We predict for this lady a very brilliant career under the judicious
management of Col. J. H. Wood, the late efficient manager of the
Cincinnati Museum, which was recently destroyed by fire. The Colonel
possesses tact and talent of the highest order, which eminently qualify
him for the high and responsible position he now occupies, and we have
no hesitation in saying that Miss Greenfield will reap a golden harvest
while she remains in his charge. The Swan leaves here for Boston, and
thence to New York, where additional talent is expected to be added in
that wonderful pianist, Master Cook, who excited the astonishment and
admiration of all who had the pleasure of hearing him last fall in New
York. Col. Wood expects to make the tour of Europe next season with the
Swan, who will doubtless prove as attractive as any _cantatrice_ that
ever appeared before a European audience.
Albany Knickerbocker, Jan. 20, 1852. Tuesday.
The concerts of this warbler have been well attended and very
satisfactory. She comes before the public under many disadvantages, and
the fact, that nevertheless she pleases, is certainly an indication of
merit. Among these disadvantages, we note her colour; her undertaking to
execute alone a programme of ten or eleven pieces, and such of them as
the public see fit to encore; a certain want of tact in the conduct of
her concerts; and the barely tolerable support given her by her
accompanyist.
Notwithstanding all these drawbacks, "the Swan" took everybody by
surprise. Her compass is extraordinary; her musical education,
evidently, very limited. But her execution certainly equalled that of
many white performers of pretensions, and in some pieces drew out a
hearty encore. She was dressed in very good taste, with only a slight
display of ribbon. On her next appearance before the public, she should
exert her feminine privilege, and insist on being led out like a lady,
by her accompanyist, and not like a ghost he was afraid of.
Troy Daily Budget, Saturday, Jan. 17, 1852.
We were not able to attend in season to hear the first part, and can
therefore only give our impressions of the second. The Swan's voice is
certainly one of great sweetness and power, especially in the lower
register, but in the upper notes it dwindles into a thinness that is
anything but agreeable. This was specially observable in her cadenzas,
of which, she is rather lavish. Her enunciation is not so good as we had
been led to suppose. There is a certain flatness at times in her
utterance which betrays her _origin_, which essentially mars her
performances. This we noticed particularly in "Sound the Trumpet," by
_Hamel_, the bill says--a composer we never have had the pleasure of
hearing of before. We suppose Handel was intended.
The next piece purports to be "_Saut a la France_" from the opera of the
"_File_ du Regiment." What kind of a file this was, we were rather
dubious--but it certainly suggested rat-tails and three corners. In
hearing it, however, we recognised the celebrated "_Salut a la France_,"
which the Swan gave with very good effect.
'Do not Mingle' was tamely rendered. That style of music is evidently
not her _rôle_, and we wonder at her attempting to execute that
exquisite _morçeau_. It is one of those gems to which none but a
finished artist can do justice.
The next piece, "O Native Scenes," was admirably done. We cannot say so
much of the "Banks of Guadalquiver." The time was too slow, thereby
destroying much of the spirit which should be infused into it. Perhaps
the delicious tones of Madam Bishop in this song, who has made it
peculiarly her own, and whose notes still linger in our memory, may have
instituted unfavourable comparisons.
On the whole, the concert was a good one, and exceeded our expectations.
By care and cultivation the Black Swan will become a vocalist of no mean
pretensions, and even now she excels many, who modestly herald
themselves as musical "stars."
Jan. 23. From the same.
We predict for this celebrated singer a brilliant audience to-night at
Harmony Hall, for it is to be undoubtedly the great Concert of the
season. We understand Lt. Gov. Church and Lady, together with large
numbers of both branches of the legislature, also large numbers from
Lansingburg and Waterford, are to be there to-night, and in order to
secure choice seats, it is necessary to go early, as this will be the
last opportunity of hearing a lady that can sing a higher and a lower
note than any other public singer that has ever visited us.
Col. Wood, her gentlemanly manager, informs us, that she goes hence to
Boston and New York, and will visit Europe in June.
Jan. 24th.
The concert was attended by the largest and most genteel audience we
have ever seen gathered in this city on a similar occasion. She sang
almost every piece with exquisite taste and extraordinary artistic
skill. The concert with a new bill will be repeated this evening at
Franklin Hall, at 7-1/2 o'clock.
* * * * *
==> Go away, Northampton! who cares for Jenny Lind? The "Black Swan" is
in town, stopping at the Hampden House, and is going to favour us with
specimens of her extraordinary vocalization.
* * * * *
MISS GREENFIELD'S SINGING.--"We yesterday had the pleasure of hearing
the singer who is advertised in our columns as the "Black Swan." She is
a person of lady-like manners, elegant form, and not unpleasing, though
decidedly African features. Of her marvellous powers, she owes none to
any tincture of European blood. Her voice is truly wonderful, both in
its compass and truth. A more correct intonation, so far as our ear can
decide, there could not be. She strikes every note on the exact centre,
with unhesitating decision, and unerring truth. There is obviously wide
room for cultivation, but her singing, apart from the marvel of its
ranging from a low bass to the highest treble, is exceedingly pleasing,
and we think will take the public, both musical and unmusical, by
surprise. We should not, to be sure, think of comparing her with Jenny
Lind, nor with any one else. She is a non-descript--an original. We
cannot think any common destiny awaits her."
Springfield Daily Post, Jan. 29, 1852.
The following testimonial of the success of the "Swan" in Troy, appears
in the Budget of Saturday evening.
"The concert was a most flattering triumph of genuine art over latent
or patent prejudice. She surprises every one by the wonderful compass
and power of her voice, and though in some pieces her execution is
somewhat faulty, full allowance is made for this, when it is remembered
that her teacher has been Nature alone, and that her opportunities of
cultivation have been very limited."
Evening Gazette, Boston, Jan. 31, 1852.
This new musical "Star of the West" has at last reached this city. If
all, or half, that is said of her musical powers be true, she is surely
a wonder of the nineteenth century. We have not had the pleasure of
hearing Miss Greenfield in rehearsal, but gentlemen of excellent musical
taste who have heard her, and whose word we have no reason to doubt,
assure us that she really possesses a compass of voice truly remarkable.
We are glad to perceive that no attempt has been made to represent Miss
Greenfield as a "celebrated artist," as is usually the case.
No such claim has been set up, but quite the contrary. The Swan is truly
a child of Nature. By reference to our advertising columns it will be
observed that Miss Greenfield will make her first appearance in concert,
in this city, on Tuesday evening next at the Melodeon. The programme is
named, and embraces some of the choicest gems warbled by Jenny Lind and
Miss Hayes. Several eminent musical performers will assist the Swan.
Daily Evening Traveller, Boston, Jan. 31, 1852.
The musical powers of Miss Greenfield are said to be of the most
wonderful character. The Press in every place where she has appeared, in
concert, are united in singing her praises. Those who have heard her,
assure us that the compass of her voice is truly remarkable. It is said
to embrace twenty-seven notes, reaching from the sonorous bass of a
barytone, to a few notes above even the highest of Jenny Lind's. With
such powers, and with enthusiasm and perseverance corresponding to them,
she is destined to take the highest rank in the divine science to which
she has devoted herself.
The Commonwealth, Boston, Jan. 30, 1852.
The Swan has arrived, and taken up her quarters at the Revere House. Her
first concert will be given at the Melodeon next Tuesday evening. Boston
will forfeit all right to the title of the "Athens of America," if it
does not look with keen curiosity after this "something new," under the
sun. Miss Greenfield is alleged to have a voice of greater compass than
any singer in this country has yet exhibited. That is one thing new.
Another is, that without special cultivation, she rivals some of the
greatest performers in reading and executing the most difficult music.
If this be so, Boston, we think, will not be slow to find out and reward
it as it deserves.
Evening Transcript, Boston, Jan. 30, 1852.
Miss Greenfield has arrived in the city, and will give her first concert
in Boston, at the Melodeon, on Tuesday evening next. She gave to a small
circle of musical people a specimen of the qualities of her voice
yesterday afternoon, at the room of Mr. Chickering. Her voice has great
power and compass, extending over four and a half octaves, from lower G
in bass to C octave in alt. She is self-taught, and has won quite a
reputation at the west.
Boston Herald, Jan. 30, 1852.
The 'Black Swan.' This new representative of the 'Divine Art,' arrived
in town yesterday, and took quarters at the Revere House. A gentleman of
good musical taste, who was yesterday admitted to a private rehearsal,
assures us that Miss Greenfield possesses a remarkable voice. It is
exceedingly musical and sweet. Its range and compass are truly
astonishing. She played the piano with great skill, and accompanied
herself. She will make her first appearance before a Boston audience on
Tuesday evening next, at the Melodeon.
The Black Swan sings some of the choicest operatic gems: "Scenes that
are Brightest," from the opera of Maritana, "Do not Mingle," from the
opera of "La Somnambula," &c. There is not a little curiosity to hear
this extraordinary woman.
Evening Transcript, Boston, Feb. 4, 1852.
Miss Greenfield, "The Black Swan," made her debut before a Boston
audience last evening at the Melodeon. In consequence of the price of
the tickets being put at a dollar, the house was not over two thirds
full. She was well received, and most vociferously applauded and encored
in every piece. She sings with great ease, and apparently without any
effort. Her pronunciation is very correct, and her intonation excellent.
Her voice has a wonderful compass, and in many notes remarkably sweet in
tone. Her voice needs equalizing, which can be done, when put under the
tuition of a competent instructor. Her second concert will be given on
Thursday evening, when the tickets will be put at 50 cents. At her next
concert she will be assisted by Professor Becht, of New York, and the
great juvenile pianist, Master Kook, ten years of age, who has no
superior in the country, of his years.
Boston Evening Traveller, February 5th, 1852.
The Black Swan's first Concert at the Melodeon.--The novelty of the
circumstances, and the curiosity which had been excited by the accounts
which had reached us of this coloured woman's remarkable vocal powers,
drew together a much larger audience than could ordinarily have been
collected at the high price at which the tickets were sold. As many as
five hundred, probably, were present; and influenced as they were by
various expectations and motives, it would be difficult to characterize
the marks of applause which were bestowed upon the performer. In respect
to the "Swan's" claims as a vocalist, we do not deem it worth while to
go into any criticism.
Boston Daily Times and Bay State Democrat, February 6th, 1852.
The Black Swan's second concert at the Melodeon, last evening, was
attended by a large and fashionable audience. Miss Greenfield was
evidently in better voice than on the night of her first concert, and,
it was generally admitted, sung better. She was enthusiastically encored
several times, and enthusiastically applauded in every piece. Professor
Becht and his pupil, Master Emile Kook, executed several pieces upon the
piano in excellent taste.
Daily Morning News, Lowell, February 7th, 1852.
We see by the Boston papers that this wonderful vocalist had the best
house of the season at the Melodeon, on Thursday evening. In fact, so
crowded was the hall, that a large number of ladies could not gain
admission on account of the immense number of people all eager to see
and hear the Swan. She had a perfect triumph over all prejudices. Master
Kook made his debut, and played the piano forte with a skill that would
have done credit to one of the old masters, calling down thunders of
applause. Professor Becht has no rival on the Piano.
The Mercury, New Bedford, February 10, 1852.
Rara Avis.--The Black Swan.--This wonderful vocalist, who seems to be
asserting for the African race a position in the musical world, a good
deal above the "Dandy Jim" and "Lucy Long" school, gives a concert
to-morrow evening. She is a remarkable instance of natural talent, and
her voice is said to be the most remarkable part of the whole matter,
possessing as it does a compass and quality in certain of its notes,
absolutely _unique_.
Taunton Daily Gazette, February 12, 1852.
This widely celebrated lady will favour the citizens of Taunton with an
entertainment at Temple Hall this evening. She will be assisted by
Professor Becht and by Master Kook, both unrivalled pianists,--the
latter a juvenile prodigy of the musical art.
The Swan is acknowledged to possess extraordinary vocal powers, and
considering the slight advantages she has enjoyed, she has acquired a
wonderful proficiency as an artist. Her history is itself a romance. She
is not pure African, but was the child of a Seminole woman. She was born
a slave, but manumitted at an early age, by her mistress, whose name she
bears. She has devoted her whole attention to musical study, until she
has raised herself to an enviable distinction in the profession.
Taunton Daily Gazette, February 13, 1852.
The Black Swan sung at the Temple Hall last evening. She was heartily
applauded at the close of every piece. Altogether we think it was the
best treat for the money that has been given here.
Salem Register, February 9, 1852.
Miss Greenfield, whose wonderful vocal powers have been astonishing the
musical world recently, is to give a concert at Mechanic Hall, in Salem,
this evening. Her programme will be found in another column. On her
first appearance in Boston, she was labouring under severe
indisposition, contracted at the burning of the Hampden House, in
Springfield, where she was boarding at the time of its destruction.
Salem Advertiser, February 10, 1852.
We heard the Black Swan, as she is called, at the City Hall last
Saturday evening. We have only three things to say of her performance:
The first is, that she had an excellent house, composed of the most
intelligent and enlightened of our citizens. The second, that all who
heard her seemed to be exceedingly well pleased with her efforts.
Although she does not claim to be, nor her friends on her behalf, that
she is an artistic singer, yet the compass of her voice and the
sweetness of her notes seemed to enchant every auditor. Our last
observation is, that we were ourselves very much pleased with what we
heard, and fully concurred in the justice of the loud applause so
frequently bestowed on the occasion.
Vox Populi, Lowell, February 13, 1852.
The concert of Miss E. T. Greenfield, under the direction of the
gentlemanly J. H. Wood, was one of the most successful that has been
given to this city for a long time. From the great fame which had
preceded the "Black Swan," had she not really proved herself what she
is, a most remarkable vocalist, there would have been a strong feeling
against all concerned; but there has not, within our knowledge, an
entertainment of the kind taken place in this city that received such
general applause. Her compass of voice is probably greater than that of
Parodi, Catharine Hayes, or Jenny Lind, even; but she lacks the artistic
power of either. Notwithstanding this deficiency, we presume to say that
the audience were better pleased with her singing than they would have
been with either of those named above, though perhaps some few would not
be willing to acknowledge it. The Black Swan sounds twenty-eight full
notes, a qualification accorded to no one before her; and one which most
successfully rivals the powers of ventriloquism which Jenny Lind so
successfully introduces in her echo song. Every piece she sung on
Saturday evening was rapturously encored. The song in barytone was
listened to with surprise and admiration, many of those present hardly
believing it to proceed from her, so much did her deep, sonorous voice
resemble that of a male. The second piece of the last part (sung instead
of the first, which was loudly encored) and also the last piece, neither
of which were on the programme, were enthusiastically applauded, and may
be regarded as the best pieces sung: at least such is our impression. As
we have already remarked, the concert may be pronounced the most
successful ever given in this city. The instrumental part, by Professor
Becht and Master Kook, was very able, but the effect was lost in the
prevailing enthusiasm for the Swan.
The Monitor, Saturday Morning, Feb. 14, 1852.
This celebrated vocalist, assisted by Prof. H. C. Becht, of Mentz, and
Mast. Se. Emile Kook, will give one of her charming concerts at the Town
Hall this (Sat.) evening, commencing at 8 o'clock. As this is the only
opportunity for hearing the Black Swan, of whom so much has been
written, the lovers of song will not fail to be present. The papers in
almost every part of New York and New England, are filled with encomiums
of the performances of this coloured Jenny Lind, (as she sings some of
the best pieces, as sung by Jenny Lind and Catharine Hayes.) Don't fail
of being present this evening.
The Carpet Bag, Boston, Feb. 14, 1852.
Some peoples' appetite for gammon is insatiable. Fancying they eat
brawn, they often find themselves devouring cats and dogs. This was our
thought on Tuesday night as we entered the Melodeon, with a fear that we
might retire in disgust, as we had done on the previous evening from the
exhibition of a clumsy mountebank who had undertaken to ape Macallister.
But it was not the case on this occasion of the _début_ of Miss
Greenfield, the 'Black Swan,' so absurdly cognominated. We say
_absurdly_--for swans are never black, neither do they sing. Their
modulations are any thing but melodious, and their inflections are
absolute inflictions. But _n'importe_,--after a flourish or two upon
that poorest of all _solo_ instruments, the piano-forte, by Mr.
Perabeau, a most pleasing performer upon such imperfect machinery, the
dark-faced girl presented herself, and was hailed with plaudits that
might have gratified the ambition of the whitest among the queens of
song. The auditors, who were brought thither mainly from a desire to
ascertain whether such things as had been told could actually be, were
at once satisfied on hearing but a few bars from Bishop's charming
cavatina, "Sweetly o'er my Senses Stealing,"--that the 'Black Swan' was
indeed a _rara avis in terris_.
At the close of her first song, the enthusiasm of the highly respectable
and very numerous assemblage seemed to know no bounds. It burst forth
with an unappeasable _furor_, resulting in the reappearance of the
songstress, who seated herself at the piano forte, and sang, to her own
somewhat simple accompaniment, a slow air, in a full, round bass voice,
that would have been envied by old Meredith himself--who used to sit
under London bridge of a foggy morning, that he might catch a cold, and
sing "deeper and deeper still." Her tones probably reached down to G. as
represented by the open third string of the violoncello. No male voice
could have given utterance to sounds more clearly and strikingly
masculine; and people gazed in wonder, as though dubious of the sex of
the performer--a doubt that was soon dispelled by the smooth sweetness
of the next vocal piece from Norma, and by the astonishing height to
which the "Swan" ascended, in surmounting and mastering the brilliant
and beautiful cantata, "Like the Gloom of Night retiring."--The Swan is
of good figure and form, with a full bust, containing organs more
completely adapted to the development of the vocal powers and qualities,
than those of any other human being, whose voice we ever listened to, or
tested. Her age is apparently about twenty-five; her complexion not
exactly ebony, but approaching it as nearly as the brownest black can
possibly do; her features, but slightly modified from the pure African
lineaments--retaining the low forehead, the depressed nose, and the
expansive mouth, without the bulbous labia. As the lady reader is
anxious on the subject of dress, we will say that her principal exterior
garment enclosed the whole person excepting the caput; whether composed
of printed de laine, or French chintz, we could not examine--but the
colour of its ground, as near as the gas-lights allowed us to determine,
was either light blue, or green-cerulean or emerald, rather profusely
covered with large white flowery figures; her gloves were of white kid,
from which depended a fine nine shilling linen handkerchief. She wore
what appeared to be heavy gold ear-rings; and her hair, jet black, with
the natural wiry curl, was arranged _a la_ Jenny Lind. Her manner and
carriage were exceedingly easy, and even graceful.
The voice of this sable phenomenon possesses most extraordinary
properties. Its compass and elasticity are immense, and its tone will
bear favourable comparison with that of most, if not all the public
vocalists of the day. She has evidently cultivated but little of the
ornamental portion of the art--giving us few or no shakes, nor any
chromatic flights, though occasionally a respectable cadenza.
Of the second concert, on Thursday evening, we are unable to speak, the
managers having seen fit to forget us in the distribution of their
complimentary tickets. Our editorial friends, in other places, may
receive similar attentions--that is to say, _tickets to the first
concert only_. They will, of course, in return for such great favours,
get their critical notices in type before the next concert takes place,
and then find that their services are no longer wanted. (_Mr. P.
Shillaber_, the author of Mrs. Partington's sayings.)
The Morning Mirror, Providence, R. I., Feb. 16, 1852.
This noted songstress who has evinced such an extraordinary musical
talent as to surprise and delight the most competent musical critics and
appreciating audiences in other cities, gives a grand musical
entertainment at Howard Hall this evening--vocal and instrumental--and
presents a programme which in point of character and rare
attractiveness, cannot fail of calling together a full, fashionable and
refined audience.--Besides the talent and the novelty which attaches to
Miss Greenfield, the entertainment is to be rendered still more
attractive by the presence of Prof. H. G. Becht, and his pupil, the
great musical prodigy, master Se. Emile Kook, only ten years of age,
considered as without a rival as a juvenile pianist. The concerts of
this trio, which have been so ably and successfully prepared by Col.
Wood in other cities, give the most unbounded satisfaction, and hundreds
of persons at the recent concerts in Boston had to content themselves
with only standing room. Miss Greenfield is highly commended by the
press throughout the West to the favourable consideration of the lovers
of good music. Our musical circles now have in their power to judge of
the merits and musical talents of Miss Greenfield, and we look to-night
for a general attendance of that class. That she will produce much
sensation to-day on her arrival is fully demonstrated by the general
feeling which pervades our community.
The Daily Transcript,--Worcester, Mass., Feb. 18th, 1852.
The Black Swan,--This noted songstress, whose extraordinary musical
talent has created so much interest and enthusiasm among distinguished
musical critics, and appreciating audiences, in various cities, will
give one of her attractive entertainments at Horticultural Hall, this
evening. The rare talent, and the novelty of her performances can hardly
fail to draw a large and fashionable audience. In addition to her own
efforts to please, she will be assisted by Prof. G. Becht and his pupil.
We might fill our paper with complimentary notices of her
entertainments, coming from the very highest sources. In Providence, on
Monday evening, her concert was very fully attended by a fashionable
audience, and she was welcomed with much enthusiasm, being loudly
encored at the end of every piece, and repeatedly called out. The
citizens of Providence were highly delighted with her musical powers,
and are desirous of a repetition of the concert. This is the only
opportunity our citizens will have of listening to Miss Greenfield.
The Daily Spy,--Worcester, Feb. 19th, 1852.
The Black Swan gave her long expected concert at Horticultural Hall last
evening, before a large and fashionable audience; and if we can judge of
her success by the manifestations of applause which were made by the
audience, and the opinions of the best judges, there can be no doubt
that the high expectations that had been raised by the prestige of her
capacities, were more than realized. Every piece was vehemently encored,
and as the Assemblage broke up, every face seemed to beam with
satisfaction and delight, as if its owner would say--"I feel it is good
to be here."
Springfield Daily Post,--Feb. 20th, 1852.
The skin of the Ethiopian may be changed, and the leopard's spots also,
but it can't be "rubbed out," that the Black Swan is a trump. She took
all the tricks last night, winning the game completely. The public,
before hearing her, had a very indefinite idea of what she was; but
after her first song, there was no longer any doubt. It was amusing to
behold the utter surprise and intense pleasure which was depicted upon
the faces of her listeners; they seemed to express, "Why, we see the
face of a black woman, but we hear the voice of an angel: what does it
mean?" It certainly is astonishing, and we were astonished with the
rest. Her voice is of extraordinary compass, the tone clear, rich and
full; and the execution very tasteful.
Even with the memory of Jenny Lind, Kate Hayes, and Parodi, fresh within
us, we cannot but record our opinion that Miss Greenfield is a singer of
extraordinary merit, who will yet win a fame scarcely second to any
cantatrice who has appeared before the world, and with every step she
takes in public, we shall look to see fresh laurels upon her ebon brow.
The Plain Dealer, Sat. Feb. 28th, 1852.
This songstress gives her second concert to-night. The programme
contains some admirable selections. Each of the pieces demands a variety
of skill--the whole offering a better opportunity to learn the musical
capacity of the Swan, than was heard at the first concert. That cunning
young violinist, Master Lewis, will perform some of his most pleasing
melodies. Mr. Becht will preside at the piano forte.
Daily Capital City Fact, Columbus, Ohio, March 3d, 1852.
Last evening proved that the Black Swan was all that the journals say of
her; and Miss Greenfield stands confessedly before the Columbus world, a
swan of excellence. She is indeed a remarkable swan. Although coloured
as dark as Ethiopia, she utters notes as pure as if uttered in the words
of the Adriatic.
Columbus, Ohio, March 7th.
The concert at Neil's New Hall, yesterday evening, was fully attended,
nearly all the seats being crowded. At the appointed hour the Black Swan
made her entrée, accompanied by Prof. Becht. The audience, quite alive
with curiosity before, were not favourably impressed with her personal
appearance, but from that fact they were anxious to hear the sound of
her voice, which had given her a repute in advance, inferior to that
only of many of the best artists.
The selections upon the programme were all familiar to the audience, and
thus, perhaps, enabled the sable cantatrice to challenge comparison with
others by the whole audience. The impression left by the first part of
the bill was, that her voice is one of great depth and reach, as she has
been usually described; but not that she possessed in a marked degree,
either sweetness, pathos, or delicacy--qualities which no cultivation
can give, by the way. Her exercises in deep bass developed a power quite
monstrous, compared with any other female voice we have ever heard.
After the interval she appeared more assured. Upon the suggestion of
another, we listened to her without looking toward her during the entire
performance of "the Last Rose of Summer," and were at once and
satisfactorily convinced that her voice is capable of producing sounds
right sweet, and not inferior in regard to any but Jenny Lind and
Bishop, neither of whom, we must believe, can ever be surpassed in that
quality. The whole of the second part produced effects more in favour of
the songstress upon the audience generally.
If she is as devoid of professional training as represented, she surely
has fine natural advantages as a vocalist. Her personal appearance is,
at first, very unfavourable for the stage, and not less so, of course,
on account of her colour, and the utterly inextinguishable prejudice
against colour and race which she must generally encounter in this
country, if not in those over the water. The instrumental part of the
performance is excellent; but of it, we have not room to-day to speak.
She sings to-morrow night a choice programme.
Columbus, March 6th, 1852.
We had the pleasure of listening to this celebrated cantatrice last
evening, at Neil's New Hall. We have only three things to say of her
performance. The first is, that she was honoured with a crowded house,
composed of the most intelligent and enlightened of our citizens:
second, that all who heard her were exceedingly well pleased with all
her efforts; and third, that notwithstanding it is not claimed, either
by herself or friends, that she is an artistic singer, yet the compass
of her voice has rarely been equalled, and the sweetness of her notes
seemed to enchant every auditor.
Philadelphia, March 16th.