EDITOR OF THE REPUBLIC:--

We have been favoured this afternoon, together with some ladies,

with a private musical entertainment by Miss E. T. Greenfield,

known as the "Black Swan"--and words would fail us to do her voice

justice, even were she _white_.

Never having heard the renowned Madame Goldschmidt, we can draw no

comparison between the Swan and her fairer Swedish rival; but

however she may compare with her, allow us to say she has the most

varied and powerful voice it has yet been our fortune to hear. She

gave us first the arietta, "Where are now the Hopes I've

cherished?" accompanying her voice with the guitar--which, as well

as the harp and piano, she uses very skilfully. This song, though

easy of execution, is charmingly sweet and plaintive--and how it

could be better performed than upon this occasion, it is difficult

to imagine. Every heart present was thrilled with her tones, which

flowed from her lips like gems.

Next we were favoured with a song in bass, accompanied with the

piano--in which a male voice was so closely imitated as to defy the

most acute ear to make it anything else; a male voice, however,

highly refined--deeper, stronger, sweeter--than ever before fell

upon our ear. The feelings of all present were delightfully

stirred,--even the atmosphere in which we sat seemed trembling

with emotion.

These were followed by other songs, enough to exhibit the vocal

charms and operatic talent of this wonderful cantatrice, in all

their strength and compass. And we feel it due to say (though

without pretending to rigid musical criticism,) while the voice of

the Swan is equal to the loftiest pitch of the soaring lark, and

the lowest reach of bass tone, there seems no lack of sweetness and

distinctness--so often wanting or underrated in musical

entertainments.

A word as to the _personnel_ of the "Swan." She is robust and

fleshy, with a full and healthy chest; but with very uncomely

features. She is intelligent, however, and unassuming--is free

without boldness--and kind and attentive to all who visit her. She

was born in Mississippi. Her father was an African, her mother a

Choctaw Indian woman, and she seems, both in features and

disposition, to show her compound origin. When quite a child she

fell into the hands of quite a wealthy Welsh lady, by whom she was

raised in Philadelphia--with whom she ate and slept for twenty-one

years, and who, dying, bequeathed her a handsome property, which is

yet contested at law. Her family name is Taylor, but in honour of

her mistress she takes the name of Greenfield.

We are told it is her purpose to sail for Europe sometime in June

or July next, to avail herself of the best instruction which can be

obtained in cultivating her extraordinary vocal gifts.

The statement that Miss Greenfield is the daughter of a man in

Buffalo, who "formerly lived in Mississippi, and served as

hostler," and that "Miss G. came north and married a fellow yclept

Green," is all false.--If any person should have been led to

believe otherwise, the following letters will be sufficient to

undeceive them:

N. W. corner of Mulberry and Tenth Street, Philadelphia,

11th month 5th, 1851.

I have known Elizabeth Greenfield for more than fifteen years,

during most of which time, she resided near to me with a worthy and

benevolent friend of mine, the late Elizabeth Greenfield; through

whose liberality she was kindly supported and educated.

In the course of a professional attendance of some years on

Elizabeth's family, I had reason to be convinced that she continued

to stand well in the estimation of her aged friend. To the best of

my information, her conduct and deportment since, have been such as

to merit the esteem of those who know her in this city.

Signed,

The Black Swan at Home and Abroad or, A Biographical Sketch of Miss Elizabeth Taylor Greenfield, the American Vocalist · 第 19 / 89 题