IV

Excited anticipation kept Irene awake during the whole night previous

to the great occasion. She rose with the dawn, and laid ready her black

dress and black lace veil, the traditional costume of all pilgrims

received by the Pope.

The ceremony was to take place at eleven o’clock, but at ten Irene drove

up to the Vatican, hoping to be one of the first to arrive. Alas! an

extended line of carriages had already long been blocking the way to

the Portone di Bronzo, and, advancing slowly one by one, setting down

ladies in black lace and gentlemen in dress clothes. Like Irene, they had

all counted on arriving first, and all contemplated, with undisguised

astonishment, the dense crowd slowly making its way up the stairs. The

predominating impression among this crowd was far less one of religious

emotion than of excited curiosity. There were many Americans and Germans,

who had come to see a rare sight, in order to boast about it later on in

their own countries. The eyes of these tourists sparkled with delight as

they gazed at the papal guards, who, in their mediæval costumes and their

peculiar hats, looked as if they had just stepped out of pictures, as

indeed did also the papal lackeys, in cherry-coloured brocade, with silk

stockings and buckled shoes.

Irene loved the Vatican. This mediæval fortress, with its numberless

houses, towers, courtyards, cemeteries, and gardens appealed strongly

to her imagination. She loved, perhaps most of all, the splendid halls

with their frescoes and their beautiful antique statues. This, she

thought, was _true_ luxury, in comparison with which the luxury of modern

palaces, with their commonplace silk-panelled walls and their carpets and

pictures, grew pale and seemed almost vulgar. In the magnificent halls of

the Vatican the walls and ceilings were covered with frescoes by Raphael

and Michael Angelo, and the ornaments consisted of antique porphyry

sarcophagi, ancient mosaics, such as have never been equalled in more

modern times, and colossal marble vases and fonts, excavated from ancient

baths and shrines. Modern art has been able to add nothing to all these

priceless treasures.

And now Irene was gazing with rapture at the frescoed walls of

the immense Sala Clementina, into which, little by little, the

extraordinarily mixed assemblage, whose like one can hardly meet

anywhere, was making its way. There were foreigners shivering in

furs; aristocratic Roman ladies in elegant black dresses, long white

gloves, and family pearls; prelates; cardinals; nuns in white starched

headdresses; Capucins in sandals, and with ropes round their waists;

little girls in white dresses and lace veils, with curls framing their

flushed, excited faces; officers of the papal guard; dominicans in

white cloth cassocks; attachés of the various foreign embassies in gold

embroidered uniforms—all this formed one heterogeneous, palpitating mass

of humanity. The variety of the crowd pleased and interested Irene.

It struck her that all this was just as it should be in the Palace of

the Roman Pontiff, the only sovereign who acknowledged neither rank nor

position nor class distinctions, and who did not surround himself with a

Chinese wall, guarded by a handful of privileged people, in no way more

deserving than their fellows. “It is in most countries these privileged

classes,” thought Irene, “who by energetically pushing to a safe distance

from the precincts of the throne all who really work for the good of

their country, always manage artificially to create enemies for their

King.” The Pope believed in a very different policy. He was accessible to

everybody, without distinction of nationality, faith, or social position,

and he was ready to receive and to bless everyone alike. Perhaps, indeed,

it may be owing to this wise policy that no attempt has ever been made

on his life, in spite of the fact that the Vatican employs neither spies

nor secret guards. Such a Court, thought Irene, should have existed under

Constantine the Great or Louis IX.

The ceremony of presenting consecrated candles to the Pope (_dei ceri

benedetti_) was to take place in the neighbouring Sala del Trono. At

one end of this lofty, narrow, frescoed hall stood, under a baldaquin,

the golden throne of the Pope; at the other end, a great crucifix

supported by an angel. On either side of the central passage, kept

clear by the Swiss guards, were long benches, on which were already

seated various pilgrims, all trying to get as near as possible to the

throne. The best places had already long been taken by clergy of all

nationalities, with enormous opera-glasses and firm intentions to

miss not the smallest detail of the interesting spectacle. Subdued

excitement reigned supreme in the half-darkened hall, with its drawn red

blinds and its sparse, electric lights. There was a hushed murmur of

low-toned conversation—everyone spoke in a whisper, except, of course,

the Americans, who exchanged silly little remarks and impressions in

unceremonious, strident tones. A Frenchman, with a small pointed beard

was, in a loud voice, relating to someone something about an inn in

Naples, where one could get excellent wine and macaroni. With the

impudence of a dull-minded Atheist, he smacked his lips over various

details, keenly enjoying the paradox contained in the mere fact of

discussing such things at the Vatican.

Here and there in the crowd, however, could also be seen the rapturous

faces of youthful priests and young girls. Full of religious exaltation,

trembling with emotion, they kept their shining eyes fixed on the door

before which stood the papal guards.

At last there was a wave of movement. The crowd rose, made as though

it would fall on its knees, but thought better of the intention, and

remained standing. Surrounded by his Court, His Holiness, in white

raiment and a little white cap, passed to the throne, and, throwing a

quick glance over the assemblage, took his place.

Along the central passage, between the benches, a procession of priests

advanced, two and two, holding in their hands long painted tapers,

covered with funny little fringed extinguishers. They approached the

throne, handed the tapers to attendants, fell on their knees, and kissed

the Pope’s ring. On the beautiful face of the Pontiff shone a radiant

smile. He said a few words to each one, sometimes whispered in their

ears, and often laughed. This was not the face of a mighty sovereign,

but only that of a good, kind old man, who had long ago learnt that all

sorrows, all dreams, all hopes, are soon over, and that life is short,

and does not contain anything specially good or attractive. He was deeply

sorry for all those expectant pilgrims, exciting themselves about nothing

at all, awaiting Heaven knows what, and needlessly tiring themselves out;

and all he could do was to help them with a kind word, a warm glance,

and with the love that illumined his beautiful features. It seemed to

Irene that, for the first time in centuries, a truly Christian pastor

reigned in Rome, and one who in spirit resembled the first Christian

apostles, the builders of the Church. What a striking contrast between

this Pope and his surrounding Court! They, too, were all smiling at the

pilgrims; but what hypocrisy, what falseness and flattery, breathed in

those smiles! Their crafty faces were cold and indifferent. For them,

this ceremony was only one of the countless comedies in which they had

constantly to play parts. Two of these papal courtiers, both still young

and handsome, were obviously posing before the aristocratic Roman ladies,

among whom they probably had admiring friends.

The ceremony lasted a long time. The tapers, in the hands of the priests,

moved along in endless procession. Everyone was tired and hot, all faces

were flushed. The courtiers around the throne left off smiling, and

made no attempt to hide their fatigue. Only the Pope alone smiled as

warmly and caressingly as before upon each man who knelt before him. For

him, this was no ceremony, this was a human service, which he rendered

joyfully.

At last, the final tapers were presented. His Holiness rose, blessed the

bowing crowd, and left the hall. There was a general rush for the door.

Close to Irene, a young French girl was heatedly disputing some point

with her mother.

“Mais, il t’a donné sa bénédiction, ma chère,” persuaded the mother. “He

has blessed us all. What more do you want?”

But the girl was not consoled, and only looked sadly at the door, behind

which the Pope had disappeared.

Irene understood: she, too, felt sad at the thought that she would never

again see that beautiful Christian smile.

V

The same evening, Irene announced to Père Etienne that all her doubts

were at an end, and that she had decided to take the Veil. She would now

only ask him to find her a suitable convent.

“There are many orders of nuns in Rome,” answered the Father,

reflectively, “each with a particular aim and purpose. There are sisters

who nurse the sick, and others who educate children. It seems to me that

the order most suited in your case is that of the Sœurs Mauves. They lead

very secluded lives, pray a great deal, and keep watch, night and day,

over the Holy Sacrament. You can see them every day at Vespers in their

Church of Santa Petronilla in the Via Gallia.”

Trembling with emotion, Irene turned her steps towards this convent,

half afraid of her own first impression. When she entered, the church

was almost empty. A few stray old men and old women were dreaming on

chairs, waiting for the service. Like most modern Roman churches, Santa

Petronilla was ablaze with gilding and profusely decorated with pictures.

On either side, up above, were galleries of quite theatrical appearance,

painted mauve and white, the colours of the convent. A transparent, high,

carved partition divided the church into two parts: the one nearest the

entrance for the public, the other, nearest the altar, for the nuns. At

present, all was dark and empty, only one feeble taper was burning on the

altar.

Irene took a seat in the first row, quite close to the partition, and

prepared to contemplate her future surroundings. It was a long time

before the silence was broken by the slow, dull sound of the church

bells. The altar was suddenly brightly illuminated, and a procession

of nuns appeared through the door. They entered in couples, knelt for

a moment, one couple at a time, before the altar, and then slowly,

gracefully, with soundless footsteps, made their way to their places.

They were dressed in white robes with long trains, and wide mauve

borders. White veils hid their faces, and fell at the back in graceful

folds over their trains. These veils were so thick, that it was

impossible to distinguish the ages of their wearers. With soft white

hands, the nuns clasped the golden crosses on their breasts, as they

slowly sank into their places, threw back their veils, and, directing

their gaze to the altar, remained immovable in the most graceful of

poses. Somewhere in the distance an organ began to play, and an invisible

choir sang a prayer, or, rather, a beautiful Italian operatic air.

Something long forgotten stirred restlessly in Irene’s heart. “But these

are my vestal virgins!” she thought, with a thrill of emotion—those

beloved vestal virgins that had always so deeply appealed to her

imagination, and whose disappearance she had so often regretted. It

seemed to her that no reforms and no amount of progress could ever

give back to women the high position occupied in ancient Rome by the

handmaidens of the goddess Vesta. Everyone had bowed before them; with

a movement of the hand they had the power to pardon prisoners condemned

to death; they were present at all ceremonies, games, and performances,

and formed the principal ornament of the Courts of the Roman Emperors.

And here, suddenly, Irene had found them again, less mighty and less

dazzling, perhaps, but more mysterious instead, and more poetical.

The service continued, and the church gradually filled with people:

elegant ladies, dirty workmen, little old men and little old women, even

small children brought there by religious nurses. They all joined in the

hymns, and sang with the nuns. There was something strange and touching

in the mingling of all those hoarse, old, untrained voices with the soft

music of the choir, descending, like the song of angels, from the mauve

gallery. Many of the worshippers were weeping bitterly, on their knees.

From time to time the singing stopped, and one of the nuns, opening a

prayer-book, read a prayer, in a soft, melodious voice. Irene watched

her future companions with great emotion. They seemed so dignified, so

refined, so completely _comme il faut_; life among them, indeed, promised

to be charming. Nothing in their habits and manners could ever jar on her

or shock her. She remembered, with a shudder, the Russian nuns who wander

from village to village, collecting money for the building of churches,

lifting their dirty dresses high, and showing their equally dirty, red,

rough, thick peasant legs.

The service came to an end. Slowly, gracefully, the white dignified

figures of the Sœurs Mauves floated away and disappeared. In their

places appeared several fat, active little nuns, in short black robes,

with enormous mauve bows and little white veils. They extinguished the

candles, running from one candlestick to another, never forgetting their

reverend genuflexion when passing the altar.

“Serving-women,” thought Irene, and the thought pleased her that she

would not, even in the convent, cease to be a lady accustomed to the

services of a maid. For a moment she was ashamed of the thought, but

immediately justified herself: “Of course all idea of dirty work is

impossible in those long snowy robes, those white slippers, and floating,

shimmering veils!”

It was a still, warm evening, and the stars were beginning to show

themselves in the dark blue sky when Irene left the church. There was

peace in her soul as she breathed in the balmy Southern air. “Thank God!”

she said to herself. “At last I have found my vocation. What matter

if I do not sufficiently believe? The principal thing is to sing, to

read prayers, and to touch the hearts of all those unhappy, suffering

people, who come to pray with the nuns, believing in their purity and

saintliness.”

Almost all unmarried women of a certain age suffer secret torments

from the fact that they have actually no place in society. Irene was

no exception to this rule, and she was happy at the thought that now,

at last, she might be of some use in the service of humanity. To have

a special uniform—an idea always dear to the Russian heart—was also a

great attraction. In imagination she tried on the picturesque dress of

those modern vestal virgins, making up her mind to be graceful, to float

about like a white spirit, to sing, and to read prayers melodiously.

From that day, Irene never missed a single evening service in the Via

Gallia. The nuns were inaccessible to outsiders, and no stranger was ever

admitted to the convent—an additional fact to play upon Irene’s fancy.

The convent stood on a hill. Luxurious palms and fragrant Roman pines

leaned over its high garden walls, and Irene saw, in imagination, the

small, interior courtyard, with its covered verandah, its slim, carved

columns, its murmuring fountain, its Southern foliage and flowers. She

pictured to herself the early morning; she heard the measured tones of

the melodious convent bells calling the sisters to prayer; then she

thought of the evening, of a golden Roman sunset, a purple sky, faint,

glistening stars, and the _Ave Maria_.…

How beautiful, how poetical, seemed her future life, with its prayers,

its meditations, its rapturous exaltation, its Gospel-readings, its

soft singing, its incense! An enchanted existence in a Southern clime, a

sweet, mystical dream, and then—death, followed by a probable awakening

to some new and glorious life!

The news of Irene’s decision created a great sensation in her _pension_.

Although nothing was definitely settled between herself and Père Etienne,

everyone else knew which order she had chosen, and on which day she was

to be received. Some even went so far as to name the dressmaker who

was making her convent robes. They all constantly stared at Irene, and

pointed her out to their visitors.

One afternoon, she happened to accompany Père Etienne to the hall-door,

at the hour when the complicated business of afternoon tea was in

progress. Small bamboo tables were scattered about between Chinese

screens and immense palms, and at one of these tables, some distance

away from the door, sat a good-natured, pleasant little Russian old

lady, giving tea to a fellow-countryman, a tall, handsome, energetic,

young-looking Russian of about forty, with an occasional grey thread in

his thick, dark hair. The old lady, with a whispered remark, pointed

Irene out to her visitor. He looked round with some curiosity, and then

muttered, with a frown:

“What is this stupid, new fashion? Our women seem unable to look at a

Roman priest without renouncing Orthodoxy!”

The Emigrant · 第 8 / 25 题