'This is extraordinary,' said Mellish, 'most extraordinary. Why, the
boy was in school this morning.'
This was true. The boy had been in school that morning to some purpose,
having beaten all records (his own records) in the gentle sport of
Mellish-baiting. This evidently occurred to Mellish at the time, for he
dropped the subject at once, and told us to begin our papers.
Now I have remarked already that I dare not say what I think of
Thucydides, Book II. How then shall I frame my opinion of that
examination paper? It was Thucydides, Book II, with the few easy parts
left out. It was Thucydides, Book II, with special home-made
difficulties added. It was--well, in its way it was a masterpiece.
Without going into details--I dislike sensational and realistic
writing--I may say that I personally was not one of those who required
an extra ten minutes to finish their papers. I finished mine at
half-past two, and amused myself for the remaining hour and a half by
writing neatly on several sheets of foolscap exactly what I thought of
Mr Mellish, and precisely what I hoped would happen to him some day. It
was grateful and comforting.
At intervals I wondered what had become of Bradshaw. I was not
surprised at his absence. At first I had feared that he would keep his
word in that matter. As time went on I knew that he would. At more
frequent intervals I wondered how I should enjoy being a bankrupt.
Four o'clock came round, and found me so engrossed in putting the
finishing touches to my excursus of Mr Mellish's character, that I
stayed on in the form-room till ten past. Two other members of the form
stayed too, writing with the despairing energy of those who had five
minutes to say what they would like to spread over five hours. At last
Mellish collected the papers. He seemed a trifle surprised when I gave
up my modest three sheets. Brown and Morrison, who had their eye on the
form prize, each gave up reams. Brown told me subsequently that he had
only had time to do sixteen sheets, and wanted to know whether I had
adopted Rutherford's emendation in preference to the old reading in
Question II. My prolonged stay had made him regard me as a possible
rival.
I dwell upon this part of my story, because it has an important bearing
on subsequent events. If I had not waited in the form-room I should not
have gone downstairs just behind Mellish. And if I had not gone
downstairs just behind Mellish, I should not have been in at the death,
that is to say the discovery of Bradshaw, and this story would have
been all beginning and middle, and no ending, for I am certain that
Bradshaw would never have told me a word. He was a most secretive
animal.
I went downstairs, as I say, just behind Mellish. St Austin's, you must
know, is composed of three blocks of buildings, the senior, the middle,
and the junior, joined by cloisters. We left the senior block by the
door. To the captious critic this information may seem superfluous, but
let me tell him that I have left the block in my time, and entered it,
too, though never, it is true, in the company of a master, in other
ways. There are windows.
Our procession of two, Mellish leading by a couple of yards, passed
through the cloisters, and came to the middle block, where the Masters'
Common Room is. I had no particular reason for going to that block, but
it was all on my way to the House, and I knew that Mellish hated having
his footsteps dogged. That Thucydides paper rankled slightly.
In the middle block, at the top of the building, far from the haunts of
men, is the Science Museum, containing--so I have heard, I have never
been near the place myself--two stuffed rats, a case of mouldering
butterflies, and other objects of acute interest. The room has a
staircase all to itself, and this was the reason why, directly I heard
shouts proceeding from that staircase, I deduced that they came from
the Museum. I am like Sherlock Holmes, I don't mind explaining my
methods.
'Help!' shouted the voice. 'Help!'
The voice was Bradshaw's.
Mellish was talking to M. Gerard, the French master, at the moment. He
had evidently been telling him of Bradshaw's non-appearance, for at the
sound of his voice they both spun round, and stood looking at the
staircase like a couple of pointers.
'Help,' cried the voice again.
Mellish and Gerard bounded up the stairs. I had never seen a French
master run before. It was a pleasant sight. I followed. As we reached
the door of the Museum, which was shut, renewed shouts filtered through
it. Mellish gave tongue.
'Bradshaw!'
'Yes, sir,' from within.
'Are you there?' This I thought, and still think, quite a superfluous
question.
'Yes, sir,' said Bradshaw.
'What are you doing in there, Bradshaw? Why were you not in school this
afternoon? Come out at once.' This in deep and thrilling tones.
'Please, sir,' said Bradshaw complainingly, 'I can't open the door.'
Now, the immediate effect of telling a person that you are unable to
open a door is to make him try his hand at it. Someone observes that
there are three things which everyone thinks he can do better than
anyone else, namely poking a fire, writing a novel, and opening a door.
Gerard was no exception to the rule.
'Can't open the door?' he said. 'Nonsense, nonsense.' And, swooping at
the handle, he grasped it firmly, and turned it.
At this point he made an attempt, a very spirited attempt, to lower the
world's record for the standing high jump. I have spoken above of the
pleasure it gave me to see a French master run. But for good, square
enjoyment, warranted free from all injurious chemicals, give me a
French master jumping.
'My dear Gerard,' said the amazed Mellish.
'I have received a shock. Dear me, I have received a most terrible
shock.'
So had I, only of another kind. I really thought I should have expired
in my tracks with the effort of keeping my enjoyment strictly to
myself. I saw what had happened. The Museum is lit by electric light.
To turn it on one has to shoot the bolt of the door, which, like the
handle, is made of metal. It is on the killing two birds with one stone
principle. You lock yourself in and light yourself up with one
movement. It was plain that the current had gone wrong somehow, run
amock, as it were. Mellish meanwhile, instead of being warned by
Gerard's fate, had followed his example, and tried to turn the handle.
His jump, though quite a creditable effort, fell short of Gerard's by
some six inches. I began to feel as if some sort of round game were
going on. I hoped that they would not want me to take a hand. I also
hoped that the thing would continue for a good while longer. The
success of the piece certainly warranted the prolongation of its run.
But here I was disappointed. The disturbance had attracted another
spectator, Blaize, the science and chemistry master. The matter was
hastily explained to him in all its bearings. There was Bradshaw
entombed within the Museum, with every prospect of death by starvation,
unless he could support life for the next few years on the two stuffed
rats and the case of butterflies. The authorities did not see their way
to adding a human specimen (youth's size) to the treasures in the
Museum, _so_--how was he to be got out?
The scientific mind is equal to every emergency.
'Bradshaw,' shouted Blaize through the keyhole.
'Sir?'
'Are you there?'
I should imagine that Bradshaw was growing tired of this question by
this time. Besides, it cast aspersions on the veracity of Gerard and
Mellish. Bradshaw, with perfect politeness, hastened to inform the
gentleman that he was there.
'Have you a piece of paper?'
'Will an envelope do, sir?'
'Bless the boy, anything will do so long as it is paper.'
Dear me, I thought, is it as bad as all that? Is Blaize, in despair of
ever rescuing the unfortunate prisoner, going to ask him to draw up a
'last dying words' document, to be pushed under the door and despatched
to his sorrowing guardian?
'Put it over your hand, and then shoot back the bolt.'
'But, sir, the electricity.'
'Pooh, boy!'
The scientific mind is always intolerant of lay ignorance.
'Pooh, boy, paper is a non-conductor. You won't get hurt.'
Bradshaw apparently acted on his instructions. From the other side of
the door came the sharp sound of the bolt as it was shot back, and at
the same time the light ceased to shine through the keyhole. A moment
later the handle turned, and Bradshaw stepped forth--free!
'Dear me,' said Mellish. 'Now I never knew that before, Blaize.
Remarkable. But this ought to be seen to. In the meantime, I had better
ask the Headmaster to give out that the Museum is closed until further
notice, I think.'
And closed the Museum has been ever since. That further notice has
never been given. And yet nobody seems to feel as if an essential part
of their life had ceased to be, so to speak. Curious. Bradshaw, after a
short explanation, was allowed to go away without a stain--that is to
say, without any additional stain--on his character. We left the
authorities discussing the matter, and went downstairs.
'Sixpence isn't enough,' I said, 'take this penny. It's all I've got.
You shall have the sixpence on Saturday.'
'Thanks,' said Bradshaw.' Was the Thucydides paper pretty warm?'
'Warmish. But, I say, didn't you get a beastly shock when you locked
the door?'
'I did the week before last, the first time I ever went to the place.
This time I was more or less prepared for it. Blaize seems to think
that paper dodge a special invention of his own. He'll be taking out a
patent for it one of these days. Why, every kid knows that paper
doesn't conduct electricity.'
'I didn't,' I said honestly.
'You don't know much,' said Bradshaw, with equal honesty.
'I don't,' I replied. 'Bradshaw, you're a great man, but you missed the
best part of it all.'
'What, the Thucydides paper?' asked he with a grin.
'No, you missed seeing Gerard jump quite six feet.'
Bradshaw's face expressed keen disappointment.
'No, did he really? Oh, I say, I wish I'd seen it.'
The moral of which is that the wicked do not always prosper. If
Bradshaw had not been in the Museum, he might have seen Gerard jump six
feet, which would have made him happy for weeks. On second thoughts,
though, that does not work out quite right, for if Bradshaw had not
been in the Museum, Gerard would not have jumped at all. No, better put
it this way. I was virtuous, and I had the pleasure of witnessing the
sight I have referred to. But then there was the Thucydides paper,
which Bradshaw missed but which I did not. No. On consideration, the
moral of this story shall be withdrawn and submitted to a committee of
experts. Perhaps they will be able to say what it is.
[7]