BRADSHAW'S LITTLE STORY

The qualities which in later years rendered Frederick Wackerbath

Bradshaw so conspicuous a figure in connection with the now celebrated

affair of the European, African, and Asiatic Pork Pie and Ham Sandwich

Supply Company frauds, were sufficiently in evidence during his school

career to make his masters prophesy gloomily concerning his future. The

boy was in every detail the father of the man. There was the same

genial unscrupulousness, upon which the judge commented so bitterly

during the trial, the same readiness to seize an opportunity and make

the most of it, the same brilliance of tactics. Only once during those

years can I remember an occasion on which Justice scored a point

against him. I can remember it, because I was in a sense responsible

for his failure. And he can remember it, I should be inclined to think,

for other reasons. Our then Headmaster was a man with a straight eye

and a good deal of muscular energy, and it is probable that the

talented Frederick, in spite of the passage of years, has a tender

recollection of these facts.

It was the eve of the Euripides examination in the Upper Fourth.

Euripides is not difficult compared to some other authors, but he does

demand a certain amount of preparation. Bradshaw was a youth who did

less preparation than anybody I have ever seen, heard of, or read of,

partly because he preferred to peruse a novel under the table during

prep., but chiefly, I think, because he had reduced cribbing in form to

such an exact science that he loved it for its own sake, and would no

sooner have come tamely into school with a prepared lesson than a

sportsman would shoot a sitting bird. It was not the marks that he

cared for. He despised them. What he enjoyed was the refined pleasure

of swindling under a master's very eye. At the trial the judge, who

had, so ran report, been himself rather badly bitten by the Ham

Sandwich Company, put the case briefly and neatly in the words, 'You

appear to revel in villainy for villainy's sake,' and I am almost

certain that I saw the beginnings of a gratified smile on Frederick's

expressive face as he heard the remark. The rest of our study--the

juniors at St Austin's pigged in quartettes--were in a state of

considerable mental activity on account of this Euripides examination.

There had been House-matches during the preceding fortnight, and

House-matches are not a help to study, especially if you are on the

very fringe of the cock-house team, as I was. By dint of practising

every minute of spare time, I had got the eleventh place for my

fielding. And, better still, I had caught two catches in the second

innings, one of them a regular gallery affair, and both off the

captain's bowling. It was magnificent, but it was not Euripides, and I

wished now that it had been. Mellish, our form-master, had an

unpleasant habit of coming down with both feet, as it were, on members

of his form who failed in the book-papers.

We were working, therefore, under forced draught, and it was distinctly

annoying to see the wretched Bradshaw lounging in our only armchair

with one of Rider Haggard's best, seemingly quite unmoved at the

prospect of Euripides examinations. For all he appeared to care,

Euripides might never have written a line in his life.

Kendal voiced the opinion of the meeting.

'Bradshaw, you worm,' he said. 'Aren't you going to do _any_

work?'

'Think not. What's the good? Can't get up a whole play of Euripides in

two hours.'

'Mellish'll give you beans.'

'Let him.'

'You'll get a jolly bad report.'

'Shan't get a report at all. I always intercept it before my guardian

can get it. He never says anything.'

'Mellish'll probably run you in to the Old Man,' said White, the fourth

occupant of the study.

Bradshaw turned on us with a wearied air.

'Oh, do give us a rest,' he said. 'Here you are just going to do a most

important exam., and you sit jawing away as if you were paid for it.

Oh, I say, by the way, who's setting the paper tomorrow?'

'Mellish, of course,' said White.

'No, he isn't,' I said. 'Shows what a lot you know about it. Mellish is

setting the Livy paper.'

'Then, who's doing this one?' asked Bradshaw.

'Yorke.'

Yorke was the master of the Upper Fifth. He generally set one of the

upper fourth book-papers.

'Certain?' said Bradshaw.

'Absolutely.'

'Thanks. That's all I wanted to know. By Jove, I advise you chaps to

read this. It's grand. Shall I read out this bit about a fight?'

'No!' we shouted virtuously, all together, though we were dying to hear

it, and we turned once more to the loathsome inanities of the second

chorus. If we had been doing Homer, we should have felt more in touch

with Bradshaw. There's a good deal of similarity, when you come to

compare them, between Homer and Haggard. They both deal largely in

bloodshed, for instance. As events proved, the Euripides paper, like

many things which seem formidable at a distance, was not nearly so bad

as I had expected. I did a fair-to-moderate paper, and Kendal and White

both seemed satisfied with themselves. Bradshaw confessed without

emotion that he had only attempted the last half of the last question,

and on being pressed for further information, merely laughed

mysteriously, and said vaguely that it would be all right.

It now became plain that he had something up his sleeve. We expressed a

unanimous desire to know what it was.

'You might tell a chap,' I said.

'Out with it, Bradshaw, or we'll lynch you,' added Kendal.

Bradshaw, however, was not to be drawn. Much of his success in the

paths of crime, both at school and afterwards, was due to his secretive

habits. He never permitted accomplices.

On the following Wednesday the marks were read out. Out of a possible

hundred I had obtained sixty--which pleased me very much indeed--White,

fifty-five, Kendal, sixty-one. The unspeakable Bradshaw's net total was

four.

Mellish always read out bad marks in a hushed voice, expressive of

disgust and horror, but four per cent was too much for him. He shouted

it, and the form yelled applause, until Ponsonby came in from the Upper

Fifth next door with Mr Yorke's compliments, 'and would we recollect

that his form were trying to do an examination'.

When order had been restored, Mellish settled his glasses and glared

through them at Bradshaw, who, it may be remarked, had not turned a

hair.

'Bradshaw,' he said, 'how do you explain this?'

It was merely a sighting shot, so to speak. Nobody was ever expected to

answer the question. Bradshaw, however, proved himself the exception to

the rule.

'I can explain, sir,' he said, 'if I may speak to you privately

afterwards.'

I have seldom seen anyone so astonished as Mellish was at these words.

In the whole course of his professional experience, he had never met

with a parallel case. It was hard on the poor man not to be allowed to

speak his mind about a matter of four per cent in a book-paper, but

what could he do? He could not proceed with his denunciation, for if

Bradshaw's explanation turned out a sufficient excuse, he would have to

withdraw it all again, and vast stores of golden eloquence would be

wasted. But, then, if he bottled up what he wished to say altogether,

it might do him a serious internal injury. At last he hit on a

compromise. He said, 'Very well, Bradshaw, I will hear what you have to

say,' and then sprang, like the cat in the poem, 'all claws', upon an

unfortunate individual who had scored twenty-nine, and who had been

congratulating himself that Bradshaw's failings would act as a sort of

lightning-conductor to him. Bradshaw worked off his explanation in

under five minutes. I tried to stay behind to listen, on the pretext of

wanting to tidy up my desk, but was ejected by request. Bradshaw

explained that his statement was private.

After a time they came out together like long-lost brothers, Mellish

with his hand on Bradshaw's shoulder. It was some small comfort to me

to remember that Bradshaw had the greatest dislike to this sort of

thing.

It was evident that Bradshaw, able exponent of the art of fiction that

he was, must have excelled himself on this occasion. I tried to get the

story out of him in the study that evening. White and Kendal assisted.

We tried persuasion first. That having failed, we tried taunts. Then we

tried kindness. Kendal sat on his legs, and I sat on his head, and

White twisted his arm. I think that we should have extracted something

soon, either his arm from its socket or a full confession, but we were

interrupted. The door flew open, and Prater (the same being our

House-master, and rather a good sort) appeared.

'Now then, now then,' he said. Prater's manner is always abrupt.

'What's this? I can't have this. I can't have this. Get up at once.

Where's Bradshaw?'

I rose gracefully to my feet, thereby disclosing the classic features

of the lost one.

'The Headmaster wants to see you at once, Bradshaw, at the School

House. You others had better find something to do, or you will be

getting into trouble.'

He and Bradshaw left together, while we speculated on the cause of the

summons.

We were not left very long in suspense. In a quarter of an hour

Bradshaw returned, walking painfully, and bearing what, to the expert's

eye, are the unmistakable signs of a 'touching up', which, being

interpreted, is corporal punishment.

'Hullo,' said White, as he appeared, 'what's all this?'

'How many?' enquired the statistically-minded Kendal. 'You'll be

thankful for this when you're a man, Bradshaw.'

'That's what I always say to myself when I'm touched up,' added Kendal.

I said nothing, but it was to me that the wounded one addressed

himself.

'You utter ass,' he said, in tones of concentrated venom.

'Look here, Bradshaw--' I began, protestingly.

'It's all through you--you idiot,' he snarled. 'I got twelve.'

'Twelve isn't so dusty,' said White, critically. 'Most I ever got was

six.'

'But why was it?' asked Kendal. 'That's what we want to know. What have

you been and gone and done?'

'It's about that Euripides paper,' said Bradshaw.

'Ah!' said Kendal.

'Yes, I don't mind telling you about it now. When Mellish had me up

after school today, I'd got my yarn all ready. There wasn't a flaw in

it anywhere as far as I could see. My idea was this. I told him I'd

been to Yorke's room the day before the exam, to ask him if he had any

marks for us. That was all right. Yorke was doing the two Unseen

papers, and it was just the sort of thing a fellow would do to go and

ask him about the marks.'

'Well?'

'Then when I got there he was out, and I looked about for the marks,

and on the table I saw the Euripides paper.'

'By Jove!' said Kendal. We began to understand, and to realize that

here was a master-mind.

'Well, of course, I read it, not knowing what it was, and then, as the

only way of not taking an unfair advantage, I did as badly as I could

in the exam. That was what I told Mellish. Any beak would have

swallowed it.'

'Well, didn't he?'

'Mellish did all right, but the rotter couldn't keep it to himself.

Went and told the Old Man. The Old Man sent for me. He was as decent as

anything at first. That was just his guile. He made me describe exactly

where I had seen the paper, and so on. That was rather risky, of

course, but I put it as vaguely as I could. When I had finished, he

suddenly whipped round, and said, "Bradshaw, why are you telling me all

these lies?" That's the sort of thing that makes you feel rather a

wreck. I was too surprised to say anything.'

'I can guess the rest,' said Kendal. 'But how on earth did he know it

was all lies? Why didn't you stick to your yarn?'

'And, besides,' I put in, 'where do I come in? I don't see what I've

got to do with it.'

Bradshaw eyed me fiercely. 'Why, the whole thing was your fault,' he

said. 'You told me Yorke was setting the paper.'

'Well, so he did, didn't he?'

'No, he didn't. The Old Man set it himself,' said Bradshaw, gloomily.

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Tales of St. Austin's · 第 32 / 57 题