No mortal thing enthralled these longing eyes
When perfect peace in thy fair face I found;
But far within, where all is holy ground,
My soul felt Love, her comrade of the skies:
For she was born with God in Paradise;
Nor all the shows of beauty shed around
This fair false world her wings to earth have bound;
Unto the Love of Loves aloft she flies.
Nay, things that suffer death, quench not the fire
Of deathless spirits; nor eternity
Serves sordid Time, that withers all things rare.
Not love but lawless impulse is desire:
That slays the soul; our love makes still more fair
Our friends on earth, fairer in death on high.
LIII. This is the doctrine of the Symposium; the scorn of merely sexual
love is also Platonic.
LIV. Another sonnet on the theme of the Uranian as distinguished from
the Vulgar love. See below, LVL., for a parallel to the second terzet.
LV. The date maybe 1532. The play on words in the first quatrain and
the first terzet is Shakespearian.
LIX. Two notes, appended to the two autographs of this sonnet, show
that M.A. regarded it as a _jeu d'esprit, 'Per carnovale par lecito far
qualche pazzia a chi non va in maschera.' 'Questo non è fuoco da
carnovale, però vel mando di quaresima; e a voi mi rachomando. Vostro
Michelagniolo.'_
LXL. Date 1547. No sonnet presents more difficulties than this, in
which M.A. has availed himself of a passage in the _Cratylus_ of
Plato. The divine hammer spoken of in the second couplet is the ideal
pattern after which the souls of men are fashioned; and this in the
first terzet seems to be identified with Vittoria Colonna. In the
second terzet he regards his own soul as imperfect, lacking the final
touches which it might have received from hers. See XIV. for a
somewhat similar conceit.
LXIV. The image is that of a glowing wood coal smouldering away to
embers amid its own ashes.
LXV. Date 1554. Addressed _A messer Giorgio Vasari, amico e pittor
singulare_, with this letter: _Messer Giorgio, amico caro, voi direte
ben ch' io sie vecchio e pazzo a voler far sonetti; ma perchè molti
dicono ch' io son rimbambito, ho voluto far l'uficio mio, ec. A dì 19
di settembre 1554. Vostro Michelagniolo Buonarroti in Roma_.
LXVL, LXVII. These two sonnets were sent to Giorgio Vasari in 1555(?)
with this letter: _Messer Giorgio, io vi mando dua sonetti; e benchè
sieno cosa sciocca, il fo perchè veggiate dove io tengo i mie'
pensieri: e quando arete ottantuno anni, come ò io, mi crederete.
Pregovi gli diate a messer Giovan Francesco Fattucci, che me ne à
chiesti. Vostro Michelagniolo Buonarroti in Roma_. The first was also
sent to Monsignor Beccadelli, Archbishop of Ragusa, who replied to it.
For his sonnet, see Signor Guasti's edition, p. 233.
LXVIII. Date 1556. Written in reply to his friend's invitation that he
should pay him a visit at Ragusa. Line 10: this Urbino was M.A.'s old
and faithful servant, Francesco d'Amadore di Casteldurante, who lived
with him twenty-six years, and died at Rome in 1556.
LXIX.-LXXVII. The dates of this series of penitential sonnets are not
known. It is clear that they were written in old age. It will be
remembered that the latest piece of marble on which Michael Angelo
worked, was the unfinished Pietà now standing behind the choir of the
Duomo at Florence. Many of his latest drawings are designs for a
Crucifixion.