CHAPTER LXXXIV

The Hospice—The Two Rivers—The Devil’s Bridge—Pleasant Recollections.

I arrived at the Devil’s Bridge at about eleven o’clock of a fine but

cold day, and took up my quarters at the inn, of which I was the sole

guest during the whole time that I continued there, for the inn, standing

in a lone, wild district, has very few guests except in summer, when it

is thronged with tourists, who avail themselves of that genial season to

view the wonders of Wales, of which the region close by is considered

amongst the principal.

The inn, or rather hospice, for the sounding name of hospice is more

applicable to it than the common one of inn, was built at a great expense

by the late Duke of Newcastle. It is an immense lofty cottage with

projecting eaves, and has a fine window to the east which enlightens a

stately staircase and a noble gallery. It fronts the north and stands in

the midst of one of the most remarkable localities in the world, of which

it would require a far more vigorous pen than mine to convey an adequate

idea.

Far to the west is a tall, strange-looking hill, the top of which bears

no slight resemblance to that of a battlemented castle. This hill, which

is believed to have been in ancient times a stronghold of the Britons,

bears the name of Bryn y Castell or the hill of the castle. To the

north-west are russet hills, to the east two brown paps, whilst to the

south is a high, swelling mountain. To the north and just below the

hospice is a profound hollow with all the appearance of the crater of an

extinct volcano; at the bottom of this hollow the waters of two rivers

unite; those of the Rheidol from the north, and those of the Afon y

Mynach, or the Monks’ River, from the south-east. The Rheidol falling

over a rocky precipice at the northern side of the hollow forms a

cataract very pleasant to look upon from the middle upper window of the

inn. Those of the Mynach which pass under the celebrated Devil’s Bridge

are not visible, though they generally make themselves heard. The waters

of both, after uniting, flow away through a romantic glen towards the

west. The sides of the hollow, and indeed of most of the ravines in the

neighbourhood, which are numerous, are beautifully clad with wood.

Penetrate now into the hollow above which the hospice stands. You

descend by successive flights of steps, some of which are very slippery

and insecure. On your right is the Monks’ River, roaring down its dingle

in five successive falls, to join its brother the Rheidol. Each of the

falls has its own peculiar basin, one or two of which are said to be of

awful depth. The length which these falls with their basins occupy is

about five hundred feet. On the side of the basin of the last but one is

the cave, or the site of the cave, said to have been occupied in old

times by the Wicked Children, the mysterious Plant de Bat, two brothers

and a sister, robbers and murderers. At present it is nearly open on

every side, having, it is said, been destroyed to prevent its being the

haunt of other evil people: there is a tradition in the country that the

fall at one time tumbled over its mouth. This tradition, however, is

evidently without foundation, as from the nature of the ground the river

could never have run but in its present channel. Of all the falls the

fifth or last is the most considerable: you view it from a kind of den,

to which the last flight of steps, the ruggedest and most dangerous of

all, has brought you; your position here is a wild one. The fall, which

is split into two, is thundering beside you; foam, foam, foam is flying

all about you; the basin or cauldron is boiling frightfully below you;

hirsute rocks are frowning terribly above you, and above them forest

trees, dank and wet with spray and mist, are distilling drops in showers

from their boughs.

But where is the bridge, the celebrated bridge of the Evil Man? From the

bottom of the first flight of steps leading down into the hollow you see

a modern-looking bridge bestriding a deep chasm or cleft to the

southeast, near the top of the dingle of the Monks’ River; over it lies

the road to Pont Erwyd. That, however, is not the Devil’s Bridge—but

about twenty feet below that bridge and completely overhung by it, don’t

you see a shadowy, spectral object, something like a bow, which likewise

bestrides the chasm? You do! Well! that shadowy, spectral object is the

celebrated Devil’s Bridge, or, as the timorous peasants of the locality

call it, the Pont y Gwr Drwg. It is now merely preserved as an object of

curiosity, the bridge above being alone used for transit, and is quite

inaccessible except to birds, and the climbing wicked boys of the

neighbourhood, who sometimes at the risk of their lives contrive to get

upon it from the frightfully steep northern bank, and snatch a fearful

joy, as, whilst lying on their bellies, they poke their heads over its

sides worn by age, without parapet to prevent them from falling into the

horrid gulf below. But from the steps in the hollow the view of the

Devil’s Bridge, and likewise of the cleft, is very slight and

unsatisfactory. To view it properly, and the wonders connected with it,

you must pass over the bridge above it, and descend a precipitous dingle

on the eastern side till you come to a small platform in a crag. Below

you now is a frightful cavity, at the bottom of which the waters of the

Monks’ River, which comes tumbling from a glen to the east, whirl, boil

and hiss in a horrid pot or cauldron, called in the language of the

country Twll yn y graig, or the hole in the rock, in a manner truly

tremendous. On your right is a slit, probably caused by volcanic force,

through which the waters after whirling in the cauldron eventually

escape. The slit is wonderfully narrow considering its altitude, which

is very great, considerably upwards of a hundred feet—nearly above you,

crossing the slit, which is partially wrapped in darkness, is the

far-famed bridge, the Bridge of the Evil Man, a work which though

crumbling and darkly grey does much honour to the hand which built it,

whether it was the hand of Satan or of a monkish architect, for the arch

is chaste and beautiful, far superior in every respect, except in safety

and utility, to the one above it, which from this place you have not the

mortification of seeing. Gaze on these objects, namely, the horrid

seething pot or cauldron, the gloomy volcanic slit, and the spectral,

shadowy Devil’s Bridge for about three minutes, allowing a minute to

each, then scramble up the bank and repair to your inn, and have no more

sight-seeing that day, for you have seen enough. And if pleasant

recollections do not haunt you through life of the noble falls and the

beautiful wooded dingles to the west of the Bridge of the Evil One, and

awful and mysterious ones of the monks’ boiling cauldron, the long,

savage, shadowy cleft, and the grey, crumbling spectral bridge, I say

boldly that you must be a very unpoetical person indeed.

Wild Wales: The People, Language, & Scenery · 第 84 / 109 章