NOW, TALKING ABOUT CRICKET--

In the days of yore, when these white hairs were brown--or was it

black? At any rate, they were not white--and I was at school, it was

always my custom, when Fate obliged me to walk to school with a casual

acquaintance, to whom I could not unburden my soul of those profound

thoughts which even then occupied my mind, to turn the struggling

conversation to the relative merits of cricket and football.

'Do you like cricket better than footer?' was my formula. Now, though

at the time, in order to save fruitless argument, I always agreed with

my companion, and praised the game he praised, in the innermost depths

of my sub-consciousness, cricket ranked a long way in front of all

other forms of sport. I may be wrong. More than once in my career it

has been represented to me that I couldn't play cricket for nuts. My

captain said as much when I ran him out in _the_ match of the

season after he had made forty-nine and looked like stopping. A bowling

acquaintance heartily endorsed his opinion on the occasion of my

missing three catches off him in one over. This, however, I attribute

to prejudice, for the man I missed ultimately reached his century,

mainly off the deliveries of my bowling acquaintance. I pointed out to

him that, had I accepted any one of the three chances, we should have

missed seeing the prettiest century made on the ground that season; but

he was one of those bowlers who sacrifice all that is beautiful in the

game to mere wickets. A sordid practice.

Later on, the persistence with which my county ignored my claims to

inclusion in the team, convinced me that I must leave cricket fame to

others. True, I did figure, rather prominently, too, in one county

match. It was at the Oval, Surrey _v_. Middlesex. How well I

remember that occasion! Albert Trott was bowling (Bertie we used to

call him); I forget who was batting. Suddenly the ball came soaring in

my direction. I was not nervous. I put down the sandwich I was eating,

rose from my seat, picked the ball up neatly, and returned it with

unerring aim to a fieldsman who was waiting for it with becoming

deference. Thunders of applause went up from the crowded ring.

That was the highest point I ever reached in practical cricket. But, as

the historian says of Mr Winkle, a man may be an excellent sportsman in

theory, even if he fail in practice. That's me. Reader (if any), have

you ever played cricket in the passage outside your study with a

walking-stick and a ball of paper? That's the game, my boy, for testing

your skill of wrist and eye. A century _v_. the M.C.C. is well

enough in its way, but give me the man who can watch 'em in a narrow

passage, lit only by a flickering gas-jet--one for every hit, four if

it reaches the end, and six if it goes downstairs full-pitch, any pace

bowling allowed. To make double figures in such a match is to taste

life. Only you had better do your tasting when the House-master is out

for the evening.

I like to watch the young cricket idea shooting. I refer to the lower

games, where 'next man in' umpires with his pads on, his loins girt,

and a bat in his hand. Many people have wondered why it is that no

budding umpire can officiate unless he holds a bat. For my part, I

think there is little foundation for the theory that it is part of a

semi-religious rite, on the analogy of the Freemasons' special

handshake and the like. Nor do I altogether agree with the authorities

who allege that man, when standing up, needs something as a prop or

support. There is a shadow of reason, I grant, in this supposition, but

after years of keen observation I am inclined to think that the umpire

keeps his bat by him, firstly, in order that no unlicensed hand shall

commandeer it unbeknownst, and secondly, so that he shall be ready to

go in directly his predecessor is out. There is an ill-concealed

restiveness about his movements, as he watches the batsmen getting set,

that betrays an overwrought spirit. Then of a sudden one of them plays

a ball on to his pad. '_'s that_?' asks the bowler, with an

overdone carelessness. 'Clean out. Now _I'm_ in,' and already he

is rushing up the middle of the pitch to take possession. When he gets

to the wicket a short argument ensues. 'Look here, you idiot, I hit it

hard.' 'Rot, man, out of the way.' '!!??!' 'Look here, Smith,

_are_ you going to dispute the umpire's decision?' Chorus of

fieldsmen: 'Get out, Smith, you ass. You've been given out years ago.'

Overwhelmed by popular execration, Smith reluctantly departs,

registering in the black depths of his soul a resolution to take on the

umpireship at once, with a view to gaining an artistic revenge by

giving his enemy run out on the earliest possible occasion. There is a

primeval _insouciance_ about this sort of thing which is as

refreshing to a mind jaded with the stiff formality of professional

umpires as a cold shower-bath.

I have made a special study of last-wicket men; they are divided into

two classes, the deplorably nervous, or the outrageously confident. The

nervous largely outnumber the confident. The launching of a last-wicket

man, when there are ten to make to win, or five minutes left to make a

draw of a losing game, is fully as impressive a ceremony as the

launching of the latest battleship. An interested crowd harasses the

poor victim as he is putting on his pads. 'Feel in a funk?' asks some

tactless friend. 'N-n-no, norrabit.' 'That's right,' says the captain

encouragingly, 'bowling's as easy as anything.'

This cheers the wretch up a little, until he remembers suddenly that

the captain himself was distinctly at sea with the despised trundling,

and succumbed to his second ball, about which he obviously had no idea

whatever. At this he breaks down utterly, and, if emotional, will sob

into his batting glove. He is assisted down the Pavilion steps, and

reaches the wickets in a state of collapse. Here, very probably, a

reaction will set in. The sight of the crease often comes as a positive

relief after the vague terrors experienced in the Pavilion.

The confident last-wicket man, on the other hand, goes forth to battle

with a light quip upon his lips. The lot of a last-wicket batsman, with

a good eye and a sense of humour, is a very enviable one. The

incredulous disgust of the fast bowler, who thinks that at last he may

safely try that slow head-ball of his, and finds it lifted genially

over the leg-boundary, is well worth seeing. I remember in one school

match, the last man, unfortunately on the opposite side, did this three

times in one over, ultimately retiring to a fluky catch in the slips

with forty-one to his name. Nervousness at cricket is a curious thing.

As the author of _Willow the King_, himself a county cricketer,

has said, it is not the fear of getting out that causes funk. It is a

sort of intangible _je ne sais quoi_. I trust I make myself clear.

Some batsmen are nervous all through a long innings. With others the

feeling disappears with the first boundary.

A young lady--it is, of course, not polite to mention her age to the

minute, but it ranged somewhere between eight and ten--was taken to see

a cricket match once. After watching the game with interest for some

time, she gave out this profound truth: 'They all attend specially to

one man.' It would be difficult to sum up the causes of funk more

lucidly and concisely. To be an object of interest is sometimes

pleasant, but when ten fieldsmen, a bowler, two umpires, and countless

spectators are eagerly watching your every movement, the thing becomes

embarrassing.

That is why it is, on the whole, preferable to be a cricket spectator

rather than a cricket player. No game affords the spectator such unique

opportunities of exerting his critical talents. You may have noticed

that it is always the reporter who knows most about the game. Everyone,

moreover, is at heart a critic, whether he represent the majesty of the

Press or not. From the lady of Hoxton, who crushes her friend's latest

confection with the words, 'My, wot an 'at!' down to that lowest class

of all, the persons who call your attention (in print) to the sinister

meaning of everything Clytemnestra says in _The Agamemnon_, the

whole world enjoys expressing an opinion of its own about something.

In football you are vouchsafed fewer chances. Practically all you can

do is to shout 'off-side' whenever an opponent scores, which affords

but meagre employment for a really critical mind. In cricket, however,

nothing can escape you. Everything must be done in full sight of

everybody. There the players stand, without refuge, simply inviting

criticism.

It is best, however, not to make one's remarks too loud. If you do, you

call down upon yourself the attention of others, and are yourself

criticized. I remember once, when I was of tender years, watching a

school match, and one of the batsmen lifted a ball clean over the

Pavilion. This was too much for my sensitive and critical young mind.

'On the carpet, sir,' I shouted sternly, well up in the treble clef,

'keep 'em on the carpet.' I will draw a veil. Suffice it to say that I

became a sport and derision, and was careful for the future to

criticize in a whisper. But the reverse by no means crushed me. Even

now I take a melancholy pleasure in watching school matches, and saying

So-and-So will make quite a fair _school-boy_ bat in time, but he

must get rid of that stroke of his on the off, and that shocking

leg-hit, and a few of those _awful_ strokes in the slips, but that

on the whole, he is by no means lacking in promise. I find it

refreshing. If, however, you feel compelled not merely to look on, but

to play, as one often does at schools where cricket is compulsory, it

is impossible to exaggerate the importance of white boots. The game you

play before you get white boots is not cricket, but a weak imitation.

The process of initiation is generally this. One plays in shoes for a

few years with the most dire result, running away to square leg from

fast balls, and so on, till despair seizes the soul. Then an angel in

human form, in the very effective disguise of the man at the school

boot-shop, hints that, for an absurdly small sum in cash, you may

become the sole managing director of a pair of _white buckskin_

boots with real spikes. You try them on. They fit, and the initiation

is complete. You no longer run away from fast balls. You turn them

neatly off to the boundary. In a word, you begin for the first time to

play the game, the whole game, and nothing but the game.

There are misguided people who complain that cricket is becoming a

business more than a game, as if that were not the most fortunate thing

that could happen. When it ceases to be a mere business and becomes a

religious ceremony, it will be a sign that the millennium is at hand.

The person who regards cricket as anything less than a business is no

fit companion, gentle reader, for the likes of you and me. As long as

the game goes in his favour the cloven hoof may not show itself. But

give him a good steady spell of leather-hunting, and you will know him

for what he is, a mere _dilettante_, a dabbler, in a word, a worm,

who ought never to be allowed to play at all. The worst of this species

will sometimes take advantage of the fact that the game in which they

happen to be playing is only a scratch game, upon the result of which

no very great issues hang, to pollute the air they breathe with verbal,

and the ground they stand on with physical, buffooneries. Many a time

have I, and many a time have you, if you are what I take you for, shed

tears of blood, at the sight of such. Careless returns, overthrows--but

enough of a painful subject. Let us pass on.

I have always thought it a better fate for a man to be born a bowler

than a bat. A batsman certainly gets a considerable amount of innocent

fun by snicking good fast balls just off his wicket to the ropes, and

standing stolidly in front against slow leg-breaks. These things are

good, and help one to sleep peacefully o' nights, and enjoy one's

meals. But no batsman can experience that supreme emotion of 'something

attempted, something done', which comes to a bowler when a ball pitches

in a hole near point's feet, and whips into the leg stump. It is one

crowded second of glorious life. Again, the words 'retired hurt' on the

score-sheet are far more pleasant to the bowler than the batsman. The

groan of a batsman when a loose ball hits him full pitch in the ribs is

genuine. But the 'Awfully-sorry-old-chap-it-slipped' of the bowler is

not. Half a loaf is better than no bread, as Mr Chamberlain might say,

and if he cannot hit the wicket, he is perfectly contented with hitting

the man. In my opinion, therefore, the bowler's lot, in spite of

billiard table wickets, red marl, and such like inventions of a

degenerate age, is the happier one.

And here, glowing with pride of originality at the thought that I have

written of cricket without mentioning Alfred Mynn or Fuller Pilch, I

heave a reminiscent sigh, blot my MS., and thrust my pen back into its

sheath.

[16]

Tales of St. Austin's · 第 52 / 57 题