SHARE IN THE STAR DRAMATIC

COMPANY.

Silver Creek could soon boast of its newspaper, of course; and equally

as a matter of course, it could almost as soon boast of its rival

newspaper. It is strange that in communities where one newspaper would

languish, two are almost sure to flourish; and the _Silver Creek

Herald_ and the _Silver Creek Mercury_ were not an exception to the

rule. They led a prosperous and noisy life, and were conducted upon

the usual abusive principles, with great vigour and some ability.

Their establishments were in the High Street, where there were also

sale-rooms, banks, hotels and restaurants, billiard-rooms, clothes and

provision stores, and a store with "Pie-office" written over it. This

was almost as good as the peripatetic vendor of baked potatoes, upon

whose tin can was painted "The Universal Baked Potato Company

(Limited)." The stores drove a roaring trade; flags waved gaily over

them; a continual stream of people was flowing up and down. It was

like a fair. Here were two Chinamen bearing a pole on their shoulders,

in the centre of which dangled, head downwards, a pig at the end of a

rope, with its four feet tied in one knot. (When the Chinaman gets to

Paradise he hopes to eat roast pig for breakfast, dinner, teas and

supper, through all eternity.) Here were half-a-dozen gold-diggers in

great thigh-boots, dragging a jibbing-horse along for their puddling

machine, cracking their whips and leaping here and there in sympathy

with the antics of their wild purchase. Here were American wagons,

with handsome teams of horses, and bullock-drays yoked by patient

long-suffering cattle, the drivers of which were unloading their

stores. Here was a negro, with his gleaming teeth, and his face alight

with humour, badgering a perplexed Mongolian, and a crowd of noisy

gold-diggers around them egging him on and laughing. The negro was

proving by the most absolute and logical of arguments that he had a

perfect right to enjoy the privileges of Silver Creek township, and

that the Mongolian was an interloper--"A foreigner, sah!" and had no

right there at all. The contest was an unequal one. All the sympathies

of the Europeans were with the negro, whose amazing flow of natural

spirits would have borne down far greater obstacles than were

presented in the distressed actions and thin voice of the Mongolian.

It was a peculiar feature of the goldfields that the African was

everywhere welcomed, and the Mongolian everywhere scowled at. Here

was a great dray creaking along, loaded with portions of the first

quartz-reefing machine which Silver Creek could boast of; and all

along the road were men buying boots and clothes, and picks and long

and short-handled shovels, and bars of steel, and powder and fuse,

calling out to one another heartily the while. It was a scene filled

with life and colour.

Among the new arrivals, of whom thousands flocked into the township

every day, were some dozen men and women, who came in dusty and weary

with the toils of the road. They had travelled more than a hundred and

fifty miles, being attracted to Silver Creek township by the news of

its wonderful prosperity. They were a common-enough troop in outward

appearance, and did not look like traders or gold-miners. They had

with them a dray drawn by one horse--a poor weak-kneed creature, to

whom existence seemed to be a burden as he toiled painfully along with

his load behind him. What this load was could not be seen, for the

dray had a tarpaulin over it. Upon the tarpaulin were seated three

women. The first who calls for notice by virtue of her position was a

stately person, probably about thirty-five years of age; her

complexion was dark, and in her face was an expression, which might be

said to be stamped upon it, and which represented all the tragic

passions in little; she bore herself loftily in more senses than one.

Her mind was a storehouse, filled with tragedy queens, intermixed with

heroines of tenderer sentiment--which latter, however, were somewhat

out of place; but you would have roused her to great indignation had

you said so in her hearing. The second, about twenty-three years of

age, was a nice-looking saucy widow, with a pretty baby in her arms.

The third was a beautiful girl, of some eighteen or nineteen summers.

The men, who were all much sunburnt, walked along by the side and in

the rear of the dray, and when they entered High Street, peered

curiously about them, and then at each other, with an air of "This

will do." The eyes of one of the party, the eldest, a man of over

sixty years of age, were expressive of something more than curiosity:

anxiety was plainly there, but presently this vanished, and bright

twinkles took their place. He rubbed his hands joyously, and smiled

upon one and another.

"It looks well," he said.

He was the chief of the party, which was nothing less than a company

of actors and actresses come to open the first theatre at Silver

Creek. Before they started from Melbourne, they had formed themselves

into a joint stock company, and agreed to divide profits in proportion

to their abilities. There were twelve in the party, not reckoning the

baby, and the number of shares were thirty-six. These, after much

anxious discussion and deliberation, and some display of the peacock's

chief attribute, were distributed as follows:--

Shares.

1. Tragedian, light comedian, and stage-manager,

playing the lead in everything. 4½

2. Heavy man. 3

3. First old man. 2½

4. Second old man. 1½

5. First low comedy. 3

6. Second low comedy. 2

7. Walking gentleman and treasurer. 3

8. Supernumerary. 1

9. Juvenile lead and general utility, scene painter,

acting-manager, and general director. 4½

10. Leading lady. 4½

11. First old woman. 3

(_There was no second_.)

12. Chambermaid (who could sing and dance). 2½

These proportions being settled, they jogged along comfortably,

dreaming of full purses; but on the second day the First Old Man drew

attention to the circumstance that although there were thirty-six

shares in the company, only thirty-five had been allotted. The Walking

Gentleman, who, as treasurer, was looked upon as the arithmetician of

the company, and was, therefore, the great authority in figures,

instantly began to reckon up, for the fifty-seventh time, and made

the number of shares thirty-seven: he tried again and made them

thirty-four; tried again, and made them thirty-eight. Then, in

desperation, he said that the First Old Man had "discovered a mare's

nest," and that the figures were right--thirty-six shares in the

company, and thirty-six allotted. Hurt in a tender point, the First

Old Man began again to pencil and reckon, and after achieving a dozen

different results, came back to his original discovery, and stuck to

his guns like a man. Thereupon high words ensued between the Walking

Gentleman and the First Old Man, and the matter was referred to the

arbitration of the other ten, who immediately set to work to settle

the dispute. The results they produced were extraordinary, varying

from seventeen to fifty-two, the highest and the lowest totals being

accomplished by the First Old Woman (who, to prove the general fitness

of things, should have been the First Old Man's wife, but in proof of

the general _un_fitness of things, wasn't) and the singing and dancing

Chambermaid.

"_I_ make it fifty-two," said the First Old Woman, in a despondent

tone, "and what's to become of us, I'm sure I don't know."

She said this in a tone which denoted that the salvation of the

Company was imperilled by this arithmetical crisis.

"Fifty-two!" exclaimed the singing and acting Chambermaid, with a

melodious laugh. "Why, my dear, its only seventeen!"

The matter was so serious, and everybody became so positive, that in a

very short time they were all wrangling and disputing. Nothing was

clear but one thing, that if these actors and actresses were a fair

sample of the profession they represented, then very few actors and

actresses are blessed with a genius for figures.

"This is a bad commencement," frowned the Heavy Man, as was becoming

in him: frowns were his special privilege.

The Supernumerary was the only indifferent person; his being the

lowest share and represented by the simple figure 1, he considered

himself safe. Besides, he was a neophyte, who had fully made up his

mind to rival the elder Kean one of these fine days; he was content,

in the meantime, to wait and suffer. Suffering is the badge of all his

tribe.

Those were most uneasy and perplexed who held fractions of shares,

such as the Tragedian and Stage-manager, and the Leading Lady of the

company.

A happy thought entered the mind of the eldest man of the party, whose

shares, represented by 4½, were set against No. 9, General Utility,

Scene-painter, Acting-manager, etc.

"I have it!" he cried, slapping his thigh with the vigour of a younger

man.

The others looked doubtful, but listened with attention, for he was

one whom they all respected and regarded with affection.

"It is easily arrived at," he continued; "let us take thirty-six

shillings, which will represent the thirty-six shares, and give each

his proportion. Then, if there is no money left, no mistake has been

made."

This proposal was received with laughter and applause, the largest

demonstrations coming from those whose pockets were bare of shillings.

For, truth to tell, these heroes and heroines of the sock and buskin

were impecunious. This circumstance is not uncommon; the condition is

almost chronic in the Profession.

"Contributions!" cried the Acting-manager, pulling out of his own

pocket no fewer than seventeen shillings: a very Cr[oe]sus he.

Others gave timidly, hesitatingly, grudgingly, doubtfully, for the

risk was not small. The Heavy Man had nothing to give; the Second Old

Man the same contribution; the Supernumerary the same. The Treasurer,

as became a "Walking Gentleman," was light of heart as he was of

pocket; he looked forward with hope, rich argosies were before him.

The First Old Woman produced a plethoric purse, which proved, however,

to be stuffed, not with bank notes, but with critical notes of her

abilities as the first of First Old Women. She managed to get together

a sixpence and two fourpenny-pieces, which she handed to the

Acting-manager, asking for twopence change. He gave her the demanded

twopence, and was haunted by visions of future complications. The

Leading Lady assumed an air of scornful indifference. The Leading

Tragedian contributed three shillings, the whole of his wealth. The

First Old Man produced four shillings, saying, "I give thee all--I can

no more," but he had money concealed. "Who steals my purse, steals

trash," observed the Low-Comedy Man, tossing a bad shilling to the

Acting-manager. In due time the full complement of thirty-six

shillings, representing thirty-six shares, lay in the Acting-manager's

palm. He apportioned them to the cry of "The Ghost walks!" Four and

sixpence to the Acting-manager, three shillings to the Heavy Man, and

so on and so on, until each had received his share. Then he found he

had a shilling left, and by this primitive arithmetic the First Old

Man was proved to be right.

The next thing to be accomplished was the difficult task of collecting

and re-distributing the shillings which had been advanced. This

occasioned some comically-distressing scenes. The responsibility fell

upon the Acting-manager, who had advanced seventeen shillings. When

everybody was satisfied, he had only fourteen shillings left (a bad

one among them which they all repudiated) which he pocketed with a

grimace, amid general laughter.

Then,

"What's to be done with the other share?" was asked.

It never occurred to these Bohemians that the matter might rest

where it was, and that the company could be carried on as well with

thirty-five shares as thirty-six.

"O! I'll take it," said First Low-Comedy, "rather than it should cause

disturbances."

"Will you?" from other throats. "But I'll take it!"

"And I!"

"And I!"

It threatened to become a bone of desperate contention.

Another happy thought occurred to the Acting-manager. Again he slapped

his thigh.

"I have it!" he cried. "Give it to the baby."

"Bravo!" cried the other ten; the mother remained silent. "Bravo! Give

it to the baby!"

"Agreed!" sang the First Low-Comedy Man, in the character of one of

"Macbeth's" witches.

"Agreed!" sang the Second Low-Comedy Man, in the character of another

of "Macbeth's" witches.

And,

"Agreed!" they all broke out in full chorus.

Then they filled the woods with the music from "Macbeth," and danced

round an imaginary cauldron.

Thus the baby became a shareholder.

It was not the worst of small comedies this that was played in the

Australian woods on a blazing summer's day in January. Many passions

and emotions were represented in it in a small way. The curtain falls

down as the mother tosses her baby in the air, and as the child is

passed from one to another to be kissed.

If in response to the general applause, which I hope will not be

wanting, the curtain is drawn aside again, the weak-kneed horse will

be seen shambling leisurely along, and the Heavy Man will be taking

great strides in advance of the others, with the baby on his

shoulders, crowing and laughing and flourishing her dimpled fists in

the air.

At the Sign of the Silver Flagon · 第 2 / 23 章