"So far I have dealt with actualities. The final details are partly

speculative but they are essentially correct. Metrobe conveyed his gold

to Fountain Court, obtained a stout oak coffer for it, and selected a

spot _west_ of the fountain. He chose a favourable occasion for burying

it, but by some mischance Irons came on the scene. Metrobe explained the

incident by declaring that he was burying a favourite parrot. Irons

thought nothing particular about it then, although he related the fact

to the butler, and to others, in evidence of the general belief that

'the old cock was quite barmy.' But Metrobe himself was much disturbed

by the accident. A few days later he dug up the box. In pursuance of his

new plan he carried his gold to the Bank of England and changed it into

these notes. Then transferring the venue to one due _east_ of the

fountain, he buried them in this tin, satisfied that the small space it

occupied would baffle the search of anyone not in possession of the

exact location."

"But, I say!" exclaimed Mr Bellmark. "Gold might remain gold, but what

imaginable use could be made of bank-notes after the end of the world?"

"That is a point of view, no doubt. But Metrobe, in spite of his foreign

name, was a thorough Englishman. The world might come to an end, but he

was satisfied that somehow the Bank of England would ride through it all

right. I only suggest that. There is much that we can only guess."

"That is all there is to know, Mr Carrados?"

"Yes. Everything comes to an end, Mrs Bellmark. I sent my car away to

call for me at eight. Eight has struck. That is Harris announcing his

arrival."

He stood up, but embarrassment and indecision marked the looks and

movements of the other two.

"How can we possibly take all this money, though?" murmured Elsie, in

painful uncertainty. "It is entirely your undertaking, Mr Carrados. It

is the merest fiction bringing me into it at all."

"Perhaps in the circumstances," suggested Bellmark nervously--"you

remember the circumstances, Elsie?--Mr Carrados would be willing to

regard it as a loan----"

"No, no!" cried Elsie impulsively. "There must be no half measures. We

know that a thousand pounds would be nothing to Mr Carrados, and he

knows that a thousand pounds are everything to us." Her voice reminded

the blind man of the candle-snuffing recital. "We will take this great

gift, Mr Carrados, quite freely, and we will not spoil the generous

satisfaction that you must have in doing a wonderful and a splendid

service by trying to hedge our obligation."

"But what can we ever do to thank Mr Carrados?" faltered Bellmark

mundanely.

"Nothing," said Elsie simply. "That is it."

"But I think that Mrs Bellmark has quite solved that," interposed

Carrados.

THE GAME PLAYED IN THE DARK

"It's a funny thing, sir," said Inspector Beedel, regarding Mr Carrados

with the pensive respect that he always extended towards the blind

amateur, "it's a funny thing, but nothing seems to go on abroad now but

what you'll find some trace of it here in London if you take the trouble

to look."

"In the right quarter," contributed Carrados.

"Why, yes," agreed the inspector. "But nothing comes of it nine times

out of ten, because it's no one's particular business to look here or

the thing's been taken up and finished from the other end. I don't mean

ordinary murders or single-handed burglaries, of course, but"--a modest

ring of professional pride betrayed the quiet enthusiast--"real

First-Class Crimes."

"The State Antonio Five per cent. Bond Coupons?" suggested Carrados.

"Ah, you are right, Mr Carrados." Beedel shook his head sadly, as though

perhaps on that occasion someone ought to have looked. "A man has a fit

in the inquiry office of the Agent-General for British Equatoria, and

two hundred and fifty thousand pounds' worth of faked securities is the

result in Mexico. Then look at that jade fylfot charm pawned for

one-and-three down at the Basin and the use that could have been made

of it in the Kharkov 'ritual murder' trial."

"The West Hampstead Lost Memory puzzle and the Baripur bomb conspiracy

that might have been smothered if one had known."

"Quite true, sir. And the three children of that Chicago

millionaire--Cyrus V. Bunting, wasn't it?--kidnapped in broad daylight

outside the New York Lyric and here, three weeks later, the dumb girl

who chalked the wall at Charing Cross. I remember reading once in a

financial article that every piece of foreign gold had a string from it

leading to Threadneedle Street. A figure of speech, sir, of course, but

apt enough, I don't doubt. Well, it seems to me that every big crime

done abroad leaves a finger-print here in London--if only, as you say,

we look in the right quarter."

"And at the right moment," added Carrados. "The time is often the

present; the place the spot beneath our very noses. We take a step and

the chance has gone for ever."

The inspector nodded and contributed a weighty monosyllable of

sympathetic agreement. The most prosaic of men in the pursuit of his

ordinary duties, it nevertheless subtly appealed to some half-dormant

streak of vanity to have his profession taken romantically when there

was no serious work on hand.

"No; perhaps not 'for ever' in one case in a thousand, after all,"

amended the blind man thoughtfully. "This perpetual duel between the Law

and the Criminal has sometimes appeared to me in the terms of a game of

cricket, inspector. Law is in the field; the Criminal at the wicket. If

Law makes a mistake--sends down a loose ball or drops a catch--the

Criminal scores a little or has another lease of life. But if _he_ makes

a mistake--if he lets a straight ball pass or spoons towards a steady

man--he is done for. His mistakes are fatal; those of the Law are only

temporary and retrievable."

"Very good, sir," said Mr Beedel, rising--the conversation had taken

place in the study at The Turrets, where Beedel had found occasion to

present himself--"very apt indeed. I must remember that. Well, sir, I

only hope that this 'Guido the Razor' lot will send a catch in our

direction."

The 'this' delicately marked Inspector Beedel's instinctive contempt for

Guido. As a craftsman he was compelled, on his reputation, to respect

him, and he had accordingly availed himself of Carrados's friendship for

a confabulation. As a man--he was a foreigner: worse, an Italian, and if

left to his own resources the inspector would have opposed to his

sinuous flexibility those rigid, essentially Britannia-metal, methods of

the Force that strike the impartial observer as so ponderous, so

amateurish and conventional, and, it must be admitted, often so

curiously and inexplicably successful.

The offence that had circuitously brought "il Rasojo" and his "lot"

within the cognizance of Scotland Yard outlines the kind of story that

is discreetly hinted at by the society paragraphist of the day,

politely disbelieved by the astute reader, and then at last laid

indiscreetly bare in all its details by the inevitable princessly

"Recollections" of a generation later. It centred round an impending

royal marriage in Vienna, a certain jealous "Countess X." (here you have

the discretion of the paragrapher), and a document or two that might be

relied upon (the aristocratic biographer will impartially sum up the

contingencies) to play the deuce with the approaching nuptials. To

procure the evidence of these papers the Countess enlisted the services

of Guido, as reliable a scoundrel as she could probably have selected

for the commission. To a certain point--to the abstraction of the

papers, in fact--he succeeded, but it was with pursuit close upon his

heels. There was that disadvantage in employing a rogue to do work that

implicated roguery, for whatever moral right the Countess had to the

property, her accomplice had no legal right whatever to his liberty. On

half-a-dozen charges at least he could be arrested on sight in as many

capitals of Europe. He slipped out of Vienna by the Nordbahn with his

destination known, resourcefully stopped the express outside Czaslau and

got away across to Chrudim. By this time the game and the moves were

pretty well understood in more than one keenly interested quarter.

Diplomacy supplemented justice and the immediate history of Guido became

that of a fox hunted from covert to covert with all the familiar earths

stopped against him. From Pardubitz he passed on to Glatz, reached

Breslau and went down the Oder to Stettin. Out of the liberality of his

employer's advances he had ample funds to keep going, and he dropped and

rejoined his accomplices as the occasion ruled. A week's harrying found

him in Copenhagen, still with no time to spare, and he missed his

purpose there. He crossed to Malmo by ferry, took the connecting night

train to Stockholm and the same morning sailed down the Saltsjon,

ostensibly bound for Obo, intending to cross to Revel and so get back to

central Europe by the less frequented routes. But in this move again

luck was against him and receiving warning just in time, and by the

mysterious agency that had so far protected him, he contrived to be

dropped from the steamer by boat among the islands of the crowded

Archipelago, made his way to Helsingfors and within forty-eight hours

was back again on the Frihavnen with pursuit for the moment blinked and

a breathing-time to the good.

To appreciate the exact significance of these wanderings it is necessary

to recall the conditions. Guido was not zigzagging a course about Europe

in an aimless search for the picturesque, still less inspired by any

love of the melodramatic. To him every step was vital, each tangent or

rebound the necessary outcome of his much-badgered plans. In his pocket

reposed the papers for which he had run grave risks. The price agreed

upon for the service was sufficiently lavish to make the risks worth

taking time after time; but in order to consummate the transaction it

was necessary that the booty should be put into his employer's hand.

Half-way across Europe that employer was waiting with such patience as

she could maintain, herself watched and shadowed at every step. The

Countess X. was sufficiently exalted to be personally immune from the

high-handed methods of her country's secret service, but every approach

to her was tapped. The problem was for Guido to earn a long enough

respite to enable him to communicate his position to the Countess and

for her to go or to reach him by a trusty hand. Then the whole fabric of

intrigue could fall to pieces, but so far Guido had been kept

successfully on the run and in the meanwhile time was pressing.

"They lost him after the _Hutola_," Beedel reported, in explaining the

circumstances to Max Carrados. "Three days later they found that he'd

been back again in Copenhagen but by that time he'd flown. Now they're

without a trace except the inference of these 'Orange peach blossom'

agonies in _The Times_. But the Countess has gone hurriedly to Paris;

and Lafayard thinks it all points to London."

"I suppose the Foreign Office is anxious to oblige just now?"

"I expect so, sir," agreed Beedel, "but, of course, my instructions

don't come from that quarter. What appeals to _us_ is that it would be a

feather in our caps--they're still a little sore up at the Yard about

Hans the Piper."

"Naturally," assented Carrados. "Well, I'll see what I can do if there

is real occasion. Let me know anything, and, if you see your chance

yourself, come round for a talk if you like on--to-day's Wednesday?--I

shall be in at any rate on Friday evening."

Without being a precisian, the blind man was usually exact in such

matters. There are those who hold that an engagement must be kept at all

hazard: men who would miss a death-bed message in order to keep literal

faith with a beggar. Carrados took lower, if more substantial, ground.

"My word," he sometimes had occasion to remark, "is subject to

contingencies, like everything else about me. If I make a promise it is

conditional on nothing which seems more important arising to counteract

it. That, among men of sense, is understood." And, as it happened,

something did occur on this occasion.

He was summoned to the telephone just before dinner on Friday evening to

receive a message personally. Greatorex, his secretary, had taken the

call, but came in to say that the caller would give him nothing beyond

his name--Brebner. The name was unknown to Carrados, but such incidents

were not uncommon, and he proceeded to comply.

"Yes," he responded; "I am Max Carrados speaking. What is it?"

"Oh, it is you, sir, is it? Mr Brickwill told me to get to you direct."

"Well, you are all right. Brickwill? Are you the British Museum?"

"Yes. I am Brebner in the Chaldean Art Department. They are in a great

stew here. We have just found out that someone has managed to get access

to the Second Inner Greek Room and looted some of the cabinets there. It

is all a mystery as yet."

"What is missing?" asked Carrados.

"So far we can only definitely speak of about six trays of Greek

coins--a hundred to a hundred and twenty, roughly."

"Important?"

The line conveyed a caustic bark of tragic amusement.

"Why, yes, I should say so. The beggar seems to have known his business.

All fine specimens of the best period. Syracuse--Messana--Croton--

Amphipolis. Eumenes--Evainetos--Kimons. The chief quite wept."

Carrados groaned. There was not a piece among them that he had not

handled lovingly.

"What are you doing?" he demanded.

"Mr Brickwill has been to Scotland Yard, and, on advice, we are not

making it public as yet. We don't want a hint of it to be dropped

anywhere, if you don't mind, sir."

"That will be all right."

"It was for that reason that I was to speak with you personally. We are

notifying the chief dealers and likely collectors to whom the coins, or

some of them, may be offered at once if it is thought that we haven't

found it out yet. Judging from the expertness displayed in the

selection, we don't think that there is any danger of the lot being

sold to a pawnbroker or a metal-dealer, so that we are running very

little real risk in not advertising the loss."

"Yes; probably it is as well," replied Carrados. "Is there anything that

Mr Brickwill wishes me to do?"

"Only this, sir; if you are offered a suspicious lot of Greek coins, or

hear of them, would you have a look--I mean ascertain whether they are

likely to be ours, and if you think they are communicate with us and

Scotland Yard at once."

"Certainly," replied the blind man. "Tell Mr Brickwill that he can rely

on me if any indication comes my way. Convey my regrets to him and tell

him that I feel the loss quite as a personal one.... I don't think that

you and I have met as yet, Mr Brebner?"

"No, sir," said the voice diffidently, "but I have looked forward to the

pleasure. Perhaps this unfortunate business will bring me an

introduction."

"You are very kind," was Carrados's acknowledgment of the compliment.

"Any time ... I was going to say that perhaps you don't know my

weakness, but I have spent many pleasant hours over your wonderful

collection. That ensures the personal element. Good-bye."

Carrados was really disturbed by the loss although his concern was

tempered by the reflection that the coins would inevitably in the end

find their way back to the Museum. That their restitution might involve

ransom to the extent of several thousand pounds was the least poignant

detail of the situation. The one harrowing thought was that the booty

might, through stress or ignorance, find its way into the melting-pot.

That dreadful contingency, remote but insistent, was enough to affect

the appetite of the blind enthusiast.

He was expecting Inspector Beedel, who would be full of his own case,

but he could not altogether dismiss the aspects of possibility that

Brebner's communication opened before his mind. He was still concerned

with the chances of destruction and a very indifferent companion for

Greatorex, who alone sat with him, when Parkinson presented himself.

Dinner was over but Carrados had remained rather longer than his custom,

smoking his mild Turkish cigarette in silence.

"A lady wishes to see you, sir. She said you would not know her name,

but that her business would interest you."

The form of message was sufficiently unusual to take the attention of

both men.

"You don't know her, of course, Parkinson?" inquired his master.

For just a second the immaculate Parkinson seemed tongue-tied. Then he

delivered himself in his most ceremonial strain.

"I regret to say that I cannot claim the advantage, sir," he replied.

"Better let me tackle her, sir," suggested Greatorex with easy

confidence. "It's probably a sub."

The sportive offer was declined by a smile and a shake of the head.

Carrados turned to his attendant.

"I shall be in the study, Parkinson. Show her there in three minutes.

You stay and have another cigarette, Greatorex. By that time she will

either have gone or have interested me."

In three minutes' time Parkinson threw open the study door.

"The lady, sir," he announced.

Could he have seen, Carrados would have received the impression of a

plainly, almost dowdily, dressed young woman of buxom figure. She wore a

light veil, but it was ineffective in concealing the unattraction of the

face beneath. The features were swart and the upper lip darkened with

the more than incipient moustache of the southern brunette. Worse

remained, for a disfiguring rash had assailed patches of her skin. As

she entered she swept the room and its occupant with a quiet but

comprehensive survey.

"Please take a chair, Madame. You wished to see me?"

The ghost of a demure smile flickered about her mouth as she complied,

and in that moment her face seemed less uncomely. Her eye lingered for a

moment on a cabinet above the desk, and one might have noticed that her

eye was very bright. Then she replied.

"You are Signor Carrados, in--in the person?"

Carrados made his smiling admission and changed his position a

fraction--possibly to catch her curiously pitched voice the better.

"The great collector of the antiquities?"

"I do collect a little," he admitted guardedly.

"You will forgive me, Signor, if my language is not altogether good.

When I live at Naples with my mother we let boardings, chiefly to

Inglish and Amerigans. I pick up the words, but since I marry and go to

live in Calabria my Inglish has gone all red--no, no, you say, rusty.

Yes, that is it; quite rusty."

"It is excellent," said Carrados. "I am sure that we shall understand

one another perfectly."

The lady shot a penetrating glance but the blind man's expression was

merely suave and courteous. Then she continued:

"My husband is of name Ferraja--Michele Ferraja. We have a vineyard and

a little property near Forenzana." She paused to examine the tips of her

gloves for quite an appreciable moment. "Signor," she burst out, with

some vehemence, "the laws of my country are not good at all."

"From what I hear on all sides," said Carrados, "I am afraid that your

country is not alone."

"There is at Forenzana a poor labourer, Gian Verde of name," continued

the visitor, dashing volubly into her narrative. "He is one day digging

in the vineyard, the vineyard of my husband, when his spade strikes

itself upon an obstruction. 'Aha,' says Gian, 'what have we here?' and

he goes down upon his knees to see. It is an oil jar of red earth,

Signor, such as was anciently used, and in it is filled with silver

money.

"Gian is poor but he is wise. Does he call upon the authorities? No, no;

he understands that they are all corrupt. He carries what he has found

to my husband for he knows him to be a man of great honour.

"My husband also is of brief decision. His mind is made up. 'Gian,' he

says, 'keep your mouth shut. This will be to your ultimate profit.' Gian

understands, for he can trust my husband. He makes a sign of mutual

implication. Then he goes back to the spade digging.

"My husband understands a little of these things but not enough. We go

to the collections of Messina and Naples and even Rome and there we see

other pieces of silver money, similar, and learn that they are of great

value. They are of different sizes but most would cover a lira and of

the thickness of two. On the one side imagine the great head of a pagan

deity; on the other--oh, so many things I cannot remember what." A

gesture of circumferential despair indicated the hopeless variety of

design.

"A biga or quadriga of mules?" suggested Carrados. "An eagle carrying

off a hare, a figure flying with a wreath, a trophy of arms? Some of

those perhaps?"

"_Si, si bene_," cried Madame Ferraja. "You understand, I perceive,

Signor. We are very cautious, for on every side is extortion and an

unjust law. See, it is even forbidden to take these things out of the

country, yet if we try to dispose of them at home they will be seized

and we punished, for they are _tesoro trovato_, what you call treasure

troven and belonging to the State--these coins which the industry of

Gian discovered and which had lain for so long in the ground of my

husband's vineyard."

"So you brought them to England?"

"_Si_, Signor. It is spoken of as a land of justice and rich nobility

who buy these things at the highest prices. Also my speaking a little of

the language would serve us here."

"I suppose you have the coins for disposal then? You can show them to

me?"

"My husband retains them. I will take you, but you must first give

_parola d'onore_ of an English Signor not to betray us, or to speak of

the circumstance to another."

Carrados had already foreseen this eventuality and decided to accept it.

Whether a promise exacted on the plea of treasure trove would bind him

to respect the despoilers of the British Museum was a point for

subsequent consideration. Prudence demanded that he should investigate

the offer at once and to cavil over Madame Ferraja's conditions would be

fatal to that object. If the coins were, as there seemed little reason

to doubt, the proceeds of the robbery, a modest ransom might be the

safest way of preserving irreplaceable treasures, and in that case

Carrados could offer his services as the necessary intermediary.

"I give you the promise you require, Madame," he accordingly declared.

"It is sufficient," assented Madame. "I will now take you to the spot.

It is necessary that you alone should accompany me, for my husband is so

distraught in this country, where he understands not a word of what is

spoken, that his poor spirit would cry 'We are surrounded!' if he saw

two strangers approach the house. Oh, he is become most dreadful in his

anxiety, my husband. Imagine only, he keeps on the fire a cauldron of

molten lead and he would not hesitate to plunge into it this treasure

and obliterate its existence if he imagined himself endangered."

"So," speculated Carrados inwardly. "A likely precaution for a simple

vine-grower of Calabria! Very well," he assented aloud, "I will go with

you alone. Where is the place?"

Madame Ferraja searched in the ancient purse that she discovered in her

rusty handbag and produced a scrap of paper.

"People do not understand sometimes my way of saying it," she explained.

"_Sette_, Herringbone----"

"May I----?" said Carrados, stretching out his hand. He took the paper

and touched the writing with his finger-tips. "Oh yes, 7 Heronsbourne

Place. That is on the edge of Heronsbourne Park, is it not?" He

transferred the paper casually to his desk as he spoke and stood up.

"How did you come, Madame Ferraja?"

Madame Ferraja followed the careless action with a discreet smile that

did not touch her voice.

"By motor bus--first one then another, inquiring at every turning. Oh,

but it was interminable," sighed the lady.

"My driver is off for the evening--I did not expect to be going out--but

I will 'phone up a taxi and it will be at the gate as soon as we are."

He despatched the message and then, turning to the house telephone,

switched on to Greatorex.

"I'm just going round to Heronsbourne Park," he explained. "Don't stay,

Greatorex, but if anyone calls expecting to see me, they can say that I

don't anticipate being away more than an hour."

Max Carrados · 第 14 / 16 段