“—after eight,” she echoed, wretchedly. There! She had winked. Two

great drops plumped themselves down on the silk bosom of her bodice with

the open-throated neck line. It seemed to her that she heard them

splash.

“H’m!” cackled the old man.

The glittering one leaned toward her. She was enveloped in a waft of

perfume. “Now, now, Mrs. Ravenal! There’s absolutely nothing to worry

about. Your husband has been delayed. That’s all. Unavoidably delayed.”

She snatched at this. “Do you think—? Are you sure? But he always is

back by six, at the latest. Always. And we were going to dinner—and

Mc——”

“You brides!” smiled the young man. He actually patted her hand, then.

Just a touch. “Now you just have a bite of dinner, like a sensible

little woman.”

“Oh, I couldn’t eat a bite! I couldn’t!”

“A cup of tea. Let me send up a cup of tea.”

The old one made a sucking sound with tongue and teeth, rubbed his chin,

and proffered his suggestion in a voice that seemed to Magnolia to echo

and reëcho through the hotel lobby. “Why’n’t you send a messenger around

for him, madam?”

“Messenger? Around? Where?”

Sparkler made a little gesture—a tactful gesture. “Perhaps he’s having

a little game of—uh—cards; and you know how time flies. I’ve done the

same thing myself. Look up at the clock and first thing you know it’s

eight. Now if I were you, Mrs. Ravenal——”

She knew, then. There was something so sure about this young man; and so

pitying. And suddenly she, too, was sure. She recalled in a flash that

time when they were playing Paducah, and he had not come. They had held

the curtain until after eight. Ralph had searched for him. He had been

playing poker in a waterfront saloon. Send around for him! Not she. The

words of a popular sentimental song of the day went through her mind,

absurdly.

Father, dear father, come home with me now.

The clock in the steeple strikes one.

She drew herself up, now. The actress. She even managed a smile, as even

and sparkling and toothy as the sparkler’s own. “Of course. I’m very

silly. Thank you so . . . I’ll just have a bit of supper in my

room. . . .” She turned away with a little gracious bow. The eyes very

wide again.

“H’m!” The old man. Translated it meant, “Little idiot!”

She took off the dress with the two dark spots on the silk of the

basque. She put away his linen and his shiny shoes. She took up some

sewing. But the mist interfered with that. She threw herself on the bed.

An agony of tears. That was better. Ten o’clock. She fell asleep, the

gas lights burning. At a little before midnight he came in. She awoke

with a little cry. Queerly enough, the first thing she noticed was that

he had not his cane—the richly mottled malacca stick that he always

carried. She heard herself saying, ridiculously, half awake, half

asleep, “Where’s your cane?”

His surprise at this matter-of-fact reception made his expression almost

ludicrous. “Cane! Oh, that’s so. Why I left it. Must have left it.”

In the years that followed she learned what the absence of the malacca

stick meant. It had come to be a symbol in every pawnshop on Clark

Street. Its appearance was bond for a sum a hundred times its actual

value. Gaylord Ravenal always paid his debts.

She finished undressing, in silence. Her face was red and swollen. She

looked young and helpless and almost ugly. He was uncomfortable and

self-reproachful. “I’m sorry, Nola. I was detained. We’ll go to the

theatre to-morrow night.”

She almost hated him then. Being, after all, a normal woman, there

followed a normal scene—tears, reproaches, accusations, threats,

pleadings, forgiveness. Then:

“Uh—Nola, will you let me take your ring—just for a day or two?”

“Ring?” But she knew.

“You’ll have it back. This is Wednesday. You’ll have it by Saturday. I

swear it.”

The clear white diamond had begun its travels with the malacca stick.

He had spoken the truth when he said that he had been unavoidably

detained.

She had meant not to sleep. She had felt sure that she would not sleep.

But she was young and healthy and exhausted from emotion. She slept. As

she lay there by his side she thought, before she slept, that life was

very terrible—but fascinating. Even got from this a glow of discovery.

She felt old and experienced and married and tragic. She thought of her

mother. She was much, much older and more married, she decided, than her

mother ever had been.

They returned to Thebes in February. Magnolia longed to be near her

father. She even felt a pang of loneliness for her mother. The little

white cottage near the river, at Thebes, looked like a toy house. Her

bedroom was doll-size. The town was a miniature village, like a child’s

Christmas set. Her mother’s bonnet was a bit of grotesquerie. Her

father’s face was etched with lines that she did not remember having

seen there when she left. The home-cooked food, prepared by Parthy’s

expert hands, was delicious beyond belief. She was a traveller returned

from a far place.

Captain Andy had ordered a new boat. He talked of nothing else. The old

_Cotton Blossom_, bought from Pegram years before, was to be discarded.

The new boat was to be lighted by some newfangled gas arrangement

instead of the old kerosene lamps. Carbide or some such thing Andy said

it was. There were to be special footlights, new scenery, improved

dressing and sleeping rooms. She was being built at the St. Louis

shipyards.

“She’s a daisy!” squeaked Andy, capering. He had just returned from a

trip to the place of the _Cotton Blossom’s_ imminent birth. Of the two

impending accouchements—that which was to bring forth a grandchild and

that which was to produce a new show boat—it was difficult to say which

caused him keenest anticipation. Perhaps, secretly, it was the boat,

much as he loved Magnolia. He was, first, the river man; second, the

showman; third, the father.

“Like to know what you want a new boat for!” Parthy scolded. “Take all

the money you’ve earned these years past with the old tub and throw it

away on a new one.”

“Old one ain’t good enough.”

“Good enough for the riff-raff we get on it.”

“Now, Parthy, you know’s well’s I do you couldn’t be shooed off the

rivers now you’ve got used to ’em. Any other way of living’d seem stale

to you.”

“I’m a woman loves her home and asks for nothing better.”

“Bet you wouldn’t stay ashore, permanent, if you had the chance.”

He won the wager, though he had to die to do it.

The new _Cotton Blossom_ and the new grandchild had a trial by flood on

their entrance into life. The Mississippi, savage mother that she was,

gave them both a baptism that threatened for a time to make their

entrance into and their exit from the world a simultaneous act. But

both, after some perilous hours, were piloted to safety; the one by old

Windy, who swore that this was his last year on the rivers; the other by

a fat midwife and a frightened young doctor. Through storm and flood was

heard the voice of Parthenia Ann Hawks, the scold, berating Captain

Hawks her husband, and Magnolia Ravenal her daughter, as though they,

and not the elements, were responsible for the predicament in which they

now found themselves.

There followed four years of war and peace. The strife was internal. It

raged between Parthy and her son-in-law. The conflict of the two was a

chemical thing. Combustion followed inevitably upon their meeting. The

biting acid of Mrs. Hawks’ discernment cut relentlessly through the

outer layers of the young man’s charm and grace and melting manner and

revealed the alloy. Ravenal’s nature recoiled at sight of a woman who

employed none of the arts of her sex and despised and penetrated those

of the opposite sex. She had no vanity, no coquetry, no reticences, no

respect for the reticence of others; treated compliment as insult, met

flattery with contempt.

A hundred times during those four years he threatened to leave the

_Cotton Blossom_, yet he was held to his wife Magnolia and to the child

Kim by too many tender ties. His revolt usually took the form of a

gambling spree ashore during which he often lost every dollar he had

saved throughout weeks of enforced economy. There was no opportunity to

spend money legitimately in the straggling hamlets to whose landings the

_Cotton Blossom_ was so often fastened. Then, too, the easy indolence of

the life was beginning to claim him—its effortlessness, its freedom

from responsibility. Perhaps a new part to learn at the beginning of the

season—that was all. River audiences liked the old plays. Came to see

them again and again. It was Ravenal who always made the little speech

in front of the curtain. Wish to thank you one and all . . . always glad

to come back to the old . . . to-morrow night that thrilling

comedy-drama entitled . . . each and every one . . . concert after the

show . . .

Never had the _Cotton Blossom_ troupe so revelled in home-baked cakes,

pies, cookies; home-brewed wine; fruits of tree and vine. The female

population of the river towns from the Great Lakes to the Gulf beheld in

him the lover of their secret dreams and laid at his feet burnt

offerings and shewbread. Ravenal, it was said by the _Cotton Blossom_

troupe, could charm the gold out of their teeth.

Perhaps, with the passing of the years, he might have grown quite

content with this life. Sometimes the little captain, when the two men

were conversing quietly apart, dropped a word about the future.

“When I’m gone—you and Magnolia—the boat’ll be yours, of course.”

Ravenal would laugh. Little Captain Andy looked so very much alive, his

bright brown eyes glancing here and there, missing nothing on land or

shore, his brown paw scratching the whiskers that showed so little of

gray, his nimble legs scampering from texas to gangplank, never still

for more than a minute.

“No need to worry about that for another fifty years,” Ravenal assured

him.

The end had in it, perhaps, a touch of the ludicrous, as had almost

everything the little capering captain did. The _Cotton Blossom_, headed

upstream on the Mississippi, bound for St. Louis, had struck a snag in

Cahokia Bend, three miles from the city. It was barely dawn, and a dense

fog swathed the river. The old _Cotton Blossom_ probably would have sunk

midstream. The new boat stood the shock bravely. In the midst of the

pandemonium that followed the high shrill falsetto of the little

captain’s voice could be heard giving commands which he, most of all,

knew he had no right to give. The pilot only was to be obeyed under such

conditions. The crew understood this, as did the pilot. It was, in fact,

a legend that more than once in a crisis Captain Andy on the upper deck

had screamed his orders in a kind of dramatic frenzy of satisfaction,

interspersing these with picturesque and vivid oaths during which he had

capered and bounced his way right off the deck and into the river, from

which damp station he had continued to screech his orders and

profanities in cheerful unconcern until fished aboard again. Exactly

this happened. High above the clamour rose the voice of Andy. His little

figure whirled like that of a dervish. Up, down, fore, aft—suddenly he

was overboard unseen in the dimness, in the fog, in the savage swift

current of the Mississippi, wrapped in the coils of the old yellow

serpent, tighter, tighter, deeper, deeper, until his struggles ceased.

She had him at last.

“The river,” Magnolia had said, over and over, “The river. The river.”

XII

“Thebes?” echoed Parthenia Ann Hawks, widow. The stiff crêpe of her

weeds seemed to bristle. “I’ll do nothing of the kind, miss! If you and

that fine husband of yours think to rid yourself of me _that_ way——”

“But, Mama, we’re not trying to rid ourselves of you. How can you think

of such things! You’ve always said you hated the boat. Always. And now

that Papa—now that you needn’t stay with the show any longer, I thought

you’d want to go back to Thebes to live.”

“Indeed! And what’s to become of the _Cotton Blossom_, tell me that,

Maggie Hawks!”

“I don’t know,” confessed Magnolia, miserably. “I don’t—know. That’s

what I think we ought to talk about.” The _Cotton Blossom_, after her

tragic encounter with the hidden snag in the Mississippi, was in for

repairs. The damage to the show boat had been greater than they had

thought. The snag had, after all, inflicted a jagged wound. So, too, had

it torn and wounded something deep and hidden in Magnolia’s soul.

Suddenly she had a horror of the great river whose treacherous secret

fangs had struck so poisonously. The sight of the yellow turbid flood

sickened her; yet held her hypnotized. Now she thought that she must run

from it, with her husband and her child, to safety. Now she knew that

she never could be content away from it. She wanted to flee. She longed

to stay. This, if ever, was her chance. But the river had Captain Andy.

Somewhere in its secret coils he lay. She could not leave him. On the

rivers the three great mysteries—Love and Birth and Death—had been

revealed to her. All that she had known of happiness and tragedy and

tranquillity and adventure and romance and fulfilment was bound up in

the rivers. Their willow-fringed banks framed her world. The motley

figures that went up and down upon them or that dwelt on their shores

were her people. She knew them; was of them. The Mississippi had her as

surely as it had little Andy Hawks.

“Well, we’re talking about it, ain’t we?” Mrs. Hawks now demanded.

“I mean—the repairs are going to be quite expensive. She’ll be laid up

for a month or more, right in the season. Now’s the time to decide

whether we’re going to try to run her ourselves just as if Papa were

still——”

“I can see you’ve been talking things over pretty hard and fast with

Ravenal. Well, I’ll tell you what we’re going to do, miss. We’re going

to run her ourselves—leastways, I am.”

“But, Mama!”

“Your pa left no will. Hawks all over. I’ve as much say-so as you have.

More. I’m his widow. You won’t see me willing to throw away the

good-will of a business that it’s taken years to build up. The boat’s

insurance’ll take care of the repairs. Your pa’s life insurance is paid

up, and quite a decent sum—for him. I saw to that. You’ll get your

share, I’ll get mine. The boat goes on like it always has. No Thebes for

me. You’ll go on playing ingénue leads; Ravenal juvenile. Kim——”

“No!” cried Magnolia much as Parthy had, years before. “Not Kim.”

“Why not?”

There was about the Widow Hawks a terrifying and invincible energy. Her

black habiliments of woe billowed about her like the sable wings of a

destroying angel. With Captain Andy gone, she would appoint herself

commander of the Cotton Blossom Floating Palace Theatre. Magnolia knew

that. Who, knowing Parthy, could imagine it otherwise? She would appoint

herself commander of their lives. Magnolia was no weakling. She was a

woman of mettle. But no mettle could withstand the sledge-hammer blows

of Parthy Ann Hawks’ iron.

It was impossible that such an arrangement could hold. From the first

Ravenal rejected it. But Magnolia’s pleadings for at least a trial won

him over, but grudgingly.

“It won’t work, Nola, I tell you. We’ll be at each other’s throats.

She’s got all kinds of plans. I can see them whirling around in her

eye.”

“But you will try to be patient, won’t you, Gay? For my sake and Kim’s?”

But they had not been out a week before mutiny struck the _Cotton

Blossom_. The first to go was Windy. Once his great feet were set toward

the gangplank there was no stopping him. He was over seventy now, but he

looked not an hour older than when he had come aboard the _Cotton

Blossom_ almost fifteen years before. To the irate widow he spoke

briefly but with finality.

“You’re Hawks’ widow. That’s why I said I’d take her same’s if Andy was

alive. I thought Nollie’s husband would boss this boat, but seems you’re

running it. Well, ma’am, I ain’t no petticoat-pilot. I’m off the end of

this trip down. Young Tanner’ll come aboard there and pilot you.”

“Tanner! Who’s he? How d’you know I want him? I’m running this boat.”

“You better take him, Mrs. Hawks, ma’am. He’s young, and not set in his

ways, and likely won’t mind your nagging. I’m too old. Lost my taste for

the rivers, anyway, since Cap went. Lost my nerve, too, seems

like. . . . Well, ma’am, I’m going.”

And he went.

Changes came then, tripping on each other’s heels. Mis’ Means stayed,

and little weak-chested Mr. Means. Frank had gone after Magnolia’s

marriage. Ralph left.

Parthy met these difficulties and defeats with magnificent generalship.

She seemed actually to thrive on them. Do this. Do that. Ravenal’s right

eyebrow was cocked in a perpetual circumflex of disdain. One could feel

the impact of opposition whenever the two came together. Every fibre of

Ravenal’s silent secretive nature was taut in rejection of this

managerial mother-in-law. Every nerve and muscle of that energetic

female’s frame tingled with enmity toward this suave soft-spoken

contemptuous husband of her daughter.

Finally, “Choose,” said Gaylord Ravenal, “between your mother and me.”

Magnolia chose. Her decision met with such terrific opposition from

Parthy as would have shaken any woman less determined and less in love.

“Where you going with that fine husband of yours? Tell me that!”

“I don’t know.”

“I’ll warrant you don’t. No more does he. Why’re you going? You’ve got a

good home on the boat.”

“Kim . . . school . . .”

“Fiddlesticks!”

Magnolia took the plunge. “We’re not—I’m not—Gay’s not happy any more

on the rivers.”

“You’ll be a sight unhappier on land before you’re through, make no

mistake about that, young lady. Where’ll you go? Chicago, h’m? What’ll

you do there? Starve, and worse. I know. Many’s the time you’ll wish

yourself back here.”

Magnolia, nervous, apprehensive, torn, now burst into sudden rebellion

against the iron hand that had gripped her all these years.

“How do you know? How can you be so sure? And even if you are right,

what of it? You’re always trying to keep people from doing the things

they want to do. You’re always wanting people to live cautiously. You

fought to keep Papa from buying the _Cotton Blossom_ in the first place,

and made his life a hell. And now you won’t leave it. You didn’t want me

to act. You didn’t want me to marry Gay. You didn’t want me to have Kim.

Maybe you were right. Maybe I shouldn’t have done any of those things.

But how do you know? You can’t twist people’s lives around like that,

even if you twist them right. Because how do you know that even when

you’re right you mayn’t be wrong? If Papa had listened to you, we’d be

living in Thebes. He’d be alive, probably. I’d be married to the

butcher, maybe. You can’t do it. Even God lets people have their own

way, though they have to fall down and break their necks to find out

they were wrong. . . . You can’t do it . . . and you’re glad when it

turns out badly . . .”

She was growing incoherent.

Back of Parthy’s opposition to their going was a deep relief of which

even she was unaware, and whose existence she would have denied had she

been informed of it. Her business talent, so long dormant, was leaping

into life. Her energy was cataclysmic. One would almost have said she

was happy. She discharged actors, crew; engaged actors, crew. Ordered

supplies. Spoke of shifting to an entirely new territory the following

year—perhaps to the rivers of North Carolina and Maryland. She actually

did this, though not until much later. Magnolia, years afterward reading

her mother’s terse and maddening letters, would be seized with a

nostalgia not for the writer but for the lovely-sounding places of which

she wrote—though they probably were as barren and unpicturesque as the

river towns of the Mississippi and Ohio and Big Sandy and Kanawha.

“We’re playing the town of Bath, on the Pamlico River,” Parthy’s letter

would say. Or, “We had a good week at Queenstown, on the Sassafras.”

Magnolia, looking out into the gray Chicago streets, slippery with black

ice, thick with the Lake Michigan fog, would repeat the names over to

herself. Bath on the Pamlico. Queenstown on the Sassafras.

Mrs. Hawks, at parting, was all for Magnolia’s retaining her financial

share in the _Cotton Blossom_, the money accruing therefrom to be paid

at regular intervals. In this she was right. She knew Ravenal. In her

hard and managing way she loved her daughter; wished to insure her best

interests. But Magnolia and Ravenal preferred to sell their share

outright if she would buy. Ravenal would probably invest it in some

business, Magnolia said.

“Yes—monkey business,” retorted Mrs. Hawks. Then added, earnestly, “Now

mind, don’t you come snivelling to me when it’s gone and you and your

child haven’t a penny to bless yourselves with. For that’s what it’ll

come to in the end. Mark my words. I don’t say I wouldn’t be happy to

see you and Kim back. But not him. When he’s run through every penny of

your money, he needn’t look to me for more. You can come back to the

boat; you and Kim. I’ll look for you. But him! Never!”

The two women faced each other, and they were no longer mother and

daughter but two forces opposing each other with all the strength that

lay in the deep and powerful nature of both.

Magnolia made one of those fine speeches. “I wouldn’t come to you for

help—not if I were starving to death, and Kim too.”

“Oh, there’s worse things than starving to death.”

“I wouldn’t come to you no matter what.”

“You will, just the same. I’d take my oath on that.”

“I never will.”

Secretly she was filled with terror at leaving the rivers; for the

rivers, and the little inaccessible river towns, and the indolent and

naïve people of those towns whose very presence in them confessed them

failures, had with the years taken on in Magnolia’s eyes the friendly

aspect of the accustomed. Here was comfort assured; here were friends;

here the ease that goes with familiarity. Even her mother’s bristling

generalship had in it a protective quality. The very show boat was a

second mother, shielding her from the problems and cares that beset the

land-dweller. The _Cotton Blossom_ had been a little world in itself on

which life was a thing detached, dream-like, narcotic.

As Magnolia Ravenal, with her husband and her child, turned from this

existence of ease to the outside world of which she already had had one

bitter taste, she was beset by hordes of fears and doubts. Yet opposing

these, and all but vanquishing them, was the strong love of

adventure—the eager curiosity about the unknown—which had always

characterized her and her dead father, the little captain, and caused

them both to triumph, thus far, over the clutching cautious admonitions

of Parthenia Ann Hawks.

Fright and anticipation; nostalgia and curiosity; a soaring sense of

freedom at leaving her mother’s too-protective wing; a pang of

compunction that she should feel this unfilial surge of relief.

They were going. You saw the three of them scrambling up the steep river

bank to the levee (perhaps for the last time, Magnolia thought with a

great pang. And within herself a voice cried no! no!) Ravenal slim,

cool, contained; Magnolia whiter than usual, and frankly tearful; the

child Kim waving an insouciant farewell with both small fists. They

carried no bundles, no parcels, no valises. Ravenal disdained to carry

parcels; he did not permit those of his party to carry them. Two Negroes

in tattered and faded blue overalls made much of the luggage, stowing it

inefficiently under the seats and over the floor of the livery rig which

had been hired to take the three to the nearest railway station, a good

twelve miles distant.

Show Boat · 第 15 / 24 段